
Glasgow School of Art's stained glass studio closure 'ill-judged'
Cameron is one of a number of prominent figures who have criticised the closure of the studio, which had been providing continuing education courses in the craft since the Murals and Stained Glass degree was scrapped in the eighties.
Some of those who have attended the classes, taught by artists Eilidh Keith and Geraldine McSporran, have gone on to set up their own glass studios.
Read more Dani Garavelli:
The GSA took the decision to close the studio in its Haldane building because, it said, it required the space for its expanding number of students. Keith and McSporran are being made redundant. Those who attended the classes insist no effort was made to inform them of the closure.
Cameron said he found it hard to believe no alternative space could be found. 'The GSA bought the Stow College building: that's where its fine art department is based. Surely, there's a room in there that could be used,' he said.
Professor Dugald Cameron is unhappy with the decision. (Image: George Munro) He spoke out days after the death of Sir Brian Clarke, one of the world's leading contemporary stained glass artists. Collaborating with Norman Foster and Zaha Hadid, Clarke understood that for the artform to survive it must move beyond the religious to the secular. His work can be found in Pfizer's headquarters in Manhattan and Lake Sagami Country Club in Yamanashi, Japan.
'The problem is people don't realise stained glass isn't something only churches do,' Cameron said. 'We have a noble history of it.'
Meanwhile, artist Alec Galloway, who has a stained glass studio in Gourock, said the GSA's 'sudden' decision was 'saddening and bewildering'. In 2023, stained glass was added to the Heritage Crafts Association's (HCA) Red List of Endangered Crafts. Galloway described the situation in Scotland as 'a Doomsday clock scenario, where we are in the final seconds.'
Glasgow has the most stained glass of any UK city outside of London. In addition to church windows, there is stained glass in its villas, its tenement closes and many of its pubs.
A handful of small stained glass studios, including Galloway's, offer recreational classes, but the GSA's was the last attached to an art school. Recent talents to benefit from its teaching include Aoife Hogan, who graduated from the GSA with a first after producing stained glass pieces in the studio.
Galloway said the recreational classes were an asset but were mostly for 'hobbyists'. 'They are not producing the kinds of artists who could repair the damage we saw at Notre Dame in Paris,' he said.
Galloway taught on Scotland's last stained glass degree course at the Edinburgh College of Art until it was scrapped more than a decade ago. At the time the institution claimed it was too expensive to keep its two furnaces running. But Galloway believes those in charge thought ceramics and stained glass were 'old and messy' and dropped them in favour of clean computer design.
There are now no accredited courses in Scotland and only a handful in England. The nearest to the border is the National Glass Centre in Sunderland, which is due to close next year. However, the University of Wales is now running apprenticeship programmes in collaboration with employers.
Galloway is one of several campaigners working hard to rectify the situation in Scotland. He is involved in an attempt to buy the Glebe — a B-listed 19th Century former sugar refinery building in Greenock — and turn it into a national stained glass school.
Read more Dani Garavelli:
Galloway is also working with filmmaker Sarah Purser to try to raise the profile of the craft. Purser, executive producer at Little White Rose films, is on a mission to turn Guy McCrone's Wax Fruit trilogy into a multi-season TV epic.
The novels tell the story of the Moorhouse family who rise from humble beginnings to the heights of 19th century Glasgow society. Purser believes the series would showcase the city's heritage and so help to preserve it.
As part of this, she has offered to add one of Glasgow's most renowned stained glass artists, Daniel Cottier, to the cast list. 'When Arthur and Bel Moorhouse finally make their move from the squalor of the East End to the glamorous west of the city, they hire global superstars of the architecture and stained glass world to build and design their bespoke mansion – Scots-born geniuses Alexander 'Greek" Thomson and Daniel Cottier,' she explained.
'The Moorhouse Mansion is to be one of the finest, most extravagant and cutting edge residences in the city. But Bel and Arthur's lavish spending and insatiable desire to outdo the creme de la creme will push their already precarious finances to a knife-edge and threaten to topple all that they hold dear."
