
Fire Force Season 3 Episode 8: Sumire's True Allegiance Revealed—Recap, Release Date, Where To Stream And More
Haumea declares the start of the Great Cataclysm. Meanwhile, Company 8 is excommunicated and blamed for Captain Burns's death. At St. Raffles' ruins, Hibana discovers a hidden room and concludes the convent was used to feed Infernal bugs to orphans.
Fire Force Season 3 Episode 8 will continue Hibana's investigation into the ruins of St. Raffles Convent. Sister Sumire will confront Hibana, Karim, and Huo Yan, revealing her involvement in the mass spontaneous combustion incident at the convent.
The episode will likely cover Chapter 200 of the manga, revealing Sumire's deep ties to the White-Clad and her role in orchestrating events involving doppelgangers and Infernals. Hibana and her allies will demand answers from Sumire regarding the experiments at the orphanage as well.
As stated on the official website, Fire Force Season 3 Episode 8 will be titled 'Holy Mother of Darkness' and will air in Japan on May 24, 2025, at 1:53 am JST. Due to time zone differences, international viewers may be able to watch it as early as May 23.
In Japan, Fire Force Season 3 Episode 8 will be broadcast on TBS and MBS and also available for streaming on Netflix. Outside of select Asian regions, international fans can stream the episode on Crunchyroll, provided they have an active subscription to access the platform's content.
Stay tuned to Pinkvilla for more updates on the third season of the Fire Force anime.
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Time of India
3 days ago
- Time of India
Horoscope Today, July 21, 2025: Astrological Predictions for All Zodiac Signs
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Accept your uniqueness without doubt. Cosmic Tip: Be real, and light will follow. Lucky Number: 4 Lucky Colour: Charcoal Grey Aquarius Daily Horoscope Today, July 21, 2025 Today, step back from noise and let silence guide you. One quiet moment can bring you powerful understanding. Your mind is sharp, but overthinking may block clarity. In career or studies, answers will come if you slow down. Relationships feel easier when you are calm inside. Nature, music, or quiet reflection can help reset your emotions and focus. Cosmic Tip: Silence reveals what noise hides. Lucky Number: 7 Lucky Colour: Indigo Pisces Daily Horoscope Today, July 21, 2025 Today, you are being called to open your heart without fear. You may feel sensitive, but this emotion is your strength, not weakness. In relationships, let your loved ones see the real you. At work, sharing your thoughts honestly will create better teamwork. You don't have to do everything alone—ask for support if needed. When you allow yourself to be vulnerable, true connection and healing begin to happen. Cosmic Tip: Your softness is your greatest strength. Lucky Number: 5 Lucky Colour: Sea Green Discover everything about astrology at Times of India , including daily horoscopes for Aries , Taurus , Gemini , Cancer , Leo , Virgo , Libra , Scorpio , Sagittarius , Capricorn , Aquarius , and Pisces . Read your detailed Horoscope Today and Horoscope Tomorrow here.


News18
4 days ago
- News18
Vikrant Massey To Begin Shoot For Sri Sri Ravi Shankar Biopic ‘White' Next Week
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Mint
5 days ago
- Mint
London's Immersive New Elvis Show Fails to Bring the King Back to Life
(Bloomberg) -- Elvis may have left the building in 1977, but in 2025 a new immersive show in London called Elvis Evolution aims to bring the rock icon back to life. Yet as I sat on the bleachers of an ersatz 1960s set and watched spruced-up 2D footage of the legend, the only thing that truly impressed me was how devoid this version of Elvis was of the energy and sex appeal that made the King an icon. Elvis Evolution takes place at the Immerse LDN, part of the massive Excel Waterfront complex. If you've ridden the Tube anytime in the past few weeks, you've no doubt seen ads for it. It's part of a new breed of immersive experiences that are part theater, part amusement-park attraction and part interactive spectacle. Although Evolution uses AI-enhanced video footage, this show—event? play? experience? One struggles to know what to call this thing—is not trying to be the wildly successful ABBA Voyage. There's no Elvis digital avatar or hologram. Instead it walks its audience through a mix of film-quality sets that culminate in a re-creation of Presley's 1968 comeback show. Our first stop on this tour-de-Elvis was a seafoam green, pink and red diner that managed to be both sterile and kitschy. Guests are told they are in Burbank, California, in the late '60s and can buy themselves peanut butter and banana milkshakes, hot dogs and Budweisers while they wait to enter the 'NBC Studios' for Elvis' televised comeback concert. Actors in period costume play NBC pages and staff, and it's there that the audience is introduced to Sam Bell, a childhood friend of Elvis' who is trying to talk his way into the performance and reconnect with his old friend 'EP.' This setting introduces the show's central dilemma—will Elvis perform tonight or won't he?