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Autopsy of Gene Hackman's wife Betsy Arakawa confirms she was killed by rat-borne virus

Autopsy of Gene Hackman's wife Betsy Arakawa confirms she was killed by rat-borne virus

Daily Mail​30-04-2025
Harrowing new details have emerged from Gene Hackman 's wife's autopsy two months after she died from a rat-borne virus.
Legendary actor Hackman, 95, and classical pianist wife Betsy Arakawa, 65, were found dead and partially mummified in their Santa Fe mansion on February 26, 2025.
After much speculation, it was revealed Arakawa had died from Hantavirus Pulmonary Syndrome (HPS) in their bathroom days before Hackman passed.
Arakawa also had fluid accumulation in her chest and mild hardening of the vessels that supplied blood to the heart and body at the time of her death, according to the autopsy report obtained by The Associated Press.
Arakawa tested negative for covid and the flu and showed no signs of trauma. She tested positive for caffeine and negative for alcohol and intoxicating drugs, and her carbon monoxide levels were within a normal range.
The final autopsy results for Hackman detailed the beloved Oscar winning actor's extensive medical history two months after he and his wife were found dead inside their home.
Hackman had 'a 'history of congestive heart failure' and 'severe chronic hypertensive changes, kidneys,' Fox reported, citing the Office of the Medical Investigator in New Mexico.
He had a 'bi-ventricular pacemaker' since April 2019 and 'neurodegenerative features consistent with Alzheimer's,' according to the autopsy.
'Autopsy showed severe atherosclerotic and hypertensive cardiovascular disease, with placement of coronary artery stents and a bypass graft, as well as a previous aortic valve replacement,' the documents stated.
'Remote myocardial infarctions were present involving the left ventricular free wall and the septum, which were significantly large. Examination of the brain showed microscopic findings of advanced stage Alzheimer's disease.'
Hackman tested negative for hantavirus.
Police have since determined that Arakawa died first around February 12 as a result of respiratory symptoms caused by the rare but deadly virus, which is passed on through rodent urine, saliva and feces. She was 65.
A report obtained by DailyMail.com indicated that Arakawa had bookmarks on her computer suggesting that she had been researching medical conditions with symptoms similar to covid and flu prior to her death.
'Testing for carbon monoxide was less than 5 per cent saturation, in keeping with a normal range,' the medical examiner noted.
Hackman also had trace amounts of acetone in his system at the time of his death, which could be a product of 'diabetic- and fasting-induced ketoacidosis.'
Hackman, who was suffering from advanced Alzheimer's at the time, is believed to have wandered around the couple's home alone after his wife's death.
Due to the advanced condition, he may not have ever realized his wife had died.
The actor died nearly a week later around February 18, from severe heart disease, while Alzheimer's and kidney disease were contributing factors.
A week after the bodies were discovered, the New Mexico Department of Public Health conducted a health assessment on the property.
The department concluded that dead rodents and their nests were found in 'eight detached outbuildings' on the Hackman property, making it a 'breeding ground' for the hantavirus.
The deadly hantavirus typically spreads through rodent urine and droppings that one may come into contact with when cleaning a basement or an attic.
There were droppings found in three garages, two casitas, and three sheds on the property.
Additionally, there was a live rodent, a dead rodent and a rodent nest found in three more garages on the property, according to the inspectors.
There were also two vehicles seen on the estate that had evidence of rodents, and they even found traps in the buildings as well, suggesting this had been an ongoing issue for the Hackmans.
The health assessment was conducted to assess whether first responders or others who were on the property were safe from the virus.
Cops who combed their home following the gruesome discovery shared bodycam footage which captured how the couple's other heartbroken dog watched over Betsy's lifeless body as it lay surrounded by clutter.
A series of heartbreaking notes were also found dotted around the house, each exchanged between the couple and showing their affection for one another until the end.
Photos of their adored German Shepherds also adorned tables and sideboards, with smiling pictures of the couple with their old pets dating back years.
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‘It was a buddy movie – and then they kissed': Stephen Frears and Hanif Kureishi on My Beautiful Laundrette at 40
‘It was a buddy movie – and then they kissed': Stephen Frears and Hanif Kureishi on My Beautiful Laundrette at 40

The Guardian

time4 hours ago

  • The Guardian

‘It was a buddy movie – and then they kissed': Stephen Frears and Hanif Kureishi on My Beautiful Laundrette at 40

