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'The Handmaid's Tale' S6: With Two Episodes To Go, 5 Theories On How The Series Will End

'The Handmaid's Tale' S6: With Two Episodes To Go, 5 Theories On How The Series Will End

Elle5 days ago

*This article contains spoilers if you've not seen episode 8, season six of 'The Handmaid's Tale'.
If you're up to speed with season six of The Handmaid's Tale, then there's no doubt that theories of the season's ending will be whirring in your mind and group chats, especially after the events of Serena and Commander Wharton's wedding massacre played out in the most recent episode.
Led by none other than the Mayday resistance group, and headed by June (Elisabeth Moss), episode eight, titled Exodus, saw the Handmaids and their supporters devise a plan that aimed to dismantle a core pillar of Gilead's power: the Commanders.
By the end of the episode, 37 Commanders were killed, with help from Aunt Lydia (Ann Dowd) who freed the Handmaids from the Red Centre).
But as we've seen before, Mayday may have to face life threatening consequences for their actions, and we're certain episode nine and 10 will be no different, meaning every single theory we had about the supposed endings of the character leads and their arcs has now completely changed.
Below, we detail our new theories on how we think The Handmaid's Tale will end.
A lot of blood was shed during the wedding massacre, and naturally, the Gileadean regime will be on the hunt for those responsible. There's a good chance that characters who were involved in the killings and letting them happen will be sent to the gallows, including Janine (Madeline Brewer), Moira (Samira Wiley), Aunt Lydia, Aunt Phoebe (D'Arcy Carden) and Luke (O-T Fagbenle).
While Aunt Lydia may have been one of the main perpatrators of violence and enabling it upon the Handmaids throughout the series, she's had a real change of heart this season far, especially in the last episode when she agreed to let them leave the Red Centre and partake in the killing of the Commanders.
Although Aunt Lydia is still very much a pious woman, she is beginning to see the cruelty in Gilead's way of life. An example of this occurred when Janine successfully pleads with her to be freed, 'He hurt me, Aunt Lydia. They hurt us. They raped us. You gave us to them.'
As a confirmed character who will feature in the series sequel, The Testaments, Aunt Lydia may keep position but will become some sort of infiltrator, secretly working for Mayday, or working to enlighten other high-ranking women in Gilead.
Okay, so we won't get ahead of ourselves and even begin to think that the Mayday resistance group have done anywhere near enough to fully take down Gilead, especially since we know that The Testaments is set in the state, 15 years after the events of The Handmaid's Tale.
However, the murder of 37 Commanders is no small feat, and will do some damage to the core structure of Gilead and its logistics. Whether this means that the Mayday will be able to slip through the weakened cracks or the Commanders turning against themselves through internal conflict, time will soon tell.
If it wasn't the drop of the knife during the ceremony, Aunt Lydia almost blowing June's cover or Rita Blue distracting Serena from attempting to uncover the Handmaids' wings, then June's visceral reaction towards Serena's speech is surely what would have ruined the wedding day massacre.
June was barely able to stand still while the newlywed Mrs. Wharton spoke of her relationship with a 'former handmaid', who she 'could have been nicer to', but ultimately believed that she had earned the Handmaid's forgiveness.
A final confrontation between the two might see Serena's luck finally run out, largely due to the fact that June has already saved her once and will no longer empathise with Serena, who is now effectively on the run.
If the Handmaids and their supporters are not killed by Gilead, then this means that they'll be saved by Mayday. We're thinking they both groups will meet at a designated safe house, and will then be transported to Alaska, hopefully in one piece.
ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today HERE.

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'The Handmaid's Tale' Season 6, Episode 9: After That Explosive End, Who Makes It To The Finale Alive?
'The Handmaid's Tale' Season 6, Episode 9: After That Explosive End, Who Makes It To The Finale Alive?

Elle

time5 hours ago

  • Elle

'The Handmaid's Tale' Season 6, Episode 9: After That Explosive End, Who Makes It To The Finale Alive?