The new stained glass window. (Image: Gordon Terris) Richard Welsh and Keira McLean, who run RDW Glass in Dennistoun, have also been working to shore up the craft. McLean has been trying to set up a new accredited stained course at Langside College and has worked with various community groups to create stained glass windows at libraries across the city. The latest, which tells stories of resistance, including that of activist Cathy McCormack and the poll tax demos, was unveiled at the Bridge in Easterhouse on Thursday, July 24.
But their efforts are not being matched by the authorities tasked with preserving our heritage. Having secured the space and the materials for her course, McLean has struggled to obtain funding to cover her fee.
As for the GSA, Cameron says it has not responded to his email, though he discussed the situation with a member of its senior staff, and responses to freedom of information requests on the details of consultations it claims were carried out are so redacted as to be meaningless.
'Since I retired, I have tried to support the art school because I do love the place,' Cameron said. 'But it needs to be more careful of its history and its USP. It needs to consider what it can contribute today that other people can't.'

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The Herald Scotland
5 days ago
- The Herald Scotland
Glasgow School of Art's stained glass studio closure 'ill-judged'
The concern comes as a new stained glass window telling stories of resistance has just been unveiled at the Bridge in Easterhouse, Glasgow. Cameron is one of a number of prominent figures who have criticised the closure of the studio, which had been providing continuing education courses in the craft since the Murals and Stained Glass degree was scrapped in the eighties. Some of those who have attended the classes, taught by artists Eilidh Keith and Geraldine McSporran, have gone on to set up their own glass studios. Read more Dani Garavelli: The GSA took the decision to close the studio in its Haldane building because, it said, it required the space for its expanding number of students. Keith and McSporran are being made redundant. Those who attended the classes insist no effort was made to inform them of the closure. Cameron said he found it hard to believe no alternative space could be found. 'The GSA bought the Stow College building: that's where its fine art department is based. Surely, there's a room in there that could be used,' he said. Professor Dugald Cameron is unhappy with the decision. (Image: George Munro) He spoke out days after the death of Sir Brian Clarke, one of the world's leading contemporary stained glass artists. Collaborating with Norman Foster and Zaha Hadid, Clarke understood that for the artform to survive it must move beyond the religious to the secular. His work can be found in Pfizer's headquarters in Manhattan and Lake Sagami Country Club in Yamanashi, Japan. 'The problem is people don't realise stained glass isn't something only churches do,' Cameron said. 'We have a noble history of it.' Meanwhile, artist Alec Galloway, who has a stained glass studio in Gourock, said the GSA's 'sudden' decision was 'saddening and bewildering'. In 2023, stained glass was added to the Heritage Crafts Association's (HCA) Red List of Endangered Crafts. Galloway described the situation in Scotland as 'a Doomsday clock scenario, where we are in the final seconds.' Glasgow has the most stained glass of any UK city outside of London. In addition to church windows, there is stained glass in its villas, its tenement closes and many of its pubs. A handful of small stained glass studios, including Galloway's, offer recreational classes, but the GSA's was the last attached to an art school. Recent talents to benefit from its teaching include Aoife Hogan, who graduated from the GSA with a first after producing stained glass pieces in the studio. Galloway said the recreational classes were an asset but were mostly for 'hobbyists'. 'They are not producing the kinds of artists who could repair the damage we saw at Notre Dame in Paris,' he said. Galloway taught on Scotland's last stained glass degree course at the Edinburgh College of Art until it was scrapped more than a decade ago. At the time the institution claimed it was too expensive to keep its two furnaces running. But Galloway believes those in charge thought ceramics and stained glass were 'old and messy' and dropped them in favour of clean computer design. There are now no accredited courses in Scotland and only a handful in England. The nearest to the border is the National Glass Centre in Sunderland, which is due to close next year. However, the University of Wales is now running apprenticeship programmes in collaboration with employers. Galloway is one of several campaigners working hard to rectify the situation in Scotland. He is involved in an attempt to buy the Glebe — a B-listed 19th Century former sugar refinery building in Greenock — and turn it into a national stained glass school. Read more Dani Garavelli: Galloway is also working with filmmaker Sarah Purser to try to raise the profile of the craft. Purser, executive producer at Little White Rose films, is on a mission to turn Guy McCrone's Wax Fruit trilogy into a multi-season TV epic. The novels tell the story of the Moorhouse family who rise from humble beginnings to the heights of 19th century Glasgow society. Purser believes the series would showcase the city's heritage and so help to preserve it. As part of this, she has offered to add one of Glasgow's most renowned stained glass artists, Daniel Cottier, to the cast list. 