Halle Berry, 58, sizzles in swimsuit snaps while posing in California desert
The actress, 58, showed off her age-defying figure working her best angles for the camera against a stunning rocky backdrop during her vacation to Joshua Tree.
Alongside her album of pictures, the star wrote: 'Desert days windows down, music up, nowhere to be but here.'
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Daily Mail
18 minutes ago
- Daily Mail
Shaquille O'Neal offers brutal verdict on Klay Thompson's relationship with Megan Thee Stallion
Klay Thompson and Megan Thee Stallion are very happily dating - though Shaquille O'Neal doesn't see the couple lasting very long at all. The pair made their red carpet debut last week as they attended the Pete & Thomas Foundation Gala in New York City. Megan even told told Page Six that she had 'never dated somebody so kind,' and the couple looked to be smitten with one another as they shared a kiss on the red carpet. However, NBA legend O'Neal isn't convinced. The topic of the relationship was brought up on his 'Big Podcast' with Adam Lefkoe and guest Mike Tyson, and the Lakers icon predicted the couple wouldn't even make it to the end of the summer.. 'Six weeks. The line is six weeks,' he said, referencing a fictional betting line. Mike Tyson has no idea who Klay Thompson is 😂😂😂 (🎥 @bigpodwithshaq / — NBACentral (@TheDunkCentral) July 21, 2025 That possibility didn't seem likely as the couple attended the gala together on Wednesday, as Megan clutched her NBA beau's hand as they made their entrance into the event. 'This is my first relationship where I've ever been with somebody who's genuinely a nice person, and he makes me genuinely happy,' she told Page Six from the event. 'I just never dated somebody like him before and I'm just grateful that he's here by my side and he feels the same way about me.' Fans first speculated that the couple were an item when Thompson was seen in the background on a sun lounger in photos that the rapper had posted of herself while on vacation. They've since 'hard-launched' their relationship on social media, as Thompson posted a photo of them kissing on vacation, while Megan later shared a video of the pair working out together. Their romance comes just three months after Megan's relationship with another basketball player, Boston Celtics small forward Torrey Craig, seemingly came to an end. Over the years, the 30-year-old has been romantically linked with a number of high-profile names, including Chelsea soccer star Romelu Lukaku. The Mavericks star and rapper shared a kiss on the red carpet at a gala last week She also previously dated fellow rappers Tory Lanez — who is currently serving a 10-year prison sentence after shooting her in the foot nearly five years ago — and Moneybagg Yo, as well as songwriter Pardison 'Pardi' Fontaine. In August of last year, the musician confirmed she was dating Craig after accidentally sharing a video of them together on TikTok. She posted a clip of her and Craig, who was playing for the Chicago Bulls at the time, carrying out a couple's challenge while laying in bed together. Thompson previously dated actress Laura Harrier from 2018 to 2020. From 2021 to 2023, he had been linked with singer Coco Jones (though there is little public evidence of their relationship). Jones recently got engaged to Cavs star Donovan Mitchell. Thompson, recently wrapped up his debut season with the Mavs after ending his 13-year stay with the Warriors last year.
The Guardian
an hour ago
- The Guardian
Billy Joel opens up about brain disorder diagnosis after cancelling tour dates: ‘My balance sucks'
Billy Joel has opened up about his health, after cancelling his scheduled concerts mid-tour in May. At the time, the 76-year-old singer announced that he'd been diagnosed with normal pressure hydrocephalus (NPH). Speaking to Bill Maher on his Club Random podcast this week, Joel said he felt 'good'. 'They keep referring to what I have as a brain disorder, so it sounds a lot worse than what I'm feeling,' he said. 'I feel fine. My balance sucks. It's like being on a boat.' Normal pressure hydrocephalus is a condition in which excess cerebrospinal fluid accumulates in the brain's ventricles, typically affecting balance and gait, cognitive function and bladder control. It primarily affects people over the age of 60, according to the Hydrocephalus Support Association. In a statement to his Instagram account in May, Joel said his condition had been 'exacerbated by recent concert performances, leading to problems with hearing, vision and balance'. He said he had cancelled the rest of his tour on medical advice, and was undergoing physical therapy. Speaking to Maher, the singer said: 'It's not fixed. It's still being worked on.' Joel said he doesn't know what led to him developing NPH. 'I thought it must be from drinking,' the Piano Man singer said, adding he doesn't drink any more. 'I used to – like a fish.' Joel hasn't rescheduled his concert dates. His interview with Maher focused on Billy Joel: And So It Goes, a two-part documentary premiering this week on HBO. Coming in at five hours, the documentary unpacks the Grammy award-winner's extraordinary five-decade career and catalogue of music, which includes the hits Piano Man, Uptown Girl, We Didn't Start the Fire and New York State of Mind.
