
Exhibition honours Spain's ‘forgotten surrealist'
F or decades, the Spanish surrealist painter Óscar Domínguez was reputed to be the 'wildest and woolliest' of Paris's artists.
But a hot night of heavy drinking in 1938 in his Montparnasse studio proved fateful. He accidentally blinded the Romanian painter Victor Brauner in one eye when he threw a glass in defence of another artist. The affray contributed to the breakup of the surrealist group.
Such was Domínguez's bohemian cavorting that his 'excesses' overshadowed his art. So argues Isidro Hernández, the curator of an exhibition in Malaga that seeks to restore Domínguez to his 'rightful place' alongside Joan Miró and Salvador Dalí as one of the outstanding Spanish luminaries of the movement.
Domínguez may have agreed, but it was carousing that first liberated him to pursue painting. The son of a wealthy Canary Islands banana plantation owner, he arrived in Paris in 1925 at the age of 19 to sell his father's produce. 'I went on a binge for three months,' he recalled. 'Naturally, he fired me.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Times
20 hours ago
- Times
Exhibition honours Spain's ‘forgotten surrealist'
F or decades, the Spanish surrealist painter Óscar Domínguez was reputed to be the 'wildest and woolliest' of Paris's artists. But a hot night of heavy drinking in 1938 in his Montparnasse studio proved fateful. He accidentally blinded the Romanian painter Victor Brauner in one eye when he threw a glass in defence of another artist. The affray contributed to the breakup of the surrealist group. Such was Domínguez's bohemian cavorting that his 'excesses' overshadowed his art. So argues Isidro Hernández, the curator of an exhibition in Malaga that seeks to restore Domínguez to his 'rightful place' alongside Joan Miró and Salvador Dalí as one of the outstanding Spanish luminaries of the movement. Domínguez may have agreed, but it was carousing that first liberated him to pursue painting. The son of a wealthy Canary Islands banana plantation owner, he arrived in Paris in 1925 at the age of 19 to sell his father's produce. 'I went on a binge for three months,' he recalled. 'Naturally, he fired me.'


Fashion United
4 days ago
- Fashion United
Digital art also has legal limits: Mango condemned for rights infringement in NFTs
The Provincial Court of Barcelona issued an unprecedented ruling in the Spanish legal landscape, condemning the fashion group Mango (Punto Fa, S.L.) for the unauthorised exploitation of works of art in digital format. The ruling, issued by Section 15, specialising in commercial matters, established for the first time in Spain the infringement of copyright in the context of non-fungible tokens (NFTs) and virtual environments such as the metaverse. The case, brought by the management entity VEGAP (Visual Entidad de Gestión de Artistas Plásticos) on behalf of the heirs of Joan Miró, Antoni Tàpies, and Miquel Barceló, arose from a marketing campaign that accompanied the opening of a Mango store in New York in 2022. In summary The Provincial Court of Barcelona condemned Mango for exploiting digitised artworks without authorisation in NFTs and the metaverse. The ruling sets a legal precedent in Spain, protecting copyright in virtual environments and NFTs. Mango must cease the illicit activity, destroy the NFTs, and pay compensation of 750,380.21 euros, although it plans to appeal the decision. In May 2022, Mango celebrated the opening of its flagship store on Fifth Avenue in New York with an ambitious digital campaign. The brand exhibited five original works by Spanish artists — Joan Miró, Antoni Tàpies, and Miquel Barceló — in the physical store, belonging to the private collection of Isak Andic, founder of the company. Beyond the physical exhibition, Mango took the works to a new digital dimension by transforming them into animated compositions and converting them into NFTs. These pieces were disseminated through various platforms, including the OpenSea marketplace and the Decentraland virtual universe, and were also promoted on social networks such as Instagram, TikTok, and LinkedIn. Owning painting does not give right to digitally exploit or modify it The digitisation and dissemination of these works without the express consent of their authors or heirs led to the complaint by VEGAP, the entity that represents the rights holders. In its lawsuit, VEGAP alleged the infringement of several rights protected by the Intellectual Property Law: reproduction, transformation, public communication, integrity of the work, and right of dissemination. The argument held that physically owning a painting does not imply having the right to exploit it digitally or to modify it. According to the lawsuit, the use of these works as part of a marketing strategy without prior license not only violated economic rights but also 'damaged the image and cultural legacy of the authors'. The entity claimed the immediate withdrawal of the NFTs and any digital reproduction, the publication of a public rectification, and compensation in excess of 1.3 million euros for economic and moral damages. Initial ruling in favour of Mango In January 2024, the Commercial Court number nine of Barcelona dismissed VEGAP's claim. The first instance judgment acquitted Mango, which argued that it