TRNSMT Friday line-up: Everything you need to know about day one and the acts you don't want to miss
TRNSMT Festival kicks off today as the biggest music festival in Scotland returns to Glasgow Green, welcoming over 150,000 music lovers for another unforgettable weekend of great music.
The first day of the festival promises a stellar line-up with a mix of chart topping names and crowd favourites including James Bay, Confidence Man, The Script are all set to take to the stage, building up the energy before 50 Cent closes the night with his headline performance.
Alongside the main stage, festival-goers can enjoy performances at the King Tut's Stage, BBC Introducing Stage and the Radio One Dance Stage.
This year, the Boogie Bar has been revamped and relocated near the main stage, and has been taken over by BBC Radio one, bringing you the best acts to get you dancing this weekend.
This weekend is shaping up to be one of the hottest of the year, with a 50 Cent sweeping into Scotland. Today's weather is set to peak at 27C in the late afternoon, with a zero per cent chance of rain - making it an ideal day for festival goers heading to Glasgow Green.
TRSNMT bosses are urging people visiting the festival to stay hydrated, wear suncream and make use of the free water refill stations around the site. Festival go-ers are able to take a collapsable water bottle or water pouch into Glasgow Green, but they must be empty on arrival.
The gates for the festival open at 12pm today and music starts as soon as you get inside the gates. Here is the line up today, and potential clashes and how to avoid them.
Line Up
Main Stage
Calum Bowie: 12.20pm to 12.50pm
James Bay: 1.15pm to 1.55pm
Twin Atlantic: 2.20pm to 3.05pm
Jamie Webster: 3.35pm to 4.20pm
Schoolboy Q: 4.50pm to 5.40pm
Wet Leg: 6.10pm to 7.10pm
The Script: 7.40pm to 8.40pm
50 Cent: 9.30pm to 10.50pm
King Tut's Stage
Remember Monday: 1pm to 1.30pm
Nofun!: 2pm to 2.30pm
Arthur Hill: 3pm to 3.40pm
Good Neighbours: 4.10pm to 4.50pm
The Royston Club: 5.20pm to 6.05pm
Tanner Adell: 6.45pm to 7.30pm
Confidence Man: 8.15pm to 9.15pm
BBC Introducing Stage
Becky Sikasa: 12.30pm to 1pm
Fourth Daughter: 1.30pm to 2pm
Indoor Foxes: 2.45pm to 3.15pm
Redolent: 3.45pm to 4.15pm
Cliffords: 4.45pm to 5.15pm
Frankie Stew and Harvey Gunn: 6.15pm to 6.45pm
Bemz: 7.15pm to 8pm
Radio One Dance Stage
Frankie Elyse: 12pm to 1pm
Marianne: 1pm to 2pm
Big Miz: 2pm to 4pm
Connor Coates: 4pm to 6pm
La La: 6pm to 8pm
Nimino: 8pm to 9.30pm
One of the biggest scheduling clashes of the day comes between Irish soft rock favourites The Script and Australian electro-pop duo Confidence Man, with their sets starting just 25 minutes apart.
To catch the best of both acts, you could head to The Script's set at 7:40pm, stay until Confidence Man kicks off at 8:15pm or stick with The Script until they wrap up at 8:40pm, then make your way to the King Tut's Stage to catch the tail end of Confidence Man's performance.
Whichever option you choose, both acts are must-sees you won't want to miss.
Join the Daily Record WhatsApp community!
Get the latest news sent straight to your messages by joining our WhatsApp community today.
You'll receive daily updates on breaking news as well as the top headlines across Scotland.
No one will be able to see who is signed up and no one can send messages except the Daily Record team.
All you have to do is click here if you're on mobile, select 'Join Community' and you're in!
If you're on a desktop, simply scan the QR code above with your phone and click 'Join Community'.
We also treat our community members to special offers, promotions, and adverts from us and our partners. If you don't like our community, you can check out any time you like.
