
Andy Bell Discusses ‘Ten Crowns' Album Tracks, Touring And Surviving
Andy Bell is on top form with 'Ten Crowns.'
Sean Black
Andy Bell, perhaps best known as one half of Erasure, is back with a new solo album, Ten Crowns. It's his first since Non-Stop in 2010 and has been 12 years in the making.
"Dave Audé, the producer, and I had been working on songs together over the past 12 years, so we had a collection. The first one we did was Don't Cha Know, and that was written on mic," Bell recalls as we chat on Zoom as he relaxes at his London home. "I sang the song through twice with the lyrics on a piece of paper, and that was it. Dave cut from the two different vocal takes for that song, and we carried on from there."
"It was an organic process. It happens often with an Erasure album, too, how the last track that you write together, Interstellar for Ten Crowns, becomes the first track on the album. It's strange because it's almost like you're working in reverse. Don't Cha Know was released as the first single, and it was the oldest song. We didn't really have a concept for the album, though."
Response to the first few singles from Ten Crowns, which lands on Friday, May 2, 2025, has been favorable even though the singer-songwriter admits it's harder to promote projects these days.
"We're living in different times, and marketing happens in a whole different way, and there aren't the pop programs on TV anymore, but it's really nice just to get that feedback," he muses as he heads out on tour. "It's my passion. I love doing it, and we had so much fun recording it. I don't look at comments very much, but when I'm looking on YouTube, they always mention the 80s, and I just thought, 'What is it about that sound that people always think that's who we are?' I suppose people like to pigeonhole things, don't they? They like to compartmentalize things, you know."'
Inspired by the Ten of Coins tarot card, Ten Crowns is among Bell's most personal work. It covers everything from his childhood and family to his time in Nashville, where Audé now lives.
"You feel that energy in Nashville because there's a church on every corner," the Love To Hate You singer enthuses. "When I was there for this, the whole thing going on with the drag queen ban was just beginning, and that made me angry, and it still does, so it came into some of the work."
Bell and his producer also drew inspiration from Erasure's third album, which gave audiences such iconic hits as A Little Respect, Ship of Fools, and Chains of Love.
"Dave's a real fan of The Innocents," Bell explains. "I wouldn't say this is The Innocents 2, but he loves that gospel-inspired twinge that we have. When you have something to say, you don't have to say it right out. I'm not a great orator, so I'll put it into the music. I'll put it into how I'm feeling; hopefully, people will feel that. I've always loved my voice because it is neither masculine nor feminine, neither black nor white, so I like that ambiguity." Bell and the other half of Erasure, Vince Clark, continue to collaborate.
Ten Crowns is a consistent album, but there are jewels in the crown that deserve highlighting, and each of them has a story behind it. The first is Heart's A Liar, the second single to be released, which features a much-heralded collaboration with Blondie's Debbie Harry.
"I'm a huge fan of hers, and in 1990, Erasure recorded Too Darn Hot by Cole Porter for the Red, Hot, and Blue project, and we were making the video directed by Adelle Lutz, the wife of David Byrne from Talking Heads," Bell recalls. "We were in New York, and she said, 'Oh, somebody's come to see you on the set.' I looked around, and it was Debbie Harry. I could not believe my greatest hero had walked into the room. We went out and had drinks, then we ended up touring together with Cyndi Lauper, and she's come to our shows a few times in New York. She has always been really kind."
"Luciana Caporaso and her husband originally wrote Hearts A Liar. It was a great song, but their version was up-tempo, so I thought, 'Well, I'll do a rewrite of the verses and the bridge and do it as a duet that would suit Miss Harry.' I sent her manager a couple of songs she might like, hoping she'd pick Hearts A Liar, and she picked it. We were waiting for the vocals to come back, and when they did, it happened to be on Gay Pride in New York. It was perfect."
Dance For Mercy is one of the tracks on Ten Crowns that was inspired by Bell's childhood in Peterborough, England, and his relationship with his grandmother.
"The lyrics go, 'I went to heaven for the second time, and my feet didn't touch the ground,' and that came out of phrases that my Nan used to say to me," he explains. "She'd playfully say that I was too wicked for this world and other things like, 'Oh, don't do that. You'll get me shot.' As a child, I was thinking like somebody was really going to take her out in the back garden and shoot her."
