
BBC boss Tim Davie was 'consulted' during vile 'death to IDF' chant at festival
The Telegraph has reported that the BBC's top boss is now caught up in the row over the anti-Israel rap performance at this weekend's Glastonbury festival.
BBC Director-General Tim Davie, who was on-site visiting staff on Saturday, was swiftly informed when Bob Vylan blasted the stage with chants of "death, death to the IDF."
Acting quickly, he ruled out the band's set being available on-demand; nevertheless, it lingered on iPlayer's rewind feature for an extra five hours.
Despite not ordering the immediate pulling of the live feed, a BBC spokesperson conceded that the broadcaster now laments not doing so.
One BBC insider said: "Tim was there for a few hours to see the team. He was made aware during the time he was there of what had been said on stage. He intervened to make sure the performance was not made available on demand and he was very clear about that.", reports the Express.
Regarding the live transmission concerns, the source added, "Pulling the livestream brings certain technological challenges. With hindsight, we would have taken it down. He would have asked what the options were, but it isn't as straightforward as hitting a button and taking it down."
Following the outcry, the BBC was approached for comment.
Meanwhile, Culture Secretary Lisa Nandy voiced serious concerns regarding Mr. Davie's stewardship in the light of the controversy.
Addressing Commons, she remarked: "When you have one editorial failure, it's something that must be gripped. When you have several, it becomes a problem of leadership."
MP Peter Prinsley sharply questioned: "The murder of hundreds of Jews at the Nova music festival in October 2023 sparked this war. The irony of broadcast anti-Semitism at Glastonbury here in the UK is not lost on any of us.
"So how are Jews, such as myself, in this country to be reassured about the editorial processes of the BBC? And who on Earth will be held accountable for this error?".
Ms Nandy insisted that accountability is "an extremely important point" and acknowledged that she has "something that I've impressed upon the BBC leadership."
The gravity of the situation
This controversy is the latest in a series of anti-Semitic criticisms levelled at the BBC. Previously, the corporation had to say sorry for producing a Gaza documentary with a concealed bias; the narrator was outed as the son of a Hamas leader, and the channel's coverage on Israel and Gaza has also drawn flak.
In the unfolding saga, Israel's Deputy Foreign Minister Sharren Haskel demanded Tim Davie's resignation if no staff are fired over the blunder, as she aired her concerns on The Telegraph's Daily T podcast. She stressed the need for an urgent probe into the BBC's delayed response to the offensive material.
At the stormy Glastonbury performance, Bob Vylan stirred the crowd into chanting "Free! Free!" which was then met with shouts of "Palestine!" from the attendees, only for the rapper to further provoke by adding: "death, death to the IDF."
Additionally, lead vocalist Pascal Robinson-Foster, widely known as Bobby Vylan, engaged in a heated rant about his dealings with a Jewish music industry executive.
After a controversial set during Glastonbury was accessible through BBC iPlayer's live stream hours post-performance, the BBC has issued an apology, branding the remarks "utterly unacceptable" and not fit for their airwaves.
"We welcome Glastonbury's condemnation of the performance," stated the broadcaster.
Apologising for the incident, the BBC slammed the comments as having "have no place on our airwaves", while expressing support for Glastonbury's denunciation of the act.
In discussion with the Daily T, Ms Haskel expressed her dismay: "Who's responsible for that? This is literally someone calling for violence, for ethnic cleansing, for the destruction and the annihilation of the only Jewish state in the world."
Highlighting the need for accountability, she demanded, "So if there's no one that will take responsibility, if no one will be fired over such an outrageous thing, then I think that Tim Davie should take responsibility because there has to be accountability for that."
When probed about BBC Director-General Tim Davie's future, she said, "If there's no one responsible for that, and if no one's going to be fired over such an outrageous thing, Tim Davie should take responsibility and resign."
Further, Ms Haskel called for an extensive review of the BBC's approach to reporting on the Middle East, insisting: "There should be an inquiry regarding the BBC coverage."
