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Chris Martin and Son Moses, 19, Step Out for a Father-Son Stroll 2 Weeks After Dakota Johnson Split

Chris Martin and Son Moses, 19, Step Out for a Father-Son Stroll 2 Weeks After Dakota Johnson Split

Yahoo21-06-2025
Chris Martin is spending some quality time with his son amid his breakup from ex Dakota Johnson
The former couple, who had been together for eight years, broke up for a "final time," PEOPLE confirmed on June 4
Martin shares his two kids, Apple and Moses, with ex-wife Gwyneth PaltrowChris Martin is enjoying an afternoon outing with his teenage son.
On Monday, June 16, the Coldplay singer, 48, was photographed walking in New York City with his 19-year-old son, Moses, two weeks after news of Martin's split from Dakota Johnson, 35, went public. The "Viva La Vida" singer, 48, wore navy pants and a matching jacket, accessorizing with sunglasses and a necklace.
His teenage son looked like the spitting image of Martin as he wore a tan sweater, gray slacks and brown boots. Moses also wore sunglasses and had his hair long when the two were photographed.
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Martin shares his two kids, Moses and Apple, 21, with ex-wife Gwyneth Paltrow.
On June 4, PEOPLE confirmed that Martin and Johnson had broken up, ending their nearly eight-year, on-and-off relationship.
"It feels final this time," one source said of the split. Reps for the stars did not immediately respond to PEOPLE's requests for comment.
The Materialists actress, 35, and the musician, who were first romantically linked in 2017, were photographed together two weeks ago when they stepped out in Malibu together on May 16. Before that, in January, the pair held hands in India, where Martin was touring with his band.
In March 2024, sources told PEOPLE that Johnson and Martin had actually been engaged for 'years' after first sparking engagement rumors in 2020, though they were "in no rush to get married" at the time.
Johnson previously opened up about being in the lives of Martin's two kids. "I love those kids like my life depends on it," Johnson told Bustle. "With all my heart."
This past March, Paltrow spoke to Vanity Fair for their April cover story and was asked about how her two kids have adjusted to being in college.
"College is a great equalizer," Paltrow began. "Look, they're the children of two super-famous people, and so they understand what comes with that. They've grown up in it."
"You would be surprised at how lovely and unassuming and down-to-earth they are," added the proud mom.
Read the original article on People
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One is straight. The other is gay. Together, these best friends are reimagining masculinity
One is straight. The other is gay. Together, these best friends are reimagining masculinity

Yahoo

time28 minutes ago

  • Yahoo

One is straight. The other is gay. Together, these best friends are reimagining masculinity

