Has Your Dream Renovation Become a Nightmare? Maybe You Need a ‘House Therapist'
A few years ago, I embarked on the renovation of a Brooklyn brownstone whose interior hadn't been touched since the Charleston was the rage. Acquaintances offered all sorts of advice. Interview at least six architects! Be on site before breakfast every day! And while you're at it, they joked, save up for couples counseling, too.
Miraculously, my marriage survived the project, despite pandemic delays, thousands of dollars of botched work and a bogus lien. My relationship with the house, however? That was a different story.
Two years after I evicted our contractor, clashing paint chips still freckled my newly plastered walls. Our mismatched furniture looked like the leftovers from a church basement rummage sale. I'd begun with Instagram-fueled design visions, but in the wake of the cursed renovation, they fizzled and I was left feeling stuck and sad. Maybe counseling wasn't a bad idea after all. These days you can hire financial therapists, family therapists, career therapists. But who do you hire when you need to get over your house hang-ups?
An in-the-know colleague suggested I look up Olga Naiman, a former stylist for Domino, Real Simple and Anthropologie who was raised by two psychiatrists and studied clinical psychology at college. The author of the new design manual, 'Spatial Alchemy,' Naiman has pioneered an unconventional approach to interiors that combines cognitive behavioral therapy, Kabbalistic mysticism and more. The premise: Beyond beautifying your home, intentional design can heal traumas (say, the pain of being bilked out of $25,000 by a contractor), disrupt destructive patterns and foster transformation in every aspect of your life.
Did it sound super woo-woo? You bet. But testimonials from those who'd tried Naiman's techniques swayed me. Take Catherine Burns, a consultant and former artistic director of the storytelling organization the Moth, who felt stalled by impostor syndrome after moving to a 'dream apartment' in Fort Greene, Brooklyn. Naiman urged Burns to trek to North Carolina to retrieve an antique table from her grandfather's painting studio. A symbol of success and creativity, it's been Burns' dining table ever since. 'Installing it front and center was a way of telling the universe—but more importantly, myself—that I did belong there,' she said.
If 'house therapy' could make me stop cringing when I walked through my door, I supposed it was worth a shot.
Conversations with other battle-scarred remodelers only deepened my conviction that, although practitioners are now scarce, therapy-informed home design has serious growth potential. (Class of '25, take note!) As one of the biggest financial risks people can take, home improvements come with steep psychological stakes. According to Clever Real Estate's 2024 Home Renovation Survey, about 78% of homeowners went over budget on their last renovation and 74% of remodelers reported regrets. Social media may be chockablock with drool-worthy 'reveals'—but for most of us, real life looks nothing like that.
In 2020, Christine Chitnis and her husband bought a 1,600-square-foot lake house in northern Michigan. The plan: to complete a 'refresh' in eight months. Instead, three years later, the project still wasn't finished and, thanks to faulty construction and legal costs, the original budget of $150,000 had ballooned to over $500,000. 'For the first year after, I felt like [expletive] this place—I never want to see it again,' Chitnis said. While she has not gone in search of a 'house therapist,' she did recently come home to find her husband organizing a puja, or Hindu cleansing ceremony, in hopes of exorcising the bad vibes.
'When we invite someone to come in and alter our home we are also inviting them into our psychological life,' explained Joseph R. Lee, a Jungian analyst based in Virginia Beach, Va., and co-creator of the popular podcast 'This Jungian Life.' A veteran of his own construction nightmares, Lee likens the 'educative' process of renovation to falling in love. 'When that fantasy or honeymoon period falls away, you have to confront a new reality on the other side.' Even when people get changes they thought they wanted, the resulting grief can take them aback.
When I shared my predicament with Naiman, she wasn't surprised. 'Our relationships with our homes are intimate, and they can be wounded the way all intimate relationships can be,' she explained—adding that many of the techniques she now uses with clients were forged in her own traumatic Covid-era renovation. Her rates start at $450 an hour and range from Zoom strategy sessions to full-service designs; her book and online class, which launches soon, offer much of her wisdom for less of an investment. She agreed to come by and give me a primer.
Did her guidance erase all the stress that came before? Nope. But it did leave me with a buzzy energy I hadn't felt in years—and a spreadsheet that sketched out a forward vision for every room in my house. (For a breakdown of one room, read on.) If you need a kick-start too, consider these steps in a 'house therapy' approach.