Spoilers below. Rebellion requires sacrifice. Many have died in the fight against Gilead, and the penultimate episode of The Handmaid's Tale only spills more blood. The Mayday rebellion set out to kill commanders by lacing Serena (Yvonne Strahovski) and Commander Wharton's (Josh Charles) wedding cake with a strong sedative. June (Elisabeth Moss) and Moira (Samira Wiley) disguised themselves in red robes to secretly distribute weapons to the handmaids during the nuptials and reception. Almost everything went according to plan. However, like any other operation executed in this world, there are immediate repercussions. June, her fellow co-conspirators, and even Aunt Lydia (Ann Dowd) don't get the benefit of a trial before their punishment is decided. It is a tense hour of television (though I wouldn't expect anything less) that puts many lives on the chopping block, and two big characters meet an explosive end in the final moments. Moss plays double duty, directing an episode for the third time this season, and once again, the Emmy-winner shows poise in front of and behind the camera. Read on to find out who makes it to the final episode alive. The episode opens with June, Moira, Janine (Madeline Brewer), Aunt Phoebe (D'Arcy Carden), and the other handmaids running toward freedom with 'Look What You Made Me Do' by Taylor Swift soundtracking their escape. It is an appropriate song choice for this brief respite. Everything appears to be on schedule, but nearby explosions indicate that Gilead's Guardians are starting to retaliate. In the trucks, Phoebe reveals to June that her real name is Ava. 'I guess all that community theater finally paid off,' says Ava. Discussion turns to who is going to stay and fight. June wants the women to live their lives, but Janine won't leave without her daughter Angela. Unfortunately, the Guardians block the gates, ready to take the handmaids into custody. First, they demand June reveal herself, which she does when they threaten to shoot other handmaids. You would think everyone in Gilead knows June's face by now. Serena also learns that she has very few options to escape. As the bombs go off in the distance, Serena runs to Commander Lawrence's (Bradley Whitford) house to seek refuge—and witnesses a handmaid stabbing a wife on the way. Naomi (Ever Carradine) is bewildered that Serena left her husband on their wedding night because that thought would never occur to her. The following morning, Naomi takes it upon herself to call Wharton to let him know his bride's location. Commander Wharton is a man who can multitask as he first meets with Lawrence to discuss the next steps after the massacre they suffered. Next, he asks for Serena's forgiveness. Serena says having a handmaid is a deal breaker, and to her surprise, Wharton agrees to try for a baby on their own. Serena is still skeptical about the whole thing, which is why it is a little too neat that Wharton spills the beans that June used their wedding to plan the attack that left 37 commanders dead. He is reminding his wife that Gilead is good and June is evil. 'I thought that we were friends,' Serena says. Wharton reassures Serena that 'God's justice will be served.' However, the new Mrs. Wharton's concerned reaction highlights that she disagrees with Wharton's intended retribution. 'So, was it the bride who figured it out?' June asks Wharton. To give a sense of his 'civility,' Wharton lets June out of her Gilead cage to have a face-to-face meeting without bars between them. Wharton assures June that Serena was stunned by her betrayal. What follows is a back-and-forth about whose sins are an affront to God. June is fearless, which rattles Wharton. Of course, everything June said to Serena about the kind of man Wharton is was accurate, and this was before she had even met the man. 'This is the beginning of the end,' says June. When Wharton continues to preach about God, June turns the tables and reminds him of the blood on his hands after what he did to the women at Jezebel's. June then brings up that Serena's version of God is one of love and quotes from the Bible: 'He that dwelleth in love dwelleth in God.' This strategy helped persuade Aunt Lydia (Ann Dowd) to do the right thing last week, but Wharton is unmoved. Gilead leaders love nothing more than putting on an elaborate public execution, with Wharton reveling in the role of emcee. Ava isn't dead yet, but her cover as Aunt Phoebe is blown, which means she is part of the hanging theatrics. The platform is a gallows equipped for multiple executions; Ava stands in place with a noose around her neck. June stands center stage with her rope attached to a crane so her soon-to-be dead body can be seen far and wide. Surprisingly, Aunt Lydia faces the same punishment but has been deemed responsible for the rogue handmaids by Wharton. The rest of the handmaids are the final piece of the execution tableau. But Lydia is full of fury, telling the crowd that her 'precious girls have been prisoners of wicked Godless men.' Finally, Aunt Lydia is part of the resistance. Wharton offers June a chance to say some last words before