The Dire Wolf Company's Next Target? A Giant Flightless Bird
It has taken no end of imagination for Sir Peter Jackson, the Academy Award winning—and, not incidentally, knighted—director of the Lord of the Rings and Hobbit films, to produce his entire body of cinematic work. It's a quality Jackson has had since he was a small child, when he would conjure up visions of the future. 'When I was a kid [I dreamed of] personal jet packs and flying cars and things,' Jackson said in a recent conversation with TIME. 'One of those other things I always dreamed of was to be able to bring back extinct species.'
No-go on the jet packs and the flying cars. But the business of de-extinction? That's very much happening. In April, the Dallas-based biotech company Colossal Biosciences announced that it had successfully brought back the dire wolf, an animal whose howl had not been heard on Earth since the last member of the species vanished more than 10,000 years ago. Three young dire wolves currently live on a 2,000-acre preserve in an undisclosed location to protect them from the media and curiosity-seekers, and Colossal aims to produce more of the animals, with the ultimate goal of perhaps rewilding the species.
Read more: The Return of the Dire Wolf
The company is not stopping there. Colossal also wants to bring back the dodo, the woolly mammoth, the Tasmanian tiger—or thylacine—and more. The goal is both to increase genetic diversity and to hone genetic editing techniques to fortify existing but threatened species. Now, Colossal has announced one more species to add to its growing menagerie: the emu-like moa, a giant flightless bird that stood up to 12 ft. (3.6 m) tall, tipped the scales at more than 500 lbs (230 kg), and once ranged across New Zealand, before it was hunted to extinction by humans about 600 years ago. Like the moa, Jackson is a native New Zealander; 'I am a very proud kiwi,' he says. He is also a Colossal investor and acted as intermediary and facilitator bringing the company into partnership on the moa project with the Ngāi Tahu Research Center, a group that was founded in 2011 to foster intellectual development and conduct scientific studies for and by the Ngāi Tahu tribe of the Indigenous Māori people.
'Some of those iconic species that feature in our tribal mythology, our storytelling, are very near and dear to us,' says Ngāi Tahu archaeologist Kyle Davis, who is working on the moa de-extinction project. 'Participation in scientific research, species management, and conservation has been a large part of our activities.'
'This is completely a Māori initiative,' adds Ben Lamm, CEO and co-founder of Colossal. 'We feel like the Colossal team is an extension of the research center and the Māori.'
Bringing back the moa would have implications not only for the species itself but for the environment it once inhabited and could again. The bird was what is known as a cornerstone species, one whose grazing and browsing helped prune and shape the jungle flora. Moas were also prolific dispersers of seeds from the plants they ate. The loss of the species not only eliminated that forest-restoring function, but also led to the related extinction of the Haast's eagle, which relied almost exclusively on the moa as prey. Restoring the moa would not bring the eagle back but could help at least partly restore the primal New Zealand woodlands.
Bringing back the moa is of a piece with Colossal's other work, which seeks not only to restore vanished species, but to prevent related ones from slipping over the event horizon of extinction. Genetic engineering mastered in the dire wolf project, for example, is being used to edit greater diversity into the genome of the endangered red wolf. Knowledge gained in the effort to bring back the thylacine could similarly help preserve the related northern quoll.
'There are some species of birds on the South Island of New Zealand that are endangered due to the fact that they have reduced gene pools,' says Paul Scofield, senior curator of natural history at Canterbury Museum, author of 20 papers on the moa genome, and one of the scientists working on the de-extinction project. 'Some of the technology that Colossal is working with is very applicable to them.'
Read more: Scientists Have Bred Woolly Mice on Their Journey to Bring Back the Mammoth
That technology is decidedly challenging. De-extincting the dire wolf involved sequencing ancient DNA collected from fossil specimens and then rewriting the genome of cells from a gray wolf to resemble the extinct species with the lost ancient genes. The edited nucleus was then inserted into a domestic dog ovum whose own nucleus had been removed. That ovum was allowed to develop into an embryo in the lab and then implanted into the womb of a surrogate domestic dog, which carried the dire wolf pup to term.'