Just as it's unwise to jump right into a new relationship post-breakup, taking a deliberate pause after a bad renovation can be an act of power. 'It's actually good to do nothing for a bit,' said Naiman. 'The nervous system needs time to rest and get a clearer picture of how you hope to live—and feel—in your space.' Emotionally, says Lee, it takes 6-9 months of living in a new place for the psyche to begin thinking of it as home.
Central to Naiman's work is the idea of tapping into an idealized 'Future Self,' who's survived challenges and emerged thriving. When it's time for clients to pick up the reins again, she encourages them to let that vision be their north star rather than getting lost in incoherent impulse purchases or decision fatigue. Your home is your laboratory: What styling choices make your Future Self feel supported? What colors turn your Future Self on? 'You can feel in your body when intentions become reality,' Naiman said. Pay attention to the choices that trigger that feeling and proceed accordingly.
One of the most painful aspects of renovations gone wrong can be a lingering sense of powerlessness, says Lee. When you're ready to shake that cycle, Naiman says, sometimes it takes an active decision to 'exit complaint mode.' Even hokey rituals can give closure. After a botched roof caused catastrophic flooding in an apartment Burns relied on for crucial income, Naiman smudged the space with sage and the two spent time lightheartedly imagining who her 'dream tenant' would be. 'It seemed a little silly,' said Burns. 'But all I know is the next week that tenant appeared.'
Unless you're on a reality TV show or are an actual billionaire, you can't redecorate a 3-bedroom house in a week. But you could arrange accessories on a mantel or plan a gallery wall in a powder room. Assign yourself short, focused 30- to 45-minute styling sessions a few times a week, advises Naiman. The feel-good boost of dopamine you'll get from completing them will help see you through thornier tasks.
When a renovation goes wrong, it can be hard to remember your original goal: to make your house a place of pleasure. As a simple step toward reclaiming that purpose, says Naiman, tap back into sensual joys—invest in plush carpet underfoot or upgrade everyday pieces like clocks and coffee mugs with versions that channel the 'future' energy you want to embrace. Chitnis has found that filling her home with blooms from the wildflower garden she and her children planted helps offset some of the 'burning rage' she still feels for her contractor. 'It's a way of bringing joy back to the house.'
After a painful renovation, I asked 'house therapist' Olga Naiman to help get my decor back on track. Here, how we healed a room in five targeted, budget-conscious moves.
1. Post-construction, I painted every wall in my house white, intending to add color 'later.' But three years on, later still hadn't come—and the blank surfaces just reminded me of everything I'd left unfinished. To dislodge my paint paralysis, Naiman suggested I find inspiration in one of the few things I had picked—a riotous turquoise-and-indigo wallpaper in the adjacent dining room. The watery shade I pulled out (Borrowed Light by Farrow & Ball) unified the spaces and added satisfying polish.
2. I aspire to the 'collected' look, but a combination of impulsive Facebook Marketplace purchases and tattered furniture from our old home merely looked incoherent. 'Clutter is just stagnant energy in physical form,' Naiman said. To purge the room's chaotic vibes and foster a sense of balance, she pressed me to sell my mismatched chairs and exchange them for a set of pared-back love seats. I got lucky and scored the vintage Mortensen-style sofas affordably at an auction.
3. Investing in sturdy 'anchor' pieces can help you feel settled in a place where you're still unmoored, says Naiman. But an investment doesn't have to be only financial or extravagant: Committing time and effort also matters. I took a day off work to drive a van alone for seven hours to pick up a pair of lacquered Dorothy Draper-style Espana chests I'd found out of state—for a 10th of what they'd typically cost. Bingo: instant gravitas.
4. Naiman points out that brands constantly use iconography to direct our attention and communicate meaning—and we can do the same with symbols at home. I kept that in mind when choosing a pair of prints from Block Shop in Los Angeles for a prominent wall. The 'sailor's knot' motif they depict represents strength and resilience.
5. One of the first things Naiman noted was the undignified way my family had crammed our beloved piano against a wall. To give the instrument proper pride of place—and pianists a more pleasant, expansive vista—she proposed floating it in the middle of the space like a sofa table. I was skeptical at first, but now the piano feels like the room's creative command center.