'When Arthur and Bel Moorhouse finally make their move from the squalor of the East End to the glamorous west of the city, they hire global superstars of the architecture and stained glass world to build and design their bespoke mansion – Scots-born geniuses Alexander 'Greek" Thomson and Daniel Cottier,' she explained. 'The Moorhouse Mansion is to be one of the finest, most extravagant and cutting edge residences in the city. But Bel and Arthur's lavish spending and insatiable desire to outdo the creme de la creme will push their already precarious finances to a knife-edge and threaten to topple all that they hold dear." The new stained glass window. (Image: Gordon Terris) Richard Welsh and Keira McLean, who run RDW Glass in Dennistoun, have also been working to shore up the craft. McLean has been trying to set up a new accredited stained course at Langside College and has worked with various community groups to create stained glass windows at libraries across the city. The latest, which tells stories of resistance, including that of activist Cathy McCormack and the poll tax demos, was unveiled at the Bridge in Easterhouse on Thursday, July 24. But their efforts are not being matched by the authorities tasked with preserving our heritage. Having secured the space and the materials for her course, McLean has struggled to obtain funding to cover her fee. As for the GSA, Cameron says it has not responded to his email, though he discussed the situation with a member of its senior staff, and responses to freedom of information requests on the details of consultations it claims were carried out are so redacted as to be meaningless. 'Since I retired, I have tried to support the art school because I do love the place,' Cameron said. 'But it needs to be more careful of its history and its USP. It needs to consider what it can contribute today that other people can't.'


The Herald Scotland
18-07-2025
- The Herald Scotland
The Glasgow-based artist that's inspired by 'mudlarking'
'Mum and I would scour beaches looking for curios, such as fragments of pottery, shells, and particularly sea glass. My mother also had a knack for uncovering historic rubbish dumps and instilled in me this love of looking and finding – I like to call it slow meditative scouring,' says Katie. The family moved to Glasgow when Katie was 17 and having long aspired to go to Glasgow School of Art, she undertook a degree course in Sculpture and Environmental Art and graduated in 2017 with First Class Honours in Sculpture. 'When I was in third year GSA acquired a kiln – and I quickly became hooked on clay and its endless possibilities. After graduating, my dad and I built my garden studio and Manifesto was born. 'The name represents a groundwork for new ideas and action, prompting connections with like-minded people,' she adds. Her work has to date been exhibited at The Royal Scottish Academy and The Ingram Collection in London. Katie's inspiration comes primarily from the landscape around her studio or on visits to beaches where she mudlarks for anything from ancient artefacts to sea creatures, fossils, stones, shells, feathers, and general flotsam and jetsam. (Image: Katie Rose Johnston) 'So many things – above and below ground – inspire me, and I love having a free rein to play with clay and see where it takes me and what come out of it.' The problem with being a mudlarker and gatherer of curious objects is what to do with them. Many people keep beach finds in a glass jar, but Katie has a more artistic solution she calls Curiosity Clouds: the cloud being a unique sculptural form made up of numerous niches, each one serving as a tiny shelf upon which to display a foraged find. The catalyst for these Curiosity Clouds, came from a visit to Glasgow's Hunterian Museum, where in amongst a display case of insect and bird nests from around the world, Katie spotted a cross-section of a termite mound, which exposed an elaborate network of tunnels and compartments termites use for ventilation and navigation. Working from the centre outward using terracotta crank clay, each of Katie's Curiosity Clouds (priced from £200 up to £500) has its own unique appearance and size and is coated in slip to achieve a variety of earthy hues. 'Arranging found curios in each compartment is a return to childhood playdays, carefully placing each exhibit in its new space, like a curator in a museum,' she says. Mycelium candleholders are another eye-catching fusion of form and function. (Image: Katie Rose Johnston) Inspired by the complex system of roots that connect fungi together deep underground, each individual candleholder encases slender taper candles within an ethereal nest of coils made from terracotta clay with a white slip finish. These range in price from £400 up to £1,200. Manifesto's range is expansive and includes a recent exploration into tableware following a six-week Anagama firing residency at Shiro Oni Studios in the Gunma prefecture in Japan, which culminated in an exhibition of functional tableware mimicking the shapes of petals and leaves, also a series of ceramic platters, dishes and bowls, pinched from balls of dark red clay. Katie's ceramics can be purchased from Bard in Leith ( and periodically direct from her workshop in the southside of Glasgow.


