
This film changed Rajesh Khanna's life, made him a superstar, remained in theatres for 100 consecutive days, movie is...
Rajesh Khanna was one of those actors that every time one of his films was released, it created a frenzy. His fans used to wait in lines for hours and even days to get the tickets. One of his films broke all the box office records. The film was running in cinema halls for 100 consecutive days. Which Movie Made Rajesh Khanna a Star?
Rajesh Khanna was known for breaking records by giving 17 back-to-back hits. However, let us tell you that the movie which made Rajesh Khanna a star was none other than Aradhana, where he shared the screen with veteran actress Sharmila Tagore. What was the Story of Aradhana?
The movie was based on the 1946 film To Each His Own. Fans really loved the storyline of the film and found it moving. The main lead of the film also received Filmfare Awards for their roles.
A song of the film which was loved by the audience was Mere Sapno Ki Rani. The song is evergreen and despite the movie being released decades ago, it still remains the favourite of the audience.

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New Indian Express
15 hours ago
- New Indian Express
Karnataka to develop film city in Mysuru, eyes revival of cinema capital legacy
MYSURU: With an aim of helping Mysuru regain its past glory and making it the cinema capital of India, the Karnataka government has initiated a project to develop a film city on 160 acres of land. Projected to be built via Public-Private Partnership model, an expression of interest will be issued as soon as earmarked land in Himmavu village is fenced. Mysuru has served as a filming destination for renowned directors such as Raj Kapoor, Mani Ratnam, Manmohan Desai, P Vasu, and Bharathiraja. The 1940s also witnessed Hollywood movies being filmed here. It was a favourite haunt for acclaimed actors such as MGR, Rajkumar, NTS, Rajanikanth, Amitabh Bachchan and others. Recently, a portion of Rajanikanth's Jailer-2 movie was shot near Bilikere, on the Mysuru-Madikere road. The Mysuru Premier studio - a famous studio till the early 80's, where majority of the south indian films were shot, has shut its doors. This has widened the scope for the need of a film city as it is difficult to shoot movies in cities like Chennai, Hyderabad, Mumbai and Bangalore, mainly because of logistics and other reasons, many experts contended. The Kannada film industry, which produces about 120 films annually, and attracts at least 60 producers and directors, needs a film city with the best facilities on the lines of Ramoji Film City and Jubilee Hills. Noted film director Rajendra Singh Babu said that Delhi is the national and political capital, Mumbai is the financial capital, while Mysuru needs to be developed as the cinema capital of the country. He, along with a few other producers, met Chief Minister Siddaramiah in Mysuru, and requested to develop Mysuru as a film capital that will result in a boost to tourism and generate jobs. He said that Mumbai is no longer safe for leading Hollywood stars as most cities are burdened with rapid urbanisation and traffic congestion. Mysuru, with lesser traffic, 250 locations within a 15 km radius, 16 palaces, various rivers, reservoirs and wild sanctuaries, will be the most desired destination in the country. He said that the blueprint for the film city would be prepared, and it would be built in phases. The film city will have a railway track, runway, golf course, ponds, lakes, a palace, and other necessities required for a shoot. There are many locations like Srirangapatna, Melukote, KRS dam, Mysuru Zoo, Chamundi Hills, Nagarahole, Bandipur, Nanjangud, Talakadu, B R Hills, Kapila and Cauvery riverbed, where many movies can be filmed. Expansion of the airport, a 10-lane express highway between Mysuru-Bengaluru, an increase in frequency of trains, and a reduction in travel time will make many look up to Mysuru as an ideal destination to shoot films, said travel agent Revanna.