To leave our community click on the name at the top of your screen and choose 'exit group'.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Times
24 minutes ago
- Times
Don't ask what Sally Hawkins keeps in the freezer
There are the horror movies that make you jump out of your skin and there are the horror movies that get under your skin and stay there. The Australian film-making brothers Danny and Michael Philippou were responsible for the extremely well-made Talk to Me (2023) — a séance-gone-awry shocker full of horrifying images of self-harm and the squelchiest sound design of any film in recent memory. You couldn't look away from the screen because then it was somehow worse. Now they are back with something similar — Bring Her Back is a tale of grief and dread with horrifying images of self-harm and squelchy sound design — all wrapped around a modern-day version of Hansel and Gretel. The witch of the story is a former child counsellor named Laura (Sally Hawkins) who lives in a cabin in the woods. Decorated in cheerful, hippy-dippy colours, it has a taxidermied dog, a mysterious chalk circle and an empty swimming pool in which Laura lost her daughter to drowning. Now she keeps a little feral boy (Jonah Wren Phillips), shaven-headed and mute, locked in a room. You don't want to know what she keeps in the freezer. All this would surely constitute enough red flags to set any foster agency on high alert (has nobody learnt the lesson from Psycho about taxidermied animals?), but the film's secret weapon is Hawkins, from Mike Leigh's Happy Go Lucky and Paddington. Dressed in reassuring knits, she rabbits away in a stream-of-consciousness fashion that pushes her flaky persona to the edge of unsettling and cloaks her trespasses with a chipper smile. The latest unsuspecting adoptees to come under her care are 17-year-old Andy (Billy Barratt) and his younger, partially sighted sister, Piper (Sora Wong), who have been assigned to Laura after the death of their father. Everyone seems to be grieving somebody. As with Talk to Me, you're not sure whether you're in for a horrorfest or a counselling marathon. What we get is a mix of the two — a marathon of gaslighting — as Andy smells a rat and Laura does everything she can to turn his sister against him. • The best films of 2025 so far Disappointingly, the film is far more interested in Andy than Piper, who is exploited for traditional blind-girl-in-peril frights. The idea that she is slower than her brother to notice Laura's evil vibe is unimaginative to say the least: wouldn't her sixth sense be more developed? I would have loved to have seen a film from her point of view, blur and all. True, she cannot see the grainy snatches of video that Laura has on repeat in her living room that tip us off to the horrifying ritual to come. You want to look away and you don't dare because, as with Talk to Me, the greatest shocks are delivered by the sound engineer Emma Bortignon's sound mix, one that goes way beyond the stabbed watermelons of countless horror films. Get ready to be excruciated by the sound of kitchen knife on gums, and teeth on splintering wood. You cannot say you haven't been warned.★★★★☆18, 104min August will go down as the month Pedro Pascal earned his movie star spurs. He's in three films this summer, starting with The Fantastic Four: First Steps, Matt Shakman's reboot of the Marvel comic book, in which Pascal plays Reed Richards, the elasticated superhero at the head of a family of superheroes, including Johnny Storm (Joseph Quinn), Ben Grimm (Ebon Moss-Bachrach) and Sue Storm (Vanessa Kirby), who has a baby on the way. Can they juggle saving the world with childcare? Will the baby also be superpowered? Will they need extra-strong diapers? Does this set-up sound the teensiest bit familiar? Set in a retro 1960s world of chrome and neon, Fantastic Four: First Steps is probably best thought of as an intermittently entertaining live-action remake of Brad Bird's 2004 classic, The Incredibles. (Shakman even nabbed Michael Giacchino for the score.) The film is at its best in the first 20 minutes when it introduces everyone — with the Human Torch, Johnny Storm, coming in handy during a power cut, and Sue Storm making herself invisible to provide her own ultrasound. Her greatest trick, though — probably the film's best moment — is giving birth in zero gravity while escaping the pull of a black hole, which makes the real-time childbirth that Kirby enacted for Pieces of a Woman (2020) look like a walk in the park. • Read more film reviews, guides about what to watch and interviews But oh dear, the plot, which follows the time-honoured Marvel two-step: introduce the villain, then kill time for two hours waiting for him to arrive and play wrecking ball with New York. The villain is a lumbering galactic deity named Galactus (Ralph Ineson), who plans to destroy Earth unless the four hand over little baby Franklin. As a plot idea this is something of a nonstarter, involving a lot of tedious wrangling from which no one — not the Fantastic Four, nor the people of Earth demanding the baby's sacrifice — comes out looking good. The climactic bout is a ferocious yawn. Once you've seen one skyscraper crumble like cake, you've seen them all.★★★☆☆12A, 95min Times+ members can enjoy two-for-one cinema tickets at Everyman each Wednesday. Visit to find out moreWhich films have you enjoyed at the cinema recently? Let us know in the comments below and follow @timesculture to read the latest reviews
