
Michael Sheen's new Welsh National Theatre to be based in Swansea
The company is seeking private and public funding, but Sheen previously said he would be self-financing it initially to allow it to "stand on its own two feet". He said he was "excited" the company would set up its home in a city of "creativity, resilience and inspiration"."My theatrical journey began on the stage in Swansea as a member of the West Glamorgan Youth Theatre, so it feels fitting to come full circle to base Welsh National Theatre in the city," he said."This isn't about just an office space, but a cultural hub which welcomes creatives in."
The council said a proposed public sector hub in the city centre would enable the redevelopment of the building. Sheen said work was under way to make the space "come alive" before audiences would be welcomed in.The first production, Our Town, will debut at Swansea Grand Theatre in January next year, before touring Wales.Sheen will also take to the stage in the January production, as well as in a co-production with Wales Millennium Centre later in the year.
Swansea Civic Centre opened in 1982 and is currently home to the county council's chamber, as well as offices and the central library.Council leader Rob Stewart said it was a "proud moment" for Swansea as it would offer job opportunities and attract visitors."This brings real opportunities for those working across the performance sector — from actors to musicians, artists and writers to designers, producers and technicians — to be part of something world-class, creating new intellectual property, rooted in Swansea and rooted in Wales," he said."It has the potential to stimulate a new generation of local talent and inspire even more visitors to come to our city."Sharon Gilburd, founding chief executive of Welsh National Theatre, added it would help create a "thriving" cultural scene for generations to come.
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The Guardian
6 hours ago
- The Guardian
Australian actor Rebel Wilson sued by production company behind her own film
The legal drama surrounding The Deb, Rebel Wilson's directorial debut, has made landfall in Australia, with one of the production companies behind the venture filing a lawsuit against Wilson in the New South Wales supreme court this week. UK-based AI Film, represented by Australian legal firm Giles George and high-profile barrister Sue Chrysanthou SC, accused the Pitch Perfect Australian actor of deliberately sabotaging the film's release, alleging threats and defamatory claims had caused the production company financial and reputational damage. The suit also claims the motive behind Wilson's actions was to devalue the production's worth and pressure AI Film and Australian company Dunburn Debutantes Commissioning Company (DDCC – the entity managing the film's rights and named as the second plaintiff in the lawsuit) into selling their stake to Wilson's company Camp Sugar. Originally conceived as a quirky musical comedy celebrating Australian culture, The Deb was co-produced by AI Film and Camp Sugar, with Wilson directing and starring. But the partnership fractured in mid-2024 when Wilson took to Instagram to accuse fellow producers Amanda Ghost, Gregor Cameron and Vince Holden of alleged embezzlement, sexual misconduct and obstructing the film's release. The allegations, broadcast to Wilson's 11 million followers, were swiftly denied by the producers who began defamation proceedings against Wilson in the Los Angeles superior court last July. In November, the film's lead actor, Charlotte MacInnes, who Wilson claimed was the victim of the alleged sexual misconduct, filed a declaration in the US court stating that Wilson fabricated the claims, describing them as 'completely false and absurd'. The court subsequently threw out Wilson's bid to strike out the defamation suit, not accepting her lawyer's argument that under California's anti-Slapp laws, the accusations she had made against the producers of her The Deb constituted 'protected activity' and were a matter of public interest. That defamation case remains ongoing. After filing its lawsuit in the supreme court's equities division on Thursday, AI Film issued the following statement: 'These proceedings are regrettable but essential to ensure The Deb's timely release. It's a joyous, fun film, and we are sure that audiences are going to love it.' And MacInnes issued a second statement, saying: 'I love this film and I can't wait for it to be released … it would be wonderful if these proceedings can help make that happen.' Wilson's Californian legal team, Freedman Taitelman + Cooley, which is handling the defamation case, did not respond to the Guardian's request for comment. In its lawsuit filed this week, Giles George claims that on 5 January, Wilson's lawyer Bryan Freedman responded to