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Lubaina Himid has a chance encounter and Ai Weiwei takes to the streets – the week in art

Lubaina Himid has a chance encounter and Ai Weiwei takes to the streets – the week in art

The Guardian3 days ago
Lubaina Himid With Magda Stawarska: Another Chance EncounterAn installation exploring the letters of early 20th-century modernist Sophie Brzeska, plus new paintings by Himid.Kettle's Yard, Cambridge, from 12 July to 2 November
Sculpture in the CityJane and Louise Wilson and Ai Weiwei reveal new public sculptures for this summer art trail.
City of London sites from 16 July until spring 2026
Emma TalbotBirth, death and everything in between are explored in this show that centres on an installation inspired by Greek tragedy. Read more here.
Compton Verney, Warwickshire, until 5 October
The Power of DrawingDavid Hockney, Tracey Emin and many more artists and celebs (including King Charles) celebrate the Royal Drawing School's 25th anniversary.
Royal Drawing School, London, until 26 July
Emma AmosThis artist who was born in Atlanta, Georgia, and trained in 1950s London, made expressive, political paintings.
Alison Jacques gallery, London, until 9 August
A giant mural, titled Wall of Shame, has launched in New York, to remind people of the alleged crimes committed by more than 1,500 Maga loyalists on the January 6 attack on the US Capitol, who were then pardoned by Donald Trump. Read more here.
The Bayeux tapestry will return to Britain for the first time in 900 years
Ed Sheeran's Jackson Pollock homage has energy but no truth
Kew Gardens will host the largest outdoor exhibition of Henry Moore's sculptures
Ozzy Osbourne collaborated with chimpanzees on abstract expressionist paintings
Nell Stevens asked, what if every artwork you've ever seen is a fake?
London's Design Museum is hosting a utopia of self-weaving grass and psychedelic dolphins
Indigenous Australian artist Emily Kam Kngwarray brings a sense of wonder
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Kourtney Roy makes tourist snapshots look sinister
Artists are finding inspiration in a parlour game
Saint Luke by Jacopo di Cione and Workshop, c.1365-70
The apostle Luke was the first Christian artist, it was believed in the middle ages. As well as writing a Gospel, he found time to portray the Virgin Mary from life – a story that understandably fascinated artists because it gave them an excuse to depict themselves and their craft. Is this a self-portrait of Jacopo di Cione? It doesn't seem to show Luke painting Mary – that would become a speciality of 15th-century Flemish artists who loved depicting Luke's studio in lifelike detail. Instead, here he has a book and pen. He may be writing his Gospel. But his keen gaze suggests he is drawing in ink, for sketching was a popular practice in medieval Florence where this was painted. Either way, in medieval thinking, he is not just depicting what he sees. His hand is instead guided by supernatural powers.
National Gallery, London
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BBC admit new series of MasterChef is still hanging in the balance after Gregg Wallace axe and apologise to contestants
BBC admit new series of MasterChef is still hanging in the balance after Gregg Wallace axe and apologise to contestants

The Sun

time38 minutes ago

  • The Sun

BBC admit new series of MasterChef is still hanging in the balance after Gregg Wallace axe and apologise to contestants

