List of easy-to-miss Sky TV perks saving you £390 a year – including free cinema trips and £20 movie voucher
There are loads of easy-to-miss perks bundled in with your Sky TV membership that take seconds to claim – and we've picked out five of the best.
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Your Sky TV can easily be upgraded with freebies
Credit: Sky
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You can claim freebies on multiple different Sky devices – including the Sky Stream puck
Credit: Sky
FREE SKY STORE MOVIE
Your first port of call as a Sky customers should be the VIP scheme.
It's totally free to join – you just need to download the Sky app and then head into the VIP section.
Sign up and you'll get loads of rewards, offers, and opportunities to win prizes.
But importantly, you'll get a free Sky Store movie download right off the bat.
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These can cost up to £20, so it's a decent freebie.
You don't have to claim this right away – so you can wait for something better to turn up in the Sky Store if you prefer.
Saving: Up to £20
FREE CINEMA TICKETS
If you're paying for Sky Cinema, you'll get loads of top movies on your telly.
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Exclusive
Exclusive
But you may not have realised that you also get free tickets to an actual cinema too.
Every single month, you can claim a pair of tickets to see a movie at Vue cinemas without paying a penny extra.
How to Unlock New Free Sky Sports Channels on Your TV Today
You just need to go into the MySky app, head into Sky VIP, and then tap on Your Vue Tickets.
You'll be able to claim two codes, which you can then redeem at Vue cinemas.
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The catch
is that you can only use these tickets once a month, and only between Sunday and Thursday.
You're also only able to use them for Regular, Saver, and Super Saver seat types – so no posh recliner chairs here.
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Free tickets to Vue cinemas every month is one of Sky's best perks
Credit: Sky
A ticket at Vue normally costs somewhere in the region of £6 to £8, so this is a great freebie.
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Yearly Saving: £192
(2 x 12 tickets)
FREE NETFLIX MEMBERSHIP
One of the best perks about being a Sky TV customer is the free Netflix subscription.
Loads of Sky packages include Netflix as standard.
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Sky has a partnership with Netflix that gets you a free membership just for having a telly package
Credit: Sky
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So if you've got a Sky Ultimate TV, Sky Glass, or Sky Stream package, you're eligible to claim Netflix Standard with Ads.
This Netflix plan normally costs £5.99 a month – that's £71.88 ever year.
The only catch to watch out for here is that you'll have to sit through ads.
But if you want to upgrade to an ad-free Netflix plan, you'll only pay the difference – and still get your free portion.
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NETFLIX 2025 PRICING
Here's what you're now paying (and what you get)...
Netflix Standard with Ads
Price: £5.99 (up £1 from £4.99)
Ad-supported, all but a few movies and TV shows available, unlimited mobile games
Watch on 2 supported devices at a time
Watch in 1080p (Full HD)
Download on 2 supported devices at a time
Netflix Standard
Price: £12.99 (Up £2 from £10.99)
Unlimited ad-free movies, TV shows, and mobile games
Watch on 2 supported devices at a time
Watch in 1080p (Full HD)
Download on 2 supported devices at a time
Option to add 1 extra member who doesn't live with you
Netflix Premium
Price: £18.99 (Up £1 from £17.99)
Unlimited ad-free movies, TV shows, and mobile games
Watch on 4 supported devices at a time
Watch in 4K (Ultra HD) + HDR
Download on 6 supported devices at a time
Option to add up to 2 extra members who don't live with you
Netflix spatial audio
Picture Credit: Netflix
Just link your Netflix account on Sky and you'll be all sorted.
Yearly Saving: £71.88
FREE DISCOVERY+ MEMBERSHIP
If you have a Sky Q, Sky Glass, or Sky Stream plan, you'll Discovery+ at no extra cost.
It's a popular TV streaming service with loads of reality TV, science content, and food shows.
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Free Discovery+ can be claimed in seconds with a Sky telly
Credit: Sky
The free membership you get with Sky is the Discovery+ Basic option.
You'd usually have to pay £3.99 a month for this, so it's a yearly saving of £47.88.
Just go to the Discovery+ app on your Sky telly, choose your subscription, and then activate it.
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Yearly Saving: £47.88
FREE PARAMOUNT+ MEMBERSHIP
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Paramount+ is loaded with an enormous library of content – and you can get it all for free
Credit: Sky
Similarly, if you have a Sky Cinema subscription, you'll also get Paramount+ for free.