"It also got me thinking about the chances I've had already, firstly, with being HIV+ and having had double pneumonia, and then secondly with having three stents after a heart attack, and I was thinking, 'My goodness, how many lives have I had already on this planet?' When I was in the hospital, I never saw any of these things that you're supposed to see, like tunnels or angels or whatever, so I wanted to write this song about going to Heaven's gates, and they're just telling you, 'No, you can't come in because you're not ready yet. You've got more things to do.'"
The seventh track on Ten Crowns, Dawn Of Heavens Gate, is particularly notable for a brief nod to Dame Shirley Bassey's iconic Bond theme, Diamonds Are Forever.
"Honestly, it wasn't put in on purpose; it just came up in the process," Bell explains. "I envisioned this virtual reality, AI world, and this version of Heaven, or this place where we can all go to, like a transference in your mind. I was inspired by going to The Shard in London and this vision of crystals, which I really love. I collect gemstones and thought, 'If you can have quartz inside a watch, why can't you have a piece inside your heart?' We already have fake hearts that would make you live longer or forever. Hopefully it'll be okay because me singing Diamonds Are Forever, or actually 'If diamonds were forever,' only uses six of the notes, and you're allowed eight for free."
Have Bell or Erasure ever been approached for consideration for writing a Bond movie theme?
"No, but that is one of my dreams," he laments. "I would love to sing one of those songs. It's whether they would have the courage."
Bell and Audé keep it topical with a track called Empathy On Ice. The track originally came from Sisely Treasure of Shiny Toy Guns, a Los Angeles band that also happens to be Bell's husband's favorite band.
"Dave played it to me, and that was the most Erasure-sounding song on the album," the singer enthuses. "I listened to it and thought, 'Wow, yes, that's amazing, but the chorus that she had was about not stepping on a grave or something, and that reminded me of the movie I Spit on Your Grave, which I thought felt a bit too gruesome. I wanted to get that feeling over in a way that was more poetic. To be honest, I'm not sure what the song's about, but I think it's just about how we have to take these chances. We're so lucky to have them. With everything going on in the world, we have no choice but to put our empathy on ice because we would all go insane. A lot of us are sort of living on the edge."
Ten Crowns rounds out with Thank You, a track Bell and his band have been playing in recent live shows and has been getting a great response. Thank You is a tribute to Bell's mother in particular.
"She was a punk, and she and my Dad were childhood sweethearts," he reveals. "They met on the bus in Peterborough. She thought he was weird, but they married, and I was the first baby. I was the oldest grandchild on my father's side, and my Nan spoiled me, but my Mum treated every child the same."
"I have five brothers and sisters. We were all brought up on a council estate and had the most wonderful life. I don't know how she got the clothes for us or our dinner. We all took turns having a big Christmas present each year, so I have the utmost respect for her; that is a heartfelt song to all my friends and family, too. I feel like if I go tomorrow, they can listen to that song if they want to."
Andy Bell returns with 'Ten Crowns.'
Sean Black
Ten Crowns lands as Bell heads out on the road in his native UK for a series of shows before heading to the US later in the year. The singer-songwriter says audiences can expect a healthy blend of new material mixed in with a selection of hits fans already know and love and love played by a live band.
