
Time's running out to see Sharjah Biennial 16
One of the biggest contemporary art exhibitions in the UAE is ending soon, so it's time to carve out some time this weekend.
Sharjah Biennial 16, under the title to carry will come to a close on Sunday June 15. Until then, you can see the works in multiple venues across the city in everything from heritage buildings to public courtyards at Sharjah City, Al Hamriyah, Al Dhaid, Kalba and more.
Image courtesy of Sharjah Art Foundation
What is it?
With more than 650 works by over 190 artists and over 200 brand-new commissions, it's a rich, multi-voiced conversation, spread across the city in everything from heritage buildings to public courtyards.
Curated by five voices from different backgrounds and practices, the experience is all about allowing the art, thoughts and conversations to unfold.
Exploring the exhibition
There are free guided tours available, whether you're going solo or as part of a group. Sign up for a free tour here: forms.sharjahart.org
You can even hop on a free Sunday shuttle from Al Mureijah Square at 2pm, with routes heading to both Kalba and Al Hamriyah. That's your transport and your tour sorted.
Michael Parekōwhai, He Kōrero Pūrākau mo Te Awanui o Te Motu: Story of a New Zealand river, 2011. Collection of Museum of New Zealand Te Papa Tongarewa. Image courtesy of Sharjah Art Foundation. Photo: Danko Stjepanovic
Play Michael Parekōwhai's Steinway grand piano
There are also unexpected surprises, like He Kōrero Pūrākau mo Te Awanui o Te Motu: Story of a New Zealand river which features a carved Steinway grand piano by artist Michael Parekōwhai.
And it's just for show, trained pianists can actually book a slot to play it, activating the sculpture through their own interpretation. Book your slots on Wednesdays, Saturdays and Sundays until June 15, 2025.
Image courtesy of Sharjah Art Foundation
Listen to the exhibition
For those who prefer a more relaxed kind of art immersion, there's always Biennial Bytes 2, the podcast offering behind-the-scenes chats with participating artists. Episodes drop every Monday on Apple, Spotify, Anghami, Google and other podcast platforms, or you can catch up via sharjahart.org.
And when you're ready for a break, head to Fen Café & Restaurant for a snack or browse the Sharjah Art Shops for souvenirs and books. A little something to carry home with you, perhaps?
Entry to Sharjah Biennial 16 is completely free, and doors are open Saturday to Thursday from 9am to 9pm, and on Fridays from 4pm to 9pm.
See you there?
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The Guardian
13-06-2025
- The Guardian
Keys to success: the 2025 Van Cliburn piano competition, the instrument's Olympics
A distinctive line drawing of a grand piano adorns a clock face in Sundance Square. At night, it beams like a Tracey Emin installation, presiding over Fort Worth's downtown district. At the intersection leading to Bass Performance Hall the crosswalk has been replaced with an oversized keyboard, and, inside the cavernous venue, sartorial style favours black and white stripes. A pop-up gift shop in the lobby boasts an array of musical-themed memorabilia; there's the line drawing on a bubble-gum pink T-shirt, an enormous travel mug, a steak-branding fork. The theme-park feel is confirmed by a white Steinway emblazoned with Mickey Mouse – a limited hand-painted Disney edition (price on request). Welcome to piano city, smiles the sign. Every four years, piano lovers from across the world gather in this Texas enclave for the Van Cliburn international piano competition – the instrument's Olympics. It's not just about the financial reward (the gold medallist receives $100,000 (£74,000); silver $50,000; bronze $25,000, plus there's other discretionary awards): participation potentially catapults an early-career pianist into the industry's orbit. In 2022, at the postponed 2021 instalment, a then unknown Yunchan Lim took gold. Earlier this year I witnessed crowds of fans waiting to present the now 21-year-old with stuffed animals after a spectacular concert in Lucerne, where he played alongside Martha Argerich. Lim's Van Cliburn performance of Rachmaninov's third piano concerto is now the most-watched version of that concerto online, with more than 17m views. If Bass Performance Hall's painted skylight and elaborate candelabras recall a European opera house, the dazzling white balconies are all-American. Conductor Marin Alsop pulls the reins on the Fort Worth Symphony Orchestra, the Cliburn's house band. 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He's missing a trick: the Cliburn has always had political clout. Founder and Texan native Harvey Lavan 'Van' Cliburn charmed audiences at the 1958 inaugural International Tchaikovsky competition in Moscow, winning gold at the height of the cold war and returning to that most hallowed of US celebrations, a ticker-tape parade. While some of his recordings are historic gems (his 1958 recording with the RCA Victor Symphony Orchestra and Kiril Kondrashin was broadcast with choreographed fireworks at the city's afterparty), Cliburn's main legacy is the quadrennial contest that takes his name. Set up in 1962, its importance for cultural unification was immediately confirmed. There are no public guidelines on judging, what one judge wants from their Brahms 2, say, might vary wildly from another. Aristo Sham's Mendelssohn 1 frothed; Philipp Lynov's Liszt 2 bubbled. 