Aesop's Leeds Location Draws From the Grandeur of Victorian Bathrooms
Known for its immersive in-store experiences and refined interior design, Aesop tailors its store concepts to each location. Completed in 1904, the County Arcade is a Leeds landmark, featuring ornate interior finishes such as mosaics, marble, and delicate ironwork. Overflowing with natural light from glass roofing, the building belongs to a genre of late 19th-century/early 20th-century leisure centers that were developed in rapidly growing city centers.
The store plays off of these sensibilities, looking to grand parlour-like bathrooms of the era, enabled by innovations in plumbing enjoyed by wealthy households. 'In this way, bathing transformed into an activity of leisure rather than of perfunctory hygiene,' Aesop shared in an official release.
With the Leeds store, Aesop reintroduces this moment in English culture and reimagines it for today's customer. 'A place to unwind, to converse, to cleanse,' the store comprises three different rooms threaded together by an enfilade.
Timber-panelled cabinets featuring enamelled troughs are consistent throughout the shop, allowing visitors to try out products as they walk through. Combining patinated wooden flooring and shelves with bold green accents, the store is simultaneously modern and classic, true to Aesop's brand ethos.
Aesop Leeds25-29 County Arcade, Leeds, LS1 6BH
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The facts of the case are that in 1971, Donald Marshall Jr. and Sandy Seale, both teenagers, came across Roy Ebsary and Jimmy MacNeil in Wentworth Park in downtown Sydney. A fight broke out and Seale was stabbed by Ebsary who already had a criminal record for violence. Despite Marshall Jr. flagging police down to get help for Seale and telling them about Ebsary and MacNeil who fled the park, it was Marshall they arrested for murder. After a trial in which he always maintained his innocence, Marshall was convicted and sentenced to life in prison. Ten years later, Ebsary confessed to the crime. An appeals court overturned the conviction, and a Royal Commission investigated the case, finding significant flaws in the justice system and highlighting racial bias. Marshall was Mi'kmaq and the victim, Seale, was black. JUSTICE DENIED It was when the National Film Board made the movie: 'Justice Denied', and Gould drove his grandparents to the set every day, (they played themselves in the film), that Gould thought acting was something he would like to be involved in. 'When they were filming, I was living with my grandparents and driving for them. I met the producers, director and actors.' 'One of them was a native actor from Manitoba, In fact I had to ask him: 'so you're a real native like me?' And he said yeah. He was like, 'I'm from the trap line in Manitoba.' 'I didn't even know what that was! So I asked and he said it meant that his family moved around from camp to camp.' He told Gould that his uncle was founder of the Native Earth Theatre Company in Toronto, and that's how he was working in film. Two years later, not finding much to keep him in Cape Breton around 1990, Gould travelled to Toronto, introduced himself to the people at what is now the oldest professional Indigenous theatre company in Canada, and lived the struggling actor lifestyle for a few months until the opportunity came along to act in Ojibway playwright, Drew Hayden Taylor 's one-act play: Toronto at Dreamer's Rock. Gould is happy to have the opportunity to write, act and direct in something that will remind people of his uncle's story. 'I took a bit of creative license to make it a good story,' he says. He adds that it's a story within a story – but it's an important one. Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? 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