"I'm really looking forward to it," Andy Bell concludes. "It's not going to be all fireworks and all guns blazing, but we have a band. We've got Dave; we have Hailey Steele and Jerry Fuentes from Steele Fountain from Nashville doing backing vocals, and a drummer, Sarah, so they're all really accomplished musicians. Also, Dave has reprogrammed Vince's stuff, which Vince kindly sent to him for the Erasure material, so it's going to sound spectacular. As far as Vince and Erasure go, we're writing and looking forward to our 40th anniversary next year, but in the meantime, I've got this little project going on, and I really love it."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Black America Web
3 hours ago
- Black America Web
Riley Burruss Is Ready For Her Spotlight – And She's Doing It Her Way
Source: Next Gen NYC / other I first met Riley Burruss during New York Fashion Week – fitting, considering how effortlessly she's stepping into her own fashion sense and TV personality. We were at the Sergio Hudson show, where the energy was high, the outfits were bold, and the celebrity style was a moment. But Riley stood out – not just because I had seen her alongside her mother on the Real Housewives of Atlanta and knew of her new show. But because of how she carried herself. The Atlanta native was soft-spoken yet stylish, grounded but glowing. Speed up to now – and our recent virtual conversation – Riley remains the same. As she signed onto Zoom, she greeted me with a warm smile and impeccable glam. The 22-year-old wore long dark boho braids styled with blonde highlights (a prelude to her upcoming vacation in Jamaica, she told me), flawless brows, and a natural dewy makeup look that could easily live on a Pinterest board. Riley was deeply personable during our conversation, measured, and sweet. That exact grounded nature makes her reality TV presence on Next Gen NYC feel so refreshing. She is on screen on her terms. Now starring in Next Gen NYC , Riley is stepping into the world of reality TV in a way that feels both familiar and completely new. The series follows the children of iconic reality stars as they chart their own paths. But don't expect Riley to ride anyone's coattails. RELATED: Riley Burruss' Reality TV Era Begins With Bravo's Next Gen NYC 'The scheduling is hectic,' she admitted with a laugh. 'I'm not used to doing it so often because, of course, I only filmed with my mom, so I didn't have to do it as much as her. Having to film so often and having the cameras around — honestly, the cameras didn't feel too crazy. I was always just in my own world. So it wasn't too bad.' Source: Dave Kotinsky / Getty That balance – of being watched while staying unbothered – is something Riley has mastered early. And it's not by accident. 'My mom always just wants me to be true to myself and not to do anything fake for cameras or anyone else,' she shared when asked how (and if) her mother, Kandi, shaped her new chapter. .'She didn't give me too much advice — she wanted me to figure it out on my own.' Growing up in the public eye hasn't always been easy, but Riley has turned her experience into a foundation of self-worth. 'I think since I've been in the public eye for a really long time, I've grown thicker skin,' she said. 'It doesn't matter what other people think about how I look. It matters if I feel comfortable with my skin and how I look — and that's really what I've been prioritizing.' That kind of confidence extends to her hair and beauty style, too. While she's currently loving her vacation-ready braids, her go-to look remains her short, black afro — a style she wears with pride. 'I don't usually get braids because, of course, they take so long to do,' she added with a knowing smirk. And when it comes to her beauty routine? Riley is a self-proclaimed product junkie. 'I have drawers and drawers full of products,' she laughed. She added that she loves Korean skincare, smoothing serums, and lotions. Riley says having a good lip gloss is a must. Source: Next Gen NYC / Next Gen NYC One of the things that shines most about Riley is her self-awareness. While she's on the cusp of even greater visibility, she knows how to protect her peace. 'I'm a big self-care person,' she said. 'So I feel like a spa day is needed every now and then. Whether it's a facial or massage or just relaxing somewhere, I love doing things like that.' And of course, art is always close. 'Art is very therapeutic to me — it helps me calm down and have a moment.' As she continues to make her mark in fashion, television, and beyond, Riley Burruss is proving that growing up in front of the cameras doesn't mean you can't define yourself on your own terms. She's living her best life, choosing joy, and lighting up the reality TV screen. We are here for it. SEE ALSO Riley Burruss Is Ready For Her Spotlight – And She's Doing It Her Way was originally published on


Hamilton Spectator
20 hours ago
- Hamilton Spectator
Culture and community shine at Woodland celebration