had acted in good faith and without profit. The defence maintained that its initiative sought to enrich the public experience, promote culture, and pay tribute to the authors, all in the absence of clear regulations on NFTs in the Spanish context. Mango even invoked an interpretation similar to the Anglo-Saxon concept of 'fair use'. However, VEGAP appealed and, after months of litigation, Section 15 of the Provincial Court upheld the appeal in its judgment, and the court overturned the initial ruling, condemning Mango for copyright infringement, both economic and moral. The ruling ordered the immediate cessation of the illicit activity and the destruction of all NFTs and physical or digital materials derived from the altered works. It also obliged Mango to publish the content of the ruling on its website and social networks, as a way of publicly acknowledging that it acted without the artists' authorisation. Regarding compensation, the resolution set a total amount of 750,380.21 euros. Precedent in uncharted territory Although Mango has announced that it will appeal the ruling to the Supreme Court, the ruling already represents a turning point in Spanish legal system. It is the first time that an infringement of copyright has been recognised in the context of NFTs and the metaverse. Mango insists that its actions were never for profit or intended to commercially exploit the works. They also allege that, until that time, there were no legal precedents or specific regulations clarifying the legal limits of the use of digitised art as NFTs. For VEGAP, however, the ruling is a resounding victory. Its director general, Javier Gutiérrez, called the ruling 'historic' in extending legal protection for visual artists to the virtual environment. He stressed that this resolution reinforces the principle that copyright continues to apply even when technologies are new and disruptive. The Mango case leaves a clear lesson for the industry: although the legal framework continues to evolve, the rights of authors — their recognition, integrity, and fair remuneration — remain as fundamental pillars, also in the metaverse. This article was translated to English using an AI tool. FashionUnited uses AI language tools to speed up translating (news) articles and proofread the translations to improve the end result. This saves our human journalists time they can spend doing research and writing original articles. Articles translated with the help of AI are checked and edited by a human desk editor prior to going online. If you have questions or comments about this process email us at info@


Daily Mail
23-06-2025
- Daily Mail
Netflix fans shocked by explicit sex scenes branded 'way too intense for a teen drama' - and even slam show bosses for 'fetishising the cast'
Netflix fans were left shocked by explicit sex scenes branded 'way too intense for a teen drama'. Spanish drama Olympo recently hit the streaming platform and follows a group of young adult athletes at Pirineos Center of High Performance, a sports centre. Amaia (Clara Galle) looks into 'the extreme risks her fellow athletes are taking to feed their ambition' after a swimmer collapses, according to the synopsis. Created by Ibai Abad, Laia Foguet and Jan Matheu, Olympo also stars Nira Osahia and Agustín Della Corte amongst others. The eight-part drama series has shocked some watchers with how steamy the scenes are, and many have taken to social media to express their surprise. One posted on X: 'Episode 1 of #OlympoNetflix and everyone is just f*****g.' Netflix announced the new series in a social media post last week and said: 'Betrayal is a team sport While according to someone else felt the saucy scenes in the teen drama were 'way too intense'. Philadelphia Gay News argued, 'Some scenes shot in slow-motion or in closeup fetishize the musculature of the actors'. However, others seem to have enjoyed the series so far and even begged for more, with one penning, 'WE WANT SEASON TWO'. 'You better renew this I didn't waste my time for a cancellation,' someone else echoed. Another added: 'Started Olympo on Netflix and omg I think this's gonna be my new obsession.' While someone else said: 'Just Watched Olympo Spanish TV Show Season 1 On @Netflix. Loved It! 'The Show Is In English For You To Watch. Can't Wait To Watch Season 2!' Netflix announced the new series in a social media post last week and said: 'Betrayal is a team sport. 'OLYMPO, a new series about young elite athletes who will do anything to be the best, is now playing,' the streaming site added The eight-part drama series has shocked some watchers with how steamy the scenes are, and many have taken to social media to express their surprise 'OLYMPO, a new series about young elite athletes who will do anything to be the best, is now playing.' It comes as Netflix fans have been gripped by a 'hilariously entertaining' period drama that 'throws comedy and romance rules out of the window'. Created by Kathleen Jordan, the limited series premiered on the streaming platform last year and has become a hit with viewers. Set deep in 14th Century Italy in the midst of the bubonic plague, The Decameron follows 'a group of nobles and servants' as they retreat 'to a villa, where their lavish getaway quickly spirals into chaos,' according to the synopsis.