THE BBC have admitted that the new series of MasterChef is still hanging in the balance, after Gregg Wallace was axed, and apologised to the show contestants. The MasterChef star, 60, who was diagnosed as autistic midway through the investigation into complaints against him, was sacked after the BBC concluded he is unable to change his ways. 4 4 Now the findings of a long investigation into 30 historic complaints were unveiled today in a report. A total of 45 out of the 83 allegations made against Gregg during his time on the show were substantiated, including one allegation of "unwelcome physical contact". The corporation said the possibility of Gregg returning to MasterChef was "untenable". And they also issued a statement on the future of the new series of MasterChef, saying that, at this time, 'we are not going to make a final decision on the broadcast of the series that was filmed last year.' The statement acknowledged that this might come as "disappointing" news. The full statement read: 'We welcome the publication of the findings by Lewis Silkin, following the investigation into the conduct of Gregg Wallace. In light of these findings, Banijay UK and the BBC have agreed Mr Wallace's return to MasterChef is untenable. The BBC has ' informed Mr Wallace we have no plans to work with him in future. 'The investigation details a substantial number of allegations of inappropriate conduct spanning 19 years. This behaviour falls below the values of the BBC and the expectations we have for anyone who works with or for us. 'Although the full extent of these issues were not known at the relevant time, opportunities were missed to address this behaviour – both by the production companies running MasterChef and the BBC. We accept more could and should have been done sooner. 'We want to thank all those who took part in the investigation, including those who first raised concerns directly with the BBC in November last year. We apologise to everyone who has been impacted by Mr Wallace's behaviour. Grace Dent replaces Gregg Wallace on MasterChef after he stepped back amid 'grope' probe 'Lewis Silkin's findings include two further allegations which were upheld, relating to other individuals. The BBC takes these findings very seriously and we have asked Banijay UK to take action to address these issues, which is underway. This will be completed as a priority. 'The BBC will not be commenting further at this stage, but we are clear we expect the highest standards of respect at work to be upheld on the production. 'At this stage we are not going to make a final decision on the broadcast of the series that was filmed last year. We know this is disappointing for fans of the show and those who took part and at the appropriate time Banijay UK will consult further with the amateur contestants. 'In April the BBC published a detailed response to an independent review of workplace culture, which reinforces expectations around behaviour and that we will act more decisively when standards are not met. This also requires all TV production partners to align with the Creative Industries Independent Standards Authority (CIISA) standards. 'We want to reaffirm, there is no place for the abuse of power, unacceptable behaviour or language at the BBC, or shows made for the BBC.' Grace Dent is set to be announced as the replacement for Gregg on MasterChef UK, The Sun on Sunday revealed. The food critic, 51, is understood to start filming for MasterChef UK alongside chef John Torode, 59, at the end of the summer. A source said: ' Grace is a natural fit for the show as she is also hosting Celebrity MasterChef alongside John. 'Grace loves to support up-and-coming talent in the industry and loves the format of the show. 'Filming is expected to start at the end of the summer through December. 'They are also filming at new studios in Birmingham so it will be a fresh start all round.' Alongside her successful journalism career as food critic Grace has been doing more mainstream TV, and starred on I'm A Celeb in 2023. She walked from the jungle after nine days, citing 'medical grounds.' 4

Damien Hirst accused of plagiarism in breakthrough artwork
Damien Hirst accused of plagiarism in breakthrough artwork

Telegraph

time39 minutes ago

  • Telegraph

Damien Hirst accused of plagiarism in breakthrough artwork

Damien Hirst is embroiled in a plagiarism row after being accused of stealing the idea of using live flies in his breakthrough work from a fellow artist. Hamad Butt, a classmate of Hirst at Goldsmiths university in south London, displayed Fly-Piece, consisting of live flies in a vitrine, at his degree show in June 1990. A month later, Hirst reportedly unveiled A Thousand Years, a glass case full of live flies feeding on a cow's head, which elevated him to worldwide acclaim. Butt, meanwhile, Butt died in 1994 aged 32 after developing Aids, and having failed to break through into the art world. Dominic Johnson, a curator who has overseen a new exhibition of Butt's work at the Whitechapel Gallery in east London, claimed A Thousand Years 'appears to have directly appropriated from Butt'. Mr Johnson, a professor of performance and visual culture at Queen Mary University, London, claimed Hirst 'likely encountered Butt's piece first-hand in its development' as Butt had produced a prototype in his studio in 1989. It is claimed that Hirst displayed A Thousand Years at his exhibition Gambler which opened in July 1990. Butt felt that Hirst had appropriated his idea and 'was unhappy when Hirst's sculpture received greater acclaim', Mr Johnson wrote in the exhibition's catalogue, according to The Times. 'Whether the appropriation was direct or not, Butt chose to withdraw the Fly-Piece from his subsequent installation [in November 1990],' he added. Butt's original artwork, which has since been lost, has been recreated for the exhibition. Hirst continued to produce bio-art, most notably animals preserved in formaldehyde, including a dove, a pair of calves, and a shark dissected into three pieces. He dominated the British art world for two decades and has been reported to be the world's richest artist, with an estimated net worth of more than £300 million. The Turner Prize-winning artist's career has been dogged by allegations of plagiarism. In 2010, an art magazine published an article accusing Hirst of producing 15 works 'inspired by others' including his work Pharmacy. Charles Thomson, an artist and co-founder of Stuckists, a group which campaigns against conceptual art, tallied the number of plagiarism claims relating to Hirst's work in Jackdaw magazine. In 2007, former friend John LeKay claimed Hirst's diamond skull For the Love of God was based on his own crystal skulls made in 1993 Although Hirst has faced allegations that some of his works were the ideas of others, copyright does not protect ideas, only a specific form of expression. In 2000, it was disclosed that Hirst had paid an undisclosed sum to prevent legal action for breach of copyright by designers of a toy which resembled his famous bronze sculpture, Hymn. Hirst, 60, has always denied allegations of plagiarism but admitted in a 2018 interview that 'all my ideas are stolen'.