Daily Mirror
4 hours ago
- Daily Mirror
'I spent months trolling influencers in Reddit hate forums – now I feel ashamed'
After Irish YouTuber Adam MacIntyre was reported to ICE by his snark subreddit while touring the US, Reddit shut them down. But his story is just the very tip of the iceberg. Hiding in plain sight are some of Reddit's most toxic communities, created with one sole and explicit purpose: to spread hate. Known as 'snark', these forums range in size from hundreds to literally thousands of members, all anonymous, who congregate to make derogatory posts. The subjects in question? They range from minor influencers to full-blown pop stars, with some of the better-known names including TikTok beauty star Mikaela Noguiera, singer Ariana Grande and Taylor Swift. Currently, r/travisandtaylor, aka "The Snark Sub', is one of the largest, with over 158K members. Their raison d'etre, according to the description, is to 'roast and criticize Taylor Swift's PR stunts (looking at you, Travis), her questionable ethics, and the never-ending antics she wants fans to (literally) buy.' They even have an ominous warning in place for any stray Swifties: 'If you're here to defend Mother, you've come to the wrong place.' 'I gambled away thousands from my student loan before I started university' Some of the top-voted posts over the past month have run down her fashion, her choreography and, in particular, the star's relationship with Travis Kelce, which they commonly believe is a calculated PR move. And while some topics could be considered worthwhile discussions, like Taylor Swift's political stances, others are a little more petty. For example, a recent post shows a clip of Taylor Swift dancing with Travis at the US Open Final with a drink in her hand. Comments claim Taylor is "spiralling" or claim she's an "alcoholic", all of which she's never confirmed. But who are the contributors? And why do they do it? A 'snarker', who wishes to remain anonymous, tells The Mirror that they have posted previously on the Taylor Swift and Travis Kelce snark subreddit. They also used to visit another influencer's snark. They first came across it about two years ago, but admit they've been reading more lately over the past six or seven months. 'I don't check it often,' they say. 'It just sometimes appears on my algorithm and I read it. Sometimes I even comment about it.' They tell us that they have posted once before but 'it wasn't a healthy move to do it', adding: 'I know everyone makes mistakes and the most we can do is learn from it. I know not everyone who does it has thought about how it can be truly damaging.' For more stories like this subscribe to our weekly newsletter, The Weekly Gulp, for a curated roundup of trending stories, poignant interviews, and viral lifestyle picks from The Mirror's Audience U35 team delivered straight to your inbox. Although, there are some bad players who are aware of the impact of their actions. They say: 'I think that snark can do harm when it's intended to do so. Some people have their own pain and want these people to hurt themselves.' A second former snarker, who has also remained anonymous, agrees that this behaviour often comes from a place of hurt. Now 29, they say they used to be an avid reader of a snark subreddit dedicated to YouTuber Trisha Paytas: the now-banned r/Trishyland. The subreddit became known for coming up with wild conspiracies about the YouTuber and mother-of-two, who formerly co-starred on the 'Frenemies on the H3 Podcast' YouTube channel. A popular theory spread on the subreddit was that she was faking her pregnancy. 'I would read it daily, sometimes multiple times a day,' the snarker says. 'Honestly, I had no real motivation. I started watching H3 when Frenemies was going on and the downfall of the show was obviously very interesting with lots of updates. From there it was interesting to keep up with negative updates about her.' They fell further down the rabbit hole, explaining: 'I was really into hard drugs at the time and my life started falling apart and my interest was fizzling out. Then she had her first baby and I think that made me step away 100%. I honestly was on the 'she's faking her pregnancy' train but once I learned that wasn't the case, I couldn't 'enjoy' hating a mother.' However, they share that they haven't fully lost the compulsion to check on hate-centric subreddits. 'Now the 'r/weddingshaming' subreddit comes across my Reddit home page fairly often and I read the posts when I see them." 