It is a sweltering summer afternoon and I'm blowing bubbles over the heads of Stephen Frears and Hanif Kureishi while they have their pictures taken in a sun-dappled corner of the latter's garden. Perched in front of them as they sit side by side – Kureishi, who has been tetraplegic since breaking his neck in a fall in 2022, is in a wheelchair – is a silver cake made to look like a washing machine, commissioned to mark the 40th anniversary of their witty, raunchy comedy-drama My Beautiful Laundrette. Some of the bubbles land on the cake's surface, causing everyone present to make a mental note to skip the icing, while others burst on the brim of Frears's hat or drift into Kureishi's eyes. It is not perhaps the most dignified look for an esteemed duo celebrating an enduring Oscar-nominated gem. Don't think they haven't noticed, either. As the bubbles pop around them, Kureishi upbraids the photographer for trampling on his garden – 'Mind my flowers!' – while Frears grumbles: 'I could be watching the cricket.' Get them on to the subject of the film, though, and an aura of pride soon prevails. No wonder. My Beautiful Laundrette, which revolves around a run-down dive transformed into 'a jewel in the jacksie of south London' by an Anglo-Pakistani entrepreneur and his lover, did many things: it distilled and critiqued an entire political movement (Thatcherism), portrayed gay desire in unfashionably relaxed terms, and audaciously blended social realism with fable-like magic and cinematic grandeur. It launched a writer (Kureishi), a production company (Working Title, later the home of Richard Curtis), a prestigious composer (Hans Zimmer) and, most strikingly, one of the greatest of all actors: Daniel Day-Lewis, who plays Johnny, the ex-National Front thug teaming up (and copping off) with his former schoolmate Omar (Gordon Warnecke). Or 'Omo' as Johnny teasingly calls him even as he licks his neck in public or they douse one another in champagne. It is well known that Gary Oldman and Tim Roth were also in the running to play Johnny. Frears adds an unlikelier name to the mix. 'Kenneth Branagh came to see me,' says the 84-year-old film-maker. 'Half a second and you knew: 'Well, he's not right.' But good for him for wanting to do it.' The leading candidate seemed clear in Frears's mind, and not only because Day-Lewis threatened to break his legs if he didn't cast him. 'All the girls said: 'You want Dan.' He was top of the crumpet list at the Royal Court.' On screen, he is magnetically minimalist. 'Dan loved Clint Eastwood,' Kureishi points out. 'He loved how still Clint was. You can see the influence: Dan doesn't move very much.' Frears detected the echo of an even older star. 'I remember him standing by the lamppost under the bridge in the scene where he and Omar meet again, and I thought: 'Ah, I see. You want to play it like Marlene Dietrich.'' Kureishi, now 70, was already established as a young playwright before he wrote the film. Not that his father was impressed. 'He hadn't come to this country to see his son doing little plays above pubs,' he says in between sips of kefir. 'He thought I'd never make a living as a writer, so I really wanted to get moving.' Frears once likened reading My Beautiful Laundrette to 'finding a new continent'. In writing it, Kureishi combined scraps of autobiography with cinematic tropes. 'My dad had got me involved with a family friend called Uncle Adi, who ran garages and owned properties. He was kind of a grifter. He took me around these launderettes he owned in the hope that I would run them for him. They were awful fucking places; people were shooting up in there. So I thought I'd write about a bloke running a launderette. Then I thought: 'Well, he needs a friend.' It could be a buddy movie, like The Sting. But I couldn't get a hold on it. Then, as I was writing, they kissed – and suddenly everything seemed more purposeful. Now it was a love story as well as a story about a bloke going into business.' The tension between Omar and Johnny, his formerly racist pal-turned-lover, was drawn from Kureishi's own experience of growing up in south London. 'Lots of my friends had become skinheads. My best friend turned up at my house one day with cropped hair, boots, Ben Sherman shirt, all the gear. My dad nearly had a heart attack. He'd spent a lot of time trying not to be beaten up by skinheads. It was terrifying to be a Pakistani in south London in the 1970s.' Omar's uncle, exuberantly played by Saeed Jaffrey, was similarly lifted from life. 'He was based on a friend of my father's: a good-time boy who had a white mistress.' That lover was played in the film by Shirley Anne Field, star of the kitchen-sink classic Saturday Night and Sunday Morning. 'She was a woman of such grace and elegance,' sighs Kureishi. 'Dan and I would interrogate her all the time: 'Who's the most famous person you've slept with?' She'd slept with President Kennedy. And George Harrison!' He still sounds amazed. When Frears came on board, he made some invaluable suggestions. 'Stephen told me: 'Make it dirty,'' says Kureishi. 