They met in a Brooklyn theater nearly two decades ago — an audition, a role, a spark of camaraderie. Jonathan Gregg was a fresh face in New York City, auditioning for a production of Six Degrees of Separation. Tom Felix was the director. The two hit it off immediately: witty banter, creative chemistry, and, yes, a little bit of undeniable mutual attraction. Keep up with the latest in + news and politics. 'I thought he was super hot and just wanted to keep him around,' Felix, who is gay, admits now, grinning, with Gregg, who is straight, laughing in the Zoom window beside him during their interview with The Advocate. But the friendship that followed, spanning city apartments, career pivots, marriages, late-night texts, vacations, and barbecues, grew into something beyond flirtation or creative synergy. It became family. Sunday, on International Friendship Day, they're not just celebrating a nearly 20-year bond; they're putting it under a mic. Their new podcast, No Homo with Jonathan and Tom, is a weekly riff on life, masculinity, queerness, parenting, politics, and everything in between. 'Two best friends, one straight, one gay,' as they like to say, 'gassing each other up as the world burns.' Behind the riffs and running gags is something quieter and more binding: a friendship that's teaching listeners how expansive masculinity can be. Related: L Word alums Leisha Hailey and Kate Moennig wrote the book on queer Opposites, but alike Gregg, 43, lives in Queens with his wife and two young kids. He now works as director of operations for a spirits portfolio—think bourbon, vodka, rum, ready-to-drinks. He's magnetic, unapologetic, and often the louder of the two. He's also a popular social media influencer: 127,000 followers on TikTok, 140,000 on Instagram, and counting. Gregg grew up in northern Alabama, in what he calls a 'sheltered, conservative' environment shaped by church life and Southern Baptist teachings. At the time, he considered his church progressive. His pastor had once refused to join a denomination-wide boycott of Disney over the company's perceived LGBTQ+ support. 'I thought of my church as a relatively progressive place,' he said, though in hindsight, he recognizes how narrow that bar was. Still, the experience stuck with him. 'Why would you cut out something in your life because they're being kind to a group of people?' he asked. As he left Alabama, first for Nashville and then New York, the distance made clear how insular his upbringing had been and how much space there was to grow. 'Exposure is the antidote to hate and fear,' he said. 'Knowing people, not being scared to know people, that's it.' Felix, 46, is quieter and more careful. A former theater director and television development exec, he now works in corporate communications and lives nearby in Astoria with his fiancé, Naquan, and their kittens, Fish and Chips. He's the one who overthinks. Felix grew up in a working-class Catholic household in central Connecticut, where he says it took time to make peace with being gay. By junior year of high school, he had come out to himself. By senior year, he was quietly living a double life, closeted at school, where he was prom king and class president, but beginning to explore his sexuality through community theater. 'I was ready to be gay,' he said. 'I just wasn't ready to mess with everything else.' He waited until college to come out to others, on his very first night in New York, sitting in a diner with a group of fellow freshmen. When someone asked if he was gay, he set down his grilled cheese and said, for the first time out loud, 'Yes. I'm gay.' Coming out to family and hometown friends took longer. And the bullying he endured as a kid, taunts for doing theater, not playing sports, still lingers in memory. 'It was something I dealt with all through high school,' he said. Both men exude strong 'daddy vibes,' physically muscular, emotionally available, and unmistakably at ease in their own skin. They've shared bedrooms, wedding aisles, and dance floors. And when they hit the right party, Gregg sheds his shirt beside Felix in a sea of sweaty, writhing men. 'He's come with me to a Rekt party or a Honey Dijon party,' Felix says. 'I wouldn't necessarily call them circuit, but definitely like a gay tech house party.' Their rhythms may differ, but the friendship is seamless. Felix officiated at Gregg's wedding. When Felix and Naquan get married next year, Gregg will return the favor. 'We've had some really strange and exciting experiences together,' Felix says. 'And I just think there's such a long history now… I trust him completely.' Asked if the relationship has ever crossed into romantic or sexual territory, both are disarmingly candid. 'Tom has made the most convincing arguments to be with a man I've ever heard,' Gregg jokes. 'But I'm in a committed monogamous marriage. And I'm straight. Tom knows that. And he respects it.' Felix, without missing a beat: 'And I'm still trying.' Paint your nails, punch Nazis Their closeness has shaped Gregg's public persona, too. Through the Trump years, he coined a slogan, 'Paint Your Nails, Punch Nazis,' that went viral and stuck. Now it's on T-shirts, stickers, and plenty of merch. The phrase grew out of lived experience. Bullied as a kid, Gregg bulked up and leaned into hypermasculinity as protection. Later, when his son asked to paint his nails, Gregg painted his too — and kept going. Tom Felix (left) and Jonathan Gregg at a costume Jonathan Gregg & Tom Felix (provided) 'My wife and I always wanted to buck gender norms,' he says. 