India Today
15 hours ago
- India Today
Bobby to Saiyaara: Bollywood's timeless legacy of youthful musical love stories
At a time when Hindi cinema has been obsessed with reboots, sequels, and biopics, 'Saiyaara' has emerged as a game-changer. The film's director, Mohit Suri, is credited by audiences and critics for reviving a genre which had been neglected due to filmmakers' obsession with Pan-India romantic-drama featuring Ahaan Pandey and Aneet Padda in lead roles has created a rage among the youth. The young movie-goers resonated with it not just for the rebellious charm, but also for the soulful melody, visuals and emotional depth. While Ahaan's debut and one film old Aneet remains the talking point behind the film's success due to their raw energy and screen presence, what sets apart 'Saiyaara' from other Bollywood musicals?advertisementMusic is an essential element in the Indian film industry. Tamil, Telugu, Malayalam and Kannada industries have also worked faithfully towards creating spectacular soundtracks in cinema. However, the Hindi film industry has had a profound impact irrespective of geographical and cultural diversity. The Ahaan-Aneet starrer yet again proves how soul-stirring musicals unify art lovers. In an era where digital media is dominating visual consumption and streaming platforms are often blamed for low audience turnover in theatres, 'Saiyaara' has redefined the perception of a successful film. Prior to the film, many cinematic love stories in the past decades had a similar impact on the audiences, proving naysayers do musical romantic-dramas about youth aspirations and relationships always turn into cult classics? What could be the reason behind the Hindi film audiences' fascination with melodious love sagas? Is it the most successful recipe for creating a commercial blockbuster? Here's a glimpse into the origin of young Bollywood love stories and how they have evolved over the (1973) Actors Rishi Kapoor and Dimple Kapadia made their debut in Raj Kapoor's musical teenage romance - 'Bobby' (1973). Raj Kapoor attempted a young teenage love story for the first time after the heartbreaking debacle of his ambitious 'Mera Naam Joker' (1970). The legendary director launched his son, actor Rishi Kapoor, in the musical romance - 'Bobby' (1973). Actor Dimple Kapadia who made her debut with the movie, played the titular role. Raj Kapoor got the inspiration behind the film after reading the American comic series - 'Archies'. However, the film became iconic not just for its stylish gadgets and glamour but also for its phenomenal it 'Jhooth Bole Kauva Kaate', inspired by a folk song to the flirtatious 'Hum Tum Ek Kamre Me', the music of 'Bobby' became a youth anthem for many decades. The film not only redefined fashion, but also introduced the world with musical geniuses like Laxmikant-Pyarelal, Anand Bakshi and Shailendra Singh. The music wasn't just a part of the film but became a metaphorical character which conveyed the teenage love story through melodious Story (1981) A love story about star-crossed lovers, yet again found a connection with young audiences. The film, directed by Rahul Rawail, marked the acting debut of veteran actor Rajendra Kumar's son, actor Kumar Gaurav. Actor Vijayta Pandit was paired opposite Gaurav in the movie. The film's success is also attributed to its music. Its songs - 'Teri Yaad Aa Rahi Hai' and 'Dekho Maine Dekha Hai Yeh Ek Sapna'-appealed to film lovers. At a time when the angry young men-Amitabh Bachchan, Dharmendra, Vinod Khanna, etc. were ruling cinema, 'Love Story' rekindled the film industry's faith in youth-oriented (1983) Before becoming the poster-boy of larger-than-life action-dramas, actor Sunny Deol made his acting debut with director Rahul Rawail's 'Betaab'. Actor Amrita Singh also made her debut opposite Deol in the musical love story, loosely inspired by William Shakespeare's 'The Taming of the Shrew'. RD Burman's music and Anand Bakshi's lyrics became one of the USPs for the movie, which resonated with the youth for its innocence, drama, soundtrack and simplicity. 'Jab Hum Jawa Honge' by Lata Mangeshkar, Shabbir Kumar, is considered one of the most popular songs from the 'Betaab' album till date. Though, later Deol came to be known for his action image, his first film proved that a musical love story is the successful recipe for launching Hai (2000) Director Rakesh Roshan's musical action love-story gave Bollywood its millennium phenomenon. Actors Hrithik Roshan and Ameesha Patel's acting debut was unique and a pop-culture hysteria in the early 2000s Indian cinema. The blockbuster not only established Hrithik as a superstar but also set a benchmark for future musical romantic dramas. Apart from the dance sequences and action, all the songs in the film remain fan favourites till date. From 'Ik pal ka jeena', 'Chaand sitaare', 'Sitaron ki mehfil' to the title track, Rajesh Roshan's music won hearts. The album of 'Kaho Hai' amplified the movie's commercial success, which had a lasting impact, especially on Hrithik's movie Vishk (2003) Director Ken Ghosh's college romance brought a new flavour to love stories with age-appropriate casting. Actors Shahid Kapoor, Amrita Rao and Shehnaz Treasurywala played young students navigating love and life's aspirations. The film's album was its soul as it rightfully complemented the theme of the narrative. Shahid became the next youth icon after Hrithik post the success of 'Ishq Vishk'. The visually appealing songs and melodious tracks depicting youth emotions, were a testament to sincere storytelling. 