The Guardian
an hour ago
- The Guardian
Song of the summer 2025: writers pick their tracks of the season
Summer is for out-of-office email bouncebacks, smashing your laptop shut at 4pm and putting it off until tomorrow. This year, no song represents the simple thrill of shrugging it off better than Addison Rae's Headphones On. With a detached, lobotomy-chic delivery that's drawn comparisons to Y2K-era Madonna, the TikTok star turned serious pop scholar breezes through a list of anxieties, from her parents' relationship to the ever-present thrill of being bumped down a notch by 'the new it girl'. Ultimately, our laconic heroine swaps a panic attack for slipping those headphones on and riding it all out with a song. Clocking in at exactly four minutes, there's a straightforwardness to it all that I can't help but appreciate. Rae will make you dance without working too hard. And that's all I want right now. Alaina Demopoulos This song, sung by a six-woman international K-pop group, begins with an analysis of how malleable English slang is. 'They could describe everything with one single word, you know? / Boba tea, gnarly / Tesla, gnarly / Fried chicken, gnarly,' one member of Katseye sings, the bass thumping every time she says the most versatile descriptive word in the language, signifying intensity, both positive and negative. It's the early 2010s, and we're so back. The song is as maximalist as can be, similar to Skrillex's 2011 Bangarang or Kesha's 2010 hit TiK ToK. The music video, in which the group assembles a grotesque sandwich, calls back to 2010's Telephone, when Lady Gaga does the same. The song is fun and rowdy. It speeds forward, apt for TikTok (the app), where it first gained popularity with a distinctive, jerky dance. If you like Gnarly, I would suggest going in search of other songs by one of the song's writers, Alice Longyu Gao. Rich Bitch Juice and 100 Boyfriends feature the same mix of heavy bass and saccharine, electrified vocals and instrumentation. Blake Montgomery Since squishing a NOW! compilation's worth of ideas into three minutes on her solo single Angel of My Dreams, Jade has backed up what Little Mixologists always suspected – that she knows pop as if she has an MA in Bangers. Ahead of the release of her debut album That's Showbiz, Baby!, there's something invitingly scrappy to the way she's dovetailed from brash EDM to orgasmic disco, discarding cheap wigs and Jade-branded buttplugs in her wake. (To my mind, the only other pop act exploring genre this boldly is Sabrina Carpenter, who is something like a spiritual sibling to Jade as well as her stylistic opposite.) Plastic Box bottles a certain Scandinavian strain of sweet melancholy, with Jade playing the jilted lover over seductive electro-pop. Co-producers Grades and Oscar Görres, the latter of whom helmed most of Troye Sivan's slick Something to Give Each Other, hug her voice with rosy synths and a chorus that explodes in a cloud of confetti. It's an end of summer party that's chicer than SSENSE – and despite Jade's antics that made her so much fun to follow, Plastic Box proves that she's just as magnetic when she strips them away. Owen Myers To me, summer feels like going at terminal velocity down a waterslide: an unstoppable blur that before you know it has spat you out in the run-out pool of autumn, dazed and blinking. PinkPantheress's new 20-minute, 30-second mixtape Fancy That feels the same way, a rush of UK dance music history – heavy with samples of Basement Jaxx and Underworld and nods to Fatboy Slim and Groove Armada – guided by a flirt laying down the law in girlish RP. Illegal is the only time Pink's grip loosens, thanks to a hero dose of THC that leaves her tangled in lust, paranoia and shame. Between the reality-obliterating synth strobes, her sensory production makes you feel all the freedom and frustration of being high, close breaths and screams flickering through the slipstream. Laura Snapes There are plenty of songs of the summer about falling in love or partying or breaking up or going for a long, gorgeous drive, but there are hardly enough songs for summer lethargy. When the mercury hits 90 degrees, all my friends go insane, my technology stops working, and I start napping for at least one hour