'When our son was born, we made pink tank tops that said, 'It's a boy' on the front, and 'Gender norms are for the weak' on the back.' It wasn't about rebellion. It was about modeling freedom. 'Even if my son never paints his nails again,' Gregg says, 'he'll remember that a masculine man in his life did. That's powerful.' He and Felix have made that kind of modeling part of the show, silly, serious, or somewhere in between. Building a friendship and a show while reclaiming "no homo" The podcast was years in the making. They'd joked about it forever. But the 2024 election, and the political darkness that followed, finally gave them the push. 'I was just tired of screaming into my phone,' Felix says. 'I wanted to use my voice for something more.' So they hit record. Then they did it again. And again. The format is loose: a weekly check-in, some current events, a few personal revelations, and always—always—a vibe. No Homo launched in late June. New episodes drop every Thursday. As of this week, six have aired, and the show is already finding its footing. Last weekend, Felix was recognized for the first time at The Cock, the legendary gay bar on Manhattan's Lower East Side. 'Are you the guy from the podcast?' a man named Dan from Albuquerque, New Mexico, asked. 'I'll always have The Cock,' Felix joked on the show. Dan also passed on a compliment for Gregg: 'If you flutter your eyelashes fast enough, he thinks you just might float away.' Before they ever pressed record, the name sparked debate. No Homo was originally coined as a reflexive disclaimer, a way for straight men to distance themselves from anything that might be perceived as gay. The phrase exploded in the 1990s and early 2000s hip-hop, where artists used it to assert dominance, affirm heterosexuality, or preempt ridicule after saying anything remotely affectionate. It was defensive, insecure, and often deeply homophobic. Gregg and Felix know all that. And they named their show No Homo anyway. 'We wanted to hold a mirror to the absurdity of it,' Felix says. 'The phrase itself is so rooted in anxiety, about gender, about orientation, about being perceived. And we wanted to flip it.' 'It's the dumbest, most hilarious thing straight men ever came up with,' Gregg adds. 'And now here we are, one straight, one gay, saying, yeah, no homo, and also all the homo. Deal with it.' The title is provocative by design. But it's not empty provocation. It's about subversion, about confronting cultural discomfort with male closeness. By reclaiming the phrase, they're turning its original anxiety on its head, and replacing it with something grounded, funny, and emotionally honest. 'We're in on the joke,' Felix says. 'But we're also dead serious about it.' Jonathan Gregg (left) and Tom Jonathan Gregg & Tom Felix (provided) In the sixth episode, Gregg shared a message from a listener, what he jokingly called a 'no-homer slash bromo,' who'd reached out to a gay friend after hearing their ongoing conversations about friendship and flirtation. The straight man asked: 'Do you find me attractive?' The friend said yes, but explained that because the man was married, he hadn't said anything before. 'It made him feel really good,' Gregg said. 'And frankly, it's kind of always been in the back of my mind — that's the best service we can offer from this podcast.' 'There is a male loneliness epidemic in the country,' he added. 'There's a void of love from men—how they experience it, how they accept it, how they show it. And I'm telling you, there would be less of a loneliness issue if you just make some gay friends and let 'em flirt with you. It's the best you're ever going to feel.' A May 2025 Gallup poll found that 25 percent of American men ages 15 to 34 reported feeling lonely 'a lot' of the previous day, more than young men in 35 other high-income democratic countries. In the U.S., young men are significantly lonelier than both young women and older adults. Experts link the crisis to long-standing cultural norms that discourage boys from expressing vulnerability, often leaving them emotionally isolated. 'There are some ways to feel a little better,' Felix added. Gregg didn't miss a beat: 'If you and your gay friend decide you want to go down that path, that's totally cool too. And if you don't, then take the flirting, take the compliments, take the gas up, and know that they'll probably give you a really good blowjob if you want it.' 'I did try to grab his dick on my 30th birthday,' Felix admitted in his Advocate interview. 'That's true. But I was being a real tease,' Gregg chimed in. 'So even I can forgive that one.' But was it no homo or was it homo? 'Yeah, it was no homo,' Gregg said. 'It might've been after the fact. It might have no homoed after the fact.' Gregg and Felix aren't trying to be icons. They're just trying to be honest. To show what friendship can look like when men stop fearing softness, stop fearing each other. 'If more straight men had gay best friends,' Gregg says, 'the world would be a better place. Period.' He's not wrong. Happy International Friendship Day. Catch below. - YouTube This article originally appeared on Advocate: One is straight. The other is gay. Together, these best friends are reimagining masculinity Solve the daily Crossword