That's another streaming service packed with hit shows and movies.
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Usually Paramount+ Basic (with ads) would cost £4.99 a month.
So this works out at a saving of £59.88 per year.
To get your free subscription, just go to the Paramount+ app on your Sky TV or box, choose a subscription, and follow the
steps
to activate the discount.
Yearly Saving: £59.88
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Total Whole Year Saving (with all perks): £391.64
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She recalls crossing paths with Edna O'Brien at dinner parties in the 1970s and grows starry eyed discussing her fondness for the country's most famous poets. 'I met Seamus Heaney once,' she says. 'I was trembling so much I could hardly get my copy of Rattle Bag out. And I said to [English poet] Ted Hughes, who I knew slightly, 'Do you think Mr Heaney would sign this?' And he said, 'Well, just go and ask him. He'll only sign if he wants to.' With shaking hands, I went up and he signed my book for me.' She has fond memories of visiting Sligo in June 2015 to participate in the celebrations for the 150th anniversary of WB Yeats's birth. She cut the ribbon for the Yeats garden at the Model arts centre and read from his work at Hargadon's pub. She is every bit as keen on Jack B Yeats – as she demonstrates when tilting her camera to reveal The Princess of the Circus. 'WB, I have poems stuck everywhere. I have some of them by heart. Jack Yeats, who I came to quite late – I was simply blown away.' Joanna Lumley at the Chelsea Flower Show in London in May. Photograph:for The King's Trust To her delight Netflix put her up at the Merrion Hotel – across the road from the National Gallery, with its collection of Yeats's paintings. She took in other landmarks – including the Molly Malone statue, the 'notorious Tart with the Cart' whose appendages are enthusiastically – and controversially – fondled by tourists. This is a subject close to her heart. 'Oh, look, Ed, can you write this? Please? This really meant something so much to me, because I love Ireland as much as you can if you're not an Irish person. When I eventually saw the statue of Molly Malone and her very low-cut dress and everyone touching her ... Listen to the song: 'In Dublin's Fair City ... she wheels her wheelbarrow.' Now she was a little fishmonger. She was as pretty as a picture, but she probably had a shawl around her head. Little girl up from the docks, smelling of fish, with a little narrow waist and a little white beautiful face – that Irish colour, sheet-white with black hair, green eyes. She wasn't a blousy great woman with a dress down to here. So the statue is wrong.' She pauses for emphasis. 'Okay, this is my long, long-winded way, Ed, of saying: make a proper Molly Malone statue.' Wednesday Addams's dorm room sits in magnificently creepy silence. It is dominated by that famous spider-pattern window, with its melodramatic views over Nevermore Academy. To one side, Wednesday's typewriter is set on a table next to a bare-boned bed. The walls at the opposite end are festooned in colour – the favoured style of Wednesday's quirky best friend and roommate, Enid. To reach Wednesday's inner sanctum and her boarding school, Nevermore, the traveller must take a long and winding road, the M11, which stretches from Dublin's M50 into deepest Wicklow – and which leads to Ashford Studios, where cameras have rolled on one of the world's biggest TV shows since early 2024. Wednesday series one was shot in Romania. But Ireland was always the first choice for showrunners Alfred Gough and Miles Millar, and when studio space finally became available, they enthusiastically upped sticks. Ireland was more accessible than central Europe, and much further from Ukraine, which Russia invaded when the production team was putting the final touches to the first season. 'We shot our last series [Into the Badlands] here. So we've been to Ireland before. We love it so and it's been fantastic,' says Gough. The nice thing about being in Ireland, which I completely appreciate about the Irish, is that they don't give a damn about celebrities — Showrunner Alfred Gough He is speaking to The Irish Times from his production office on the first floor at Ashford – next door to the dressingroom of Catherine Zeta-Jones (who plays Wednesday's mother, Morticia Addams) and up the stairs from the studio space housing Wednesday's dorm and Nevermore's gleefully grotesque new science lab – in part inspired by Dublin's 'Dead Zoo' aka the Natural History Museum on Merrion Square. It's a 'closed set', meaning journalists are not allowed within gawping distance of the cast. So there is no opportunity to watch Jenna Ortega reprise her part as woebegone Wednesday or executive producer Tim Burton return to direct four of the eight episodes in his distinctively baroque style. Nor is there confirmation of the presence of Lady Gaga , rumoured to have flown in to Wicklow to shoot a cameo the previous week. Gough is avuncular in that gosh-darn American way. He is also a proven hitmaker, as demonstrated by series such as Smallville and Into the Badlands, the Wicklow-filmed fantasy caper that has a loyal cult audience. Wednesday, however, is a success on an entirely different scale. When it launched in 2022, it became one of the world's most beloved binge watches more or less overnight, propelling Ortega to instant stardom. 