Bringing back the extinct moa is harder since the incubating will be done outside the body, inside an egg. The first step in this work once again calls for sequencing the genome of the extinct target species and once again turning to a closely related living species—either the tinamou or the emu—for help. Colossal scientists will extract primordial germ cells—or cells that develop into egg and sperm—from a tinamou or emu embryo and rewrite their genome to match key features of the moa. Those edited cells will then be introduced into another embryonic tinamou or emu inside an egg. If all goes to plan, the cells will travel to the embryo's gonads, transforming them so that the females produce eggs and the males produce sperm not of the host species but of the moa. The result will be an emu or tinamou that hatches, grows up, mates, and produces eggs containing moa chicks.
'We've had some pretty big successes so far,' says Lamm. 'We have a breeding colony of tinamous but not emus, but have access to emu eggs through the many breeders out there."
None of this means that the work is remotely done. Lamm concedes it could be up to ten years before a moa once again walks New Zealand—though it could come sooner. 'I'd rather underpromise and overdeliver,' he says. For now, Colossal and the Ngāi Tahu Research Center are still working to sequence the moa genome, and to do that they have to get their hands on more DNA samples. Museum specimens of moa remains satisfy some of that demand, but DNA degrades significantly over the centuries and what can't be harvested from private collections has to be dug up in field excavations—with a special eye to long, DNA-rich moa bones like the femur and tibia.
'There are a couple of really significant fossil sites, particularly one in North Canterbury, about an hour north of Christchurch,' says Scofield. 'So far we've sampled more than 60 individuals.' If those don't prove sufficient, he adds, 'we will have to go out and dig some more holes.'
None of this comes cheap, and while Lamm does not disclose the exact funding for the moa de-extinction project, he does say it is an eight-figure sum. 'I saw the new Jurassic World movie and someone in it says it costs $72 million to bring back one animal,' he says. 'I was like, 'That's probably accurate.''
That up-front expenditure could pay off handsomely down the line, boosting ecotourism to New Zealand and benefiting Colossal's basic research, which is already showing for-profit potential. So far, Colossal has spun off two new companies: One, called Breaking, uses engineered microbes and enzymes to break down plastic waste. The other, Form Bio, provides AI and computational biology platforms for drug development.
But it's the intangibles—the wonder of midwifing a long-extinct species back to the global family of extant ones—that is Colossal's and the Māori's most transcendent work. 'This has an excitement value to it that movies don't have,' says Jackson. 'When I see a living moa for the first time I'm going to be absolutely amazed beyond anything I've ever felt.'
Write to Jeffrey Kluger at jeffrey.kluger@time.com.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
5 hours ago
- Yahoo
The Dire Wolf Company's Next Target? A Giant Flightless Bird
An artist's rendering of a fully grown moa Credit - Colossal Biosciences It has taken no end of imagination for Sir Peter Jackson, the Academy Award winning—and, not incidentally, knighted—director of the Lord of the Rings and Hobbit films, to produce his entire body of cinematic work. It's a quality Jackson has had since he was a small child, when he would conjure up visions of the future. 'When I was a kid [I dreamed of] personal jet packs and flying cars and things,' Jackson said in a recent conversation with TIME. 'One of those other things I always dreamed of was to be able to bring back extinct species.' No-go on the jet packs and the flying cars. But the business of de-extinction? That's very much happening. In April, the Dallas-based biotech company Colossal Biosciences announced that it had successfully brought back the dire wolf, an animal whose howl had not been heard on Earth since the last member of the species vanished more than 10,000 years ago. Three young dire wolves currently live on a 2,000-acre preserve in an undisclosed location to protect them from the media and curiosity-seekers, and Colossal aims to produce more of the animals, with the ultimate goal of perhaps rewilding the species. Read