Residents and out-of-town visitors alike attended the Woodland Cultural Centre's National Indigenous Peoples Day celebration on Saturday, June 21, 2025. Heather George, Executive Director of the Woodland Cultural Centre, said she was happy to see the community come together to celebrate the day. 'It's been so fantastic to see the turnout and to see so many community members from Six Nations and Brantford coming out, meeting each other in this space and getting to share in our culture,' she said. 'Our most favourite thing to do here at Woodland is to bring people together and do it in these really beautiful ways, so it's just been an amazing day.' Throughout the duration of the free event, guests of all ages had the opportunity to enjoy several musical performances from artists like David Moses, James Wilson and DJ MossKing, as well as a children's storytelling session with Arihhonni David. Over in the craft tent, Woodland's education department set up various creative workshops where visitors like Julien Greene and Callum Clarke, could try their hand at painting with watercolour, or crafting their own pottery, drums and rattles. Many guests also took the opportunity to head over to an open field to partake in a lacrosse demonstration with Kedoh Hill, or shop from the many vendor booths set up around the grounds. From hand-beaded jewellery to captivating pieces of art, ribbon skirts and even mouth-watering foods and drinks, there were plenty of ways to support the artists and small business owners on site. 'I think today is a really good opportunity, especially for non-Indigenous people to learn about the culture and the heritage. It's fantastic because, often the programming that happens on National Indigenous Peoples Day kind of surrounds the art space and so, it's a lot of fun, it's really inclusive and everybody gets a chance to participate,' said George. 'I think it's also a really good entry point for people who are trying to learn more about things like treaties or land rights, but this is kind of the fun, soft entrance into some of those harder topics. It's just such a great day for people to engage in this programming, and to continue to build those opportunities for people to learn.' On top of all of the activities happening outdoors, visitors also had the chance to step inside for a gallery tour with Woodland's guest Curator, Alex Jacobs-Blum, for the public opening of Indigenous Art 2025: 50th Annual Juried Exhibition. Indigenous Art was first launched back in 1975 and is now the longest-running annual multimedia Indigenous art exhibition in the country. This year's show is featured across all three of Woodland's gallery spaces and will run until Tuesday, September 30, 2025. Harmony Sabourin and Daylen Hill were just a couple of the guests viewing the gallery's new display. 'It's all just so beautiful,' said Sabourin. 'I really love art and so, it's been really inspiring to see all of these works, especially the beadwork on canvas… it's just so amazing to me.' The two were more than happy to share a few of the pieces that caught their attention including Jessica Somers' 'Morning Dance,' Janice Toulouse's 'Abiinoojiiyag Jiibi Native Children's Hidden Bones' and Emily Kewageshig's 'Walk Gently.' For those who couldn't make it out on the day, George said that she encouraged people to stop by Woodland and check out the gallery, especially now that the centre's new hours are Tuesday to Sunday, from 10:00 a.m. to 4:00 p.m. Kimberly De Jong's reporting is funded by the Canadian government through its Local Journalism Initiative. The funding allows her to report rural and agricultural stories from Blandford-Blenheim and Brant County. Reach her at . Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? Sign up for more at our newsletter page .


Business Upturn
a day ago
- Business Upturn
Is Weak Hero Class 3 happening? Everything we know so far
Weak Hero Class 2 hit Netflix on April 25, 2025, delivering intense high school drama and action with Park Ji-hoon as Yeon Si-eun. The season's cliffhanger ending has fans clamouring for Weak Hero Class 3 . Below, we dive into the latest details on a potential third season. The Cliffhanger Ending of Weak Hero Class 2 The second season ended with a major clash between Si-eun's Eunjang High crew and the Union, led by Na Baek-jin (Bae Na-ra). [Spoiler Alert] Baek-jin's death shocked viewers, while a post-credits scene introduced Choi Chang-hee (Jo Jung-seok), leader of the Cheongang gang, proposing Geum Seong-je (Lee Jun-young) take over the Union. This hints at a new conflict involving adult criminals. Additionally, Ahn Su-ho (Choi Hyun-wook), comatose since Season 1, woke up, reuniting with Si-eun and sparking excitement for his potential role in future episodes. Has Weak Hero Class 3 Been Confirmed? As of June 2025, Netflix has not confirmed Weak Hero Class 3 . At a cast event on May 11, 2025, director Yoo Su-min noted, 'No plans are set,' but added, 'There could be more to explore.' The show's strong performance, topping Netflix's non-English TV chart in South Korea and ranking globally, boosts renewal hopes. However, many Korean dramas end after two seasons, leaving fans uncertain despite their vocal support on social media. Weak Hero Class 3 Potential Release Date If approved, Weak Hero Class 3 could take time. The gap between Season 1 (November 2022) and Season 2 (April 2025) was over two years. A third season might arrive around late 2027 or early 2028 if greenlit soon. Rumours on X about a June 2025 announcement remain unconfirmed. Ahmedabad Plane Crash Aman Shukla is a post-graduate in mass communication . A media enthusiast who has a strong hold on communication ,content writing and copy writing. Aman is currently working as journalist at