'Do you anticipate that? No,' says Gough. 'We thought the show was good. And we thought it would appeal to the audience everybody thought it would appeal to [ie Addams Family and Burton fans]. Then when it kind of became this other thing ... That's a combination of factors.' He feels Wednesday is the perfect heroine for troubled times. While outwardly hostile and aloof, underneath she is vulnerable and unsure of herself – an introvert in an extrovert's world. Coming out of the pandemic, millions identified with a shy young woman who wanted nothing more than to be given the space to be herself. Gough nods. 'It was the right show at the right time, where, clearly, everybody identified with Wednesday and feels like an outcast.' Joonas Suotamo, Catherine Zeta-Jones, Jenna Ortega, Isaac Ordonez and Luis Guzmán in series two of Wednesday. Photograph: Helen Sloan/Netflix Several factors contribute to a hit such as Wednesday, he continues. Ortega was a star in the making, having appeared in Netflix's You and Yes Day, while Burton, director of the 1989 Batman movie and of Beetlejuice, has a significant following. And the Addams Family has brand recognition – largely thanks to the early 1990s films starring a young Christina Ricci as Wednesday. But sometimes it's all down to luck, feels Gough. 'That's just when you hit the culture at a certain point. We had that experience with Smallville,' he says, referring to the all-American Superman prequel which celebrated the wholesomeness of small-town life. 'Smallville came out in 2001, a month after 9/11, and it was suddenly like comfort food for the American soul. Everybody needed a hero and that. Some of these things you can't predict. But then I do think it speaks to the power of Netflix and the power of that platform.' [ Wednesday: The Addams Family gets a Gen Z twist – and Tim Burton gets his mojo back Opens in new window ] Wednesday is set in rural Vermont – for which Wicklow was the perfect stand-in. The producers made full use of dark and mysterious forests around Roundwood – and of 18th-century Powerscourt Estate, which it repurposed as the palatial residence of Hester Frump, Wednesday's impish grandmother, played by Lumley. A favourable tax regime helped too: Ireland recently improved its Section 481 film and TV incentives, raising the cap on eligible expenditure from €70 million to €125 million (each of Wednesday's eight new episodes carries a reported budget of around €17 million). 'We tried to get here in season one, and it was right after the pandemic, when the world, at least the film world, was opening up again,' says Gough. 'And literally between Brexit and the rush of other productions, we couldn't. There was no stage. Our last show was called Into the Badlands. And the old warehouses that we had shot in, I think, had become Covid test centres or, like, package depots because of Brexit. So we ended up in Romania season one, which worked out great. It gave us all the space that we needed, but it wasn't conducive for a long-term television show. When we had the opportunity to come to Ireland, we all jumped on it.' Gough acknowledges there is pressure – after Stranger Things and Squid Game, Wednesday is Netflix's bigger franchise. The streamer has doubled the budget for series two, but there are also concerns over whether its audience has remained loyal; after all, the 14-year-olds who went crazy for Wednesday's goth chic in 2022 will be 17 in 2025 and may have moved on. Gough tries not to get bogged down in any of that. He quotes Quentin Tarantino's mantra about film-making: ultimately, you have to create something you yourself would wish to watch. 'If we don't love it, how are we supposed to expect anyone else to love it?' he says. 'We have a very high bar for ourselves. It's harder, obviously, with all the noise, and it obviously affects the actors and other things. And you know, we're not some little show in the middle of eastern Europe this year.' Amid the hype, he feels Ireland has kept everyone grounded – one final magical ingredient sprinkled into Netflix's bubbling, boiling bingewatch cauldron. 'If we had been in America trying to shoot the show, or even in the UK, we'd have a lot of paparazzi. There'd be a lot of spoiler pictures. We've had very little of that,' he says. 'The nice thing about being in Ireland, which I completely appreciate about the Irish is that they don't give a damn about celebrities. You do not care.'
