
Fans criticize Beyonce for shirt calling Native Americans 'the enemies of peace'
A T-shirt worn by Beyonce during a Juneteenth performance on her Cowboy Carter tour has sparked a discussion over how Americans frame their history and caused a wave of criticism for the Houston-born superstar.
The T-shirt worn during a concert in Paris featured images of the Buffalo Soldiers, who belonged to Black US Army units active during the late 1800s and early 1900s. On the back was a lengthy description of the soldiers that included 'Their antagonists were the enemies of peace, order and settlement: warring Indians, bandits, cattle thieves, murderous gunmen, bootleggers, trespassers, and Mexican revolutionaries.' Images of the shirt and videos of the performance are also featured on Beyonce's website.
As she prepares to return to the US for performances in her hometown this weekend, fans and Indigenous influencers took to social media to criticize Beyonce for framing Native Americans and Mexican revolutionaries as anything but the victims of American imperialism and promoting anti-Indigenous language.
A publicist for Beyonce did not respond to requests for comment.
The Buffalo Soldiers served in six military units created after the Civil War in 1866. They were comprised formerly enslaved men, freemen, and Black Civil War soldiers and fought in hundreds of conflicts — including in the Spanish-American War, World War I, and World War II — until they were disbanded in 1951.
As the quote on Beyoncé's shirt notes, they also fought numerous battles against Indigenous peoples as part of the US Army's campaign of violence and land theft during the country's westward expansion.
Some historians say the moniker 'Buffalo Soldiers' was bestowed by the tribes who admired the bravery and tenacity of the fighters, but that might be more legend than fact. 'At the end of the day, we really don't have that kind of information,' said Cale Carter, director of exhibitions at the Buffalo Soldiers National Museum in Houston.
Carter and other museum staff said that, only in the past few years, the museum made broader efforts to include more of the complexities of the battles the Buffalo Soldiers fought against Native Americans and Mexican revolutionaries and the role they played in the subjugation of Indigenous peoples. They, much like many other museums across the country, are hoping to add more nuance to the framing of American history and be more respectful of the ways they have caused harm to Indigenous communities .
'We romanticize the Western frontier,' he said. 'The early stories that talked about the Buffalo Soldiers were impacted by a lot of those factors. So you really didn't see a changing in that narrative until recently.' There has often been a lack of diverse voices discussing the way Buffalo Soldiers history is framed, said Michelle Tovar, the museum's director of education. The current political climate has put enormous pressure on schools, including those in Texas, to avoid honest discussions about American history, she said.
'Right now, in this area, we are getting push back from a lot of school districts in which we can't go and teach this history," Tovar said. "We are a museum where we can at least be a hub, where we can invite the community regardless of what districts say, invite them to learn it and do what we can do the outreach to continue to teach honest history.' Beyonce's recent album 'Act II: Cowboy Carter' has played on a kind of American iconography, which many see as her way of subverting the country music genre's adjacency to whiteness and reclaiming the cowboy aesthetic for Black Americans . Last year, she became the first Black woman ever to top Billboard's country music chart, and 'Cowboy Carter' won her the top prize at the 2025 Grammy Awards, album of the year .
'The Buffalo Soldiers play this major role in the Black ownership of the American West,' said Tad Stoermer, a historian and professor at Johns Hopkins University. 'In my view, (Beyonce is) well aware of the role that these images play. This is the 'Cowboy Carter' tour for crying out loud. The entire tour, the entire album, the entire piece is situated in this layered narrative.' But Stoermer also points out that the Buffalo Soldier have been framed in the American story in a way that also plays into the myths of American nationalism.
As Beyonce's use of Buffalo Soldiers imagery implies, Black Americans also use their story to claim agency over their role in the creation of the country, said Alaina E. Roberts, a historian, author and professor at Pittsburgh University who studies the intersection of Black and Native American life from the Civil War to present day.