Prince William and Kate Middleton's sweet gesture to Louis: Royals ask new Wimbledon champion Jannik Sinner to sign a tennis ball for Prince Louis 'so he doesn't get upset' after missing the SW19 final
Prince William and Kate Middleton's sweet gesture to Louis: Royals ask new Wimbledon champion Jannik Sinner to sign a tennis ball for Prince Louis 'so he doesn't get upset' after missing the SW19 final

Daily Mail​

timean hour ago

  • Daily Mail​

Prince William and Kate Middleton's sweet gesture to Louis: Royals ask new Wimbledon champion Jannik Sinner to sign a tennis ball for Prince Louis 'so he doesn't get upset' after missing the SW19 final

The Princess of Wales sweetly asked Jannik Sinner to sign a tennis ball for Prince Louis after her youngest son missed out on the Wimbledon Men's Final on Sunday. Kate, 43, brought her two eldest children George, 11, and Charlotte, 10, to watch the final at SW19 from the Royal Box, alongside their father Prince William, 43. However, Louis, who is only seven, was notably absent, but his parents made sure not to leave him out. After Sinner's triumphant defeat of two-time consecutive winner Carlos Alcaraz, Kate kindly asked Italian tennis player to sign a ball for her youngest son, so he 'doesn't get upset'. Clearly keeping her youngest close to her heart, both literally and figuratively, Kate accessorised her royal blue outfit with a 9ct gold pendant from Daniella Draper, complete with stunning gemstones. The £3,000 pendant is not only a glamorous accessory; but a sweet tribute to Prince Louis as the gems are the birthstone for April - the month Louis was born. In adorable footage taken after the game, George and Charlotte, who are said to be avid tennis fans, shook hands with the new men's victor and told them it was 'very nice to meet you.' And in a touching moment of motherly love, the Princess of Wales made sure to ask Sinner to sign three tennis balls, with one extra for Prince Louis who was no doubt waiting keenly at home. The royal laughed as she told the 23-year-old: 'We're taking one for their brother,' to which William chimed in: 'Louis will be upset otherwise.' Louis's older siblings politely thanked Sinner before their mother said: 'huge congratulations' and shook his hand. Mother-of-three Kate has been patron of the All England Lawn and Tennis Club, also known as the AELTC (which organises the day-to-day running of the prestigious tournament), since 2016. The Princess looked radiant in a blue dress as she arrived at the All England Club for the second consecutive day yesterday - after presenting the trophy at the women's final on Saturday. Kate also wore her ' Wimbledon bow' - a brooch featuring the tournament's iconic colours - which it's believed she has worn every time she has visited Wimbledon. She debuted her green and purple bow back in 2017, when she paired it with a white, short-sleeved dress. More than just a mere accessory, the Princess's go-to Wimbledon brooch is actually a symbol of royal patronage, gifted to her from the Queen Elizabeth II. The women's 2025 final saw Iga Swiatek beat Amanda Asiminova 6-0, 6-0 in a match that lasted just under an hour. The Princess donned a £3,000 gold pendant which contains the birthstone for April - the month Prince Louis was born Mother-of-three Kate affectionately nicknames her youngest son Prince Louis 'Lou-bug' (pictured at the VE Day flypast in May) Mother-of-three Kate pictured yesterday with her only daughter, Princess Charlotte Kate appeared overwhelmed upon arrival at the Royal Box on Centre Court and was welcomed by a huge chorus of cheers and a standing ovation. It was reminiscent of the reception she received last year, when she chose the tennis tournament as her first solo outing after taking time away from public duty while being treated for cancer. Yesterday's final saw Jannik Sinner take on Spaniard Carlos Alcaraz - of whom Princess Charlotte is known to be a fan. Charlotte delighted fans last year with her animated reactions as she watched her favourite player win the coveted trophy. Throughout the nail-biting match, the young royal winced, cheered and beamed, as she watched the players compete for the