Ram Charan "Breathes fire" in night action sequence for 'Peddi': Cinematographer Rathnavelu
is currently shooting his upcoming pan-India film, 'Peddi' directed by Buchi Babu Sana. Recently reports suggest the makers have wrapped up their key sequences and the shoot is progressing at a perfect pace.
Tired of too many ads? go ad free now
In a recent update, the cinematographer of the film, R. Rathnavelu, shared that the team has completed filming an intense night action sequence. According to a report by IANS, Rathnavelu described the sequence as "terrific" with "gritty visuals," adding that Ram Charan "breathes fire" in the scenes.
This update comes shortly after the makers completed another major high-octane train stunt sequence shot on a massive set in Hyderabad.
The report also suggests that the sequence was a first-of-its-kind effort in Indian cinema. Ram Charan reportedly also performed several risky stunts during the shoot, which wrapped up on June 19. Rathnavelu, who previously worked with Ram Charan in 'Rangasthalam', shared his excitement at the energy the actor brings to the screen in this new avatar.
The film is a rural sports drama film featuring Ram Charan in a rugged and intense avatar. It also includes Bollywood's
as the female lead, with veteran actors Shiva Rajkumar,
, and 'Mirzapur' fame Divyendu Sharma playing crucial roles.
The first glimpse of 'Peddi' was released earlier this year. Ram Charan is seen in a rugged look with long hair, a beard, and a scarred face playing cricket and asserting his fierce spirit.
Oscar-winning composer A.R. Rahman is scoring the music for this big-ticket entertainer.
The movie is announced to release on March 27, 2026.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time of India
an hour ago
- Time of India
Ciara and baby Amora twin in new adorable photo as fans gush over Russell Wilson's lookalike daughter
Ciara Wilson and Russell Wilson (Getty Images) Ciara and Russell Wilson's youngest daughter, Amora Princess, is no longer the tiny bundle they first introduced to the world. The 1-year-old is growing fast and already showing strong resemblances to her parents—especially dad Russell. In her latest Instagram post, Ciara captured a heart-melting moment with Amora in a selfie that reminded fans just how much the little one takes after her father. Ciara's baby Amora goes viral for looking just like dad Russell Wilson in new heartwarming photo Russell Wilson may be suiting up for a new team, the New York Giants, but it's clear that his offseason wasn't just about transitioning from the Pittsburgh Steelers. It was also about soaking in family time. From date nights in matching denim at a Knicks game to playing dress-up for daughter Sienna Princess's Wicked-themed 8th birthday bash, Wilson and Ciara made every moment count. The family also marked son Future Zahir's 11th birthday with a special meet-up with baseball star Aaron Judge, making memories that towered in more ways than one. Ciara's twinning moment with daughter Amora (Ciara/Instagram) Little Amora, however, tends to stay out of the spotlight—making the moments we do get to see her feel all the more special. Whether it's Wilson sharing a sweet picture holding her or Ciara dancing in sync with her baby girl, the internet can't help but melt. In one recent update, Ciara wrote, 'It's been a Whirl-Win 🫶🏽🌪️'—a fitting caption for the flurry of love, life, and laughter that surrounds the family. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Always Put a Plastic Bottle on Your Tires when Parked, Here's Why Cleverst Undo Ciara and Russell Wilson just having their best time A s if balancing parenting duties and high-profile careers wasn't enough, Ciara and Wilson also celebrated a major personal milestone—their 9th wedding anniversary. In true power-couple fashion, they exchanged heartfelt video tributes that had fans swooning. The pair, who co-parent son Future alongside their own children—Sienna, Win, and Amora—have long exemplified what modern family unity can look like. Though Wilson's now donning blue for the Giants, one can only imagine Amora in her game-day gear, cheering on Dad just like she did during his Pittsburgh stint. With Ciara sharing more glimpses of her growing daughter and Russell diving back into the grind, the Wilson family continues to strike a beautiful balance between fame, football, and family. FAQs: 1. When did Ciara and Russell Wilson get married? The Grammy-winning singer and New York Giants quarterback started dating in 2015 and got married in July 2016. 2. How many children Ciara and Russell Wilson have? Ciara and Russell Wilson are parents to Future Zahir, Sienna Princess, Win Harrison and Amora Princess. 3. How old is Ciara and Russell Wilson's daughter Amora Princess? Amora Princess is currently 1 year old and already showing a striking resemblance to her dad, Russell Wilson. Also Read: Donald Trump's hypocrisy? Once mocked Barack Obama over NFL team name change, now pushes same 'Redskins' agenda For real-time updates, scores, and highlights, follow our live coverage of the India vs England Test match here. Catch Rani Rampal's inspiring story on Game On, Episode 4. Watch Here!
