
'Absolutely Haunting' crime thriller compared to The Handmaid's Tale rockets up Netflix charts - as viewers beg 'give us more like this please!'
Though it was released in Nigeria back in March, Baby Farm only became available on Netflix UK on June 20th 2025.
The series follows young Adanna (Onyinye Odokoro), who falls pregnant out of wedlock.
Faced by her parents' reprimanding attitude, she runs from home to find her boyfriend in Lagos, but instead, is seduced by an exploitative baby farming scheme called The Evans Foundation, masquerading as a benevolent NGO.
The Evans Foundation is run by a pair of married British expatriates, who, living in Nigeria, exploit vulnerable pregnant women for profit.
Adanna and her similarly imprisoned peers, including Ebun (Genoveva Umeh) and Emem (Ruby Akubeze), discover that at the heart of the Evans Foundation is a sinister operation with a hidden agenda.
'The series draws chilling parallels to real-life horrors, grounded by a powerful performance from Onyinye Odokoro as Adanna, a woman pushed to the edge, yet never backing down,' said Black Film Wire in their review.
'But it's Genoveva Umeh that left me cold. Her portrayal of Ebun isn't just haunting - it's the kind of performance that burrows under your skin and refuses to leave: layered, grounded, and absolutely haunting.'
Other compared the show to dystopian hit The Handmaid's Tale, which sees women oppressed by a Christian theocracy and forced to carry babies for the rich and powerful amid a global fertility crisis.
The Lagos-set series aims to highlight the reality of women trapped in exploitative baby factory institutions across the world.
'When I started to research (the script), it was very eye-opening and very horrific,' said Odokoro, in an interview with Arise.
'I believe that film has to make comments about what's happening in society. It is very important and very relevant.'
This series is more than just a thriller – it's a powerful story rooted in real-life issues told through the lens of bold, cinematic African storytelling,' said the show's executive producer Mo Abudu.
'With breathtaking visuals, a gripping narrative and an outstanding cast and crew, Baby Farm will keep audiences on the edge of their seats while sparking vital conversations. We can't wait for the world to experience it.'
Its popularity signals global momentum for Nollywood, as Baby Farm sparks impassioned conversation online.
One fan said: 'This is giving me Handmaid's Tale and I am getting angry all over again.'
Another chimed in: 'Baby Farm on Netflix gives me a Get Out vibe. 2 episodes in, and I'm unsettled. Who is the actress playing Nurse Bolade? She creeps me out.'
'Baby Farm left me absolutely impressed! The movie was fantastic! My favourite character was Ebun, I could really see how her childhood shaped her personality.
'Her goofiness was the bare minimum she classified as love, which was both heartbreaking and eye-opening,' one fan added.
'Just finished Baby Farm on Netflix! It was so good fr, yet it somehow flew under the radar,' someone else said.
Its popularity signals global momentum for Nollywood, as Baby Farm sparks impassioned conversation online
'Meanwhile, some other movies with way less depth or weaker storytelling get all the hype just because they feature popular actors or because of social media buzz.'
'I just finished watching Baby Farm on Netflix. I didn't expect to, but I was gripped. Great storytelling. And Genoveva Umeh? That girl is a superstar,' one fan wrote.
While another added: 'I know I'm late and that's cos Netflix finally pitied us but Baby Farm was so good! You people didn't talk about it enough.'
Baby Farm is available to stream on Netflix.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
5 hours ago
- Daily Mail
'Absolutely Haunting' crime thriller compared to The Handmaid's Tale rockets up Netflix charts - as viewers beg 'give us more like this please!'