a day. Enter commie bf, a blunt buzzsaw of a song on which forty winks singer Cilia Catello yells that 'everyone and everything makes my ears ring' right before she and her bandmates unleash a maelstrom of nasty, dementedly catchy punk-pop. This is a funny, and fun, and ferocious track – loud and unruly, but so intensely catchy that even the guitar-music-averse among us would have to admire its moxie. Catello's sheer frustration rings through every second of the song, enough to shake you from that heatwave-induced stupor and get your ass back into gear, no matter how sweaty and malcontent you may be. Shaad D'Souza While pop fans fret about there not being a good enough song of the summer this year, the UK has gone ahead and anointed its choice anyway. MK's Dior is now at No 1 in the UK charts, standard behaviour for a country whose inhabitants need only the faintest hint of a 4/4 pop-dance beat on a temperate day to crack open a tinned cocktail at 11am and go 'wheeeeey' with arms stretched wide. US producer MK, AKA Marc Kinchen, has been around since the early 90s (he's behind the still-ubiquitous Push the Feeling On) and therefore brings a level of craft to bear on his productions that puts them into a different league to all other mirrored-wall nightclub fodder. 2017's 17 still shines like the white walls and high-tensile glass of an Ibizan villa; 2023's Asking is as good as build-and-drop dance gets. 2025's offering Dior is more coiled and sensual than those tracks, with a really dramatic delayed drop: silence and Chrystal's a cappella vocal fill the space where you expect the beat, creating a simple but spine-tingling effect. The high fashion references meanwhile make it a sort of sequel to 2023's equivalent dance-pop song of the summer, Cassö's Prada. Ben Beaumont-Thomas Best efforts notwithstanding, the vibes aren't great this summer. The news is terrible, the AI ominous, the culture still in an extended hangover from last year's Espresso buzz and Brat bumps. There is no obvious song of the summer – the charts are basically tracks from 2024 or Morgan Wallen (though you wouldn't know it in godless New York); Charli xcx basically headlined Glastonbury; people are too busy arguing over Sabrina Carpenter's album cover to remember her Espresso follow-up Manchild. In this muggy malaise, I've been stuck on Haim's Relationships – the LA trio's best pop song to date, a bright, deceptively airy anthem for being fucking over it. Lyrically, this lead single off the sisters' aspirationally titled fourth album I Quit describes the messy end of some ill-defined entanglement. But its spare, intoxicating production – simple piano chords, ambling bass, synths glimmering like barlights at 9pm dusk – evokes a more general, potent summer ennui. I normally want the bpm up when it's hot, but this summer, I've been circling blocks to Danielle's dreamy falsetto, ascending with her rhetorical questions – fucking relationships, don't they end up all the same? – and then crashing back to earth with her 'when there's no one else to blame'. Feelings? In this strung-out summer? Try me next year. Adrian Horton The most joyous sounding song of this summer addresses depression, numbness and the futility of it all. No Joy, by the tuneful New Zealand quartet the Beths, provides an ideal object lesson in the thrill of mixed messages in pop. The music couldn't feel more summery or light, fired by bouncy powerpop chords and chirpy backup vocals. The video, set in a candy-colored child's playroom, follows suit, with lead singer/writer Elizabeth Stokes deadpanning her way through lyrics like: 'All my pleasures, guilty / Clean slate looking filthy' and 'I feel nothing,' all while her bandmates smile with satirically exaggerated pleasure. It's impossible to keep a straight face while watching or listening to it, despite the fact that the numbness Stokes reports in her words reflects something sadly real. The lyrics chronicle her experience on the dulling SSRI drug she has used to deal with her depression. True as that may be for her, the song winds up giving the opposite feeling to the listener. When she sings 'no joy' over and over we feel nothing but – a twist that could make this the most ironic song of this summer, as well as