Time of India
an hour ago
- Time of India
Ratan Thiyam: A Visionary Who Revolutionized Indian Theatre
Guwahati: Born on Jan 20, 1948, at Nabadwip in West Bengal's Nadia district, Ratan Thiyam, recognised as one of India's greatest theatre innovators, grew up in Imphal, surrounded by art and art-making, which profoundly influenced his life and work. His father, Thiyam Tarunkumar, was one of the most respected gurus of classical Manipuri dance, while his mother, Bilasini Devi, was a renowned dancer. Thiyam passed away at 77 at the Regional Institute of Medical Sciences (RIMS) in Imphal at approximately 1:30am Wednesday. Along with KN Panikkar, BV Karanth, Habib Tanvir, Bansi Koul, and Jabar Patel, Thiyam, affectionately known as 'Oja' (teacher in Meiteilon), was a major pioneer of the "theatre of roots" movement, developed during the 1960s-1970s. This movement sought to reclaim and integrate Indian classical, folk, and indigenous performance traditions with modern sensibilities, a powerful strategy for redefining Indian cultural identity. A graduate of dramatic arts from the prestigious National School of Drama (NSD), Thiyam was not only a powerful stage director but also a complete theatre craftsman and creative visionary. He was a multifaceted genius — a designer, music composer, choreographer, lighting expert, costume designer, architect, playwright, painter, and poet, whose brilliance extended across nearly every element of the performing and creative arts. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 15 most beautiful women in the world Undo Thiyam took Manipur and Indian theatre onto the global stage, creating a new theatrical form by synthesising diverse performance traditions from his homeland. His works showcase the seamless blending of elements from the classical Natya Shastra (Indian theatre style during the second century BC) and Western realistic theatre with Manipuri's rich indigenous performing arts such as martial arts (thang-ta), dance, music, and ritualistic gestures. Through this artistic strategy, Thiyam asserted the socio-political and cultural uniqueness of Manipur, positioning it as separate from the mainland's dominant cultural narratives. This gained him national and international recognition as a playwright and director. His celebrated plays, such as Chakravyuha and Uttar Priyadarshi, brought global acclaim to Manipuri theatre and Indian drama at large. His main contributions to Indian theatre innovations are profound and transformative, significantly shaping the direction of contemporary Indian performance. His influence reverberates through his unique stylistic language, institutional leadership, and continued advocacy for indigenous forms and social consciousness. In 1976, Thiyam established the Chorus Repertory Theatre in Imphal, which became a national hub for experimental, visually rich, and socially responsible theatre. The theatre trained and inspired generations of artists and encouraged the fusion of rural and urban motifs, traditional and modern directing techniques, and innovative stagecraft. His work is celebrated for its striking visual design, choreography, and music, combining scenic minimalism and grand imagery. His plays featured stylised movements, ritualistic gestures, symbolic props, and a deep focus on atmosphere that set new standards for Indian stagecraft, creating a holistic theatre experience. Thiyam's plays often explore profound themes. His Leima Yenlingai Khuna Kaba (1980) addresses the motif of corruption in society transforming into an instrument of religious terror, while Urubhangam (1981), adapted from the Sanskrit play by Bhāsa, focuses on Duryodhana's tragic story from the Mahabharata. Lengshonnei (1986), his adaptation of Bertolt Brecht's version of Sophocles' Antigone, reinterprets the Greek tragedy through classical and traditional Indian forms interwoven with tribal rituals. Another masterwork, Chakravyuha (1984), rooted in the Mahabharata (Drona Parva), is considered one of Thiyam's finest productions, where he presents a powerful meditation on war, entrapment, and the heroism of the young warrior Abhimanyu. Another acclaimed production, Urubhangam (Broken Thigh, 1981), adapted from the Sanskrit play by Bhāsa, is based on an episode from the Mahabharata, focusing on the tragic downfall of Duryodhana. Both Urubhangam and Chakravyuha reflect Thiyam's belief in the timeless relevance of epics, recontextualised to comment on modern dilemmas. One of his most internationally acclaimed works is Uttar Priyadarshi, an adaptation of a Hindi verse play by celebrated poet and writer Agyeya, where Thiyam retells the story of Emperor Ashoka's spiritual transformation. These works exemplify Thiyam's ability to blend ancient texts and diverse performing traditions into cohesive contemporary theatre, addressing social, political, and philosophical questions with a rooted yet innovative dramatic language. A towering figure in contemporary Indian theatre, celebrated for combining classical, indigenous, and modern elements in his plays, Thiyam's death marks the departure of one of India's greatest theatre innovators, whose lifelong dedication elevated Manipuri traditions to the global stage and enriched the country's artistic heritage.