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Buzz Feed
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- Buzz Feed
38 Fun Yet Practical Things
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Charleston Pickled Shrimp recipe
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CBS News
13-06-2025
- CBS News
Book excerpt: "The Fate of the Day" by Rick Atkinson
Crown We may receive an affiliate commission from anything you buy from this article. Following the introductory volume of his "Revolution Trilogy," 2019's "The British Are Coming," historian Rick Atkinson presents Volume Two, "The Fate of the Day: The War for America, Fort Ticonderoga to Charleston, 1777-1780" (Crown). He details the middle years of the War for Independence, in which George Washington's Army barely escaped annihilation by the forces wielded by King George III, leading to epic battles at Brandywine, Saratoga, Monmouth, and Charleston. Read an excerpt below, and don't miss David Martin's interview with Rick Atkinson on "CBS Sunday Morning" June 15! "The Fate of the Day" by Rick Atkinson Prefer to listen? Audible has a 30-day free trial available right now. The March of Annihilation Fort Ticonderoga, New York, July–August 1777 A rattle of drums at four a.m. on July 1, 1777, roused the British encampment at Crown Point, on the western lip of Lake Champlain. Soldiers stumbled from their tents, shrugged on their uniform coats, and gobbled down a cold breakfast with the indifference of men who expected no better. For the past fortnight the invasion force of eight thousand troops had sailed and rowed south for a hundred miles, from the Richelieu River in Quebec to within fifteen miles of the American stronghold at Fort Ticonderoga. Through mischance and rebel defiance, many of these same redcoats had failed to capture the fortress eight months earlier, despite standing at the gates. Now the prize again lay within grasp, and this time they intended to win through. "We are to contend for the king and the constitution of Great Britain, to vindicate law and to relieve the oppressed," orders issued the previous evening proclaimed. "This army must not retreat." By five a.m., the sun had crested the great shoulders of the Green Mountains to the east, gilding the craggy Adirondacks in the west. Platoon after platoon scuffed down to the shoreline to clamber aboard gunboats, longboats, and six-oared, flat-bottomed bateaux. Shouted orders carried across the lake, along with the creak of capstans and oarlocks. Soon the first vessels pulled away from the anchorage, to assemble mid-lake in battle formation. Army musicians caught the moment and struck up martial airs. "The music and drums of the different regiments were continually playing," a Royal Artillery lieutenant wrote, "and contributed to make the scene and passage extremely pleasant." More than a hundred birch-bark canoes led the flotilla. Each carried twenty to thirty warriors, mostly Iroquois sporting nose rings, slitted earlobes, and feathers in tufted topknots, their eyelids and cheeks daubed with vermilion paint. Some wore knife sheaths made from lynx skins and, a British officer recorded, an "arse clout, or covering for the privities." Arrayed across the mile-wide lake behind the Indian vanguard came the main battle force, "the most complete and splendid regatta you can possibly conceive," a witness reported: the three-masted frigate Royal George, built by shipwrights in Canada during the winter and carrying 26 guns, and smaller vessels named Inflexible, Carleton, Maria, and Royal Convert, as well as 44 gunboats, 23 longboats, 26 cutters, 260 bateaux, and a wallowing ninety-one-foot radeau, or raft, the Thunderer, ferrying barreled gunpowder and heavy cannons intended to blast Ticonderoga's walls to rubble. A brig, a gundalow, and a sloop—Washington, Jersey, and Lee—had been captured in October from the rebel general turned commodore Benedict Arnold, whose gallant, forlorn rearguard fight in these very waters had helped delay the earlier British attack until winter forced the invaders back to Canada. All told, this squadron carried 133 naval guns to complement the army's 130 field cannons, mortars, and howitzers, each barrel stamped with the king's monogram or other symbols of possession. Storeships and lake transports continued to arrive at Crown Point from the north, laden with almost five thousand tons of salt pork, hard biscuits, and other rations, along with siege tools, ammunition, rum, cattle, and civilian camp followers, whose numbers officially included 225 women and 500 children, although some hyperbolists would claim that the combined figure actually approached two thousand. "It looked," wrote Corporal Roger Lamb of the 9th Regiment of Foot, "like some stupendous fairy scene of a dream." By late afternoon, many troops had disembarked on either shore to join the advance regiments moving toward Ticonderoga, now just a few miles ahead. Bullfrogs croaked in the shallows, and white elderberry blossoms brightened the conifer thickets, "the birthplace of every biting insect," one miserable chaplain wrote. Some men smeared cedar sap on their faces in a vain effort to repel mosquitoes and deerflies. On the left, to the east, four thousand mercenaries plodded through the underbrush. Known collectively as Hessians, since most Germans hired by London to fight in America came from Hesse-Kassel, this contingent was largely from