Archbishop Henning to receive special vestment from Pope Leo XIV Sunday in Rome
Henning will be one of eight archbishops from the United States, and 48 from around the world, who will receive the pallium from the pope during a 9:30 a.m. Mass in St. Peter's Square, the archdiocese said.
CatholicTV will air the Mass live at 3:30 a.m. Boston time and then rebroadcast it on Sunday at 8 a.m. and 8 p.m., according to the statement.
The pallium, a narrow white band with black crosses, is mostly worn when an archbishop is principal celebrant of a Mass for a special occasion, such as ordinations, confirmations, and church dedications, among other events, the archdiocese said.
Separately, the archdiocese announced a special concert series starting on Sunday to celebrate the 150th anniversary of the
Advertisement
Gavin Klein, a junior organ scholar at the College of the Holy Cross in Worcester, will perform the first concert at 3 p.m. Sunday, the archdiocese said.
Built by the prominent 19th-century Boston firm E. and G.G. Hook & Hastings, the cathedral's organ is the largest surviving instrument from the company, according to the church's
Advertisement
Its 5,292 pipes — ranging from pencil-thin flutes to bass pipes over 32 feet tall — fill a large room at the rear of the cathedral, according to Richard Clark, music director at the cathedral.
Though the organ has been updated to operate electronically rather than manually, the historic instrument has been tonally preserved, meaning 'the people who hear the organ now are hearing the same beautiful sounds that people heard when the cathedral first opened in 1875,' Clark said in an email to the Globe.
Other recitals to celebrate the organ's milestone will feature performances by Leo D. Abbott, former director of music at the cathedral, who was instrumental in the organ's restoration; James Kennerley, municipal organist of Portland, Maine; and Rosalind Mohnsen, organist at Immaculate Conception in Malden, the archdiocese said.
The dates and times of those concerts will be announced later, the archdiocese said.
A view of some of the pipes inside the organ that was built in 1875 for the Cathedral of the Holy Cross in the South End.
David L. Ryan/Globe Staff
Rita Chandler can be reached at
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Boston Globe
17 hours ago
- Boston Globe
Archbishop Henning to receive special vestment from Pope Leo XIV Sunday in Rome
Henning will be one of eight archbishops from the United States, and 48 from around the world, who will receive the pallium from the pope during a 9:30 a.m. Mass in St. Peter's Square, the archdiocese said. CatholicTV will air the Mass live at 3:30 a.m. Boston time and then rebroadcast it on Sunday at 8 a.m. and 8 p.m., according to the statement. The pallium, a narrow white band with black crosses, is mostly worn when an archbishop is principal celebrant of a Mass for a special occasion, such as ordinations, confirmations, and church dedications, among other events, the archdiocese said. Separately, the archdiocese announced a special concert series starting on Sunday to celebrate the 150th anniversary of the Advertisement Gavin Klein, a junior organ scholar at the College of the Holy Cross in Worcester, will perform the first concert at 3 p.m. Sunday, the archdiocese said. Built by the prominent 19th-century Boston firm E. and G.G. Hook & Hastings, the cathedral's organ is the largest surviving instrument from the company, according to the church's Advertisement Its 5,292 pipes — ranging from pencil-thin flutes to bass pipes over 32 feet tall — fill a large room at the rear of the cathedral, according to Richard Clark, music director at the cathedral. Though the organ has been updated to operate electronically rather than manually, the historic instrument has been tonally preserved, meaning 'the people who hear the organ now are hearing the same beautiful sounds that people heard when the cathedral first opened in 1875,' Clark said in an email to the Globe. Other recitals to celebrate the organ's milestone will feature performances by Leo D. Abbott, former director of music at the cathedral, who was instrumental in the organ's restoration; James Kennerley, municipal organist of Portland, Maine; and Rosalind Mohnsen, organist at Immaculate Conception in Malden, the archdiocese said. The dates and times of those concerts will be announced later, the archdiocese said. A view of some of the pipes inside the organ that was built in 1875 for the Cathedral of the Holy Cross in the South End. David L. Ryan/Globe Staff Rita Chandler can be reached at
Boston Globe
a day ago
- Boston Globe
Massachusetts Historical Society names new president