She continued to criticise the BBC's coverage and its handling of anti-Semitism in Britain, saying, "It was fully biased. Many mistakes were made. Not just in the coverage since Oct 7, but their coverage in the Middle East in general and also about how they address anti-Semitism in the UK. How is it possible that something like that has been normalised in the UK? I just don't get it."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Spectator
an hour ago
- Spectator
And now let's bomb Glastonbury
A small yield nuclear weapon, such as the American W89, dropped on Glastonbury in late June would immediately remove from our country almost everybody who is hugely annoying. You would see a marked reduction in the keffiyeh klan, for a start, and all those middle-class Extinction Rebellion protestors would find, in a nanosecond, that their rebellion was pointless, because extinction had arrived even more summarily than they expected. Go on, glue yourselves to that, Poppy and Oliver. Street drummers, liberal politicians, provo vegans, radical rappers, spiritual healers, Billy Bragg, that bloke who owns Forest Green Rovers, druggies, tattooed blue-haired hags, almost the entirety of middle-class London – all evaporated. I am not saying that we should do this, of course – it would be a horrible, psychopathic thing to do. I am merely hypothesising, in a slightly wistful kinda way. One on Glasto, one on Brighton, and the UK would soon begin its recovery, with only a few chunks of gently glowing cobalt 60 left to remind us of what we are missing. One on Glasto, one on Brighton, and the UK would soon begin its recovery The BBC would cease to exist, too. It identifies Glastonbury as an expression of the UK 'coming together', which shows you how much it understands about the country. It has poured millions of pounds of licence-payers' money into its coverage, and 400 staff were there last weekend, including the director-general, Tim Davie. Or at least 400 staff were actually working there – I'll bet another 400 or so were there in their little tents, desperate to surf the vibe or whatever the phrase is. All those people, then, and they still couldn't get it right. Nor should we take seriously their claims that pulling the ridiculous Bob Vylan from air would not be anywhere near as simple as flicking a switch. It is every bit as simple as flicking a switch, in that all they had to do was flick a switch. They had rafts of presenters who could have filled the time, plus cameras at every other stage in the festival site. All it needed was someone with the merest vestige of sentience to make the decision – but, then, this is the BBC we are talking about. Whoever was in charge of output at that moment – almost certainly someone called 'Johnny' or 'Ayesha' – probably just thought the stuff about the IDF was 'top bants'. In truth, I am not much worked up about the Bob Vylan (or Kneecap) stuff, per se. They were only doing what an endless list of hip young musicians have done at every summer festival going all the way back to Country Joe McDonald and 'one-two-three-four what are we fighting for?' – i.e., channelling infantile far-left agitprop devoid of nuance and context to an audience of gullible drongos. The difference is that the BBC decided to cover it, thinking – as it unquestionably does – that the majority of the country would be cheerfully humming along with Bob Vylan's tuneful music and are entirely down with the sentiments expressed. That is the BBC's real crime. It is worth a brief digression here on the nature of protest songs, of rock musicians playing politics and whether they have an effect or not. The BBC would argue that they do have an effect, that they tap into a perhaps previously unexpressed sentiment among the wider public and hence herald great change. Au contraire. In the mid- to late-1960s, the more protest songs and festival chants there were, the further to the right swung the rest of the electorate. As evidence, I would point you in the direction of Richard Nixon's comprehensive victory in 1968 and then, after Country Joe had done his stuff at Woodstock, a landslide in 1972. They all seriously believed McGovern was going to win that one, so wrapped up inside their radical bubble were they all (including the broadcasters). All those youthful protests of the 1960s resulted in surprise victories for the right at the polls a few years later – in the UK with Ted Heath in 1970, in France with an unexpected win for Pompidou in 1969, and of course the USA. The more fervently they insist that they are right, the more likely it is that the rest of the country will tell them to get stuffed. I suppose it is possible that Bob Vylan will do for Tim Davie, the DG – although he is the least of the corporation's problems, frankly. He knows he has a workforce which, in its arrogance, subscribes to a set of political beliefs unshared by the people who pay for its existence. And it is so endemic that there is nothing he can do about it. One little thing I noticed: the BBC News dutifully covered the Bob Vylan debacle and did so even handedly. But on every single occasion, on radio and TV, the story was immediately followed by a report of Israeli 'atrocities' in Gaza. Every single time. Do you think that is an accident? There was a programme on BBC Radio 4 on Monday, as part of the 'Currently' series, about Louise Lancaster, an environmental protestor who was finally (on her fifth conviction) handed down a four-year sentence (later reduced to three years) for organising a protest which seriously inconvenienced hundreds of thousands of people. You would be hard-pressed to find a more egregiously biased example of broadcasting. Lancaster – a middle-class teacher from Grantchester – was portrayed as a kind of saint, suffering state persecution for her entirely valid beliefs. The Sun and Daily Mail were mentioned disparagingly and every action taken by Lancaster lauded. The BBC decided first to commission this rubbish and then put it out. Can you imagine it doing a similar piece about Lucy Connolly? Not a chance. That is the real problem with the BBC. It is utterly incapable of recognising the bias it displays every day on an hourly basis, no matter how often that bias is pointed out. Bob Vylan, frankly, is the least of it.