more: The Return of the Dire Wolf The company is not stopping there. Colossal also wants to bring back the dodo, the woolly mammoth, the Tasmanian tiger—or thylacine—and more. The goal is both to increase genetic diversity and to hone genetic editing techniques to fortify existing but threatened species. Now, Colossal has announced one more species to add to its growing menagerie: the emu-like moa, a giant flightless bird that stood up to 12 ft. (3.6 m) tall, tipped the scales at more than 500 lbs (230 kg), and once ranged across New Zealand, before it was hunted to extinction by humans about 600 years ago. Like the moa, Jackson is a native New Zealander; 'I am a very proud kiwi,' he says. He is also a Colossal investor and acted as intermediary and facilitator bringing the company into partnership on the moa project with the Ngāi Tahu Research Center, a group that was founded in 2011 to foster intellectual development and conduct scientific studies for and by the Ngāi Tahu tribe of the Indigenous Māori people. 'Some of those iconic species that feature in our tribal mythology, our storytelling, are very near and dear to us,' says Ngāi Tahu archaeologist Kyle Davis, who is working on the moa de-extinction project. 'Participation in scientific research, species management, and conservation has been a large part of our activities.' 'This is completely a Māori initiative,' adds Ben Lamm, CEO and co-founder of Colossal. 'We feel like the Colossal team is an extension of the research center and the Māori.' Bringing back the moa would have implications not only for the species itself but for the environment it once inhabited and could again. The bird was what is known as a cornerstone species, one whose grazing and browsing helped prune and shape the jungle flora. Moas were also prolific dispersers of seeds from the plants they ate. The loss of the species not only eliminated that forest-restoring function, but also led to the related extinction of the Haast's eagle, which relied almost exclusively on the moa as prey. Restoring the moa would not bring the eagle back but could help at least partly restore the primal New Zealand woodlands. Bringing back the moa is of a piece with Colossal's other work, which seeks not only to restore vanished species, but to prevent related ones from slipping over the event horizon of extinction. Genetic engineering mastered in the dire wolf project, for example, is being used to edit greater diversity into the genome of the endangered red wolf. Knowledge gained in the effort to bring back the thylacine could similarly help preserve the related northern quoll. 'There are some species of birds on the South Island of New Zealand that are endangered due to the fact that they have reduced gene pools,' says Paul Scofield, senior curator of natural history at Canterbury Museum, author of 20 papers on the moa genome, and one of the scientists working on the de-extinction project. 'Some of the technology that Colossal is working with is very applicable to them.' Read more: Scientists Have Bred Woolly Mice on Their Journey to Bring Back the Mammoth That technology is decidedly challenging. De-extincting the dire wolf involved sequencing ancient DNA collected from fossil specimens and then rewriting the genome of cells from a gray wolf to resemble the extinct species with the lost ancient genes. The edited nucleus was then inserted into a domestic dog ovum whose own nucleus had been removed. That ovum was allowed to develop into an embryo in the lab and then implanted into the womb of a surrogate domestic dog, which carried the dire wolf pup to term.' Bringing back the extinct moa is harder since the incubating will be done outside the body, inside an egg. The first step in this work once again calls for sequencing the genome of the extinct target species and once again turning to a closely related living species—either the tinamou or the emu—for help. Colossal scientists will extract primordial germ cells—or cells that develop into egg and sperm—from a tinamou or emu embryo and rewrite their genome to match key features of the moa. Those edited cells will then be introduced into another embryonic tinamou or emu inside an egg. If all goes to plan, the cells will travel to the embryo's gonads, transforming them so that the females produce eggs and the males produce sperm not of the host species but of the moa. The result will be an emu or tinamou that hatches, grows up, mates, and produces eggs containing moa chicks. 