
F4 reunites on stage for Mayday's 25th anniversary, fans relive meteor garden magic
Dressed in sleek suits, the four heartthrobs performed their timeless hit 'Meteor Rain' alongside the legendary Taiwanese rock band Mayday, instantly transporting the crowd back to the early 2000s. Screams erupted and emotions ran high as fans witnessed the unforgettable moment live.
F4 rose to stardom in 2001, following the massive success of the Taiwanese drama 'Meteor Garden,' where they played the roles of the ultra-rich and charismatic 'F4'—Dao Ming Si (Jerry), Hua Ze Lei (Vic), Mei Zuo (Vanness), and Xi Men (Ken)—opposite the late actress Barbie Hsu as Dong Shan Cai.
The drama became a cultural phenomenon across Asia, and so did the band. F4 went on to release three albums: Meteor Rain (2001), Fantasy 4ever (2002), and Waiting For You (2007), cementing their place in pop culture history.
Their recent reunion marked their first public appearance together since their virtual performance in 2020 during Jiangsu TV's 'One Thousand and One Nights' event in China.
As one of Asia's most beloved boy bands of the early 2000s, F4's return proves that some legends never fade—and that the love of fans only grows stronger with time.
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Filipino Times
3 days ago
- Filipino Times
F4 reunites on stage for Mayday's 25th anniversary, fans relive meteor garden magic
Former Taiwanese boy band F4 just sent waves of nostalgia across Asia with a surprise reunion that fans had long dreamed of. The iconic group—Jerry Yan, Vic Chou, Vanness Wu, and Ken Chu—took the stage together once again during Mayday's 25th anniversary concert in Taiwan. Dressed in sleek suits, the four heartthrobs performed their timeless hit 'Meteor Rain' alongside the legendary Taiwanese rock band Mayday, instantly transporting the crowd back to the early 2000s. Screams erupted and emotions ran high as fans witnessed the unforgettable moment live. F4 rose to stardom in 2001, following the massive success of the Taiwanese drama 'Meteor Garden,' where they played the roles of the ultra-rich and charismatic 'F4'—Dao Ming Si (Jerry), Hua Ze Lei (Vic), Mei Zuo (Vanness), and Xi Men (Ken)—opposite the late actress Barbie Hsu as Dong Shan Cai. The drama became a cultural phenomenon across Asia, and so did the band. F4 went on to release three albums: Meteor Rain (2001), Fantasy 4ever (2002), and Waiting For You (2007), cementing their place in pop culture history. Their recent reunion marked their first public appearance together since their virtual performance in 2020 during Jiangsu TV's 'One Thousand and One Nights' event in China. As one of Asia's most beloved boy bands of the early 2000s, F4's return proves that some legends never fade—and that the love of fans only grows stronger with time.


Arabian Post
18-06-2025
- Arabian Post
After Four Months Under Wraps, F.F.O Sets to Unveil New MV《大丈夫》from Japan Ski Trip
F.F.O traveled to Niigata, Japan to film the music video for 'It's Alright.' TAIPEI, TAIWAN – Media OutReach Newswire – 18 June 2025 – Emerging as champions of the hit Taiwanese talent show《Atom Boyz 2》, the boy group F.F.O officially debuted at the end of 2024 during the Graduation Concert. Their debut track《腦袋漂流記》received glowing reviews from fans, and their first album, now available for pre-order, has already seen impressive sales. With strong fan support at every appearance, from pop-up events to brand promotions, F.F.O is quickly becoming one of Taiwan's most popular new idol groups. Their popularity even reached Japan, with digital billboards in Shinjuku drawing fans eager to catch a glimpse of the group. Just two months after their debut, F.F.O was invited to Japan to collaborate with renowned ski brand Ski Addicts as ambassadors for a special ski campaign. The members went to Echigo-Yuzawa for a 6-day skiing trip. Not only did they enjoy the snow scene to the fullest, the group also surprised fans by shooting a brand-new music video《大丈夫》. With a tight schedule and nonstop energy, F.F.O showed remarkable dedication and professionalism. The 《大丈夫》 MV is styled as a travel diary with a carefully written story behind it, capturing the group's most authentic moments. Fans will see the members handing out their group logo stickers in Akihabara, bravely introducing themselves to locals while having their most genuine reaction captured by cameras. Of course, their snow-filled adventures also made it into the MV—featuring playful snowball fights, GoPro-filmed moments, and even ice cream in the freezing cold. The result is a heartfelt visual journey that feels like a personal postcard from F.F.O to their fans. ADVERTISEMENT The MV was entirely shot in Japan. It captures the romantic encounter between F.F.O and the snow, and the highlights and memories of the Journey. 