prestigious title. Kate took over the role of patron in 2016 from the late Queen who had held the position for 64 years. The accessory is worn by members of the Committee of Management during the Fortnight – the Main Board of the AELTC and representatives of the LTA. It signifies their responsibilities as the Committee governing the tournament. The Patron has always traditionally been given a Committee bow in recognition of her role, which is why the Duchess has chosen to wear it when visiting The Championships. Other individuals also given an honorary Committee bow are the Chief Executive. The present colours of dark green and purple were introduced in 1909 as the club's previous colours, blue, yellow, red and green, were too similar to those of the Royal Marines. The royal was praised for her Wimbledon outing on Saturday, after she consoled the tearful runner-up Amanda Asiminova who was thrashed by Iga Swiatek in the most one-sided Wimbledon final since 1911. The Princess of Wales arrived at the All England Club for the men's Wimbledon final on Sunday with her eldest two children and husband Prince William Kate placed her hand on the American's arm and told her to 'keep your head high' following the 23-year-old's 6-0, 6-0 loss on Centre Court in just 57 minutes. Anisimova had to briefly leave the court following her humbling at the hands of an inspired Swiatek, 24, as she recorded a double bagel scoreline in the women's final - the first in 114 years and for only the second time in the tournament's history. Anisimova said meeting Kate 'was the positive of today' and told how she had been 'really kind'. Speaking after the match, she said: 'It was such an honour to meet her. 'I wasn't sure if she was going to come out today, if she was going to be there, so it's just really nice to see her. 'She definitely had a few things to say that were making me emotional again.' A tearful Anisimova wiped away tears during her post-match interview on court as she praised Swiatek and said she had 'run out of gas a bit today'. She was playing in her first Wimbledon final and said 'she would never forget this experience'. Anisimova broke down again as she mentioned how her mother had flew in from America that morning to watch her. 'Thank you for being here and breaking the superstition of not flying in - it isn't why I lost here,' she joked. Anisimova: 'I know I didn't have enough today but I will keep putting in the work and I hope to be back here one day.' A victorious Swiatek, the first Polish woman to win Wimbledon, also offered words of encouragement to Anisimova. 'First I want to congratulate Amanda for an amazing two weeks. You should be proud of the work you are doing and I hope we will play more finals her,' she said. 'I didn't even dream, for me it was way too far. I feel like I am already an experienced player after winning the Slams before but I never expected this one. 'This year I really, really enjoyed it and feel I improved my form here. 'I am always going to remember the opening of champagne bottles between serves! It is a sound that will keep me away at night!' The only ever time there has been a 6-0, 6-0 scoreline in a Grand Slam final was in 1988 when Steffi Graf beat Natasha Zvereva in the French Open. For her appearance on Saturday, Kate donned a custom Self-Portrait white ensemble. The two-piece outfit featured a high collared, military-style belted top and a flowing midi skirt. Kate has worn designs from Self-Portrait on a number of occasions, including a 2023 Wimbledon appearance, where she wore a similar two-piece outfit, but that time, in green. She finished the ensemble with a pair of Gianvito Rossi suede slingback heeled pumps in cream, and Anya Hindmarch's Neeson Small Square Tote bag in cream, which retails for £950. Her jewellery included a gold Halcyon Days bracelet and Cartier earrings. She also gave a sweet nod to her husband Prince William, wearing what appeared to be her Cartier Bleu watch, which Prince William gave her as an anniversary gift in 2014. Last year also saw Carlos Alcaraz in the final, which he won, beating Novak Djokovic in straight sets.

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