'That's the category in which she thought maybe she was coming into this conversation, but the Buffalo Soldiers are even a step above that because they were literally involved in not just the settlement of the West but of genocide in a sense,' she said.
Several Native influencers, performers, and academics took to social media this week to criticize Beyonce or call the language on her shirt anti-Indigenous. 'Do you think Beyonce will apologize (or acknowledge) the shirt,' indigenous.tv, an Indigenous news and culture Instagram account with more than 130,000, asked in a post Thursday.
Many of her critics, as well as fans, agree. A flood of social media posts called out the pop star for the historic framing on the shirt.
'The Buffalo Soldiers are an interesting historical moment to look at. But we have to be honest about what they did, especially in their operations against Indigenous Americans and Mexicans,' said Chisom Okorafor, who posts on TikTok under the handle @confirmedsomaya.
Okorafor said there is no 'progressive' way to reclaim America's history of empire building in the West, and that Beyoncé's use of Western symbolism sends a problematic message.
'Which is that Black people too can engage in American nationalism," she said. "Black people too can profit from the atrocities of American empire. It is a message that tells you to abandon immigrants, Indigenous people, and people who live outside of the United States. It is a message that tells you not only is it a virtue to have been born in this country but the longer your line extends in this country the more virtuous you are.' (AP)
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Korea Herald
4 hours ago
- Korea Herald
Fans criticize Beyonce for shirt calling Native Americans 'the enemies of peace'
A T-shirt worn by Beyonce during a Juneteenth performance on her Cowboy Carter tour has sparked a discussion over how Americans frame their history and caused a wave of criticism for the Houston-born superstar. The T-shirt worn during a concert in Paris featured images of the Buffalo Soldiers, who belonged to Black US Army units active during the late 1800s and early 1900s. On the back was a lengthy description of the soldiers that included 'Their antagonists were the enemies of peace, order and settlement: warring Indians, bandits, cattle thieves, murderous gunmen, bootleggers, trespassers, and Mexican revolutionaries.' Images of the shirt and videos of the performance are also featured on Beyonce's website. As she prepares to return to the US for performances in her hometown this weekend, fans and Indigenous influencers took to social media to criticize Beyonce for framing Native Americans and Mexican revolutionaries as anything but the victims of American imperialism and promoting anti-Indigenous language. A publicist for Beyonce did not respond to requests for comment. The Buffalo Soldiers served in six military units created after the Civil War in 1866. They were comprised formerly enslaved men, freemen, and Black Civil War soldiers and fought in hundreds of conflicts — including in the Spanish-American War, World War I, and World War II — until they were disbanded in 1951. As the quote on Beyoncé's shirt notes, they also fought numerous battles against Indigenous peoples as part of the US Army's campaign of violence and land theft during the country's westward expansion. Some historians say the moniker 'Buffalo Soldiers' was bestowed by the tribes who admired the bravery and tenacity of the fighters, but that might be more legend than fact. 'At the end of the day, we really don't have that kind of information,' said Cale Carter, director of exhibitions at the Buffalo Soldiers National Museum in Houston. Carter and other museum staff said that, only in the past few years, the museum made broader efforts to include more of the complexities of the battles the Buffalo Soldiers fought against Native Americans and Mexican revolutionaries and the role they played in the subjugation of Indigenous peoples. They, much like many other museums across the country, are hoping to add more nuance to the framing of American history and be more respectful of the ways they have caused harm to Indigenous communities . 'We romanticize the Western frontier,' he said. 'The early stories that talked about the Buffalo Soldiers were impacted by a lot of those factors. So you really didn't see a changing in that narrative until recently.' There has often been a lack of diverse voices discussing the way Buffalo Soldiers history is framed, said Michelle Tovar, the museum's director of education. The current political climate has put enormous pressure on schools, including those in Texas, to avoid honest discussions about American history, she said. 