the mass hanging begins. While June starts with a prayer, Luke (O-T Fagbenele), Rita (Amanda Brugel), and other Mayday operatives have weapons ready to strike before it is too late. June's tone switches to rage, calling for everyone to rise up before yelling the famous Handmaid's Tale refrain: 'Don't let the bastards grind you down.' The crane pulls June up at this point, dangling her from high above. Grenades are thrown, shots are fired, and the handmaids free themselves. Rita shoots the crane operator, lowering June before it is too late. Ava is a certified badass, and it is later confirmed that the undercover aunt is actually a CIA agent. Suddenly, it all makes sense! American bombers fly above, and in the chaos, Wharton escapes. At Lawrence's, Mark Tuello (Sam Jaeger) arrives for both Serena and Lawrence, but only Serena is there. One person I thought would come to June's aid was Nick (Max Minghella). However, he is at the hospital with Rose (Carey Cox). The baby is okay, though the sedative in the cake is what led to this scare. Rose wants Nick to show his allegiance to her and Gilead, and it is disappointing that he doesn't put up much of a protest. Serena has been taken into protective custody but has told Tuello that she doesn't have any information that will help the American cause. June thinks she can get through to her, and what follows is a classic June-Serena tête-à-tête. Serena is glad to see June is alive, with June quipping about ruining her wedding. June has zero regrets about the dead commanders and keeps pressing Serena for information about the ones who escaped. Eventually, June calls Serena out for her empty promises about 'reform'—that word is meaningless with those men in charge. When that doesn't work, June focuses on what Serena values most: motherhood. Using love didn't work as a strategy on Wharton, but Serena responds to this plea. Serena tells June that Wharton and the other higher-ups will fly to Washington, DC later that day. Earlier in the episode, Serena is the one who won't let it go when Lawrence appears to be going about business as usual. She tells Lawrence that June is the reason she is alive (and the same goes for her son Noah), and it hits the spot. Without a hint of sarcasm, Lawrence asks Serena to say a prayer for June, which is a first. Lawrence tried to appeal to the remaining commanders to choose reason and restraint, but they wanted a new reign of terror. Given how much Lawrence has assisted, getting him to do another big favor for Team Mayday might be an easy ask. 'I'm an economist, I'm not James Bond,' he demurs when they ask him to put a bomb on the plane with an altitude trigger. They can't shoot the plane down because the airspace is restricted. Tuello says it is now or never; if the commanders get away, they can regroup. Lawrence won't be alone as June volunteers to be his getaway driver. Lawrence refuses this offer as she is finally safe, but June knows they will never be safe with those men still in the world. When they arrive at the plane, June tells Lawrence that courage looks brave on him. First, security at this private airfield is terrible because how is this plane left unguarded? Second, June's face should be plastered everywhere as public enemy number one. I can maybe give the Guardians a pass for earlier, but not after the whole public execution thing. Of course, the other commanders are early, and this throws the entire operation because Lawrence can't pop the case on board and then leave after they've seen him. June hides behind their car, and Lawrence looks ready to accept his fate as he walks up the stairs. He takes one final look at June, touching his heart to show he will see this through, and I get as teary as June does watching this sacrifice. Whitford has been reliably great throughout his time on the series, and he peels back the vulnerability of this character in this final moment. There is one latecomer who arrives before wheels up. June gasps when she sees Nick get out of the car—as did I. For a brief moment, I thought Nick would see her and not climb onboard the death flight. Moss cranks up the tension in her devastated look toward the man she might still love and in how she shoots this scene. (My notes at this point were just the word 'no' repeatedly.) This season has been hard for Team Nick, and I must admit that this conclusion is not the hero's end I was hoping for. Instead, Nick remarks to Lawrence about being on the winning side before asking how June is. Nick also mentions that June had told him to give all of this up, and Lawrence points out that he should've listened to her. Yep, he really should have. The plane takes off and explodes when it hits a certain altitude. Lawrence goes out as a hero, Nick goes out as a man who could only go with the rebellion so far. June has tears in her eyes, and so do I. The Handmaid's Tale is going out with a bang. ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today HERE. Emma Fraser is a freelance culture writer with a focus on TV, movies, and costume design. You can find her talking about all of these things on Twitter.