correspondence by AI Film's legal team, saying that 'Wilson is currently in active discussions to outright purchase The Deb (the 'Film') and all associated rights and title'. The Freedman letter also threatened to 'pursue all claims and damages should Al Film or any agents acting on its behalf interfere with that business opportunity'. AI Film is alleging that Wilson's motivation behind her alleged undermining of distribution efforts, including making threats to seek an injunction against the film's release, was personal financial gain. AI Film's lawyers claim that on 6 June 2025, Wilson had a discussion with film distributor Kismet, who was bidding to secure the rights for the theatrical release of The Deb in Australia, during which she said words to the effect that she was supportive of Kismet as the Australian distributor of the film but while there was a legal case involving the film in the US she could not support the film's distribution and would seek an injunction if any attempts to distribute the film were made. Giles George alleges Wilson knew the legal proceedings in the US were not impeding the film's release, and knew the threat of injunction was against her and her company, Camp Sugar's, contractual obligations. But as evidence in Byran Freedman's correspondent to them in January, Wilson was delaying the film's release so that she could pursue the 'business opportunity' of buying all rights to the film outright. AI Film is seeking damages, a formal apology, corrective advertising and a permanent restraint on Wilson and her company making any further disparaging and incorrect claims relating to other companies and individuals involved in the making of The Deb, which have come to been know in legal circles as 'The Wilson Statements'. The best public interest journalism relies on first-hand accounts from people in the know. If you have something to share on this subject you can contact us confidentially using the following methods. Secure Messaging in the Guardian app The Guardian app has a tool to send tips about stories. Messages are end to end encrypted and concealed within the routine activity that every Guardian mobile app performs. This prevents an observer from knowing that you are communicating with us at all, let alone what is being said. If you don't already have the Guardian app, download it (iOS/Android) and go to the menu. Select 'Secure Messaging'. SecureDrop, instant messengers, email, telephone and post See our guide at for alternative methods and the pros and cons of each.


BBC News
13 hours ago
- BBC News
Miss Universe contestant wants people to become foster carers
A Miss Universe GB contestant who was fostered with nothing but the clothes on her back and a "little bag of colouring pencils" has said being in care was crucial to her Ainsworth, 31, lost her father at the age of three and described the "lifeline" that her foster parents offered her when she entered their home at the age of said the "safe space" it created enabled her to flourish and she wanted to use her platform to raise awareness about the challenges facing the foster care system in Wales. The pageant finalist, from Wrexham, has spearheaded numerous fundraising efforts related to foster care. Ms Ainsworth, an alumni and advancement officer at Wrexham University said she had "amazing" foster parents who were "supportive" of her creativity."I have really happy memories in care. I'm really fortunate to say that," she Ainsworth had her first taste of pageant life when she was scouted for Miss Bury in 2012 before going on to coach future contestants."I've always been the person to learn something and then teach it," she Ainsworth is now preparing to compete in the Miss Universe GB finals in winner will go on to represent Great Britain at the global Miss Universe pageant in Thailand later this said she wanted more people to consider becoming a foster carer. "It gives you that platform to amplify causes that are really important to you," she said. More than 7,000 children are in the care system in Wales, with just 3,800 foster families, according to Foster Ainsworth said there could be many reasons for this including "age demographics" and household earnings."The cost of living right now is insane," she said."Right now I'm working three jobs to do what I'm doing. Bringing up a child is a massive responsibility," she Ainsworth also said a lack of knowledge about fostering could be a barrier for some."If you haven't been in the foster community you might not know where to look."She said being fostered was "life changing" for her and foster parents could "reap the rewards". She still keeps in touch with her foster parents on social media."It's really nice to have that connection. The kindness of strangers in my life has been incredible," she said. Cath and Neil Lucas, from Wrexham, have