'Right now, in this area, we are getting push back from a lot of school districts in which we can't go and teach this history," Tovar said. "We are a museum where we can at least be a hub, where we can invite the community regardless of what districts say, invite them to learn it and do what we can do the outreach to continue to teach honest history.' Beyonce's recent album 'Act II: Cowboy Carter' has played on a kind of American iconography, which many see as her way of subverting the country music genre's adjacency to whiteness and reclaiming the cowboy aesthetic for Black Americans . Last year, she became the first Black woman ever to top Billboard's country music chart, and 'Cowboy Carter' won her the top prize at the 2025 Grammy Awards, album of the year . 'The Buffalo Soldiers play this major role in the Black ownership of the American West,' said Tad Stoermer, a historian and professor at Johns Hopkins University. 'In my view, (Beyonce is) well aware of the role that these images play. This is the 'Cowboy Carter' tour for crying out loud. The entire tour, the entire album, the entire piece is situated in this layered narrative.' But Stoermer also points out that the Buffalo Soldier have been framed in the American story in a way that also plays into the myths of American nationalism. As Beyonce's use of Buffalo Soldiers imagery implies, Black Americans also use their story to claim agency over their role in the creation of the country, said Alaina E. Roberts, a historian, author and professor at Pittsburgh University who studies the intersection of Black and Native American life from the Civil War to present day. 'That's the category in which she thought maybe she was coming into this conversation, but the Buffalo Soldiers are even a step above that because they were literally involved in not just the settlement of the West but of genocide in a sense,' she said. Several Native influencers, performers, and academics took to social media this week to criticize Beyonce or call the language on her shirt anti-Indigenous. 'Do you think Beyonce will apologize (or acknowledge) the shirt,' an Indigenous news and culture Instagram account with more than 130,000, asked in a post Thursday. Many of her critics, as well as fans, agree. A flood of social media posts called out the pop star for the historic framing on the shirt. 'The Buffalo Soldiers are an interesting historical moment to look at. But we have to be honest about what they did, especially in their operations against Indigenous Americans and Mexicans,' said Chisom Okorafor, who posts on TikTok under the handle @confirmedsomaya. Okorafor said there is no 'progressive' way to reclaim America's history of empire building in the West, and that Beyoncé's use of Western symbolism sends a problematic message. 'Which is that Black people too can engage in American nationalism," she said. "Black people too can profit from the atrocities of American empire. It is a message that tells you to abandon immigrants, Indigenous people, and people who live outside of the United States. It is a message that tells you not only is it a virtue to have been born in this country but the longer your line extends in this country the more virtuous you are.' (AP)


Korea Herald
a day ago
- Korea Herald
Hyunjin of Stray Kids collaborates with d4vd
Emotional collaboration blends d4vd's signature sound with Hyunjin's soft vocals Hyunjin of Stray Kids has teamed up with American singer-songwriter d4vd for a new single. The new track 'Always Love (featuring Hyunjin of Stray Kids),' was officially released at midnight on Friday. Even before the collaboration was confirmed, the two artists had been exchanging support via social media, heightening fans' anticipation for a potential team-up. "Always Love" is a heartfelt track that captures the emotions of affirming love for someone special. d4vd's signature dreamy soundscapes are layered with Hyunjin's gentle, emotive vocals, creating a poignant listening experience. Hyunjin's group Stray Kids continues to solidify its presence as a one of the top global acts. Most recently, the group took home the 'Favorite Music Group' award at the 2025 Kids' Choice Awards held in Los Angeles on Saturday — the second time a K-pop artist has won at the awards ceremony. The group is currently in the midst of a world tour, with stops across North America and Europe. Meanwhile, d4vd has also been expanding his global reach. After releasing his studio album "Withered" in April, he visited Korea in May and appeared on the music show "M Countdown," a rare move for an international artist. He also held a busking performance at Cheonggye Plaza in Seoul, drawing over 2,000 fans and showing his desire to connect with Korean audiences.


