Comedy and anti-heroes on the big screen, and Helen Zille in the roast seat
Spotlight's episode this week features a new comedy thriller and Marvel Universe release at cinemas, and what promises to be the biggest African comedy festival in 2025.
When crime runs in the family and the cast includes Jennifer Coolidge and Bill Murray, you know it will also involve comedy. In Riff Raff, a former criminal is enjoying a normal life with his wife and son when his past catches up with him. He learns notorious gangsters are coming to get him. Satirical and absurd at times, Riff Raff co-stars Gabrielle Union, Ed Harris and Dustin Hoffman, and is on at cinemas.
Critics are hailing Thunderbolts as the best Marvel Cinematic Universe film in years. It is receiving praise for not shying away from themes of loneliness and depression. The movie — on at cinemas, IMAX and 3D — has a ragtag team of anti-heroes and is packed with loads of action, and centres on a group of reformed supervillains ensnared in a deadly mission forcing them to confront their dark past. Starring Florence Pugh, Lewis Pullman, Wyatt Russell and David Harbour.
Good times are rolling with the arrival of the annual Laugh Africa Comedy Festival presented by Showmax. Anticipate a bolder line-up and expanded showcase featuring top comedic talent from across Africa and abroad at the Sandton Convention Centre from May 2 to 4. DA federal chair Helen Zille accepted the roast seat, and you can look forward to Felix Hlophe, Celeste Ntuli, Rob van Vuuren making sure there will be a laugh a minute.
For full interviews, breaking news, trailers and clips visit our Spotlight Facebook page. See you at the movies.
Presenter Collette Prince is styled and dressed by Claris by Gerrit Pienaar when attending premieres and special events.
Facebook @Claris by Gerrit Pienaar/Instagram: gerritpienaardesigns.
Competition giveaways
Spotlight has two giveaways this week. Answer a question to win double tickets to Showmax's Laugh Africa Comedy Festival. Entries close at 11pm on May 2.
Win a Thunderbolts movie merchandise hamper by answering a question. Competition close on May 7.
For full competition details and the questions, go to the Spotlight SA Facebook page and DM your answers and contact details.
Terms and conditions apply.
Winners will be drawn randomly and notified by SMS after the competition has closed. Entrants' personal details will not be retained for marketing purposes. Winners have to provide proof of age (ID/driving licence) and cover their own travel and accommodation expenses. By entering, participants agree to have their names published on TimesLIVE, SowetanLIVE and Spotlight SA on Facebook. Employees of Arena Holdings and their family members are not eligible to enter.
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The Citizen
an hour ago
- The Citizen
Story of 1990s serial killer Moses Sithole set to make its debut on Showmax
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TimesLIVE
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IOL News
9 hours ago
- IOL News
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Shankar S Santhiram Image: Facebook I RECENTLY came across the Malaysia Kumar podcast episode titled 'Why I always talk in English' featuring Malaysian celebrity chef Shankar S Santhiram. He spoke at length about his December 2024 trip to South Africa when he prepared traditional Malaysian Tamil sappadu (food). As a South African of Tamil heritage myself, and having visited Malaysia recently, I was initially intrigued. There is always value in hearing how diasporic communities view one another, especially if the analysis is approached with sincerity and respect. However, what unfolded in the episode was not simply an exploration of cross-cultural insights, but a troubling display of cultural condescension, pompously wrapped in the language of Tamil pride. Santhiram spoke affectionately about how Tamil played a 'huge role' in his life - though he chose to swap Tamil and speak in English to 'reach a wider audience' and to entice non-Indians, such as native Malays, to sample 'Malaysian Tamil food'. Fair enough. Adaptability is something all diasporic communities understand. But the conversation took a disappointing turn. Santhiram went on to point out that South Africa only had around 1.3 million Indians, about half the Indian population of Malaysia. Using this statistic as a foundation, he confidently claimed that Tamils in South African have forgotten their cultural ways, language, and even their food. This is where I began to fume. Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Next Stay Close ✕ To imply that South African Tamils are 'culture-less' is not just inaccurate; it is downright deeply disrespectful. Like Malaysia, South Africa's Indian community was forged through colonialism, indenture, and marginalisation. Our ancestors arrived with little, survived apartheid, and yet managed to pass down language, religion, and cultural traditions, often at great personal cost. Our way of speaking Tamil may sound different. Our breyani might not be what you would find in Malaysia's Little India Penang or Brickfields. But these are not signs of forgetting or discarding the recipe - they are markers of adaptation and resilience. We still chant the Thirukural or sing from the Thevaram at temple functions. We still mark Thaipusam with kavady processions that stretch for kilometres. We still light lamps on Karthigai Deepam; gather for prayer evenings; and teach some Tamil in community halls where government support is scarce. This is not the absence of culture, Santhiram Aiyā. It is in fact its preservation, against great odds. Indian food is a powerful lens through which to view identity. But food, like language and rituals, evolves wherever it takes root. In Malaysia, Tamil food has absorbed Malay and Chinese influences: just look at roti canai, banana leaf rice, bold curries with coconut milk and heaps of noodles on the plate with almost every meal. In South Africa, Indian dishes are fused with local realities: bunny chow, tantalising mixed vegetable curries with madumbe, dried fish and boiled eggs, spicy tinned-fish, mutton, Cornish chicken or prawn biryani, fiery pickles, and curry powders that reflect both Indian heritage and South African necessity. Neither Malaysian Tamil or South African Tamil cuisine is more 'authentic'. They are both valid cultural expressions, shaped by context, by climate, colonialism, and community. To suggest South African food has lost its Tamil essence simply because it doesn't look like Malaysian Tamil cuisine is to miss the entire point of diaspora: we don't exist to mirror India or each other; we exist to remember through adaptation, Santhiram Sir. In the new 'Rainbow Nation' that constitutes South Africa, there is a greater need for interculturalism where other cultures are explored and appreciated by those whose roots are not in that culture. According to Richard Schechner, one of the founders of Performance Studies, 'intercultural exchange takes a teacher; someone who knows the body of performance of the culture being translated. The translator of culture is not a mere agent, as a translator of words might be, but an actual culture-bearer'. Full marks to chef Santhiram for his Tamil pride, a quality I too strongly espouse. But when that pride turns into prescription, telling other communities how they should 'be more like us', it becomes entirely something else: a cultural hierarchy, a holier-than-thou attitude that I despise. The irony is stark. A man who chooses to speak English 'to be accessible' criticises another community for not speaking enough Tamil. A chef who blends cultures to make Tamil food more appealing to others, accuses South Africans of diluting their own. It's a contradiction that echoes a deeper issue: internalised comparison, rather than global solidarity. South African Tamils, like their Malaysian counterparts, are not cultural clones of India. We are not defined by numbers. We are not waiting to be corrected. We are part of a global Tamil story and forged on the anvil of reinvention, resistance, and rootedness. One where culture is not a competition, but a conversation. So instead of asking South African Tamils to be more like Malaysians, perhaps it's time for Santhiram Anna to ask how our differences enrich each other and what that says about the strength of our shared heritage. Saranya Devan Image: Supplied Saranya Devan is a theatre-maker, dance performer, academic and proud Tamilian. She holds an MA in dance from UCT, and a MA in Bharatha Natyam from the University of Madras. ** The views expressed do not necessarily reflect the views of IOL or Independent Media. THE POST