'We've had some pretty big successes so far,' says Lamm. 'We have a breeding colony of tinamous but not emus, but have access to emu eggs through the many breeders out there." None of this means that the work is remotely done. Lamm concedes it could be up to ten years before a moa once again walks New Zealand—though it could come sooner. 'I'd rather underpromise and overdeliver,' he says. For now, Colossal and the Ngāi Tahu Research Center are still working to sequence the moa genome, and to do that they have to get their hands on more DNA samples. Museum specimens of moa remains satisfy some of that demand, but DNA degrades significantly over the centuries and what can't be harvested from private collections has to be dug up in field excavations—with a special eye to long, DNA-rich moa bones like the femur and tibia. 'There are a couple of really significant fossil sites, particularly one in North Canterbury, about an hour north of Christchurch,' says Scofield. 'So far we've sampled more than 60 individuals.' If those don't prove sufficient, he adds, 'we will have to go out and dig some more holes.' None of this comes cheap, and while Lamm does not disclose the exact funding for the moa de-extinction project, he does say it is an eight-figure sum. 'I saw the new Jurassic World movie and someone in it says it costs $72 million to bring back one animal,' he says. 'I was like, 'That's probably accurate.'' That up-front expenditure could pay off handsomely down the line, boosting ecotourism to New Zealand and benefiting Colossal's basic research, which is already showing for-profit potential. So far, Colossal has spun off two new companies: One, called Breaking, uses engineered microbes and enzymes to break down plastic waste. The other, Form Bio, provides AI and computational biology platforms for drug development. But it's the intangibles—the wonder of midwifing a long-extinct species back to the global family of extant ones—that is Colossal's and the Māori's most transcendent work. 'This has an excitement value to it that movies don't have,' says Jackson. 'When I see a living moa for the first time I'm going to be absolutely amazed beyond anything I've ever felt.' Write to Jeffrey Kluger at
Yahoo
7 hours ago
- Yahoo
Nautilus Sneak Peek: Richard E. Grant Makes a Splashy Entrance as Hospitable ‘Blue Wizard' (Exclusive)
Onetime Academy Award nominee Richard E. Grant makes quite an entrance in TVLine's exclusive sneak peek from the third episode of AMC's Nautilus. Nautilus stars Shazad Latif (Star Trek: Discovery) as the legendary Captain Nemo, an Indian Prince robbed of his birthright and family, imprisoned by the East India Mercantile Company, and driven by revenge against the forces that have taken everything from him. More from TVLine In Survival Mode, Everyday People Revisit Extraordinary Disasters - Get NBC Premiere Date, First Teaser Shrinking EP Tees Up Brett Goldstein and Cobie Smulders' Returns, Michael J. Fox and Jeff Daniels' Season 3 Arcs Bill Lawrence: Scrubs Revival 'Looks at How the System Has Changed' - And Who, Potentially, Has Scrubbed Out In said revenge mission, Nemo audaciously steals a prototype submarine from the penal colony in which he is imprisoned, escaping into the ocean with a motley crew of fellow prisoners. The cast also includes Georgia Flood (Apples Never Fall) as Humility Lucas, Céline Menville (Emily in Paris) as Loti and Thierry Frémont (Liaison) as Benoit, while Grant (Loki) and Anna Torv (Fringe) are among Season 1's guest stars. In our exclusive clip from Episode 3, titled 'What Lies Beneath' and premiering this Sunday, July 6, at 9/8c on AMC and AMC+, Nemo and the crew happen upon Grant's eccentric White Rajah, who is quick to offer his unexpected guests food, drink and, well, greatly needed baths. The Rajah also realizes that he once crossed path's with Nemo's father, who of course was no regular Joe…. Press play above to watch Grant's debut as the Rajah, and see who from the crew is quick to herald their host as a most generous 'blue wizard.' Want scoop on , or for any other TV show? Shoot an email to InsideLine@ and your question may be answered via Matt's Inside Line! Best of TVLine Summer TV Calendar: Your Guide to 85+ Season and Series Premieres Classic Christmas Movies Guide: Where to Watch It's a Wonderful Life, Miracle on 34th Street, Elf, Die Hard and Others What's New on Netflix in June

7 hours ago
'Lord of the Rings' director backs long shot de-extinction plan, starring lost bird
