logo
Lee Jung-jae breaks down Gi-hun's journey and the line that left fans hanging

Lee Jung-jae breaks down Gi-hun's journey and the line that left fans hanging

Korea Herald10 hours ago
'Squid Game' star emphasizes the importance of living a life one can be proud of
Lee Jung-jae's journey with "Squid Game" has come to a close, delivering a finale befitting a hero.
The veteran actor, who made history by becoming the first Asian to win a Primetime Emmy with the global Netflix sensation, expressed a bittersweet farewell as the series wrapped its third season, released on June 27.
Rather than mourning the end of the show, Lee reflected on parting ways with the cast and crew.
'The shoot lasted a long time, and during the process, the actors and staff built a lot of memories together. … We became close, and even more than that, our teamwork was so seamless that on set, instead of tension or pressure, there was a great flow. Because of that, we could look forward to unexpected ideas and spontaneous ad-libs from each other,' Lee shared during a group interview in Samcheong-dong, Seoul, Thursday.
'Now that this project is wrapping up with such a well-synced cast and crew, that's what I feel the saddest about,' he added.
The character of Gi-hun underwent significant evolution over the show's three seasons. Season 1 introduced him as a carefree contestant focused on winning the 45.6 million won ($33,538) prize, while Season 2 portrayed a revenge-driven Gi-hun reentering the deadly games to halt them after losing his friends. Season 3 presented a disillusioned, emotionally drained Gi-hun following the failure of his revolution against the games.
Reflecting on the demands of the role in the latest season, Lee said, 'In Season 1, Gi-hun's emotions change from episode to episode. During the marble game, for example, he deceives someone, then moves on to the next game while carrying that guilt — this emotional shift gives him a wider range of choices.'
'But as we move into Seasons 2 and 3, the desire to stop the games becomes much stronger. In a way, compared to Season 1, instead of showing various sides of him, he's portrayed in a more determined, fixed way, which made me reflect a lot," said Lee.
"I couldn't help but wonder: In this context, how can I draw the audience's attention and focus? It was something I had no choice but to wrestle with.'
Perhaps due to this narrative shift, Gi-hun gradually assumed more of an observer role from Season 2 onward, with some critics noting his reduced presence in Season 3. Lee agreed with the observation, explaining that the change was intentional.
"In Season 1, the fun was in showing Gi-hun's emotions across various situations, but in Seasons 2 and 3, the structure changed to delivering both message and entertainment by presenting diverse situations and characters.'
'Because of that, Gi-hun transformed into more of an observer's perspective. (With this), it seemed like the heartrending stories and choices of others became more visible," he said.
"I wonder if ('Squid Game' Season 3) could have been so diverse if it only focused on Gi-hun. ... I think it was a good choice. Since this is a team project, I didn't dwell on any regrets.'
Gi-hun's arc concludes with a poignant moment: delivering a soliloquy about how people are not mere game pieces to a black screen behind which the VIPs — those who sponsor the "Squid Game" for their amusement — stand. His final words, 'People are…' precede his sacrifice to save a baby born during the brutal games, ensuring her victory.
Lee described the complexities behind filming this scene: 'I talked a lot with the director about the fact that the lines weren't finalized. Still, we said, 'Let's at least come up with a few.' We decided to shoot everything on set and try a few versions, so I thought about it a lot too."
"The director had countless ideas but wouldn't tell me. I was going crazy trying to figure out what would be good," he said.
'Whatever line we tried felt insufficient somehow. The emotions were so complex, and trying to express that in a single short line was incredibly difficult. It just felt so lacking,' said Lee, adding, 'The more time passed, the more (we) came to think that leaving it empty for viewers to fill would be the best.'
'Squid Game' has resonated worldwide with its layered messages, touching on the flaws of capitalism, democracy and social realities.
Reflecting on what he hoped to convey through Gi-hun's journey, Lee said he wanted to emphasize the importance of living a life one can be proud of — free from shame.
'For me, I talk a lot about conscience. Sometimes it's about humanity, while the director (also) touches on social and political themes. But from the perspective of playing Gi-hun, I focused a lot on conscience, what kind of choice (we) would make. In the end, isn't it most important to live a life you're not ashamed of?"
yoonseo.3348@heraldcorp.com
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Lee Jung-jae breaks down Gi-hun's journey and the line that left fans hanging
Lee Jung-jae breaks down Gi-hun's journey and the line that left fans hanging

