This True Crime Docuseries Is The Top Show On Netflix Right Now
Directed and produced by documentarian Liz Garbus, the true crime docuseries dives into the Gilgo Beach serial killings and the long search for the perpetrator. The series premiered on March 31 and consists of three episodes ranging from 49 to 56 minutes long.
'Gone Girls' features interviews with law enforcement, journalists, victims' loved ones and people who knew the accused killer.
Read on for more trending shows of the moment across streaming services including Apple TV+, Hulu, BritBox and Amazon Prime Video. And if you want to stay informed about all things streaming, subscribe to the Streamline newsletter.
'Dying for Sex' premiered on FX on Hulu on April 4. The comedy drama series is an adaptation of a podcast from Wondery and Nikki Boyer.
Starring Michelle Williams, 'Dying for Sex' follows a woman diagnosed with metastatic breast cancer as she endeavors to explore the full extent of her sexual desires before her death.
The new action horror series 'The Bondsman' premiered on Amazon Prime Video on April 3.
Starring Kevin Bacon and Jennifer Nettles, the show revolves around a bounty hunter who is murdered but comes back to life via resurrection by the devil. But his second chance comes with some unexpected discoveries.
'Side Quest' is trending on Apple TV+ at the moment. The comedy anthology series is a spinoff of the show 'Mythic Quest' and premiered on March 26, the same day as the original's season finale.
Each of the four episodes of 'Side Quest' centers around employees, players and fans of the video game Mythic Quest.
The BBC One detective dramedy 'Ludwig' is now streaming on BritBox after airing in the U.K. late last year.
British comedy legend David Mitchell stars as a reclusive puzzle maker who is enlisted by his identical twin brother's wife to solve the mystery of his disappearance. Already renewed for a second season, the first season of 'Ludwig' features six episodes.
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Forbes
24 minutes ago
- Forbes
Expand Hot KPop Demon Hunters Summer With These Role Playing Games
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It's a combination of popular titles, personal preference and interesting explorations of the design space. I hope that you tell me about your favorites in the comments and social media. Monster of the Week This Powered By The Apocalypse game does an amazing job making players feel like they are stars of their own monster hunting TV show like Supernatural Buffy The Vampire Slayer. Everyone selects a playbook, such as the Chosen or the Monstrous and makes choices not just for their character but also for the dynamic of the group plus how the forces of darkness in the world work. Even if you're not a fan of this style of game, Monster of the Week contains fantastic advice for running modern games full of investigation, horror and action. The game recently released two expansions, one for each side of the table full of great new options and advice. Slayer's Survival Guide offers new playbooks for individuals and the whole team with new ways to put the bad guys down. 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In the case of hunters, these are often the folks they are fighting for such as loved ones, friends and others who they don't want to discover the truth about the world. This gives players a chance to play out some tender, quiet scenes in between the blades and the blood. iHunt Oftentimes, demon hunters are part of secretive organizations or bloodlines with thousand year histories. In the modern world, it seems like there would be at least one Silicon Valley start up looking to disrupt the monster slaying industry. That's the premise of iHunt where characters are killing monsters in the gig economy. iHunt refreshes the comedy and horror of media like Ghostbusters to find great stories in the clash of commerce and supernatural monsters. Slaying a demon is hard enough but doing it well enough to get a five star rating increases the tension. Add in the highs and lows of social media and you've got a fascinating take on a classic genre. Urban Shadows One of the great things about cities is how people of all different cultures learn to coexist. Urban Shadows applies that concept to supernatural creatures who have to learn to live together to make sure they aren't revealed and cause a global panic. Players play the important members of monster and human factions who must work together to deal with problems that arise in their cities as well as the intrigues of those factions who might use those problems to seize power. One of the most fun parts of this style of game is looking at the city where the players reside through a supernatural conspiracy lens. Connecting monsters to real life neighborhoods makes things seem more real and lets players explore their feelings about the place they live through telling stories. It also makes inspiration for next week's session as simple as walking down the block or watching the news. Monsterhearts 2 Fans who want to lean into the romantic aspects of these stories should check out Monsterhearts 2. The second edition of game does an amazing job of helping players build the tangled web of emotion and attraction within a teenage friend group. Then it turns some of those teens into monsters and bounces players off of each other for great drama. While there are classic monsters to play, the human teenager options are just as flawed and fabulous to play. The mean girl at the head of her popular clique can be just as cruel as a thousand year old demon. A vampire might be killed by a stake through their heart but a mortal lover can break that heart just the same and make them wish they were dead. Feng Shui 2 Speaking of excellent sequels, Feng Shui 2 carries on the original game's tradition of over the top action inspired by Hong Kong cinema. Players are big action heroes who are battle threats from across multiple timelines and dimensions. 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Yahoo
