'Doctor Who: Pursuit' Review - A Mind-Bending Trip Through Multiversal Horrors
When Alex (Sonny McGann) and Cass (Emma Campbell-Jones) arrive at a strange manor crewed by a staff that seems to have expected their arrival, they uncover an unusual auction where little is as it seems. Meanwhile, as the Doctor (Paul McGann) and Hieronyma Friend (Niky Wardley) chase after them, they discover they've all fallen into some kind of an alternate universe ruled by Gallifreyan Sontarans. But what exactly is being auctioned at this mysterious manor and can the Doctor and Hieronyma find Alex and Cass before it's too late? Mark Wright's 'Spoil of War' acts as both a continuation of the Eighth Doctor's previous Time War box set, Reflections , and as a pilot for a new kind of Doctor Who adventure.
The story itself is a bit lowkey, with Alex and Cass mostly trying to find their footing in their new dynamic. Who are they without the Doctor? Is Alex really so different from his great-grandfather? And how does their relationship change as Alex desperately tries to run away from his great-grandfather while Cass finds herself caught in the middle of this spat? These are the questions at the heart of the story, and Wright delves into them in a wonderfully thorny and vulnerable way. 'Spoils of War' is Alex and Cass's story, even as the Doctor and Hieronyma lurk on the outskirts of the story, trying to break in. It's the kind of story that acts more as a prelude for what's to come rather than a fully formed story in its own right, but it proves quite enticing nonetheless. (8/10) 'The Tale of Alex' by Katharine Armitage
Hot on the heels of Alex and Cass, the Doctor and Hieronyma arrive on the planet of Igg—only to find the citizens blame the Doctor for their plight as Tarsin the Bard (Sam Stafford) sings stories of the Doctor's last visit and how he left the population to starve after saving them from a deadly blight. Meanwhile, Alex and Cass arrived a week earlier, hoping to undo that damage. Time, however, always finds a way to reassert itself, and the planet Igg finds itself caught between two warring potential timelines leaving Alex to decide the planet's future. What makes Katharine Armitage's 'The Tale of Alex' so compelling is that it's simultaneously a critique of the Doctor's habit of leaving a world directly after saving it and an exploration of what might happen if someone like the Doctor did stay to help the citizens rebuild.
'The Tale of Alex' is a story of two warring viewpoints—the Doctor's and Alex's. Alex feels the Doctor's approach to the universe is fundamentally flawed and tries to do things differently, to save people regardless of the wider context of the situation surrounding him. And the drama rests in that tug of war between those viewpoints. Sonny McGann shines here in delving into the notion that the harder Alex tries to rebel against the Doctor and his actions, the more Doctor-like he becomes.
Armitage does something quite compelling with her script too, playing with the idea of how stories can shift and change, altering your view of who the 'hero' is and who the 'villain' is. 'The Tale of Alex' asks the audience to decide whether Alex is the hero and the Doctor is the villain—or vice versa—and it thrives in those twisty, shifty, murky waters. It's a clever, well-paced little character study that dives deep into both Alex and the Doctor in the most compelling of ways. (9/10) 'See-Saw' by James Moran
When Alex and Cass arrive in 1924 London, answering a distress signal of some kind, they find the city freshly abandoned; a place they shouldn't be able to get to as the Earth has been time-locked to protect it from the Time War. And yet, here they are, hot on the trail of a strange little girl singing a haunting nursery rhyme they feel compelled to complete. Meanwhile, the Doctor and Hieronyma Friend (Lizzie Hopley) arrive in 1924 London, answering a distress signal of some kind, and find the city freshly abandoned. They're in the same time and place as Alex and Cass, and yet they can't see them. And Alex and Cass, in turn, can't see the Doctor and Hieronyma. But what could have possibly happened to London? And what role does the strange little girl and her unsettling nursery rhyme play?
After the previous, more character-focused, stories, James Moran's 'See-Saw' offers a dose of psychological horror. Building on some of the themes in 'The Tale of Alex', 'See-Saw' furthers the exploration of how Alex's methods differ from those of the Doctor—except this time, it focuses on how well the Doctor and Alex work together nonetheless. It's a very timey-wimey story, perfect for the Time War series, complete with the kind of psychological threat that makes your brain hurt the more you think about it. But Moran's script works exceedingly well, even if it feels very small and contained. Though the box set's overarching story kind of takes a back seat here, it all feels like it's leading somewhere, with 'See-Saw' the opening salvo of a grander battle to come. As it is, 'See-Saw' offers a self-contained dose of psychological horror in a tightly-paced, immensely creepy package. (8.5/10) 'The First Forest' by Tim Foley
When the Doctor, Hieronyma (Niky Wardley), Alex, and Cass crash in the most unusual of forests, they find a world besieged by shifting timelines. But with Cass missing, can the Doctor and Alex set aside their differences and come together to find their missing friend? Or will the ever-changing winds of time bring an end to the TARDIS team? All roads lead here, and this uncharted universe is finally beginning to unfold. With 'The First Forest', Tim Foley takes various story threads led across both Uncharted box sets and begins to weave them into some kind of a tapestry. Expect answers to long ruminating questions alongside a bushel of new questions.
Naturally, the less you know about 'The First Forest', the better. But Foley delivers the auditory equivalent of a season finale in the best of ways—it's an ending of sorts that also throws open the doors for the next Uncharted box set. At its heart, though, underneath all of the mindbending shifting timelines, 'The First Forest' is a story of forgiveness. It's the culmination of the Doctor and Alex's journey across both Reflections and Pursuit and even if it's perhaps a bit too easy of a culmination, it's no less emotionally satisfying. Put simply, 'The First Forest' does everything a good finale needs to do; it brings Pursuit 's ongoing storylines to some kind of conclusion while leaving you desperate to hear what happens next. (9.5/10) Final Thoughts
Doctor Who: Pursuit proves exactly why Big Finish's ongoing Time War series is some of its most experimental and intriguing work. Sure, it's still very Doctor Who-shaped , hardly straying away from the general structure of a Doctor Who story. But it pushes the Doctor Who format down such unusual avenues, often eschewing the kinds of plots Doctor Who often tackles in favor of telling these very introspective stories set against an almost incomprehensible, unknowable conflict. And that dichotomy is exactly what makes these stories so compelling. They're not bogged down by the immense lore that comes with the Time War, instead the freedom of the Time War's strangeness gives them this palpable energy that permeates every single story. It's Doctor Who at its very best and a must-listen for all Whovians.
Doctor Who: Time War – Uncharted 2: Pursuit is available now from Big Finish Productions.
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