Korea Herald
3 days ago
- Korea Herald
NY Phil's return to Korea brings long-awaited reunions
NY Phil reunites with Zimerman after 30 years and with Korean audiences after 11 years; Zimerman reunites with Salonen after seven years The names New York Philharmonic, conductor-composer Esa-Pekka Salonen and celebrated pianist Krystian Zimerman alone are enough to capture the attention of classical music lovers. But look more closely, and this week's performances reveal something deeper: a series of long-awaited reunions between artists, between orchestra and soloist, and between the ensemble and its Korean audience. From Thursday to Saturday, the New York Philharmonic will take the stage before Korean audiences for the first time in 11 years. Kim Yong-kwan, CEO of Mast Media and the concert series organizer, recalled during a press conference on Wednesday that when considering a potential collaborator for the New York Philharmonic, Zimerman came to mind immediately. In 2009, Zimerman vowed not to perform in the US in protest against American military policies — a pledge he continues to keep. When Kim approached the orchestra about the possibility of working with Zimerman, who last performed with them nearly 30 years ago, their response was one of disbelief: 'too good to be true.' When Kim reached out to Zimerman, the pianist showed immediate interest. Upon learning that Finnish maestro Esa-Pekka Salonen, also a composer and one of the most respected figures in contemporary classical music, would be performing, Zimerman readily agreed. It so happens that the last time Salonen and Zimerman, who have known each other for 40 years, last performed together was in Seoul in 2018, when the Polish pianist performed Bernstein's Symphony No. 2 'The Age of Anxiety ' with the Philharmonia Orchestra. Salonen said Zimerman is an unusual artist who plays a very narrow repertoire in a season. 'He does a huge amount of research. He wants to know not only inside out but also back to front. He wants to know every dimension of the material and refines his interpretation to a point where it almost doesn't feel like an implementation,' Salonen said of Zimerman. On Thursday at Art Center Incheon and Friday at the Seoul Arts Center, the performance opens with Beethoven's Piano Concerto No. 4 in G major, Op. 58, featuring Zimerman, followed by Beethoven's Symphony No. 3 in E-flat, Op. 55 'Eroica.' On Saturday at the Seoul Arts Center, the program shifts to French Impressionists and Romantics, as Salonen leads the orchestra through Ravel's "Mother Goose" Suite, Debussy's 'La Mer' and Berlioz's 'Symphonie Fantastique.' It is a program that combines some of his favorite compositions, pieces that he has been performing a lot lately, the conductor explained. "Mother Goose" Suite is "disturbingly beautiful and there's not one note that is not perfect and there are no superfluous notes," he explained. Born in Finland in 1958, Salonen is the music director of the San Francisco Symphony and holds the title of conductor laureate with the Los Angeles Philharmonic, London's Philharmonia Orchestra and the Swedish Radio Symphony Orchestra. He is among a generation of notable Finnish conductors, including familiar names to Korean audiences such as Osmo Vanska, former music director of the Seoul Philharmonic Orchestra, and Pietari Inkinen, former chief conductor of the KBS Symphony Orchestra. When asked about the possible reason for this phenomenon, he pointed to Finland's strong music education system, in place since the 1970s and 1980s, which has helped nurture musicians in a country with a population of just over 5 million. New York Philharmonic President and CEO Matias Tarnopolsky shared his vision for the orchestra's future, describing it as being at an 'extraordinary moment' — with a new generation of musicians and a newly renovated concert hall at Lincoln Center, David Geffen Hall, which reopened in 2022. 'Most significant of all,' Tarnopolsky added, 'is the beginning of Gustavo Dudamel's tenure as music and artistic director in September 2026. So we have these incredible ingredients that we are very, very excited to combine into the most extraordinary artistic vision.' Founded in 1842 and shaped by towering figures like Mahler and Bernstein, the orchestra now enters a new era under incoming music director Dudamel. Dudamel previously succeeded Salonen as music director of the Los Angeles Philharmonic in 2009.