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Look: Richard Nixon confronts Bill Nye in 'Futurama' Season 13 pics
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Time Magazine
an hour ago
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The True Story Behind the 'Sunday Best'
On July 21, Netflix debuted Sunday Best, a documentary about The Ed Sullivan Show—the longest-running variety show in U.S. broadcast history—and how it featured Black American performers at a time when discrimination was still rampant in the U.S. in the 1950s and 1960s. Though the U.S. Supreme Court ruled segregated schools unconstitutional in 1954, and the Civil Rights Act was passed in 1964, the documentary highlights how racism never really went away. The Ed Sullivan Show, which aired from 1948 to 1971 and boasted between 35 and 50 million viewers each Sunday night, was one of the first mainstream stages to showcase Black talent—as the artists wanted to be seen. Viewers will see snippets of past performances on the show by Harry Belafonte, Stevie Wonder, Nat King Cole, Nina Simone, James Brown, The Jackson 5, and The Supremes. In the documentary, entertainment greats like Belafonte and Smokey Robinson talk about the influence of Sullivan's show, and through a recreation of Ed Sullivan's voice, Sunday Best features Sullivan's comments on racial issues over the years, verbatim from his letters, articles, and columns. 'He was a door opener, especially for Black artists,' says Otis Williams, lead singer of The Temptations. 'This man opened up his door and let artists come on his show to express and be seen.' Here's a look at how the doc dives into Sullivan's modern (for his time) worldview, featuring the Black entertainers who talk about how much it meant to be on his Sunday night show. A progressive streak Sunday Best argues that one of the reasons that Sullivan was so open-minded was because he grew up poor in Harlem, at a time when it had a sizable Irish and Jewish population. The Irish had a history of facing discrimination, so Sullivan was more attuned to the mistreatment of Black people in America. As a high schooler in Port Chester, N.Y., Sullivan played baseball and regularly encountered teams with Black players, so he believed in integration from an early age. As Sullivan explains in a TV interview, 'When we played baseball [at] Port Chester High School, there were Negroes in the league, and some fellas actually said they would not play against a Negro. I always resented them very deeply because the Irish had gone through that when they first came…My parents knew these things were wrong, and they were not just broad-minded, but sensible.' In fact, during his first career as a journalist, he slammed New York University's decision to bench a Black player during a game against the University of Georgia in a column he wrote as sports editor for the New York Evening Graphic. 'I was sickened to read NYU's agreement to bench a negro player for the entire game,' he wrote in 1929. 'What a shameful state of affairs this is…If a New York City university allows the Mason-Dixon line to be erected in the center of its playing field, then that university should disband its football [team] for all time.' And he didn't hold back when he started hosting a variety TV show in 1948—renamed The Ed Sullivan Show in 1955. 'We've been called upon to search our hearts and souls of hatred, cleanse them of a natural hate and fear for our neighbors…Bigotry and intolerance, racial or religious hate and discrimination are spiritual acts of treason.' He also called upon Americans to 'join in this great crusade for our brotherhood' for a 'united America is the sole remaining hope for our shattered world.' Door opener In Sunday Best, singer Dionne Warwick says Sullivan 'wanted his audience to understand that there was a lot of talent out there that needed exposure.' Belafonte, who appeared on the Ed Sullivan show 10 times, says Sullivan 'pushed the envelope as far as the envelope could be pushed.' He says CBS network executives almost stopped him from first performing on the show in 1953 because of his left-wing politics, and Sullivan called him to tell him he might have to cancel the appearance. But Sullivan was the one who convinced the network to let the show go on. 'He gave me a chance to talk to him about acts considered rebellious,' Belafonte explains. 'Those who weren't happy about giving us the platform with us about politics…Ed took the position, 'let's test it, and see where it would go.'' Ed Sullivan still had Nat King Cole on the show in May 1956, a month after the entertainer was attacked in Birmingham, Alabama. He had the child prodigy Stevie Wonder on in 1964 when he was only 13 years old. Members of the Jackson 5 talked about how their 1969 appearance helped launch them to a new level of fame. 'To Motown, The Ed Sullivan Show was the ultimate,' Berry Gordy, Motown Records founder, says in the doc. 'If it was a hot act, Ed Sullivan had them. It was American culture.' And though Sullivan died in 1974 at the age of 73, music can still bring people together. As Robinson puts it, 'Music is the international language. It's the barrier breaker.'