Though it was released in Nigeria back in March, Baby Farm only became available on Netflix UK on June 20th 2025. The series follows young Adanna (Onyinye Odokoro), who falls pregnant out of wedlock. Faced by her parents' reprimanding attitude, she runs from home to find her boyfriend in Lagos, but instead, is seduced by an exploitative baby farming scheme called The Evans Foundation, masquerading as a benevolent NGO. The Evans Foundation is run by a pair of married British expatriates, who, living in Nigeria, exploit vulnerable pregnant women for profit. Adanna and her similarly imprisoned peers, including Ebun (Genoveva Umeh) and Emem (Ruby Akubeze), discover that at the heart of the Evans Foundation is a sinister operation with a hidden agenda. 'The series draws chilling parallels to real-life horrors, grounded by a powerful performance from Onyinye Odokoro as Adanna, a woman pushed to the edge, yet never backing down,' said Black Film Wire in their review. 'But it's Genoveva Umeh that left me cold. Her portrayal of Ebun isn't just haunting - it's the kind of performance that burrows under your skin and refuses to leave: layered, grounded, and absolutely haunting.' Other compared the show to dystopian hit The Handmaid's Tale, which sees women oppressed by a Christian theocracy and forced to carry babies for the rich and powerful amid a global fertility crisis. The Lagos-set series aims to highlight the reality of women trapped in exploitative baby factory institutions across the world. 'When I started to research (the script), it was very eye-opening and very horrific,' said Odokoro, in an interview with Arise. 'I believe that film has to make comments about what's happening in society. It is very important and very relevant.' This series is more than just a thriller – it's a powerful story rooted in real-life issues told through the lens of bold, cinematic African storytelling,' said the show's executive producer Mo Abudu. 'With breathtaking visuals, a gripping narrative and an outstanding cast and crew, Baby Farm will keep audiences on the edge of their seats while sparking vital conversations. We can't wait for the world to experience it.' Its popularity signals global momentum for Nollywood, as Baby Farm sparks impassioned conversation online. One fan said: 'This is giving me Handmaid's Tale and I am getting angry all over again.' Another chimed in: 'Baby Farm on Netflix gives me a Get Out vibe. 2 episodes in, and I'm unsettled. Who is the actress playing Nurse Bolade? She creeps me out.' 'Baby Farm left me absolutely impressed! The movie was fantastic! My favourite character was Ebun, I could really see how her childhood shaped her personality. 'Her goofiness was the bare minimum she classified as love, which was both heartbreaking and eye-opening,' one fan added. 'Just finished Baby Farm on Netflix! It was so good fr, yet it somehow flew under the radar,' someone else said. Its popularity signals global momentum for Nollywood, as Baby Farm sparks impassioned conversation online 'Meanwhile, some other movies with way less depth or weaker storytelling get all the hype just because they feature popular actors or because of social media buzz.' 'I just finished watching Baby Farm on Netflix. I didn't expect to, but I was gripped. Great storytelling. And Genoveva Umeh? That girl is a superstar,' one fan wrote. While another added: 'I know I'm late and that's cos Netflix finally pitied us but Baby Farm was so good! You people didn't talk about it enough.' Baby Farm is available to stream on Netflix.


BBC News
21 hours ago
- BBC News
Why Nigerian authorities declare Speed Darlington wanted
Di National Agency for di Prohibition of Trafficking In Persons [Naptip] don declare Nigerian Content creator, Darlington Okoye wanted. Di anti-trafficking and sexual abuse agency declare Darlington wey pipo sabi as Speed Darlington, wanted in connection wit alleged offences wey include rape, cyberbullying, and cyberstalking. Dis dey come afta Naptip bin invite di rapper and content creator to come ansa kwesion on top accuse wia e admit say im bin sexually abuse pikin. Im wahala start sake of video wey im use im hand post for Instagram live wia e allegedly confess say im bin abuse 15-year-old girl. Dat time, e bin no clear weda e dey serious wit di comment or e just dey do content. Pipo begin drag Naptip put inside di mata sake of say dem want Naptip to torchlight di mata. Mr Okoye bin come for social media to allegedly tok about di time wey im sleep wit 15 year old pikin for hotel and e "disvirgin her and give am 2k". Wen pipo first drag Naptip attention to di trending video, di agency bin direct di mata to di Lagos State Domestic and Sexual Violence Agency (DSVA) bifor dem decide to handle di case by demsefs. But dis time di agency say if anybody see am make dem report to dem. Authorities bin invite di content creator afta alleged child abuse 'confession video' Speed Darlington and controversy Speed Darling dey always enta tori sake of tins wey dey controversial. E neva tey wey im comot from police hand before e do dis one again. Police bin detain am sake of defamation case against Burna Boy becos of video wey blow afta US rapper Diddy arrest. For one one viral video wey bin spread ontop social media, e show wia, Speed Darlington dey ask Burna Boy how e take win im Grammy award in 2021. Di 39-year-old wey pipo sabi as "Akpi" ask di Grammy award winner, Burna Boy if Diddy rub "oil for im nyash" bifor e win di trophy. "E no tey afta Burna Boy post im foto wit Diddy na im, e win Grammy," e tok "I just dey wonder, Burna Boy I dey ask you kwesion. No vex . How many oil Diddy drop for your nyash bifor dem give you trophy." Video of im arrest bin dey trend ontop social media, afta some pipo escort am comot from im gate. Meanwhile, di main pipo behind di arrest of 'Akpi', as Darlington dey call imsef no come out come tok. Afrobeats giant Burna Boy wey evri body dem call im name no also chook mouth for di mata. Who be Speed Darlington Speed Darlington na di son of Nigeria singer Pericoma Okoye, wey die on 16 February 2017 for Okigwe, Imo state Southest Nigeria. Im mama na Queen Theresa Onuorah. E blow for Nigeria afta im song BangDadaDang! comot for 2017 and pipo start to dey meme am for social media. E even tok say na Diddy bin inspire dat im song wen im drop am. Dat song blow sotay pipo even start to dey play am inside clubs and parties at di time and na wen Speed Darlington start im social media career. At di time wey e get im first hit, im bin dey live for di US but a few years later, e come relocate back to Nigeria. Di 39 year old rapper dey very popular for im social media persona wey im dey take tok about a lot of issues, mostly sex and how to make money.