'Why aren't you standing up?' one lady scolded the press line, as each participant received rapturous applause and we struggled to scribble. 'Y'all have a favourite?' one Texan asked me in the loos, where I photographed the doors decorated with a stave. I did, but mine was different to hers. Carter Johnson, the 28-year-old Canadian-American threw a curveball with the Ravel left-hand concerto, a work composed for Paul Wittgenstein, who lost his right arm in the first world war. It's a brooding piece demanding technical wizardry (British left-hand pianist Nicholas McCarthy plays it at this year's Proms opening weekend); Johnson danced and pedalled with elegance. Vitaly Starikov employed some quirky tempi in the Schumann; Evren Ozel's Tchaikovsky 1 was almost as muscular and thrilling as Cliburn's own historic performance. At this level, differentiation is down to matters of taste. Unusually – judging at this level can require UN levels of diplomatic negotiation to reach a consensus, depending on individual rules – the announcement came on time, with all finalists and jury members present. (There are sometimes resignations: in 1980 Argerich left the International Chopin piano competition in protest at the elimination of Ivo Pogorelić in the third round; and there are sometimes huffs: one young pianist refused to participate in the celebratory performance at the conclusion of last year's Hamamatsu international piano competition in Japan.) And, all prizes were awarded (the Tchaikovsky competition regularly withholds gold if a clear hierarchy of winners cannot be agreed, with joint silver given instead). Sham took the top spot, becoming the first pianist from Hong Kong to win in the Cliburn's history. 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Journalists asked the necessary inane questions and received the necessary inane answers (Q: how does it feel? A: good). At one point Starikov, fatigued or bored, passed on the microphone to Ozel. All three wore shiny medals and consulted unseen bank accounts, blinking into bright futures. Listen to live performances from this year's Cliburn competition on Apple Music Classical: watch all the finals round concerto performances at


Time Out Dubai
30-05-2025
- Time Out Dubai
Time's running out to see Sharjah Biennial 16
One of the biggest contemporary art exhibitions in the UAE is ending soon, so it's time to carve out some time this weekend. Sharjah Biennial 16, under the title to carry will come to a close on Sunday June 15. Until then, you can see the works in multiple venues across the city in everything from heritage buildings to public courtyards at Sharjah City, Al Hamriyah, Al Dhaid, Kalba and more. Image courtesy of Sharjah Art Foundation What is it? With more than 650 works by over 190 artists and over 200 brand-new commissions, it's a rich, multi-voiced conversation, spread across the city in everything from heritage buildings to public courtyards. Curated by five voices from different backgrounds and practices, the experience is all about allowing the art, thoughts and conversations to unfold. Exploring the exhibition There are free guided tours available, whether you're going solo or as part of a group. Sign up for a free tour here: You can even hop on a free Sunday shuttle from Al Mureijah Square at 2pm, with routes heading to both Kalba and Al Hamriyah. That's your transport and your tour sorted. Michael Parekōwhai, He Kōrero Pūrākau mo Te Awanui o Te Motu: Story of a New Zealand river, 2011. Collection of Museum of New Zealand Te Papa Tongarewa. Image courtesy of Sharjah Art Foundation. Photo: Danko Stjepanovic Play Michael Parekōwhai's Steinway grand piano There are also unexpected surprises, like He Kōrero Pūrākau mo Te Awanui o Te Motu: Story of a New Zealand river which features a carved Steinway grand piano by artist Michael Parekōwhai. And it's just for show, trained pianists can actually book a slot to play it, activating the sculpture through their own interpretation. Book your slots on Wednesdays, Saturdays and Sundays until June 15, 2025. Image courtesy of Sharjah Art Foundation Listen to the exhibition For those who prefer a more relaxed kind of art immersion, there's always Biennial Bytes 2, the podcast offering behind-the-scenes chats with participating artists. Episodes drop every Monday on Apple, Spotify, Anghami, Google and other podcast platforms, or you can catch up via And when you're ready for a break, head to Fen Café & Restaurant for a snack or browse the Sharjah Art Shops for souvenirs and books. A little something to carry home with you, perhaps? Entry to Sharjah Biennial 16 is completely free, and doors are open Saturday to Thursday from 9am to 9pm, and on Fridays from 4pm to 9pm. See you there?


The Herald Scotland
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- The Herald Scotland
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