—and we learn that Presley hasn't played live in the better part of a decade and (gasp) hasn't even left his dressing room yet because of nerves. Spoiler: Elvis does indeed perform. Sam Bell is just as much the main character of this show as Elvis, a strange choice given that I have about as much interest in Elvis' childhood friends as I do in, say, an algebra classmate of Bob Dylan's in Minnesota in the late 1950s. The audience is ushered from the faux greenroom and follows Sam along a corridor to a 'train ride' to Tupelo, Mississippi, where we get to revisit Elvis' roots. There's haze and smoke and uncomfortable wooden seats as the show chugs through Presley's basic biography: He grew up poor in one of the few White families in his neighborhood; he discovered a love for blues and gospel music from his Black neighbors; later he worked as a truck driver in Memphis, Tennessee, before being discovered by Sam Phillips at Sun Records and catapulting into global superstardom thanks to the sheer power of his voice and electric movement of his hips. (And being a White performer of the blues in a deeply racist era, though that point doesn't get much attention.) I'm not a superfan, but I knew all these pop culture beats from the general hold Elvis still has on the public. Baz Luhrmann's Elvis, starring Austin Butler, was a critical and commercial hit in 2022, and I loved the 2023 film Priscilla, Sofia Coppola's examination of the Elvis phenomenon through the eyes of his (too) young wife. Billboard estimated that Elvis' music alone still generates more than $12 million a year, proof that there's plenty of money to be made from dead celebrities, especially icons such as Elvis. I imagine if Colonel Tom Parker was still around, he'd be delighted. The highlight of the 'train ride' is prerecorded video footage of actors playing the young Elvis and Sam Bell. It is nicely shot and well-acted with a lovely dreamy quality to it. For a moment, I did forget I was in the London Docklands and not deep in the American South. Then there was a quick transition to British actors on stage doing Southern accents, and I remembered where I was again. Surprisingly, for a show about Elvis, the real thing is barely in the first act. Most of the shots of him here are the actor playing the younger version in video footage, or a backlit shot of an older actor with a pompadour hairstyle loitering outside Sun Records. After the first act explains how Elvis became the biggest star in the world, the audience is taken to a Hawaiian-themed bar for an intermission and to 'await' the Elvis performance. Leis are handed out, and guests can sip on blue Hawaiian drinks with rum and pineapple juice and take their photo with a half-dressed Elvis cutout on a surfboard. Finally, it's time for the King's big comeback concert. We walk through his dressing area, where his 'scent' is piped through the walls. The Old Spice notes were an excellent re-creation of my high school hallways after gym class. We are then shepherded into the concert hall, where actors playing NBC staffers point out the applause sign. This is where the much-discussed AI elements come in. The show used the burgeoning technology to create footage of Elvis in his dressing room as he deals with stage fright, which is then projected onto a screen (so no holographic element). AI Elvis stares blankly into the middle distance as he remembers his love of music and his Mississippi roots. He doesn't speak here—no words are put in Elvis' mouth—so it at least avoids the uncanny valley quality of the Peter Cushing likeness as Grand Moff Tarkin in Rogue One some 22 years after the actor's death. The King emerges to perform, and we are treated to a three-piece band playing along to AI-enhanced footage of that 1968 concert. The main effect of this AI is to make Elvis look too polished and a little too pretty, as if he's a 2025 TikTokker speaking with a filter over his face. His skin has no texture, and his eyes are too bright. The concert ends with footage of the real-life Sam Bell talking about his childhood friend, and a montage demonstrates the deep hold Elvis still has on us all today, with artists like Elton John explaining why Presley was such a big deal. Our last stop, an after-show dance party with musicians strumming along to Elvis songs, is good fun. It's the last bit of proof that Evolution thoroughly understands the eternal appeal of Elvis and the audience's seemingly bottomless appetite for 1960s Americana. But the show ultimately sheds no light on either the man or the myth, and no technological boundaries are pushed. If you missed your chance to see Elvis before his untimely passing, you're out of luck. The King is still dead. More stories like this are available on