Time of India
3 hours ago
- Time of India
Grief & tributes pour in over theatre maestro Thiyam's death
1 2 Guwahati: The death of renowned theatre maestro Ratan Thiyam plunged the nation into mourning, with an outpouring of grief and tributes from political leaders, cultural figures, and theatre communities across India. Manipur governor Ajay Kumar Bhalla and former chief minister N Biren Singh led the the tributes from Manipur, highlighting his significant contributions to India's cultural landscape. In a statement, the Manipur govt said, "With profound grief and deep sorrow, we mourn the passing of Padma Shri recipient and Sangeet Natak Akademi Awardee Ratan Thiyam — a towering figure in Indian theatre and a cultural icon of Manipur. We join the artistic fraternity and the nation in remembering his extraordinary legacy." The Manipur Raj Bhavan said on X, "The Governor stated that his invaluable contribution to Manipuri theatre and culture will always be remembered. Heartfelt condolences to his family, friends, and admirers. " Singh, in a post on X, wrote, "It is with deep sorrow that I express my heartfelt condolences on the passing of Ratan Thiyam, a true luminary of Indian theatre and an esteemed son of Manipur. His unwavering dedication to his craft, his vision, and his love for Manipuri culture enriched not only the world of theatre but also our very identity. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 11 Foods That Help In Healing Knee Pain Naturally Undo His work carried the soul of Manipur — echoing its stories, its struggles, and its beauty. " Assam chief minister Himanta Biswa Sarma called him "a leading light of the Theatre of Roots movement," saying, "Shri Ratan Thiyam dedicated his life to bring indigenous theatre and art practices to the global stage. A Padma awardee, his productions were rich in talent and messaging." Meghalaya chief minister Conrad Sangma said: "He was a visionary who redefined Indian theatre by blending contemporary form with the cultural soul of Manipur. His legacy will continue to inspire." West Bengal chief minister Mamata Banerjee mourned him as "a true legend who put Manipuri theatre on the global map" and said, "His unique blend of tradition and experiment enriched Indian performing arts immensely and resonated worldwide." Congress MP Gaurav Gogoi, deputy leader in the Lok Sabha, also expressed his grief, saying, "Thiyam's legacy will continue to inspire generations to come." Renowned Kolkata-based theatre veterans like Rudra Prasad Sengupta and Kaushik Sen also paid tribute, recalling Thiyam's frequent presence at theatre festivals in the city and his powerful influence on modern Indian theatre. Ratan Thiyam was a trailblazer of the "Theatre of Roots" movement, which synthesised Indian classical, folk, and tribal performance forms with contemporary theatrical expression. He founded the Chorus Repertory Theatre in Imphal in 1976, which became a national and international symbol of rooted yet experimental theatre. His groundbreaking works like Chakravyuha, Urubhangam, Uttar Priyadarshi, and Lengshonnei challenged the boundaries of traditional Indian theatre and brought the richness of Manipuri aesthetics, spirituality, and politics to the global stage. He was the recipient of many prestigious awards, including Padma Shri (1989) and Sangeet Natak Akademi Award (1987). He relinquished the Padma Shri in 2001 in protest against the Centre's decision to extend the ceasefire with the Nationalist Socialist Council of Nagaland. Ratan Thiyam's passing is not only a great loss for Manipur, which he deeply loved and represented through his art, but also for the entire nation and the global theatre community. His relentless pursuit of truth, his seamless weaving of text and tradition, and his unmatched visual poetics have etched his name into the canon of world theatre.