Sunday Conversation: Maren Morris On New Music, Women Scorned And More
Sunday Conversation: Maren Morris On New Music, Women Scorned And More

Forbes

time30 minutes ago

  • Forbes

Sunday Conversation: Maren Morris On New Music, Women Scorned And More

Maren Morris' superb new album, DREAMSICLE, is an infectious, engaging collection of songs largely rooted in pop. This has led to a whole hullabaloo about Morris leaving country behind, the same way it did when Neil Young began playing synths in the '80s, when Joni Mitchell embraced her love of jazz, hell, when Bob Dylan plugged in at the Newport Folk Fest 60 years ago and got called a 'Judas.' As a certain Mr. Shakespeare coined it, 'Much ado about nothing.' Every great artist experiments musically, this should be considered the norm, not the deviation. Of course, the gifted Grammy-winning Morris, who released her debut album at 15, should be expected to change things up after 20 years. Just ask Miles, Prince, Joni, Bowie, Tom Waits, Rod Stewart, Taylor, Willie, the list goes on. Morris, now 35, is growing as an artist. And the boldness musically and lyrically of DREAMSICLE reflects an artist gaining confidence and finding new paths to sojourn as her voice grows stronger with age and experience. I spoke with Morris about the new album, touring and much more. Steve Baltin: You just played We Ho Pride. How'd that go? Maren Morris: Oh, it was so fun. It was my first Pride to perform at. So, the fact that it was the West Hollywood one felt really official, but it was so fun. It was such a beautiful night out and the energy in the crowd was so just optimistic and it just gave me a jolt like, 'Okay, we're going to be all right.' Baltin: I know Qveen Herby opened for you. I just had dinner with her and her husband last week, so they were telling me how much fun they had opening for you and how lovely it was. Morris: Oh my gosh, I've been such a fan of her. I was listening to her album so much during COVID and back in the Karmin days too, but like the Qveen Herby era has been…I met her that night for the first time and she was so sweet. And you can just tell she's a songwriter. I love picking people's brains that come up with turns of phrases like she does, but then also in a live way, just so fun to watch side stage before our show. Baltin: You say that about songwriters and in fact, we also just spoke to Julia Michaels in the last two weeks. Morris: Oh, you're naming all my favorite people. Yeah, she's such a gem of a human. And I'm so happy that we've been able to collaborate so much over the last couple years. She's just a real one. Baltin: We had the best conversation about the song, 'Go F**k Yourself,' and how much fun she had doing that. We were talking about how liberating that sentiment is. Are there songs on this record that had the same feeling for you? I love the honesty, for instance, of 'Bed No Breakfast.' Morris: Thanks. Yeah, there are a couple of moments like that on the album of not where I outright say like, 'Oh f**k yourself,' but definitely 'Too Good' is one of those that's very brash and then 'Lemonade,' like the intro of the album was also in that sort of acidic lane of like I've had enough. Yeah, a woman scorned who also writes songs is a thing to behold. A beautiful, scary thing to behold. Baltin: Every great artist has gone from genre to genre. It's the most natural thing in the world. So are there those artists that have really influenced you in the way that they have moved around musically? Morris: Yeah, I think all of my favorite records, artists, they're so different. Like if you listen to Sheryl Crow between Tuesday Night Music Club and The Globe Sessions there's a big musical shift, but you can still obviously tell the heartbeat is Sheryl's writing, her voice. Then Patty Griffin is another one that I have had