fostered about 40 children. "I'm not ready to give up yet. We're quite happy to continue to do it for as long as we're able," said Mrs said the children they have welcomed came from a "variety of backgrounds" with "very different needs"."It's just about giving them out experiences in a safe environment and letting them discover for themselves who they are," she said."It's quite a privilege," she added, saying despite having "difficulties and challenges" it was the "best thing we ever could've done". Mrs Lucas said the situation was "getting quite serious" in Wales."There's children that probably do need a home who have been putting independent fostering agencies."It's bad enough going into care but then to be stationed 100 miles away from everything and everyone," she said. She added: "It doesn't matter what your family looks like. As long as you can care for the child and provide them a loving, stable home."You could be a single parent, a same-sex couples or an older couple. It doesn't matter." Speaking ahead of Saturday's Miss Universe GB final, Ms Ainsworth said she was both "excited" and "nervous"."My main aim was to talk nationally about the foster care experience. I've done everything that I wanted to do," she said. "I'm going into it with the mindset to have fun and enjoy it," she Ainsworth also hoped to change the "negativity" that can surround foster care."There is always talk about how there isn't enough funding. I love doing this because it's a good news story with a positive outcome."I think more people would be invested and interested if we highlighted more stories like mine."Alastair Cope, head of Foster Wales, thanked her for being "a great role model for other care experienced young people."Every fostering journey relies on strong, trusting relationships to create the stability within a loving home that all children deserve."


The Sun
13 hours ago
- The Sun
Brit takes boyfriend to ‘height of British culture' holiday after fancy Venice trip – by going to Barry Island
WHEN it comes to romantic getaways most will consider Paris and Santorini, but one took their partner on a trip to Wales. After going on a romantic escape to Venice with his boyfriend, Ross Whyatt decided to return the favour by booking them on a Gavin and Stacey tour in Wales. 5 Ross had just spent a relaxing weekend basking in the sunshine, sipping on Aperol Spritz and eating delicious pizza. He was taken to the Italian city as a treat by his boyfriend, Riccardo Gugliermini. As it goes in relationships Ross decided to do something equally as thoughtful in return - and decided to book a trip to Barry in Wales. The pair had become big fans after watching the final episode at Christmas. Ross revealed to What's The Jam that they binged the whole series and as Riccardo had been "quoting it all year" it only felt right to visit. Ross took to social media to document their experience revealing that on the tour, a knock-off version of Nessa welcomes guests on board a coach. And they recite Smithy's very lengthy Indian takeaway order. There's even a group sing-along to gets spirits high, and Riccardo showed off his Pam Shipman top. It turned out not that many people knew about the tour with one commenting on Ross' video: "Omg, I had no idea you could do a Gav and Stace tour with Nessa, this is mint." Another remarked that it was "the height of British culture.' The real life of Barry Island made famous by BBC's TV Series Gavin and Stacey 5 5 Ross added: 'Riccardo came back home with all the merch, including a mug, magnet and t-shirt - we had the absolute best time. 'It's part of the fun of being in a multicultural relationship, I'm slowly learning Italian and enjoying his cooking. I've introduced him to Greggs, Yorkshire puddings and a chippy tea. 'I'm also getting him into other British comedy classics, like Outnumbered, Peep Show and The Inbetweeners. But Gavin and Stacey is his favourite." Although Ross admitted that he'd rather do a week in Venice over a day out in Barry, Riccardo disagreed. For anyone who wants to head over to do Barry to do some film location sight-seeing themselves, make sure to visit Trinity Street in Barry is home to the homes of Gwen, Uncle Bryn, and Doris. On Barry Island itself there's the famous Marco's Cafe and the arcade where Nessa worked the slots. Up the road is The Colcot Arms aka Smithy's local Essex hangout and of course the Tadross Hotel which doubles as The Dolphin. Here's more about Barry from a local who lived there before it was made famous by Gavin and Stacey. She reveals more about what Barry was like in the days of the Butlin's resort on Nell's Point Here's even more on Barry Island which is loved by huge Hollywood star has beachfront theme park and new attraction. Here's where you can find the Victorian pub where Gavin and Stacey's final scenes were filmed.