Daily Mail
an hour ago
- Daily Mail
Cara Delevingne kisses girlfriend Minke and shows off their matching Alanis Morissette's tattoos while side-stage for the rock star's Glasto gig
Cara Delevingne kissed her girlfriend Minke as she showed off their matching Alanis Morissette at Glastonbury. The couple, who have been together since 2022, were among the celebrities who turned out for the star-studded festival at Worthy Farm. One of the most iconic performances of the weekend was 90s rock star Alanis Morissette, in what was surprisingly her Glastonbury debut. And it seems Cara and Minke are big fans of the star, as they have matching tattoos of the name of her hit song 'Ironic'. The couple were seen smooching as they posed for a selfie showing off their inkings while side stage at Alanis's gig. Cara also shared clips of her envious spot on stage while Alanis performed, later performing for snaps with the singer and Anya Taylor-Joy. Among Cara's snaps was a selfie of herself and Charli XCX as she attended the pop star's set. Cara captioned the snaps: 'GLASTONBURY!!! THANK YOU! What a year! You are in my heart forever and always!! 'Too many photos and videos to post, too much fun was had. You will missed next year but like the grass maybe we all need a year off. 'Hahahaha never. Anyway, until next time ❤️.' It comes after Cara began her sobriety journey in 2022 when she checked herself into a 12-step program shortly after photos emerged of the star looking disheveled and jittery at Van Nuys airport. Late last year in November, the supermodel clarified that she was still sober after beginning her journey in 2022. At the time, she shared Instagram photos of herself carrying a bottle of champagne to recreate an iconic 2000s moment for Halloween. She doubled down that she was still sober after a fan wrote in the comment section, 'I thought you were working on your sobriety.' Cara then simply penned in response, 'I am still sober.' It seems Cara and Minke are big fans of the star, as they have matching tattoos of the name of her hit song 'Ironic' The couple were seen smooching as they posed for a selfie showing off their inkings while side stage at Alanis's gig Back in September 2022, Cara was seen looking jittery while outside of Van Nuys airport. At one point, she walked around only in her socks and held a conversation on the phone while smoking. Another moment showed the model bending over next to her dog Alfie as a member of security stood close by. She later left the airport inside a sleek, black SUV and was spotted sticking her feet out of the backseat window. At the time, sources informed that Cara had just returned from attending Burning Man. 'She had just spent days in the desert, not eating all that much and she looked dishevelled because she hadn't had time to scrub up yet...,' an insider said. While talking to Variety last year in May, Cara opened up about being sober and stated, 'You're not alone.' She then encouraged, 'If I can do it, anyone can. But you need to communicate and be honest about it as much as you can - especially with yourself. 'I think that's what I've always done with anything in this business. Whether it's been being vocal about anxiety, depression, recovery, anything, it's just you owe it to people to talk about your struggles... 'Because being in this world is not perfect. No one is perfect. So to be honest, it's the least I can do.'


Spectator
an hour ago
- Spectator
Truly awful: Roblox's Grow a Garden reviewed
Grade: D– There's some scholarly research to be done, I fancy, on the strange psychological appeal of boringness in videogames. These gaudy things could be non-stop excitement, and yet many of the most successful are mega boring. 'Grinding' – repetitive tasks undertaken for incremental rewards – is a matter of pride and pleasure for serious gamers; and some games – I'm looking at you, interior-decorating Sims – really do offer a digital equivalent to watching paint dry. Remember FarmVille, for instance? Here was a truly mind-numbing Facebook game where you managed a virtual plot of land and grew corn and tomatoes and whatnot, traded them for imaginary currency, bought seed to grow more crops, and so ad infinitum. It is what sometimes gets called a 'Skinner box'. It was awful. Everyone loved it. Your mum loved it. It was Facebook's most popular game by miles. Anyway, the kids have now discovered FarmVille in a new form. It's called Grow a Garden, and it's on the Roblox platform, whose audience is pre-teen or tween, and the BBC reports that 16 million people are playing it. God help us. You buy some carrot seed, dump it in your blobby vegetable patch (the visuals are Minecraft meets Lego), harvest, sell, rinse, repeat. Your plants grow while you're offline, so even while you're at school your blocky virtual blueberries are growing. I found the best place to play Grow a Garden was in my allotment, where the time I spent attending to my virtual crops was time I wasn't acquiring blood-blisters digging out couch grass and horsetails and bitterly lamenting the sin of Adam. I felt bad. There's probably a lesson in there somewhere.