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3 Surprising Habits Of The World's Greatest TED Speakers

3 Surprising Habits Of The World's Greatest TED Speakers

Forbes22-05-2025
The road to public-speaking success on a TED stage is paved with small steps and deliberate practice.
When you watch a speaker whose TED Talk has attracted millions of views, it's easy to think the person is a 'natural.' In most cases, the opposite is true.
Great speakers make it look effortless because they put a lot of effort into making it great.
When I interview TED speakers, especially those who are sought-after business speakers, they acknowledge that their confidence on the big stage came after years of practice on smaller stages.
For example, famed astronaut Chris Hadfield gave a TED Talk about 'going blind in space' that attracted tens of millions of views. During a spacewalk, a chemical in his suit forced his eyes shut. Hadfield remained completely calm, discovered the source of the problem, and fixed it.
When I asked Hadfield during an interview how he developed extreme confidence on stage, he said mastering public speaking wasn't all that different from learning any other skill—including a spacewalk.
It takes time and practice…in small steps.
Hadfield reminded me that, as one of the few Canadian astronauts, he was popular on the speaking circuit and had accepted speaking invitations for decades. He honed his craft in lower-pressure situations, from classrooms to business luncheons.
The same strategy applies to high-stakes and high-pressure speaking opportunities such as giving a TED talk or delivering a presentation to attract investors or customers. Small steps yield big results.
Susan Cain, the bestselling author of Quiet, told me in an interview that public speaking did not come naturally to her. In fact, she was terrified of public speaking for much of her career.
Before Cain gave an 18-minute talk on 'The Power of Introverts,' one of the most popular TED Talks of all time, she had spent more than a decade as a lawyer and consultant. During the seven years between the time she started researching her book and appearing on TED, she attended Toastmasters meetings and spoke in front of small groups.
'The way to overcome any fear, but particularly public speaking, is to expose yourself to the fear in very small doses,' Cain told me.
'You can't start out by giving TED Talks. If you're a nervous speaker, your brain is acting like you're staring down a saber-toothed tiger. You need to get enough successful experiences in small bites that you retrain your brain, so it sees the stage as more like a daffodil than a tiger.'
Cain still finds it remarkable that she doesn't dread public speaking anymore. In fact, she finds it 'enjoyable.' It might be hard to imagine now, but you can enjoy public speaking, too. The secret is taking tiny, consistent steps to build your confidence.
Dr. Jill Bolte-Taylor, a Harvard-trained neuroscientist, once told me she rehearsed her TED Talk more than 200 times. 'My Stroke of Insight' has been viewed more than thirty million times, making it one of the most-watched TED Talks ever.
Now, you certainly don't need to practice a presentation hundreds of times. I often find that rehearsing a presentation from start to finish at least ten times prepares me to perform my best. But Dr. Jill's experience reinforces the lesson that speakers who look effortless have put in many more reps than you might think.
Great speakers don't just practice more than the average person. They practice deliberately by simulating real-world conditions.
For example, if your next presentation requires that you stand up in front of a group with a PowerPoint presentation on display behind you, then rehearse like it's the real thing.
Don't simply flip through the slides silently to yourself. Instead, stand up, put a clicker in your hand, and speak out loud. If you mess up or forget to make a point, keep going to the end because, in the real setting, you're not going to start over.
The more times you can make yourself feel just a little uncomfortable—adding a slight bit of stress to your rehearsals—the more your confidence will grow. When showtime comes along, you'll be ready for it.
Public speaking sparks fear in most people because it's a by-product of our evolutionary heritage. It triggers the fight-or-flight response, which makes your palms sweat and your heart beat faster.
As Susan Cain said, there's only one proven solution: train your brain to see the audience as a daffodil, not a tiger.
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Flight attendant on plane that flipped upside down in Toronto sues Delta for $75M
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  • New York Post

Flight attendant on plane that flipped upside down in Toronto sues Delta for $75M

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The Benchmaker of Selkirk: How one man carved out a life and a legacy in wood
The Benchmaker of Selkirk: How one man carved out a life and a legacy in wood

Hamilton Spectator

time3 days ago

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The Benchmaker of Selkirk: How one man carved out a life and a legacy in wood

It started with an injury. Robert Unik, a steelworker in Selkirk, Manitoba, was badly hurt on the job and found himself in need of a new career — and workers' comp willing to pay for the education. Most would've reached for something predictable and safe. Unik had a different vision shaped not by practicality, but by passion. 'I was already carving,' he told me over the phone, stepping away from his buzzing power tools to talk. 'So I told them, 'I want to be a master carver.' And they said, 'Okay. Go find a school, and we'll pay for it.'' That decision would send Unik on a long and unlikely journey, culminating in thousands of hand-carved benches — each with a story, each a monument, and each unapologetically his. His official carving journey began not in a Canadian college, but in St. Paul, Minneapolis, where he trained essentially through correspondence. 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They're narratives in cedar and spruce — adorned with dinosaurs, monarch butterflies, gnomes, poppies, family crests, and Norse mythology. Each one tells a story. Each one takes seven to ten days of intense labour — though he could finish the actual carving in three, if not for the finishing, sanding, and painting. His tools are electric grinders and power carvers, not the old-school chisels. But don't mistake that for shortcuts. 'I'm still holding the tools,' he says. 'Still making every cut myself.' He's carved for schools, libraries, memorials — even celebrities. One of his pieces was nearly commissioned by Billy Gibbons of ZZ Top until Unik discovered the musician wanted it in red cedar, one of two woods he's allergic to. 'I would've ended up in the hospital,' he explains. 'So I passed the job to a buddy in California.' Unik has no storefront, no website, and no formal advertising. But he uses Facebook with surgical precision, posting in dozens of local and regional groups. 'It takes me two hours every time I post,' he said. 'But I've got over 30,000 followers now.' He's even turned down offers from major distributors who wanted to buy his benches at a discount and flip them at triple the price. But that's not why he makes them. Instead, he donates one or two benches a year. One of his proudest? A Ukrainian-themed bench raffled off for refugee aid, raising nearly $10,000. One bench landed in Grand Marais. His dinosaur bench is a permanent fixture in the Selkirk Library. 'They send me pictures of kids climbing on it. That's the best part.' Every bench tells a story. Hand carving is, in his words, a dying trade. 'Chainsaw carving is everywhere now. You can't make money off it anymore,' he says. 'And CNC machines have replaced most carvers in the shops.' But Robert still teaches the old ways. Students come from as far as Lorette to take lessons in his Selkirk garage. 'Last winter I didn't have time,' he said. 'This winter, maybe.' His advice for young artists? 'Don't expect to get rich. Be patient. I've been carving for 47 years. It only really took off in the last ten.' As we talked, I was struck by how little ego there is in the work. Yes, he's proud of his benches — and he should be. They're magnificent. But the real joy, the one that lights up his voice, is in seeing someone see them. 'When a kid points to the carving and says, 'Look at that!' — that's the moment.' He's carved for causes. For friends. For the memory of someone's mother. And once, for a stranger who drove 2,500 kilometres from Texas just to pick up a bench. In a world of mass production, Robert's benches stand as monuments to stubborn craftsmanship. To handwork. To choosing art over convenience. They are, in every sense, one of a kind. And in Selkirk, tucked into a backyard shop, one man keeps carving. — Steven Sukkau is a Local Journalism Initiative reporter who works out of the Winnipeg Sun. The Local Journalism Initiative is funded by the Government of Canada. Have thoughts on what's going on in Winnipeg, Manitoba, Canada, or across the world? Send us a letter to the editor at . Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? Sign up for more at our newsletter page .

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