the most irresistible. Jim Farber Welcome to sombr season. Summer '25 seems to have given us a new star, and he's Shane Boose – otherwise known by his melancholy moniker, sombr. A native of New York's bustling Lower East Side, at just 19 he has effectively launched his mainstream career with a series of chart-topping singles which flaunts the artist's emotional, guitar-propelled lyrics. Yes you read that right, the new generation has officially rediscovered actual instruments, with the teenage artist seemingly channelling alt-rock acts like Arctic Monkeys and Radiohead, the latter of whom he's cited as a major influence. Songs like We Never Dated flaunt brutally honest lyrics accented by guitar-picking led it to become an instant breakout upon its late June release, which makes it a no-brainer when it comes to Song of the Summer status. Meanwhile, he's riding high on other explosive singles including Back to Friends, which recently was anointed as the most-streamed song on Spotify's global charts. Rob LeDonne Without a factory-made earworm to invade our every waking moment, the floor has opened up to a wider selection of artists this summer and, as there always should be in my opinion, a wider selection of vibes to go with it. Songs of the summer are typically characterised by the infectious perk and sweaty overwhelm of mid-afternoon sun but there's another seasonal feeling we all know, as the brightness starts to fade, that also deserves its space. Boston-born singer Khamari knows it too and in delicate downer Head in a Jar, he captures a brand of summery sadness that's also rather seductive, a deliberate dive into dark feelings that's as refreshing as an early evening breeze. It's a song about being pushed away from the centre of someone's life, forced to watch from a distance instead and, with a voice that has rightly earned comparisons to the mostly awol Frank Ocean, Khamari pierces right through. He's quietly been gaining buzz since his similarly reflective 2020 EP Eldorado and this one deserves to vault him from the outside in. Benjamin Lee You know you're in the right party if someone throws down this tune. The Chilean-German firebrand Matías Aguayo returned in May with a subversive dancefloor heater that has been building in notoriety over the subsequent months. It's sung in Spanish but translates to, Aguayo says: 'walking through the city on hot summer nights looking for the perfect dancefloor'. But it's also a mission statement, longing for 'revolutions in music and dreams in community' away from homogenisation, social media likes and solely facing the DJ booth. In the track, Aguayo remembers the freewheeling days of YouTube rips where you could hear 'raw, primitive and direct music' from, say, a Syrian wedding or Angolan teenagers dancing on the streets – references for El Internet's own jittery, restless rhythm and also his live DJ sets, where he sings and dances inside a circle in the audience, inviting onlookers to move freely with him and let loose. It's lithe, gonzo techno for sticky evenings in search of catharsis and connection. Kate Hutchinson Taken from London-based polymath Tom Rasmussen's High Wire, a remixed and reimagined version of last year's excellent Live Wire album, new song Gay Bar – not a cover of Electric Six, apols – showcases two of my favourite summer past-times; trashy storytelling and gossip. Who doesn't love a steamy page-turner on the beach, interrupted only by the details of last night's escapades wafting over from the gaggle of pals nearby? On Gay Bar, Rasmussen details three attempts at a night out; the first is interrupted by a pint to the face, and then completely ruined by the gay bar now being a Slug & Lettuce. Night two, meanwhile, involves going to the place where 'Danielle sucked on that MP's armpit', but – shock horror! - it's now a Crossfit gym full of 'muscled up yuppies'. By night three, with hope dwindling, Rasmussen takes a straight friend giving off 'bi vibes' to a busy gay bar. As the song's hi-NRG dance pop ratchets up, you find yourself gripped as the story reaches its climax; will Cassandra get off with anyone? What's Rasmussen doing in the basement? When will the decimation of queer nightlife end? It's a real page-turner. Michael Cragg