'That's a great note. Writing about race had been quite uptight and po-faced. You saw Pakistanis or Indians as a victimised group. And here you had these entrepreneurial, quite violent Godfather-like figures. He also kept telling me to make it like a western.' Frears looks surprised: 'Did I?' Kureishi replies: 'Yeah. I never knew what that meant.' There are visual touches that suggest the genre: a Butch Cassidy-esque bicycle ride, a Searchers-style final camera set-up peering through a doorway, not to mention a magnificent crane shot that hoists us from the back of the launderette and over its roof. 'I think what Stephen meant is that it's about two gangs getting ready to fight. The Pakistani group and the white thugs. There's something coming down the line.' His other note to Kureishi was that the film should have a happy ending. Why? 'We'd asked people to invest so much in these characters,' says Frears. 'And a sad ending is quite easy in an odd sort of way. This one's only happy in the last 10 seconds.' Kureishi agrees: 'Yeah. But you leave the cinema in a cheerful mood.' It was a happy ending for the film-makers, too. Frears recalls one reviewer observing that while Kureishi might not be able to spell, he could certainly write. That reminds me: the story goes that Kureishi deliberately misspelt the title as an indictment of his own education. But he scotches that rumour. 'I'm from Bromley,' he says. 'I thought that was how you spelled it.' If the film was a skyrocket for its writer, it heralded a new chapter for Frears. He had recently made his second film for cinema – the stylish, ruminative thriller The Hit starring Roth, John Hurt and Terence Stamp – 13 years after his debut, Gumshoe. Ironically, My Beautiful Laundrette, which was shot on 16mm for just £600,000, was only intended to be screened on Channel 4. But a rapturous premiere at the Edinburgh film festival, accompanied by acclaim from critics including the Guardian's Derek Malcolm, made a cinema release the only possible launchpad. Kureishi recalls that trip with fondness. 'I was in Edinburgh with Tim Bevan [of Working Title] and Dan, and we all slept in the same room. I made sure I got the bed, and the others were on the floor. Dan didn't even have a suitcase, just a toothbrush. Every night, he'd wash his underwear and his socks in the sink and put them on again the next day.' Blown up to 35mm, this low-budget TV film became a magnet for rave reviews here and in the US (the New Yorker's Pauline Kael called it 'startlingly fresh'), bagged Kureishi an Oscar nomination and helped reinvigorate Frears's movie career, paving the way for later hits including Dangerous Liaisons, The Grifters and The Queen. Neither of them has seen it recently. 'I don't watch my old films,' Frears says with a grimace. 'You either sit there thinking: 'I should have done that better.' Or else: 'That's rather good. Why can't I do that any more?'' I assure them that the picture looks better than ever, whether it's the visual panache of Oliver Stapleton's cinematography or the enchanting subtlety of Warnecke's performance, which was rather overshadowed by Day-Lewis at the time but can now be seen to chart delicately Omar's gradual blossoming. It goes without saying that My Beautiful Laundrette was ahead of its time, especially in its blase approach to queerness. When the picture was released in the UK at the end of 1985, homophobia was becoming more virulent and widespread in the media as cases of Aids escalated. The Conservative government's section 28 legislation, outlawing the 'promotion' of homosexuality by local authorities, was just over two years away. The timing of the film's re-emergence today is not lost on its author. 'It's so hard to be gay now,' says Kureishi. 'There's all this hostility toward LGBT people, so it feels important that the film is out there again in this heavily politicised world where being gay or trans is constantly objectified. It's a horrible time.' Interviewed in 1986 by Film Comment magazine, however, Kureishi dismissed the idea of it as a 'gay film', and derided the whole concept of categories. 'There's no such thing as a gay or black sensibility,' he said then. How does he feel today? 'I still don't want to be put in a category. I didn't like it when people called me a 'writer of colour' because I'm more than that.' The film, too, is multilayered. 'It's about class, Thatcherism, the Britain that was emerging from the new entrepreneurial culture. I didn't want it to be restricted by race or sexuality, and that hasn't changed.' I wonder if it rankles, then, that My Beautiful Laundrette was voted the seventh best LGBTQ+ film of all time in a 2016 BFI poll. And it does – though not for the reason I had anticipated. 'What was above it?' demands Frears in a huff. 'Why didn't it win?' Still, both men are thrilled that the film was embraced by queer audiences. 'If Stephen and I have done anything to make more people gay, we'd be rather proud of that.' My Beautiful Laundrette is in cinemas from 1 August. Frears, Kureishi and Warnecke will take part in a Q&A following a screening on 25 July at the Cinema Rediscovered festival in Bristol

