Bookmarks with Chris Hipkins
Today Jesse is joined in the Auckland studio by Labour leader Chris Hipkins.
Photo:
RNZ / Angus Dreaver
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1News
14 hours ago
- 1News
Magda Szubanski to be inducted into the Logies Hall of Fame
Comedy star Magda Szubanski is set to be inducted into the Logies Hall of Fame for her contribution to Australian TV. She becomes the fifth woman inducted since the award was established in 1984, joining Ruth Cracknell, Noni Hazlehurst, Kerri-Anne Kennerley and Rebecca Gibney. Szubanski was best known for winning the hearts of Australians and New Zealanders as the unconventionally sporty, unlucky-in-love Sharon Strzelecki in sitcom Kath and Kim. That sparked roles in the smash-hit movies Babe and Happy Feet, along with both sequels, among others. She first burst onto Australian screens in the mid-1980s after being picked up by ABC talent scouts watching her perform in a university revue. ADVERTISEMENT Her credits included sketch shows Fast Forward and critically acclaimed Big Girl's Blouse, alongside Kath and Kim co-writers Gina Riley and Jane Turner. Off-screen, Szubanski has been a strong advocate for LGBTQIA+ rights. In 2018 she was appointed an Officer of the Order of Australia for her contribution to the marriage equality campaign. In May 2025, Szubanski announced she had stage-four mantle cell lymphoma, describing it as a "rare and fast-moving blood cancer". Magda Szubanski announced she had stage-four mantle cell lymphoma in May 2025. (Source: Instagram ) She said she would be lying low to protect her immune system. "I won't sugar-coat it, it's rough," the 64-year-old wrote of her diagnosis at the time. ADVERTISEMENT "But I'm hopeful. I'm being lovingly cared for by friends and family, my medical team is brilliant and I've never felt more held by the people around me." The 65th Logie Awards will take place on Sunday, with women set to dominate Australian TV's most glamorous night. All but one of the nominations for the coveted Gold Logie award were women and the night would be hosted by comedian Sam Pang.
The Spinoff
2 days ago
- The Spinoff
The perils of picking the perfect plane movie
The most important part of any holiday is what you choose to watch on the flight there and back, writes Alex Casey. I cannot even begin to express to you how much the guy across the aisle was fanging to watch The Crow (2024). Most of us were still finding our seats, stowing our carry-on and steeling our wills for the 17-hour flight ahead of us, but he was already somehow into double digits on the duration, utterly transfixed by last year's ' unfathomably awful ' Bill Skarsgård reboot. Far from ridiculing this man, I envied him. He demonstrated the same self-assuredness of another passenger I had encountered accidentally sitting in my seat on a previous flight. The screen revealed he was already deep into Michael Jackson's greatest hits playlist and, after the smooth criminal soon found his allocated seat, we all celebrated with an extremely tinny 'Billie Jean' leaking through his flimsy Emirates headphones once more. In-flight entertainment is particularly crucial for New Zealanders. If you are woke enough to know what the hell it even says on those confusing little black books, you probably also know that we require at least the duration of two feature length films to fly anywhere deemed 'overseas'. To get to Japan you will need 11 hours. To get to New York you will need 16 hours. To reach London Heathrow, you'll need at least a full 24 hour day. We're gonna need more than just quizzes to get us through. You'd think this type of long-haul endurance flying would make us savvier than most when it comes to curating our in-flight entertainment. Alas, on a recent 17-hour flight from Auckland to Dubai, I witnessed dozens of New Zealanders completely lose their minds in a prison of indecision. One person watched an entire season of The White Lotus, but completely out of order. Another watched two minutes of Iron Man, then two minutes of Frozen 2, then immediately fell asleep to Avatar 2. To be absolutely clear, I am also one of these people (made a 40+ hour watchlist including Beetlejuice Beetlejuice and Joker 2: Folie a Deux, watched five minutes of Lilo and Stitch chased down by an episode of… Scare Tactics??). If you too find yourself riddled with indecision and neuroses, here are eight simple rules to successfully select movies for your next long haul flight. 1. Horror seldom works out One of the craziest mistakes among the many that I made was popping on Steven Soderbergh's Presence, a slow-burning spooky thriller shot from the POV of a ghost, right as the lights went up and the trolleys of sweaty omelettes started trundling past for breakfast. Anything remotely scary requires the right atmosphere to build tension, and hurtling through the sky in a sealed fart tube is simply not it. I also watched the opening scene of The Monkey, and promptly turned it off following the first disembowelment because the children in the row behind me were crying. 2. Backfill the critical darlings If there's a festival, foreign, or Oscar-nominated film on offer, or any film that you nearly paid cold hard cash to see at the cinema: watch it on the plane. You are earning back the price of a $20 ticket with every choice, and given that I put away The Apprentice, Kneecap, The Last Showgirl and The Outrun on just one leg, I earned back a tidy $80 entirely through sitting on my arse. That's not 'girl math' by the way, that's just math. Girl math is the fact that I watched all of The Last Showgirl even though I found it to be quite a bore, all because I still feel bad for how we all treated Pamela Anderson. 3. Beware the boxset I saw a couple of confident folks immediately ripping into franchises like Star Wars and The Lord of the Rings from the very beginning, implicitly committing to watching the full boxset for the entirety of the flight. Again, I admire and envy the conviction, but I worry about this avenue. What if you fall asleep before they've even taken the hobbits to Isengard? There's also a question of legacy: do you want to forever remember your trip to Europe where you got surprise engaged under the Eiffel Tower as 'The Harry Potter holiday'? Just something to think about. 