the small, impoverished duchy of Brunswick, whose ruling family had intermarried with the British royal family. Brunswick's duke collected £7 a year for each rented soldier, plus a blood-money bounty for every man killed or captured and an equivalent stipend for every three wounded. The troops earned the same eight pence a day as their British comrades, minus deductions for food and uniforms. Most of the German troops had spent an agreeable winter in isolated bivouacs along the St. Lawrence and Richelieu Rivers, developing a taste for beaver tail, salted sturgeon, and maple sugar. Jager scouts—professional hunters—led the column, distinctive in their green coats trimmed in crimson and black hats decorated with pompoms. Dragoons followed in leather breeches and woolen gaiters, dismounted for the moment but hopeful of finding American horses ahead. Armed with short carbines and three-foot broad-swords, many cultivated horizontal waxed mustaches and wore their hair in a queue down the back "like a Chinese mandarin," an admirer wrote. Grenadiers, artillerymen, musicians, gunsmiths, servants, and sutlers filled out the procession, prodded forward by blue-coated officers wearing silver sashes and wielding canes or pointed spontoons. During the voyage down the lake, some men had stripped to the waist to bask in the warm sun and, a surgeon reported, "have been badly sunburned, large blisters developing on their skin." The Germans were led by Major General Friedrich Adolph Riedesel. Thirty-nine years old, with a moon face and a ramrod bearing, he had forsaken his law studies in Marburg to take up soldiering, soon demonstrating a hussar's valor at Minden during the Seven Years' War. Fluent in French and conversational English, Riedesel considered the opportunity to command in North America to be "sent by Providence." He had sworn allegiance to George III, like each of his Brunswickers, and had predicted in a dispatch to his duke that "this campaign will finish the war." Although British officers could be insufferably supercilious toward their German allies, he got on well with the redcoats, even if they stumbled over the pronunciation of his name, calling him "General Red Hazel." Those redcoats could now be seen across the lake, moving south in a snaking column parallel to the Germans. Brawny grenadiers, often used to lead assaults, had exchanged their tall bearskin hats for more practical felt caps trimmed in horse-hair. Each foot soldier carried a ten-pound musket, a sixteen-inch bayonet, a tin canteen, a linen haversack, and his own blanket—a battlefield luxury, since in peacetime five men typically shared two blankets. British infantrymen were among the finest soldiers in the world, but most of these troops were green; only the 47th Regiment of Foot had seen extensive combat, at Lexington and Bunker Hill, among other clashes. They were led nonetheless by an exceptional cadre of junior officers, thirty of whom would become generals, including eighteen destined to be full generals, the army's highest rank. In addition, another six future general officers could be found among the twenty-two Royal Artillery officers in the column. Squinting at both shorelines through his spyglass from the pitching deck of the Royal George, Lieutenant General John Burgoyne was as pleased with his invasion force as he was with himself. At fifty-four, he had endured a long and arduous climb to high command, and he intended to return to London to claim the laurels owed every victorious commander. Educated at Westminster School, where even mathematics was taught in Latin and boys were birched for the slightest transgression, he had joined the army at fifteen, earned a reputation as both a swordsman and a card sharp, then wrecked his career by eloping with Charlotte Stanley, the youngest daughter of a very angry earl. Effectively banished to France and forced to sell his commission, Burgoyne lived modestly with Charlotte on the Seine for seven years, growing vegetables, traveling the Continent, and making a living at whist and twenty-one. At last all was forgiven, and a belated reconciliation brought the couple back to England. Burgoyne returned to duty as an aging dragoon captain, just in time to win fame at the cannon's mouth in the Seven Years' War, notably in Normandy and Brittany against the French, and on the Tagus River near Lisbon against the Spanish. The king of Portugal gave him a diamond ring in gratitude, and he emerged from the struggle as a British war hero. Burgoyne's ascent continued in peacetime. Elected to the House of Commons, he was a diligent, independent military reformer. His insights from an inspection tour of Continental armies impressed George III, as did his parliamentary investigation of East India Company corruption. He and Charlotte shuttled between fine houses in Lancashire and Surrey and on Hertford Street, in tony Mayfair, an easy stroll from the London gambling tables at Brooks's club. An aspiring playwright, he also became a regular in the Green Room at Drury Lane Theater, where in 1774 the actor and impresario David Garrick directed Burgoyne's The Maid of the Oaks, a triumphant success. Excerpted from "The Fate of the Day" by Rick Atkinson Copyright © 2025 by Rick Atkinson. Excerpted by permission of Crown. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher. Get the book here: "The Fate of the Day" by Rick Atkinson Buy locally from For more info: