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Scientists may have solved 2,000-year-old mystery death of Roman baby twins

Scientists may have solved 2,000-year-old mystery death of Roman baby twins

Independent28-05-2025
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Lead poisoning may have played a role in the death of fraternal twin babies from 2,000 years ago found buried facing each other in Croatia, according to a new study.
Though it's unclear exactly how the infants died, researchers, including Anna Osterholtz from Mississippi State University, suspect lead poisoning may have played a role.
The rare double burial was discovered in the Dragulin cemetery in the Croatian city of Trogir, which was part of the Roman province of Illyricum around 47BC.
Archaeologists first excavated the cemetery in 2016 when construction for a new parking lot uncovered ancient stone urns.
A DNA analysis revealed the infants were fraternal twins, a boy and a girl, buried together in the first or second century AD.
'They were buried in a single event, suggesting that they died at the same time, possibly as stillbirths,' the study published in the Journal of Archaeological Science concluded.
Artist's drawing of the double burial
( M Daniel Watkins )
Analysis of the skeletons indicated 'significant metabolic disease' in the infant twins and a 'typical Roman diet with marine foods'. The twins likely suffered from nutritional deficiencies, like scurvy or rickets, with their bodies unable to utilise some nutrients.
Researchers suspect their mother was malnourished or suffered from a metabolic disease herself which contributed to the poor health of the babies. Alternatively, the study suggests, the infants may have died from metabolic complications caused by lead poisoning.
'Lead poisoning has been linked to increased rates of miscarriage, stillbirth, and infant mortality as well,' the study noted. 'This is due to the fact that lead exposure on the part of the mother is transmitted through placenta to the fetus and later through breast milk to the infant which may start to display pathological changes.'
Previous studies have documented the key role played by lead poisoning in the fall of the Roman Empire.
The Roman world widely used the toxic metal in its pipes and cookware as well as a food preservative and a sweetener in wine.
Researchers found conditions in the skeletons of the twins consistent with the effects of lead poisoning such as increased bone porosity.
A recent study of 150 people from ancient sites in Croatia also showed a 'tremendous increase in lead levels during the Roman period', the study said. 'The fact that a similar trend was noticed in several Roman period sites in the immediate vicinity of Tragurium may be additional confirmation for this hypothesis.'
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‘A cipher for crazy self-projection': why are architects so obsessed with Solomon's Temple?
‘A cipher for crazy self-projection': why are architects so obsessed with Solomon's Temple?

The Guardian

time3 hours ago

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‘A cipher for crazy self-projection': why are architects so obsessed with Solomon's Temple?

No legendary building has ever inspired more conjecture about what it might have looked like than Solomon's Temple in Jerusalem. It is said to have been built in c.950BC, on the mound where God created Adam, and was destroyed 400 years later by marauding Babylonians. But, beyond some inconsistent descriptions in the Bible written centuries after the temple was razed, there is no archaeological evidence that this palatial edifice ever existed. And yet, for more than two millennia, generations of architects, archaeologists and ideologues have bickered over the building's appearance. They have debated its exact height and width, speculated on the design of its columns, and battled over the precise nature of its porch. The mythic building, also known as the First Temple, has inspired everything from a Renaissance royal palace in Spain to a recent megachurch in Brazil, to the interiors of masonic lodges around the world – all built on a fantasy. 'It really draws out the batshit crazy,' says Argentinian artist Pablo Bronstein, standing in front of his monumental new drawings of what Solomon's Temple, and its contents, might have looked like. 'It has been used as a cipher for pretty much every crazy projection of power and self-delusion for 2,500 years. I find it totally fascinating – particularly as the whole thing is entirely fabricated.' Bronstein's work has long played with the provocative power of architectural image-making. He has poked fun at Britain's pseudo-Georgian housing and given us orgiastic depictions of hell, which he imagined as a showcase city strewn with garish monuments worthy of the most tasteless dictator. But the subject matter, location and (incidental) timing of his latest mischievous outing couldn't be more charged. Bronstein's speculative drawings of the holiest site in Judaism are now on display in Waddesdon Manor, an inflated French chateau built in Buckinghamshire in the 1890s as the weekend party pad of the Rothschilds – an immensely wealthy Jewish banking family who were instrumental in the creation of Israel. Baron Edmond de Rothschild – the French cousin of Baron Ferdinand, who built Waddesdon – financed a number of early settlements in Palestine and founded the Palestine Jewish Colonisation Association in 1924, run by his son James, who inherited the manor. When the Balfour Declaration was written in 1917, declaring the British government's support for a national home for the Jewish people in Palestine, it was addressed to Ferdinand's nephew, Walter Rothschild, an eccentric zoologist who liked to pose astride giant tortoises, ride a carriage drawn by zebras andwho was also a prominent Zionist leader. A permanent exhibition at Waddesdon, in a room preceding Bronstein's show, celebrates the Rothschilds' connection with Israel. It recounts the family's funding of the construction of the Knesset building, seat of the Israeli parliament, the Supreme Court building and, most recently, the National Library, designed by Swiss architects Herzog & de Meuron in the shape of a swooping stone ski jump. Architectural models of these trophy buildings gleam in Perspex vitrines, like the priceless antique treasures displayed elsewhere around the house. To this lavish display of patronage in the Holy Land, Bronstein's florid drawings add an imaginary additional commission. In a brazen act of architectural cosplay, the artist has inserted himself into the minds of two contestants for a fictitious version of the Prix de Rome, a prominent prize for students of architecture in 19th-century Paris, as they compete to recreate Solomon's Temple in their own image. 'I became fascinated by the construction of Jewish identity in the 19th century,' says Bronstein, who was born in Argentina, grew up in London, and describes himself as a 'diehard atheist Jew'. Several years in the making, his new work was commissioned alongside a wider research project about Jewish country houses, and it seems to have triggered a deep curiosity and scepticism in the artist about his own cultural heritage. 'As nationalisms develop in the 19th century, particularly in Germany, Judaism begins to develop its idea of a body of people that are somehow genetically connected to the ancient Middle East,' he says. 'They start to see Jerusalem not as an abstract idea, the way that Muslims look at Mecca, but as a reconstructible place of belonging, tied to a kind of orientalist architectural fantasy.' Bronstein's mesmerising drawings depict what, if taken to extremes, this fantasy might have looked like. Painstakingly drawn in pen and ink, and beautifully coloured with layers of acrylic wash (with the help of two recent architecture graduate assistants), the images are magnificently grandiose projections of that exoticised 19th-century longing. They depict two rival designs, in precisely detailed elevations, cross-sections and facade studies, for reconstructing the temple. Both are wild mashups of architectural motifs, sampling from the richly embellished catalogue of Asian antiquity, medieval and gothic revival, baroque and art deco with promiscuous relish. On one wall is a version of the temple that Bronstein describes as 'vaudeville beaux arts', its interior glowing with the gilded razzle-dazzle of a New Orleans casino. 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Alarmingly, nor are they too far off what some people are still hoping to see built in Jerusalem. The Third Temple movement continues to campaign to rebuild the original temple on Temple Mount, one of the most contested sites on the planet – known as the Haram al-Sharif in the Muslim world, site of the Dome of the Rock and the Al-Aqsa mosque, two of the holiest sites in Islam. We can only hope the Third Temple fanatics don't misconstrue Bronstein's drawings as a blueprint. He began these drawings long before war erupted in the region after Hamas's attack on 7 October 2023. Has Israel's merciless bombardment of Gaza altered his position? 'The work hasn't changed,' he says. 'But the war has changed my relationship to Judaism. It made me really question the fact that we all get instinctively bullied into the idea that we have a genetic, cosmic link to the Holy Land. It's genuinely a 19th-century construct and it's total rubbish.' Pablo Bronstein: The Temple of Solomon and Its Contents is at Waddeston Manor, Buckinghamshire, until 2 November

Stunning 2,500-year-old TATTOOS from Siberian ‘ice mummy' depicting ‘mythical creatures' revealed in perfect detail
Stunning 2,500-year-old TATTOOS from Siberian ‘ice mummy' depicting ‘mythical creatures' revealed in perfect detail

The Sun

time3 hours ago

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Stunning 2,500-year-old TATTOOS from Siberian ‘ice mummy' depicting ‘mythical creatures' revealed in perfect detail

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Stonehenge bluestones were transported from Pembrokeshire
Stonehenge bluestones were transported from Pembrokeshire

Western Telegraph

time8 hours ago

  • Western Telegraph

Stonehenge bluestones were transported from Pembrokeshire

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