Hulk Hogan looked full of life delivering classic hype wrestling speech in last live TV interview weeks before death
Hulk Hogan looked full of life delivering classic hype wrestling speech in last live TV interview weeks before death

Scottish Sun

time9 hours ago

  • Scottish Sun

Hulk Hogan looked full of life delivering classic hype wrestling speech in last live TV interview weeks before death

Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) HULK Hogan appeared full of life in one of his final TV interviews as he promoted an exciting new wrestling league. Hogan was in the midst of creating a huge project when he suddenly died at 71 years old on Thursday. Sign up for Scottish Sun newsletter Sign up 6 Hulk Hogan was full of energy when he gave one of his final TV interviews in May Credit: Fox News 6 The WWE star, seen in 2010, died on Thursday after suffering cardiac arrest Credit: Getty 6 First responders rushed to his mansion in Clearwater, Florida and desperately tried to save his life for 30 minutes Credit: AFP In May, the WWE Hall of Famer sat down with Fox & Friends to chat about his new league Real American Freestyle. The freestyle wrestling promotion, which was cofounded by the late star, combines the athleticism of the collegiate and Olympic sports with the entertainment of WWE, Hogan said. Hogan and his league partners looked bright-eyed as they chatted with the Fox morning hosts about the fresh talent they were introducing to viewers. The star was dressed in his iconic bandana with his bleach blonde hair peeking through and his horseshoe mustache shining bright against his tanned skin. The WWE legend gushed about the young wrestlers competing in the league and said they understood how to put on a good show. At the end of the interview, Hogan launched into one of his iconic promo speeches and said, "It's gonna be crazy brother!" "I'm in New York City. I got all lit up last night." By the end of the vibrant speech, Hogan had every Fox & Friends host vowing to tune in to the first match at the end of the summer. Real American Freestyle's events are set to stream exclusively on Fox Nation. When approached for comment, a Fox Nation spokesperson said the network was "deeply saddened" to hear of Hogan's death. Ric Flair in Tears: Wrestling World Mourns Hulk Hogan After Tragic Passing "Our hearts go out to his family, friends, and his many fans," the spokesperson said. A source inside the network confirmed they would move forward with two inaugural events for Real American Freestyle that will take place on August 30. Hulk Hogan career timeline 1977: Made his professional wrestling debut. 1979: Joined the World Wrestling Federation (WWF, now WWE) and gained recognition. 1982: Appeared as "Thunderlips" in the film Rocky III, significantly boosting his mainstream exposure. 1984: Defeated The Iron Sheik to win his first WWF Championship, ushering in the "Hulkamania" era. 1985: Main evented the first-ever WrestleMania, teaming with Mr. T against Roddy Piper and Paul Orndorff. 1987: Slammed Andre the Giant at WrestleMania III in one of wrestling's most iconic moments. 1993: Departed WWF for World Championship Wrestling (WCW). 1996: Shocked the wrestling world by turning heel and forming the New World Order (nWo) with Scott Hall and Kevin Nash at Bash at the Beach, becoming "Hollywood" Hulk Hogan. 2001: Returned to WWE after WCW was acquired. 2002: Had a memorable match against The Rock at WrestleMania X8. 2005: Inducted into the WWE Hall of Fame. 2005-2007: Starred in the reality TV show "Hogan Knows Best." 2012: Had his last official televised match for TNA Impact, though he made sporadic appearances in WWE afterward. 2020: Inducted into the WWE Hall of Fame for a second time as a member of the nWo. HOGAN'S HEALTH Hogan had been suffering from significant health issues for the past several months. He was hospitalized last month as he recovered from a neck surgery that he underwent in May. In June, a series of downturns left him reportedly unable to feel his legs or walk without a cane. Some people feared that he was on his deathbed, though multiple friends close to the wrestler denied or downplayed his poor health. 6 Hogan looked full of life as he promoted his new league Credit: Fox News 6 Hogan was inducted to the WWE Hall of Fame twice after a historic career Credit: Getty 6 He gave a rousing speech at the Republican National Convention around one year before his death Credit: AFP Hogan suffered cardiac arrest at his $11.5 million Clearwater, Florida, mansion on Thursday morning, police confirmed. Paramedics rushed to the property after getting a frantic 911 call and spent a desperate 30 minutes trying to revive the wrestling legend before taking him to the hospital, where he was declared dead. Hogan's wife, Sky, broke her silence on his death Friday, and said, "I wasn't ready for this." She admitted that her husband had been "dealing with some health issues" but insisted she thought he would pull through. "I had so much faith in his strength. I thought we had more time," she said. Sky remembered Hogan as "my partner" and "my heart" and had faith that, as a Christian, he had been "welcomed home." "Please keep his family and all of us who loved him in your prayers as we try to navigate this new reality," she wrote.

Nicole Kidman could flee Trump's US after applying for residency in Europe
Nicole Kidman could flee Trump's US after applying for residency in Europe

Metro

time10 hours ago

  • Metro

Nicole Kidman could flee Trump's US after applying for residency in Europe

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