Kathy Bates, Minha Kim, Elisabeth Moss, and the best of our Emmy Drama Actress interviews
Kathy Bates, Minha Kim, Elisabeth Moss, and the best of our Emmy Drama Actress interviews

Yahoo

time2 days ago

  • Yahoo

Kathy Bates, Minha Kim, Elisabeth Moss, and the best of our Emmy Drama Actress interviews

Over the past two months of Emmy campaigning, Gold Derby has spoken with several contenders in all categories. Now with voting underway ahead of the July 15 unveiling of the nominees, we have compiled 16 interviews for stars vying for Best Drama Actress, including: Annaleigh Ashford (Happy Face), Kathy Bates (Matlock), Morfydd Clark (The Lord of the Rings: The Rings of Power), Nicola Coughlan (Bridgerton), Tawny Cypress (Yellowjackets), Emma D'Arcy (House of the Dragon), Shanola Hampton (Found), Minha Kim (Pachinko), Ali Larter (Landman), Britt Lower (Severance), Melanie Lynskey (Yellowjackets), Helen Mirren (1923), Elisabeth Moss (The Handmaid's Tale), Niecy Nash-Betts (Grotesquerie), Sophie Nélisse (Yellowjackets), and Carrie Preston (Elsbeth). Read on for highlights from each interviews and links to watch our full video Q&As. More from Gold Derby An 'honored' Denis Villeneuve will direct the next James Bond movie: 'To me, he's sacred territory' 'I was taken with the idea of a spy show': How 'Talamasca: The Secret Order' showrunners expand Anne Rice's Immortal Universe in new AMC series For the Paramount+ series, Ashford plays Melissa Reed, the daughter of Dennis Quaid's Keith Hunter Jesperson, aka the Happy Face Killer, who's in prison for murdering eight women. "My mom is actually the true crime aficionado in the family," she explains. "So, I called her right before I read the script, and she gave me the lowdown. But the podcast is quite extraordinary. Not only do you get to hear Melissa's journey, but you also get to hear her navigate her conscience, her relationships with the people in her family, and also the relationships that she has to the victims' families. What was the most interesting to me about the real Melissa is how she's become an advocate for people who've been touched by the trauma of crime." Watch our complete interview with Annaleigh Ashford. For the CBS legal series, the title character is a smart, savvy, 70-something lawyer who takes a job at a firm to ostensibly pay off her late husband's debts, but is actually seeking evidence of a coverup of the opioid issues that contributed to her daughter's death. 'Even though I've had a long career and people know who I am, I was feeling a little bit invisible,' says Bates. 'But more than that, I wasn't challenged by the work in the same way. I hate to say I was losing interest in what I love to do, but you really need to find something that you really love to do. And it was a miracle to find something this well-written, this exciting, this unusual, and this deep.' Watch our complete interview with Kathy Bates. For the Prime Video series, Clark plays Galadriel, an elf who in this time period has been tricked by the evil Sauron (Charlie Vickers) and now will stop at nothing to destroy him. "It was amazing for me to be back with Charlie but him giving a completely different performance," says Clark. "It was really exciting for me as an actor to be able to see this craft of Charlie's" in his new guise as Annatar, the Lord of Gifts. "I could barely recognize him. ... Charlie's such a lovely person that it was really quite incredible for me to be frightened of him." Watch our complete video interview with Morfydd Clark. The third season of the Netflix series ended with Nicola Coughlan's Penelope Featherington marrying Luke Newton's Colin Bridgerton. At the beginning of those episodes, Penelope has "sort of given up on herself," Coughlan explains, and "she's kind of accepted her fate [and] given up on the idea of love, which is something that has driven her since the beginning." But when Colin comes back into Penelope's life, everything changes. "I loved the charting of the whole season and the way that there was something so compelling in each episode," she says. Watch our complete video interview with Nicola Coughlan. By the beginning of the Showtime drama's third season, Taissa (Cypress) has completely blown up her life. Having become the first state senator to "impeach herself" before taking office, she has destroyed any chance she had at a political career. "I always thought that Taissa was a narcissist. Everything she says comes from an 'I' perspective. You can go back to Season 1 — everything she says, even when she is trying to get rid of her wife in Season 1, she's like, 'I don't know what I'm gonna do.'