The Guardian
2 days ago
- The Guardian
William Kentridge review – this endless flow of creativity lays claim to Picasso's legacy
How's this for vanity art: William Kentridge sits astride a horse, like a Roman emperor, his profile beakily aloft as he controls his steed. Except this statue is not as solid as it sounds but a photographic mural of Kentridge in horse-riding pose behind a skeletal wooden horse constructed from parts of artist's easels with a saddle slung over its cardboard tube of a body. Kentridge mocks himself, and mocks the pretensions of sculpture. Or does he? There's a confident, showoff brilliance to this illusion and the parallel with a previous great artist is obvious. Another sculpture, a more solid one, Goat, is a swirling tangle of lines solidified in space, capped with a goat's head. It's a homage to Picasso's 1950 sculpture The She Goat. When you see Picasso's art it's not so much one specific work that awes you as the boundless flow of creativity that moves from one style to another in an inexhaustible, playful stream. Kentridge lays claim to that legacy here – and with justification. He is just about the only artist now who can dizzy you in a comparable way with the abundance of his creativity as his impulses dance from drawing to film to collage and back to drawing. Always drawing. In his 2015 film More Sweetly Play the Dance, reality and drawing magically interweave: a silhouetted procession of real people walk and dance across a blasted landscape to jazz and African music, bearing banners and sculptures that are in fact Kentridge's drawings. Sketches are borne aloft as if they were flags, while the carriers, too, are partly overdrawn. It's genius. More Sweetly Play the Dance, created as an elegy to victims of Ebola, is the kind of collective artwork at which Kentridge excels. This Johannesburg artist makes political art, not so much through declamatory content, as through collaborations with communities of musicians, dancers, actors. He can capture collective tragedies and span modern history. This film's power is enhanced by being shown across multiple screens, an embracing, constantly moving panorama with sound from repurposed gramophone horns. In the same screening room Oh to Believe in Another World, his animated history of Soviet Russia, becomes an even more menacing farce than when it was recently shown on a single screen with live orchestra on the South Bank. Kentridge's film art is, on the whole, much more compelling than his sculptures. On screen he brings it all together, animating his drawings, collages and puppets, using sound as superbly as a conductor, which makes sense. When he was three, Kentridge wanted to be an elephant, but when he was 14, his dream was to lead an orchestra. Failing in both ambitions, he became an artist. Self-Portrait as a Coffee-Pot tells this autobiographical story in a series of nine films, shown on a large TV screen in a corner of a gallery that re-creates his studio – and it takes all day to see in its entirety. It should be on TV, for it is made in a documentary format with Kentridge as an authoritative 'presenter', speaking in his deep voice and soft accent, in a manner reminiscent of the great television author presenters of the past like Jacob Bronowski or Robert Hughes. Except he keeps being interrupted by his own double. The technological wizardry that enables Kentridge to debate with himself is so state of the art you see double. Both Kentridges wear his habitual white shirt and speak in the same compelling voice, but they disagree. When Kentridge One reminisces about a childhood picnic when the family ate boiled eggs and sardines on a spread-out newspaper, Kentridge Two begs to differ. 'What newspaper was it?' 'The Sunday Times.' 'Our mother would never have spread out a newspaper for a picnic, and especially not the Sunday Times.' As they argue, they draw, and the drawings flow exquisitely as he sketches remembered landscapes, self-portraits, still lifes. But as its title implies, this is no straightforward confessional artwork. How can you know who you are if you can't even agree with yourself about your most treasured memories? Sign up to Art Weekly Your weekly art world round-up, sketching out all the biggest stories, scandals and exhibitions after newsletter promotion Kentridge's real identity, the me that matters, is in fact an us. Looking in the mirror to admire his own noble features, in a sequence inspired by the Marx Brothers' Duck Soup, he instead sees a Black woman looking back at him. While one Kentridge says he is most himself while drawing introspectively, the other claims he is most himself working collaboratively in theatre, opera, you name it. These two facets reveal a subtle soul who moves merrily between private imaginings and public designs. Movement is the essential thing. Cinema is in every fibre of his being. He shows a series of small bronze sculptures along shelves, and it's like a film reel. So, is freezing his images as monumental sculpture a folly, like trying to fix a childhood memory in your mind? No. These sculptures are just one more experiment for an artist who is always on the move, always ready to share. At the top of the green hill above the gallery is his huge bronze sculpture of an ampersand (&). Dark and stark, yet funny and warm, the typographical symbol for 'and' is a perfect symbol for his art of addition. William Kentridge: The Pull of Gravity is at Yorkshire Sculpture Park, Wakefield, 28 June until 19 April