'Part of the appeal comes from reading a group consensus that someone is in the way it makes you feel like a morally superior person. One, because you're not doing the 'shameful' thing. Two, you are doing the work' of 'educating' yourself on what 'society' things is right/wrong.' Though, they add that it's difficult to fully explain the appeal of snark because 'snark is nonsensical'. What happens when it goes too far? Irish content creator Adam MacIntyre recently spoke out online about his experience with his own now-banned snark subreddit (r/AdamMacIntyreSnark) – after they reported him to ICE. The incident happened after the Derry-born YouTuber began his Chronically Online Tour in the US. Prior to its beginning, he posted a picture of his O-1 visa to X, expressing his excitement. O-1 Visas are temporary work visas granted to those who have demonstrated extraordinary ability in the sciences, arts, education, business, or athletics, or have a record of extraordinary achievement in the motion picture or television industry. However, in late June a member of r/AdamMcIntyreSnark reposted the image on the subreddit with the caption 'Someone Posted About Visas'. Users then appeared to misread the 'R' on the image as indicating an R-1 visa, which is intended for those conducting religious work. This led to accusations that he had received the visa fraudulently – with a commenter even sharing a screenshot of a report they had sent to ICE asking for Adam to be deported. Adam came onto his YouTube channel to discuss the situation. He said: 'When it comes to snark I will usually put my hands up and allow people to do what they're doing, because I don't want to criticise how people talk about people – even if that person is me… But there's something truly disgusting about weaponising ICE against people.' A statement was also released across Adam's social media channels on Monday July 7 explaining that he had 'initiated a formal legal investigation' in response to the activities related to the snark page. The subreddit has since been taken down. A Reddit spokesperson told The Mirror that harassment and bullying have no place on Reddit and that their rules explicitly prohibit this behaviour. This includes real-world harassment and actions that would threaten a person's safety. They said that, from their investigation, it appears that the behavior was limited to one user account that has since been deleted. The spokesperson added that they will continue to monitor their platform for violating behavior and take action where appropriate.
Edinburgh Reporter
6 hours ago
- Edinburgh Reporter
Cast return to Edinburgh supporting Oasis
Cast return to Edinburgh to support Oasis for the 'biggest support slot of the year, if not the decade'. John Power discussed his first meeting with Liam Gallagher, before the singer's fame, when Gallagher was just a teenager. Power admits it was a 'strange atmosphere' as he was going to see The La's, the band he had just left. 'This lad came up to me and asked for a smoke, I told him to p**s off, it was Liam Gallagher. A couple of years later, Oasis was doing a gig in Liverpool and had appeared on The Word, playing Supersonic. Liam came over and said: 'I asked you for a smoke and you told me to p**s off, and we just both burst out laughing.' There's been a long history between Oasis and John Power. The 'Scouse-Irish' songwriter and front-man of Cast was a teenager himself when he first joined The La's and mercurial musical magus Lee Mavers back in 1986. 'At the height of it, it was like nourishment,' explains Power of the band's mystical sea shanties, Mersey melodies and spirited flamenco rhythms, 'How can you not be blown away by songs like Son of Gun when you are that age and learning the guitar. There were Biblical highs, there was something eternal within The La's, and with Lee's songwriting, the waters were crystal clear and you could baptise yourself within them. I couldn't play before that, with those songs, they were the first bass lines I played and understood. It all felt very natural, Lee was like a mentor and a massive influence on my songwriting, and it was a beautiful part of my life.' While The La's made only one self-titled album released in 1990 featuring their hit There She Goes, Power would go on to form Cast two years later. During his time in The La's he began to write what would soon be a string of hit singles, among them Alright and Sandstorm would eventually appear on Cast's debut album All Change. Later this year the band will tour the 30th anniversary of the LP but before then they are about to embark on as Power suggests, 'the biggest tour of the year, if not the decade' with Oasis. I suggest to him it's like a gathering of the clans for the last Kings of Ireland. 'I like that,' he laughs, 'we all have those working-class Irish connections so there has to be something in the lineage or the blood, it's too common for it not to be the case.' Noel Gallagher is quoted as saying Oasis came to finish what The La's started. As Power suggests Oasis gave Cast 'a bump' when asking them to play support in May 1994 at The Venue in Newcross. 