... So I knew that about her, and so I took that even further," Cypress shares. "I was like, 'Oh, this is narcissism to the nth degree where she has completely created this other thing that she can blame that's not her.'" Watch our complete interview with Tawny Cypress. For the HBO series, D'Arcy plays Queen Rhaenyra Targaryen, who experienced some truly epic moments during Season 2 of the Game of Thrones prequel, including meeting up with Alicent Hightower (Olivia Cooke) in secret and watching as Daemon Targaryen (Matt Smith) finally pledged his loyalty to his queen. They say, "It was a favorite scene of mine. Getting to act with Liv is one of the great privileges in my life. But as a result of such scarcity, there was quite a lot of pressure on it. You have two big, knotty dialogue scenes in which to house the whole of that relationship. It felt to me like we were being asked to achieve an epic scale within quite small, narrow parameters. It's very silly as well, because it's a high stakes environment, and I'm wearing a wimple. [Laughs] I'd say that's more work for Olivia than it was for me, because she would have been the one looking at me." Read our complete interview with Emma D'Arcy. For Hampton's Gabi Mosely, the second season of the Peacock series was a quest for penance. And although her team at Mosley & Associates eventually forgave her for keeping her kidnapper Hugh Evans, aka Sir (Mark-Paul Gosselaar), imprisoned in her basement — and lying to them about it — she has yet to be able to give herself the same grace. "Even after all the good she does, the one thing that Gabi is a master at is torturing herself," the actress says. There's "a lot of work that she still has to do. Healing is a process; it takes years. We are used to seeing characters tied up in a nice little bow, but that's not real life. And what we're trying to do, in a lot of ways, is show that process and how long it can be, so that people watching it can be like, 'OK, I'm still in my stuff too. I don't have to be finished.'" Read our complete interview with Shanola Hampton. Kim stars as Sunja, who is introduced in Season 1 for the Apple TV+ series as a young woman in Japanese-occupied Korea who falls pregnant after an affair with married businessman Hansu (Lee). She eventually marries pastor Isak (Steve Sanghyun Noh) and they move to Japan to start anew. "She's still young. She's 35 years old. I am 30 years old right now, and I'm still a baby, but in that era, it's a different thing. I had to convey how she suffered," she explains. "I had to talk about it a lot with the directors and Soo, and with our makeup department to make very subtle wrinkles, a very subtle like eyeshadow to make her look exhausted. I talked a lot with the actors as well, like how could I have to walk, and I had to search a lot of things that made a voice different when they got old." Watch our complete interview with Minha Kim. The Paramount+ series stars Billy Bob Thornton as Tommy Norris, the right-hand man for a powerful West Texas oil executive (Jon Hamm). Larter plays Tommy's ex-wife, Angela, who is first introduced during a FaceTime call while vacationing with her new husband. It doesn't take long for her to make her way back to Texas. Larter was immediately drawn to working with creator Taylor Sheridan, who "loves his women to be emotional roller coasters. That to me, as an actress, is so exciting because I'm trying to hold it together for my family and figure out how I'm going to piece this together." She adds, "I love getting to play this woman who lays it all on the line. She wears everything on her sleeve. It's really exciting to get to play somebody that powerful." Read our complete interview with Ali Larter. The second season of the Apple TV+ series is about a near-future, retro-tinged dystopia where people could separate their work selves from their personal lives. The team behind the show, including Lower, joined our recent group discussion, where she discussed her approach to playing the innie and outie versions of her character. "For me, I use a lot of analogies. They sound like different music in my head. I use music a lot when I'm getting ready in the morning," Lower explains. "I'm also informed by how my costars are behaving with me, how the scene is written, how it's directed. There's a lot of inspiration once you get to set by the elements around you that are shifted slightly based on where you're at. Obviously when I'm Helena posing as Helly, Helena had a similar job to myself as an actor, which was to blend into this family that she is encountering for the first time. And she's having to do the same kind of role as we do as actors, which is to assume an identity and to move around like that person. And I think it was something