'Chot Dil Pe Lagi' and the title track emerged as the most popular songs of 2003. Once again, the music became the narrator, which helped in showing human sentiments and relationships with the heartfelt 2 (2013) Mohit Suri's romantic-drama, loosely based on 'A Star Is Born' (1937), became a milestone in the acting careers of Aditya Roy Kapur and Shraddha Kapoor. The film was a spiritual sequel to director-producer Mahesh Bhatt's 'Aashiqui' (1990). The soul of all these films was the emotional depth of the soundtrack. 'Aashiqui 2' gained popularity for its songs, especially 'Tum Hi Ho', 'Sun Raha Hai', 'Chahu Main Ya Na' and 'Hum Mar Jayenge'. The tragic love story of a couple yearning for solace and a stable future in their complex relationship is well documented in Irshad Kamil and Mithoon's lyrics. Arijit Singh's vocals only add to the passion and intensity of the heartbreak, which is the crux of Suri's musical romance.'Saiyaara' carries forward the legacy of classics like 'Bobby' and 'Betaab'. It's a sincere musical romance which doesn't lose its engagement quotient and always finds its it the Indian film industry or Hollywood, 'La La Land', 'Aashiqui 2' and ' Pyaar Hai', have proved time and again about the universal relevance of musicals in artistry. Irrespective of their craft or quality of storytelling, musical romance remains a timeless theme in cinema.- Ends


Indian Express
2 days ago
- Indian Express
How furious Rajesh Khanna reacted as Sohail Khan wanted to buy his home Aashirwad, Salman Khan offered to work in his film for free: ‘Mujhe sadak pe lana chahta hai'
Rajesh Khanna was among the first superstars of Hindi cinema, but while the highs of Khanna's career were monumental, his lows were equally steep. Gautam Chintamani's biography Dark Star: The Loneliness of Being Rajesh Khanna mentions one such incident from the twilight of his career when the actor faced financial constraints. At that time, it was Salman Khan's younger brother Sohail Khan who expressed interest in buying Khanna's iconic bungalow, Aashirwad. As rumours and speculation about Rajesh Khanna's financial ruin began to circulate, talk also began about the possibility of the actor selling Aashirwad. 'For a better part of the early years of the first decade of the new millennium, troubled clouds had taken over almost every small pocket of sunshine in Khanna's life. His financial state went from bad to worse and there were murmurs that he was finally on the lookout to sell Aashirwad,' an excerpt from the book reads. The book also recounts how a notice from the income tax department — demanding unpaid dues of 'over a crore and a half rupees' — further damaged Khanna's public image and added credibility to the rumours. During this time, screenwriter Rumi Jaffery received a call from Salman Khan, expressing Sohail Khan's desire to purchase Aashirwad. To convince Rajesh Khanna to let go of the bungalow, the Khan family extended several lucrative offers. Along with offering to pay any amount for the property, Salman and his family also agreed to settle Khanna's outstanding income tax dues. On top of that, Salman even offered to act in a Rajesh Khanna production free of cost. Rumi Jaffery, acting as the messenger, took all these offers and approached Rajesh Khanna. However, the veteran actor's reaction was far from welcoming. The book recounts Khanna's response to Rumi's proposal. The screenwriter recalled in the book, 'When Khanna finally spoke, he asked him how he could even think of suggesting such a thing and accused him of stabbing him in his back. 'Kakaji said, 'I consider you a son-in-law aur tu mera ghar bikwana chahta hai… Sadak par lana chahta hai!' I had a tough time explaining that I was merely a postman delivering Sohail Khan's message.'' For Rajesh Khanna, Aashirwad was more than just a bungalow—it was a symbol of his superstardom and legacy. He believed it held emotional value not just for him, but also for his fans. The book mentions, 'He would often be quoted saying, 'A king is a king whether on throne or in exile.'' He considered Aashirwad his legacy. 'He even mused that he would die some day but Aashirwad would live on forever; and till such time, the world would never forget Rajesh Khanna,' the book notes. Years later, when Rajesh met Sohail Khan, he scolded him for trying to 'buy him out' through Jaffery. Rajesh Khanna continued living in Aashirwad alone, as he and his wife Dimple Kapadia were living separately. He breathed his last in 2011 in the beloved bungalow. Later, an industrialist bought the property and demolished it to make way for a high-rise building.