a long-time obsession with. Flaming Red is one of my favorite albums, but it's also the most sonically ambitious album I've ever heard. And I guess it would be considered a rock album, but it's just Patty. So, it's very singer/songwriter-y and folky in moments, but then she's going balls to the wall on these drums to kick the album off. There are so many examples of people that genre blend, genre shift. I think that's the name of the game is not copying and pasting your work over and over and over again, just to make a buck. I think it's exciting when people do something that's out of leftfield. Baltin: I think as an artist that's the only way to also keep yourself happy and interested. Otherwise, you're going to lose your mind. Morris: I've always have been influenced by a lot of different kinds of music. And I think that comes out in my own work. But depending on who I'm writing with or collaborating with, who's producing, every day is different. So, sometimes for me, honing in on a lane has never been a thing. It's also not something I should have to do. I love that with this record DREAMSICLE I can weave between lanes pretty seamlessly and it feels still at the end of the day like a cohesive project because it's the same brain, the same voice, the same heart. Especially when I'm going to tour rehearsals next week was like, I really want to work up songs that I'm excited about, that I loved making in the studio that kept me going each day. Baltin: What are your favorite women scorned songs? Morris: The ones that like come to mind are definitely like, because I was just listening to it, 'You're So Vain,' Carly Simon. A recent one is Taylor Swift's 'The Smallest Man Who Ever Lived,' that's a really good one. Then also not to circle back, but I just like love Julia Michaels EP so much. I think that she's so good at having a unique take each time, there is a scorn to be had. Even with 'Scissors,' the one that I'm on, I was like this is such a beautiful way of saying I don't care about you enough to mourn this relationship if you decide to end it. I'm good either way. She just has such a unique way of spinning something like that Baltin: Let's come onto the tour for one second. What are the songs that you're most excited to do live? What are the songs you are most excited to see how people responded to them? Morris: Weirdly, it's all the ballads. I think the one I'm really excited to work up with the band because it was such a spiritual experience writing it. And it's literally about losing religion. But the song 'Holy Smoke,' I'm really excited to work up with the band because there are so many layers musically that Jack Antonoff added. Lots of backing vocals that I layered, Laura Belts, my songwriter friend, layered and it just has this really communal sing-along element to it. So, I think in a live setting it's one of those songs that I love on the album; it's beautiful, we produced it beautifully. But you know when you're writing something that is going to slap live. Baltin: What were the songs that have surprised you most over the years, those ones in your catalog that have become live favorites? Morris: There's a song from my first record. It's called "Once." And it's just a really vocally strenuous song live, it just takes you to another dimension. I'm the one singing it and I feel like I accessed some different astral plane when I'm singing that song. It's just so guttural. But over the years, like the last eight, nine years it has been an audience favorite, even though it was never a single. It's a really heavy song. But live it is just this transcendent experience, and you never know that thing until you go and do it in the show. So, it's one of those songs I always have a tough time taking out of the set list because I just know it's going to bring the house down each time.