Korea Herald

time10 hours ago

  • Korea Herald

Lee Jung-jae breaks down Gi-hun's journey and the line that left fans hanging

'Squid Game' star emphasizes the importance of living a life one can be proud of Lee Jung-jae's journey with "Squid Game" has come to a close, delivering a finale befitting a hero. The veteran actor, who made history by becoming the first Asian to win a Primetime Emmy with the global Netflix sensation, expressed a bittersweet farewell as the series wrapped its third season, released on June 27. Rather than mourning the end of the show, Lee reflected on parting ways with the cast and crew. 'The shoot lasted a long time, and during the process, the actors and staff built a lot of memories together. … We became close, and even more than that, our teamwork was so seamless that on set, instead of tension or pressure, there was a great flow. Because of that, we could look forward to unexpected ideas and spontaneous ad-libs from each other,' Lee shared during a group interview in Samcheong-dong, Seoul, Thursday. 'Now that this project is wrapping up with such a well-synced cast and crew, that's what I feel the saddest about,' he added. The character of Gi-hun underwent significant evolution over the show's three seasons. Season 1 introduced him as a carefree contestant focused on winning the 45.6 million won ($33,538) prize, while Season 2 portrayed a revenge-driven Gi-hun reentering the deadly games to halt them after losing his friends. Season 3 presented a disillusioned, emotionally drained Gi-hun following the failure of his revolution against the games. Reflecting on the demands of the role in the latest season, Lee said, 'In Season 1, Gi-hun's emotions change from episode to episode. During the marble game, for example, he deceives someone, then moves on to the next game while carrying that guilt — this emotional shift gives him a wider range of choices.' 'But as we move into Seasons 2 and 3, the desire to stop the games becomes much stronger. In a way, compared to Season 1, instead of showing various sides of him, he's portrayed in a more determined, fixed way, which made me reflect a lot," said Lee. "I couldn't help but wonder: In this context, how can I draw the audience's attention and focus? It was something I had no choice but to wrestle with.' Perhaps due to this narrative shift, Gi-hun gradually assumed more of an observer role from Season 2 onward, with some critics noting his reduced presence in Season 3. Lee agreed with the observation, explaining that the change was intentional. "In Season 1, the fun was in showing Gi-hun's emotions across various situations, but in Seasons 2 and 3, the structure changed to delivering both message and entertainment by presenting diverse situations and characters.' 'Because of that, Gi-hun transformed into more of an observer's perspective. (With this), it seemed like the heartrending stories and choices of others became more visible," he said. "I wonder if ('Squid Game' Season 3) could have been so diverse if it only focused on Gi-hun. ... I think it was a good choice. Since this is a team project, I didn't dwell on any regrets.' Gi-hun's arc concludes with a poignant moment: delivering a soliloquy about how people are not mere game pieces to a black screen behind which the VIPs — those who sponsor the "Squid Game" for their amusement — stand. His final words, 'People are…' precede his sacrifice to save a baby born during the brutal games, ensuring her victory. Lee described the complexities behind filming this scene: 'I talked a lot with the director about the fact that the lines weren't finalized. Still, we said, 'Let's at least come up with a few.' We decided to shoot everything on set and try a few versions, so I thought about it a lot too." "The director had countless ideas but wouldn't tell me. I was going crazy trying to figure out what would be good," he said. 'Whatever line we tried felt insufficient somehow. The emotions were so complex, and trying to express that in a single short line was incredibly difficult. It just felt so lacking,' said Lee, adding, 'The more time passed, the more (we) came to think that leaving it empty for viewers to fill would be the best.' 'Squid Game' has resonated worldwide with its layered messages, touching on the flaws of capitalism, democracy and social realities. Reflecting on what he hoped to convey through Gi-hun's journey, Lee said he wanted to emphasize the importance of living a life one can be proud of — free from shame. 'For me, I talk a lot about conscience. Sometimes it's about humanity, while the director (also) touches on social and political themes. But from the perspective of playing Gi-hun, I focused a lot on conscience, what kind of choice (we) would make. In the end, isn't it most important to live a life you're not ashamed of?" yoonseo.3348@

What you need to know about the Saja Boys, Korea's grim reapers in K-pop form
What you need to know about the Saja Boys, Korea's grim reapers in K-pop form