4. Avoid novelty choices I know a long haul flight is a liminal space, and sometimes crossing certain time zones means you are gifted extra hours on the clock, but that doesn't mean you have to watch Air Fryers: Are They Worth It? because it might make for a funny joke one day. Same goes for buzzed-about stinkers like Megalopolis and It Ends With Us, which I hovered over thinking 'well if not now, then when?' In the immortal words of Jeff Goldblum in Jurassic Park, which the person next to me watched half of before switching to Encanto: 'your scientists were so preoccupied with whether or not they could, they didn't stop to think if they should.' 5. Old is often gold Guy Montgomery has a joke about watching 2001: A Space Odyssey for the first time on a tiny screen on a long-haul flight, just as Stanley Kubrick intended. While it does feel hugely disrespectful and discordant to experience the classics of cinema on a plane, there's something thrilling about watching something a relic of the past while propelling through the skies in anticipation of the near future. There's also a hallucinogenic quality to so many old movies that they can also work as a drug-free trip when you are sleep-deprived and dehydrated. For example, I watched Whatever Happened To Baby Jane (1967) and had cool dreams of crazed Bette Davis in a nightie waiting for me at immigration. 6. Animal anything always Whenever I got up to stroll the cabins, one thing was abundantly clear: people of all stripes really, really love that movie featuring Steve Coogan and an animated penguin. Any film that could have a pull quote describing 'a true story of wit, warmth, and cute [insert any animal] antics' is always going to over well when you are feeling vulnerable, anxious or homesick in the skies. My personal highlights from this genre were Paddington in Peru and a National Geographic documentary about the close relationship between a Scottish man and a river otter named Molly. Five stars. 7. Let the tears flow freely Being on a long flight strips you of all distractions and reduces you to your base elements: you eat, you sleep, you excrete. It always means you are likely to feel your emotions more deeply, whether that be boiling rage at the nearby passenger picking their nose and eating it, or unbridled joy at the sight of a single slice of fresh fruit. It can also mean you are more prone to tears: and lots of them. I was in full shoulder-shaking sobs during Bridget Jones 4: Mad About the Boy and the cabin crew didn't even blink, ditto during We Live in Time. Beware though: at 30,000 feet, even Harry and the Hendersons will make you weep (reminded me of my dog). 8. Short on time? Go sitcom Find yourself with less than 90 mins before landing? Don't start a movie and promise to finish it when you get home, because you will either forget entirely or have to watch the whole thing from the start again. Instead, beloved sitcoms are your best friend here. With 20 minutes until landing, I cracked open season five of The Office US and watched the weight loss episode, instantly giddy with silent laughter and trails of tears down my cheeks. Sure, much of the episode would be cancelled in 2025, but you're not in 2025 in the sky. You're on plane time.
Otago Daily Times
2 days ago
- Otago Daily Times
Escape the world into the shire
The game centres around the business of making hearty meals. Just when you thought the Lord of the Rings product train had run out of steam, Wētā Workshop has more, Bill Hickman writes. Wētā Workshop has released a new video game that allows players to build their own home in a Hobbit village in Middle Earth. Tales of the Shire is billed as a "cosy game" providing a calmer, more meditative experience than the frenetic pace of traditional video games. Players create Hobbit characters — from choosing the possessions that adorn their Hobbit-hole homes to selecting the extent of hair on their little feet. The Hobbit avatars move about in a picturesque Middle Earth world buffeted by seasonal winds and are guided by birds as they tend to their gardens, fish, cook and interact with other townsfolk. Wētā Workshop founder Sir Richard Taylor said as the world emerged from the height of the pandemic, it made sense to create a game that was a departure from the conflict and drama that fuelled much of the Lord of the Rings films. "Tolkien described The Shire as Warwickshire circa 1890 type of world. This is pastoral England, this is beautiful days of slashing down the corn in the fields and harvesting, making hearty meals for your family," Taylor said. He said the game's look was purposely designed to emphasise the beauty and calm of the idyllic setting that was home to the Hobbits. The Shire is pastoral England, Warwickshire circa 1890. "We wanted to create a wonderfully, painterly watercolour world so it felt like you were stepping into a living picture, dotted with trees and hobbit holes," Taylor said. Game studio director Tony Lawrence said, at its peak, 54 people collaborated on the game, working out of Wētā's Miramar workshop as well as from Italy, Australia and California. The game's creators were able to draw on the studio's 25 years of bringing Middle Earth to life to add authenticity to the settings and activities players encountered, he said. "If there's a question about Lord of the Rings we've quite a few experts just lurking around the place that can help us with anything. If we wanted to understand how a character might make a sword, having a master sword [maker] onsite is pretty good to come watch. They're the kind of things that you can't do anywhere else in any other studio," Lawrence said. Lawrence said the government's rebate for game developers was an important factor in helping Wētā take the time to develop the game's detail and depth. — RNZ