we worked really closely on with [director] Ben [Stiller]. We were trying to figure out what things slip through. When is her acting not so good? And when is she able to tap into that part of her, that inner-rebel that she's maybe abandoned from childhood or has maybe never had full access to. Especially in [Episode] 204 ['Woe's Hollow'], she gets a kick out of playing against Milchick and getting to be the one in the classroom who's disrupting. Well, not the classroom, but the campfire." Watch our complete interview with Britt Lower. Season 3 of the Showtime series saw Lynskey's character, Shauna, delve into darker, more chaotic territory — a turn the actress found exhilarating. "It was fun because it felt like what the character has been building to," Lynskey explains. "From the beginning, I had the information that she's really trying to repress this side of herself. It's been fun when I've been able to let it out in little bursts. In [the first two] seasons there were little moments where it came out — but it went so wild this season. It was fun." Watch our complete interview with Melanie Lynskey. The Emmy and Oscar winner stars as Cara Dutton opposite Harrison Ford for the Paramount+ western series created by Taylor Sheridan. She says, 'Both Harrison and I, for the first time in our lives, had to commit without reading a single word of the characters or the story or anything. Because Taylor said he likes to write for the actor that he's got, he likes to write knowing who he's writing for, which I thought was very interesting.' But for Sheridan, she was willing to take the chance. 'We knew the history of Taylor's writing, And you know what? What a remarkable, brilliant, extraordinary talent he is. So we took a leap into the dark.' Watch our complete interview with Helen Mirren. The star, executive producer, and director were in the same physical place by the end, but the eight years between the series premiere and finale of the Emmy-winning Hulu adaptation of Margaret Atwood's seminal novel saw a huge evolution for both her and her character. "As an actor at the end, and as a director as well because they're so intertwined, it was so meta," Moss says. "I hadn't been back to the Waterford house in however many years it has been since June had been there. But I know how that felt, and I was able to then carry it into the scene. There [were] a lot of amazing memories, and there [were] also a lot of complicated memories of being very cold and it being very late at night and things like that — not quite as complicated as June's memories." Watch our complete interview with Elisabeth Moss. The FX series from Ryan Murphy begins with Nash-Betts' Det. Lois Tryon investigating several horrific murders in a small town, but viewers are soon thrown for a loop. "I will probably be working with Ryan until the day they throw dirt on my face," she says. "I love Ryan Murphy. I love him as a partner. I love him as a creator. I was so interested to see what was next, what was going on in his mind. And when I read that script — oh my gosh!" Watch our complete interview with Niecy Nash-Betts. The Season 3 finale for Showtime left fans with another cliffhanger — Natalie (Sophie Thatcher) calling for help from a mountaintop as Shauna (Nélisse) takes her throne as the Antler Queen. "I remember reading it and being like, 'This is so sick!' We were so excited, and I really wish that all of the cast could watch the finale together because it's such an important moment for us," says Nélisse. "When it ends with Natalie on the mountain, I was screaming out loud. We weren't there when she was shooting that scene, but I knew exactly how she was going to act it out, and I was like, 'This is going to leave people with their jaws just dropped on the floor.'" Read our complete interview with Sophie Nelisse. Preston has portrayed Elsbeth Tascioni — a delightfully unpredictable attorney — for more than 15 years. What began as a recurring Emmy-winning character on The Good Wife evolved into a fan-favorite performance that continued on The Good Fight and now leads her own CBS series, Elsbeth, heading into its third season. 'I love Elsbeth's curiosity and her wonder and her positive attitude,' she says. 'It takes discipline to approach the world that way. It's infectious. I love getting inside of that mindset every day because it really helps me in my life.' Watch our complete interview with Carrie Preston. Best of Gold Derby Lee Jung-jae, Adam Scott, Noah Wyle, and the best of our Emmy Drama Actor interviews Everything to know about 'The Pitt' Season 2 Adam Brody, Seth Rogen, Jason Segel, and the best of our Emmy Comedy Actor interviews Click here to read the full article.