Korea Herald

time15 hours ago

  • Korea Herald

What you need to know about the Saja Boys, Korea's grim reapers in K-pop form

Born in ghost stories, reapers transform into pop culture icons When the Saja Boys appeared on screen for the first time, dressed in floor-length black hanbok and wide-brimmed hats casting shadows over pale, painted faces, Kang Chan-mi, a 32-year-old office worker in Seoul, immediately recognized the look. 'I knew instantly what they were,' she said. 'If you're Korean, it's almost impossible not to.' The Saja Boys, a fictional K-pop group from the new Netflix animated film 'K-pop Demon Hunters,' may appear to be just another stylish boy band debuting for a global audience. However, for many Korean viewers, their stagewear evokes something much older and far more haunting: the "jeoseung saja," or the traditional Korean Grim Reaper. The image is deeply familiar to Koreans. A pale-faced man, draped in black robes and wearing a gat, a traditional Korean hat made of horsehair and silk, has long signaled death in Korean storytelling. This isn't the first time the grim reaper's look has stepped into the limelight. Most recently, on the dance competition show 'World of Street Woman Fighter,' the Korean crew Bumsup built a performance around the figure, donning black shirts and "gat," a traditional hat, to evoke the jeoseung saja's chilling presence. In Korean television and film, grim reapers have often been reimagined as charismatic and charming figures. In the 2016 hit drama 'Guardian: The Lonely and Great God,' actor Lee Dong-wook played a modern version of the character, trading traditional robes and a gat for a tailored black suit and fedora. The styling was contemporary, but the symbolism remained intact. Tracing the allure of Korean grim reapers So, where did this image come from? Many trace it back to a June 1980 episode of the KBS series "Legend of the Hometown" (unofficial title), a show known for its ghost stories. It was there that the jeoseung saja took on its now iconic appearance. 'We wanted to create a distinctly Korean image of death,' said Choi Sang-shik, a producer on the series, in a past interview. 'Since death is associated with darkness, we dressed the grim reaper in black robes and contrasted it with a pale face and jet-black lips.' But the grim reaper hasn't always looked this way. According to the Encyclopedia of Korean Culture by Kim Deok-mook, the jeoseung saja originally appeared in shamanistic rituals as a military officer, dressed in official armor. In many paintings from the Joseon era — including Gamjae Saja, which indicates one of the underworld messengers — he is depicted wearing bright red armor. He was also a figure to be feared, as his arrival marked the moment a soul was taken from the world of the living. Though he was a figure to be scared of, he was not treated with hostility. In traditional funerary rites, the reaper is regarded with solemn respect. 'Since the reaper also serves as a guide through the long and difficult journey to the afterlife, mistreating him could bring misfortune to the deceased,' Kim said. 'That's why families treat him with care during rituals.' Even the number of reapers varies between tradition and pop culture. In 'K-pop Demon Hunters,' there are five Saja Boys; in many Korean dramas and films, the jeoseung saja often appears alone, an isolated figure quietly escorting the dead. But in Korean shamanism, the number is typically three. According to Kim, in a traditional funerary ritual from Hwanghae Province, families prepare three bowls of rice, three pairs of straw shoes, and three sets of spoons and chopsticks. These offerings are meant to honor the three reapers guiding the soul from this world to the next. That belief has also made its way into modern storytelling. In the hit film 'Along with the Gods: The Two Worlds,' three grim reapers move together as a team.

Police transfers DUI case involving comedian Lee Kyung-kyu to prosecution
Police transfers DUI case involving comedian Lee Kyung-kyu to prosecution

Korea Herald

timea day ago

  • Korea Herald

Police transfers DUI case involving comedian Lee Kyung-kyu to prosecution

Police said Wednesday it has sent veteran comedian Lee Kyung-kyu to the prosecution on charges of driving under the influence of drugs last month without issuing a detention request against him. Lee is accused of violating the Road Traffic Act by driving someone else's vehicle, the same model as his, under the influence of panic disorder drugs on June 8 in southern Seoul after a valet mistakenly gave him the wrong car. Police arrived at the scene following a report of a car theft, and conducted a preliminary drug test on Lee, which reportedly returned a positive result. A subsequent laboratory drug test also came back positive, according to the police. Last Tuesday, Lee appeared for questioning at the Seoul Gangnam Police Station and admitted to driving under the influence, saying he had not known he must not drive after taking medication prescribed for panic disorder. Lee's agency has said Lee has been suffering from a panic disorder for nearly 10 years and on the day of the incident, he drove to go to a hospital after taking medication for his symptoms. Under the Road Traffic Act, driving while impaired under the influence of drugs, including those prescribed for medical reasons, is prohibited. The 64-year-old seasoned comedian is known for hosting popular TV shows over decades, including "Healing Camp." (Yonhap)

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store