'I remembered Noel from when he was a roadie with Inspiral Carpets back when The La's played at G-Mex in Manchester, we were always zig-zagging and crossing paths. Cast got a record deal from that gig in Newcross, and then Noel would give us a shout for gigs like Irvine Beach, Loch Lomond and Knebworth.' It's fair to say that Loch Lomond often gets overlooked for Knebworth, but author Simon Spence points to the importance of the band's links with Scotland, even using a shot from one of the gigs for the limited edition version of his book Feeling Supersonic: From Manchester To Britpop. Spence said: 'Oasis have strong and deep links to Scotland, which explains the fervent reception they get here and the sense among fans that Oasis are part of them. Liam and Noel's mum Peggy lived in Glasgow before moving to Manchester and, crucially, the band's big break, the infamous meeting with Alan McGee that led to them being signed to his label Creation in 1993, also took place in Scotland at Glasgow's King Tut's Wah Wah Hut. 'For many, including McGee, their best ever gig during their 90s heyday, and one of the defining moments of Britpop, took place in Scotland, on the shores of Loch Lomond in Balloch Castle Country Park, where they played to 80,000 over two rapturous nights. After Manchester, Scotland is the band's second home. Noel and Liam have both spoken with pride of their Scottish fans who have remained ferociously loyal over the years. Liam described them as 'the f**king bollocks'. 'The band's two previous shows at Murrayfield were epochal, for different reasons, and these three nights are set to reignite joyous memories for both the band and the fans (if not the local council). Remarkably, after a 15-year absence, the bond between the band and their Scottish fans has only strengthened. Expect to party like it's 1999 again; Hogmanay comes early this year.' John Power is only too familiar with what it's like to play alongside Oasis in Scotland. It was another gig here that helped put the band on the map. Inertia had set in for The La's with Lee Mavers halting progress at every stage, partly due to his obsession with the debut album's sound and a refusal to play or record new songs. Cast soon managed to build on a head of steam with a memorable sonic force during performances that buried those previous disappointments. Power said: 'Before it happens, you are working spiritually and physically towards a dream. As a band, we were all connected to it and cutting it live, through that, you are discovering this new ground, it's like heading towards the promised land. We knew we would see it, and we were getting there, which gave us that strength. When you do break, it's all about maintaining it like with Oasis or U2 you go into another stratosphere but for most of us having a top ten record, getting on Top of the Pops and meeting the fans. That's as good as it's ever going to be and that's more than most bands ever get a whiff of. At that time you can feel it happening and no one can get in the way or tell you otherwise.' Cast and The Verve both made an impact on fans as support at the Irvine Beach shows. As Cast walked off stage Noel Gallagher remarked that it was 'like a religious experience'. The line was picked up by a journalist and quoted in the press. 'Fine Time was massive in Scotland before we had a hit with it,' added Power. 'People would go off their nut.' Oasis gifted coveted support slots to both bands at key gigs, it was fitting that both The Verve's frontman Richard Ashcroft and Cast are both invited thirty years later as support for the long-awaited reunion. Power said: 'I think we are all really looking forward to seeing Noel and Liam walk on that stage together again in Edinburgh. Cast is in such a great place and we've got momentum, it's going to be a big year. The line-up is stratospheric with Richard Ashcroft as well – it's real northern soul rock n' roll, and here we all are thirty years later. It was easy to miss things back then because I was always looking forward. When the Oasis tour becomes the present time I'll be in the eye of the hurricane and right in the presence of it in all these places like Dublin and Edinburgh and the rest of them.' Next year will mark forty years since Power joined The La's, he now performs tracks such as Son Of A Gun, taking him full circle. 'The ifs and buts could go on forever, but those two voices together', he says of the hypnotic connection with Mavers, 'I did some of the best songs I ever wrote with Lee, together we were a force to be reckoned with, it's like letting the genie out of the bottle. I hope we can get together for a cup of tea and play together again, even if it's just in his kitchen'. Cast will support Oasis in Edinburgh on August 8, 9, and 12 along with Richard Ashcroft. Feeling Supersonic: From Manchester To Britpop by Simon Spence is out now Members of Cast – L_R Liam Tyson, Peter Wilkinson and John Power Like this: Like Related