'This MV is like a snapshot of our trip, full of fun and challenges. Stay tuned!' the members shared. The MV shoot spanned both Tokyo and Niigata, meaning that the F.F.O members had to rush between locations day and night. Not only did they finish the MV shooting in Akihabara and Echigo-Yuzawa, they even squeezed in a final shoot at Ueno Park for social media content just a day before they returned to Taiwan. Despite the intense schedule and freezing temperatures, they still gave it their all and showed impeccable professionalism to deliver the best possible visuals to their dedicated fans. Now, several months after the shoot, F.F.O is thrilled to finally share《大丈夫》with fans. More behind the scenes footage and details will be revealed soon, so fans are encouraged to pay close attention to F.F.O's official social media accounts to witness the exciting results of their very first trip since debut! Hashtag: #F.F.O The issuer is solely responsible for the content of this announcement.

Gulf Today
01-05-2025
- Gulf Today
Virtual band PLAVE mixes K-pop and technology to charm fans
The five members of one of K-pop's trendiest groups PLAVE have appeared on TV, held concerts, and one of their songs has even secured a place in the prestigious Billboard Global 200, an international music chart. On paper, they seem like any other K-pop sensation, except they are two-dimensional avatars with songs and content that have racked up over 470 million views on YouTube. The band consisting of Yejun, Noah, Eunho, Bamby and Hamin, told the media they want to be globally recognised like K-pop sensation BTS. "We don't often get to meet our fans so when we meet them at a concert we get very excited," said Bamby, who has pink hair and eyes. "They cheer for us together... We make an all-out effort when we perform." A fan of virtual K-pop boy band PLAVE takes a selfie. Unlike many other virtual groups, PLAVE's label Vlast says the avatars are controlled by humans, using motion-capture and other technology to relay their actions and singing. However, Vlast keeps the identity of the humans behind the avatars a secret, so they spoke to Reuters on condition of anonymity. Since its debut in 2023, PLAVE has broken streaming records and topped music charts in South Korea with its latest album "Caligo Pt.1' released earlier this year, selling over one million copies in one week. "For concerts, we connect our in-house motion capture studio directly to the actual concert venue in real-time," Vlast CEO Lee Sung-gu said in an email. "This setup includes a feedback system that allows the members to see fan reactions from the concert venue as they perform." Son Yong-shin, a fan of virtual K-pop boy band PLAVE, shops fan goods at a pop-up store in Seoul, South Korea. Despite the rise of artificial intelligence, Lee says his company plans to expand on the motion-capture technique. "It's our unique strength," he said. There is little difference between virtual and real-life idols to Chang Ya Han, a 30-year-old Taiwanese fan who learned about PLAVE in an Instagram video. "The love they give us, the way they drive us to become better, or how I wake up every day wanting to see them, that feeling is the same," she said at a crowded fan event in Seoul. A fan of virtual K-pop boy band PLAVE, takes a photos with portraits of members of PLAVE at a pop-up store in Seoul, South Korea. Photos: Reuters Vlast describes itself as a 'virtual entertainment' startup and said it received equity investments from K-pop labels HYBE and YG Plus early last year, as AI and the metaverse are increasingly embraced by the multi-million dollar K-pop industry. According to Seoul-based music critic Kim Do Heon, PLAVE's success hinges on its interaction with fans. "It's expensive to go to an idol group's concert and you need to use a paid messaging app to interact with them these days," Kim said. "But the accessibility of cyber singers makes it much easier to like them." Reuters