King Charles Hosts Amal, George Clooney Who Once Defended Harry and Meghan
King Charles Hosts Amal, George Clooney Who Once Defended Harry and Meghan

Newsweek

time3 days ago

  • Newsweek

King Charles Hosts Amal, George Clooney Who Once Defended Harry and Meghan

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. George and Amal Clooney were welcomed into Buckingham Palace by King Charles Wednesday, six years after the couple issued a passionate public defense of Meghan Markle. Some royal watchers may associate the Clooneys with high-profile comments George made in February 2019 stating Meghan was being "pursued and vilified and chased" by the media "in the same way that Diana was." They were also among the most famous names at Harry and Meghan's wedding in 2018 and the Sussexes stayed with the Clooneys twice, at Lake Como and their house in Sonning, Berkshire. On Wednesday, the power couple joined makeup entrepreneur Charlotte Tilbury to meet the king, before brushing shoulders with the great and good of the British showbiz scene, in the 10th year of the King's Trust International. The King's Trust also marks its 50th year in 2026. Tilbury told Newsweek: "I feel incredibly honored to be an Ambassador for Enterprise for The King's Trust. He is a global visionary. The king has always been ahead of his time, if you think about what he did with Climate change, what he has done understanding how he can help communities out, how he can empower young people." King Charles III poses for a group photo with George and Amal Clooney, Charlotte Tilbury and other stars as well as winners of the King's Trust Awards 2025 during a reception at Buckingham Palace on... King Charles III poses for a group photo with George and Amal Clooney, Charlotte Tilbury and other stars as well as winners of the King's Trust Awards 2025 during a reception at Buckingham Palace on June 25, 2025. More Stefan Rousseau-That was all before the royal rift exploded into public consciousness but family drama has not interfered with another key loyalty. Amal Clooney has since 2019 been an ambassador for the King's Trust, one of Charles' most important charities, set up in 1976, when he was in his 20s. The trust has its annual awards Thursday and George and Amal Clooney attended a Buckingham Palace reception Wednesday to celebrate the winners. Actor Joseph Fiennes, star of Shakespeare in Love and The Handmaid's Tale, will be presenting one of the awards at the Royal Festival Hall on Thursday and attended Wednesday's reception. He told Newsweek: "It's vital because in the 25 years I've been doing this you just see the extraordinary collection of young potential that has been picked up having been disenfranchised or not given the right opportunities. "So, I said to His Majesty, maybe it was inappropriate, you are the patron saint of second chances and giving young potential second chances is vital." Newsweek is an official media partner for the Global Sustainability Award, the winner of which got a chance to share a lighthearted moment with King Charles. Pascal Ahaisibwe, 20, from Uganda, told Newsweek: "I recycle plastic bottles. I get different products from plastic that I collect around the towns. And I make products like key holders, sugar bowls, flower vessels. "I have a number of days that I normally go to collect the bottles. I will use one hour to collect the bottles and the other remaining hours to work on them. Mostly I do that during the evening after school time. "Plastic bottles are a big problem in the town where I live. I really enjoyed meeting the king and I was very happy." Jack Royston is chief royal correspondent for Newsweek, based in London. You can find him on Twitter at @jack_royston and read his stories on Newsweek's The Royals Facebook page. Do you have a question about King Charles III, William and Kate, Meghan and Harry, or their family that you would like our experienced royal correspondents to answer? Email royals@ We'd love to hear from you.

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