WWE SummerSlam 2025 Match Card, Start Time And Odds For Night Two
WWE SummerSlam 2025 Match Card, Start Time And Odds For Night Two

Forbes

time30 minutes ago

  • Forbes

WWE SummerSlam 2025 Match Card, Start Time And Odds For Night Two

WWE SummerSlam 2025 ended with an unforgettable moment on Saturday when Seth Rollins cashed in his Money in the Bank briefcase to beat CM Punk for the World Heavyweight Championship. On Sunday, SummerSlam Night Two will set it out to top it. Last night in front of a crowd of more than 53,000 fans, Punk defeated Gunther in an instant classic Punk in the show's headlining match only to have his magical moment spoiled by a returning Rollins. In addition, Roman Reigns and Jey Uso toppled Bronson Reed and Bron Breakker in the show opener while Tiffany Stratton shockingly beat Jade Cargill and left MetLife Stadium still the WWE Women's Champion. At WWE SummerSlam Night Two on Sunday, WWE presents another loaded card featuring a whopping six title matches. The main attraction is a Street Fight WWE Championship match pitting the champion John Cena and Cody Rhodes after Cena appeared to turn babyface in an explosive segment on last week's SummerSlam 2025 Start Time And Streaming Info for Sunday WWE SummerSlam 2025 Night Two takes place on Sunday, Aug. 3 and will air exclusively on Peacock in the United States. The event is available on Netflix internationally. WWE announced that for the first time ever, SummerSlam 'will screen live in select Regal Cinemas across the U.S. on Saturday, Aug. 2 and Sunday, Aug. 3' as part of a partnership with Fandango. As was the case on Saturday, WWE will air a three-hour pre-show on Peacock. WWE SummerSlam 2025 Match Card For Night Two (Sunday) WWE SummerSlam Night Two features six matches, and in every single bout, a WWE championship will be on the line: WWE SummerSlam 2025 Betting Odds for Night Two (Sunday) WWE betting odds from BetUS suggest that there are some runaway favorites at SummerSlam on Night One. But as always, major WWE pay-per-view events can be remarkably unpredictable. John Cena beat Cody Rhodes for the WWE Championship at WrestleMania 41 in a widely-panned match that reinforced WWE's commitment to Cena's lackluster heel turn. Since then, however, Cena has consistently teased that he's heading back to his babyface roots while Rhodes, the top fan favorite in WWE, is poised to take back the title and reassert himself as the No. 1 star in the company. If Rhodes loses again, that would be a downright shocker, though the Street Fight stipulation certainly leaves room for another cheap win for the 17-time world champion. This match is essentially a rematch of the Women's World title match at WrestleMania 41, only with Naomi replacing Bianca Belair. It's also a contender for best match of the weekend. That being said, it should have an obvious result. Naomi only just won the championship at Evolution, making her a virtual shoo-in to win this triple threat match under shady circumstances. She'll likely sneak in for a pin on Sky after Ripley hits Sky with the Riptide, setting up a possible loss to Stephanie Vaquer at Clash in Paris. Does Bayley, who's been heavily involved in this storyline, show up at SummerSlam? The answer is a resounding yes. The question, however, is who she helps, or rather, who she shafts. If Valkyria loses, she can never challenge for the Intercontinental title as long as Lynch is champion, so the best bet is Bayley getting involved and costing Valkyria the match given the No DQ rules. That would allow Lynch to move onto a different feud while Bayley, possibly as a heel, continues her storyline with Valkyria. The steel cage stipulation is supposed to keep Solo Sikoa's henchmen out of the ring, but of course, anyone who's ever seen a WWE cage match knows that isn't happening. Expect at least a few, if not all, of Sikoa's 'MFTs' to show up and help him defeat Jacob Fatu inside the steel structure. Although Sikoa taking another loss is not ideal, WWE can book it in a way that protects him and allows him to quickly move from the midcard to the main event picture where he belongs. Admittedly, however, this match is one of the more predictable ones of the weekend and could go either way. AJ Styles and Dominik Mysterio have quietly built up a decent little midcard feud that should result in a hot match at SummerSlam. The fans love Styles and hate Mysterio, so this could be a show-stealer. Mysterio had his 'WrestleMania moment' when he won this very same title at WrestleMania 41, but he's back to being a full-blown heel once again. A controversial win for 'Dirty Dom' wouldn't be surprising, but with Styles no longer really booked as a main eventer, he should get the win and elevate the IC title. WWE is finally giving the WWE Tag Team Championship a much-deserved spotlight after leaving the tag titles off a slew of major pay-per-views in recent years. The SmackDown tag team division has been a highlight of the brand since 2024, and that's why this 6-way tag team match could go any number of ways. With strong pushes for duos like Andrade and Rey Fenix as well as former champions The Street Profits, this rare TLC match isn't as predictable as most SummerSlam matches. The Wyatt Sicks have only held the titles for a few weeks, however, making them the leading candidate to leave WWE SummerSlam with the gold. If anyone else leaves MetLife Stadium with the titles, the strongly-pushed combo of Andrade and Fenix is the best bet.

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