WASHINGTON -- Filmmaker Peter Jackson owns one of the largest private collections of bones of an extinct New Zealand bird called the moa. His fascination with the flightless ostrich-like bird has led to an unusual partnership with a biotech company known for its grand and controversial plans to bring back lost species. On Tuesday, Colossal Biosciences announced an effort to genetically engineer living birds to resemble the extinct South Island giant moa – which once stood 12 feet (3.6 meters) tall – with $15 million in funding from Jackson and his partner Fran Walsh. The collaboration also includes the New Zealand-based Ngāi Tahu Research Centre. 'The movies are my day job, and the moa are my fun thing I do,' said Jackson. 'Every New Zealand schoolchild has a fascination with the moa.' Outside scientists say the idea of bringing back extinct species onto the modern landscape is likely impossible, although it may be feasible to tweak the genes of living animals to have similar physical traits. Scientists have mixed feelings on whether that will be helpful, and some worry that focusing on lost creatures could distract from protecting species that still exist. The moa had roamed New Zealand for 4,000 years until they became extinct around 600 years ago, mainly because of overhunting. A large skeleton brought to England in the 19th century, now on display at the Yorkshire Museum, prompted international interest in the long-necked bird. Unlike Colossal's work with dire wolves, the moa project is in very early stages. It started with a phone call about two years ago after Jackson heard about the company's efforts to 'de-extinct' – or create genetically similar animals to – species like the woolly mammoth and the dire wolf. Then Jackson put Colossal in touch with experts he'd met through his own moa bone-collecting. At that point, he'd amassed between 300 and 400 bones, he said. In New Zealand, it's legal to buy and sell moa bones found on private lands, but not on public conservation areas – nor to export them. The first stage of the moa project will be to identify well-preserved bones from which it may be possible to extract DNA, said Colossal's chief scientist Beth Shapiro. Those DNA sequences will be compared to genomes of living bird species, including the ground-dwelling tinamou and emu, 'to figure out what it is that made the moa unique compared to other birds,' she said. Colossal used a similar process of comparing ancient DNA of extinct dire wolves to determine the genetic differences with gray wolves. Then scientists took blood cells from a living gray wolf and used CRISPR to genetically modify them in 20 different sites. Pups with long white hair and muscular jaws were born late last year. Working with birds presents different challenges, said Shapiro. Unlike mammals, bird embryos develop inside eggs, so the process of transferring an embryo to a surrogate will not look like mammalian IVF. 'There's lots of different scientific hurdles that need to be overcome with any species that we pick as a candidate for de-extinction,' said Shapiro. 'We are in the very early stages.' If the Colossal team succeeds in creating a tall bird with huge feet and thick pointed claws resembling the moa, there's also the pressing question of where to put it, said Duke University ecologist Stuart Pimm, who is not involved in the project. 'Can you put a species back into the wild once you've exterminated it there?' he said. 'I think it's exceedingly unlikely that they could do this in any meaningful way.' 'This will be an extremely dangerous animal,' Pimm added. The direction of the project will be shaped by Māori scholars at the University of Canterbury's Ngāi Tahu Research Centre. Ngāi Tahu archaeologist Kyle Davis, an expert in moa bones, said the work has 'really reinvigorated the interest in examining our own traditions and mythology.' At one of the archaeological sites that Jackson and Davis visited to study moa remains, called Pyramid Valley, there are also antique rock art done by Māori people – some depicting moa before their extinction. Paul Scofield, a project adviser and senior curator of natural history at the Canterbury Museum in Christchurch, New Zealand, said he first met the 'Lord of the Rings' director when he went to his house to help him identity which of the nine known species of moa the various bones represented. 'He doesn't just collect some moa bones – he has a comprehensive collection,' said Scofield. ___