Glasgow Times
14-07-2025
- Glasgow Times
Glasgow School of Art honours two former graduates
Jasleen Kaur and Hiroaki Kimura were celebrated for their "outstanding contributions" to the fields of fine art, design, and architecture. Jasleen, a 2008 GSA graduate known for her interdisciplinary work centred on cultural memory, diasporic identity, and colonial histories, was awarded the honorary Doctor of Letters. Read more: Glasgow student who lost brother and cared for mum wins award for resilience Hailing from Pollokshields, Jasleen's work is informed by her Sikh upbringing and spans various media including sculpture, installation, and video. The artist and winner of the 2024 Turner Prize expressed her gratitude for the award. She said: "It was unexpected, but a total honour to be awarded the Honorary Doctorate this year, especially as Glasgow and The Glasgow School of Art are such significant places to me. "They are both places that have shaped me, and I think often of how fortunate I am to have had access to free education, which was totally life-changing." Japanese architect and researcher Hiroaki Kimura was also awarded an honorary Doctor of Letters. Hiroaki, who began his studies of Charles Rennie Mackintosh while studying in Glasgow, has dedicated over four decades to documenting and promoting Mackintosh's work globally. Professor Sally Stewart, head of the Mackintosh School of Architecture, said: "While practising and teaching over the last 40 years, first in Kobe and subsequently at the Kyoto Institute of Technology, Hiroaki has never ceased to be interested in the studies he began as a student here at The Glasgow School of Art, or the opportunities that those studies opened to him." The GSA also celebrated the talents of its students, with Anna Lewis, a graduate of sculpture and environmental art, awarded the 2025 Newbery Medal for her work. Martin Newth, head of the School of Fine Art, said: "Anna creates extraordinary objects that are beautifully and precisely crafted. "She brings the same careful attention to detail to arranging the varied pieces in her evocative and deeply enigmatic installations. "Anna is a wonderful artist whose work is hard to categorise and offers exactly the kind of challenge that makes it so compelling." Other finalists for the Newbery Medal, who each received a Chair's Medal, were Iestyn Howorth from the product design programme, Emelie Christina Fraser from architecture, and Duoduo Lin from the silversmithing and jewellery department. Read more: Brothers graduate together from the same course at UWS Paisley with first-class degrees Professor Penny Macbeth, director and principal of GSA, said: "Today marks a key moment for our graduates as they move forward into the next stage of their creative careers, equipped with skills they have learned during their time here at The Glasgow School of Art and applying them in new roles across the creative sector. 'This year's honorary doctorates are exemplars of the impact and legacy that our global creative network of graduates can make, demonstrating the value of creative education and the importance that creative people can make in setting the pace, in asking challenging questions, and in offering positive solutions. "We are proud to award the honorary degree of Doctor of Letters in recognition of the outstanding success they have each achieved in their respective fields, expanding their research and creative practices to international significance and acclaim. "Jasleen Kaur is the seventh GSA graduate to win the prestigious Turner Prize. "Her interdisciplinary practice explores how we define ourselves and preserve and challenge our traditions. "Architect and teacher Hiroaki Kimura has made a significant global contribution to research and knowledge related to Mackintosh, through a long and remarkable relationship with the institution that has spanned over 40 years."