Founded in 1791, the Advertisement Among the MHS's most storied holdings are the Adams Family Papers, which includes the papers of Presidents John and John Quincy Adams, and an extensive archive of Thomas Jefferson's papers. One of those papers is Jefferson's hand-written copy of the Declaration of Independence. Although primarily a research and archival institution, the MHS offers programs for the general public, including lectures and exhibitions. Currently on exhibit is Catherine Allgor was MHS president from 2017 to 2024. The interim president, Brenda Lawson, will return to her position as senior vice president in September, when Krassner arrives at the society's Back Bay headquarters, at 1154 Boylston St. Advertisement Mark Feeney can be reached at
Boston Globe
a day ago
- Boston Globe
MFA returns two Benin Bronzes to Nigeria
'As custodians of these exceptional objects for the past 12 years, it is deeply gratifying to see them returned to their rightful owner,' he said in a statement. Advertisement A ceremony at the Nigeria House in New York, pictured from left: Ambassador Abubakar Jidda, consul general of Nigeria; Victoria Reed, the MFA's senior curator for provenance; Pierre Terjanian, the MFA's chief of curatorial affairs and conservation; Ambassador Samson Itegboje, of the Nigerian embassy; MFA Director Matthew Teitelbaum; Prince Aghatise Erediauwa; Dr. Arese Carrington. Andy Henderson/Museum of Fine Arts, Boston The restituted works, a 16th or 17th century Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up The plunder quickly made its way to the art market and scores of museums across Europe and (to a lesser extent) the US. The bronzes, viewed by many as an exemplar of colonial-era excess, have become a cause célèbre in recent years, with many museums returning or pledging to return them to Nigeria, where the palace has called for their return. (The Benin kingdom is distinct from the modern country of Benin, which borders Nigeria). Advertisement The collection has been That put the MFA in the difficult position: It only had clear title to five of the artworks, so it was trying to negotiate an agreement with the palace for a collection the vast majority of which it did not yet fully own. 'It's really not appropriate for us to bring them into the collection,' Victoria Reed, the museum's senior curator for provenance, told the Globe earlier this year. 'But that means that we do not own them, and therefore we don't have control over them.' The MFA returned this relief plaque Friday, which can be traced directly to the 1897 raid. Relief plaque showing two officials with raised swords, c. 1530‑1570. Royal Bronze‑casting Guild (Igun Eronmwon) Copper alloy. *Museum of Fine Arts, Boston. Robert Owen Lehman Collection. (Museum of Fine Arts, Boston) Museum of Fine Arts, Boston But the museum's efforts abruptly ran aground this spring, when Lehman, an award-winning filmmaker, 'We're all sad in contemplating this outcome,' Teitelbaum said at the time. 'There's no moment of celebration or resolution that feels fully satisfying.' Reached by phone Friday, however, he said Lehman's retraction freed the museum's hand. Advertisement 'It opened up another set of conversations,' said Teitelbaum, who described the ceremony as a 'powerful day.' 'This is the result.' The two restituted works can be traced to the 1897 raid, said Reed. The commemorative head is recorded on the London art market in 1899, when it was sold with other looted artworks from the kingdom. The relief plaque passed through the Crown Agent of the Niger Coast Protectorate (the British protectorate state, whose forces led the raid), who sold it in 1898. This commemorative head was sold along with other looted works on the London art market in 1899. Commemorative Head, 16th–17th century. Terracotta, iron. (Museum of Fine Arts, Boston) Museum of Fine Arts, Boston The artworks soon entered England's Pitt-Rivers Museum; Lehman acquired them years later when portions of the collection were sold. 'I'm am never going to say that we have 100 percent certainty about anything,' she said by phone from New York. 'But based on the available evidence, How likely is it that these were not looted? I think very, very small.' Prince Aghatise Erediauwa called the ceremony a great event, adding that the Benin royal court expected other museums 'to do the right thing.' The 'MFA has joined in showing the world that the restitution of looted heritage works is not at the pleasure of whoever is holding them,' he said via WhatsApp. 'It is the ethical and legal thing to do.' Dr. Arese Carrington, a member of the MFA's board of advisors, orchestrated the transfer. Following the ceremony, Nigeria's National Commission for Museums and Monuments plans to take possession of the bronzes and deliver them to Omo N'Oba Ewuare II, Oba, or king, of Benin. Reed is still researching the provenance of the three bronzes that remain in the museum's collection. She said that while they can be traced to the American and European art markets in the second half of the 20th century, it remains unclear when and how they left Africa. Advertisement 'There are large gaps in their provenance,' she said. 'We're going to try to fill' them. Malcolm Gay can be reached at
