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'Spaceballs' returns for a sequel with Mel Brooks, 98, as Yogurt. Will Barf make a cameo?

'Spaceballs' returns for a sequel with Mel Brooks, 98, as Yogurt. Will Barf make a cameo?

USA Today13-06-2025
'Spaceballs' returns for a sequel with Mel Brooks, 98, as Yogurt. Will Barf make a cameo? Brooks wrote, directed and played two roles in 1987 'Star Wars' spoof 'Spaceballs' with John Candy as Barf
The Schwartz is still strong in comedy legend Mel Brooks − and now, returning with even greater power.
Amazon MGM Studios announced that Brooks, 98, will reprise his role as the Yoda-like Yogurt in a new "Spaceballs" movie. The sequel to the 1987 cult classic "Star Wars" parody will be released in theaters in 2027, according to a June 12 release.
Josh Greenbaum will direct the film from a script by a top team that includes "Frozen" star Josh Gad (also a producer), Benji Samit and Dan Hernandez. Plot details and more casting news are being kept under wraps.
According to the release, the film has been described (by those who have not yet read the script) as "A Non-Prequel Non-Reboot Sequel Part Two but with Reboot Elements Franchise Expansion Film."
Confused? The ONLY important thing is that "Spaceballs" is back and Brooks will play Yogurt, the keeper of the power known as The Schwartz (which is definitely not The Force).
Yogurt predicted this reunion on-screen 38 years ago in the comedy that critics panned, but which lives on like a joke-telling Force Ghost. "God willing, we'll all meet again in 'Spaceballs 2: The Search for More Money,'" Yogurt said at the time. It was foretold!
In a video with the announcement, Brooks, looking spry in a "Spaceballs" sweatshirt, said, "After 40 years, we asked, 'What do the fans want?' But instead we're making this movie."
He ended the video with a universe-resonating, "May the Schwartz be with you!"
Comedy Renaissance man Brooks directed, wrote and played two roles in the original "Spaceballs" — Yogurt and President Skroob. Rick Moranis starred as the Darth Vader-wannabe Dark Helmet, Bill Pullman was the Han Solo-esque Lone Starr, and Daphne Zuniga was the Princess Vespa. "Spaceballs" also featured the legendary late John Candy as Barf: a half-man, half-dog sidekick. Will Barf return somehow? We can only wait and see.
Deadline followed the Amazon newsblast by reporting that Pullman and Moranis would both return for the sequel.
Is the 'Spaceballs' sequel a good idea? When will it blast off?
Clearly, Amazon MGM has high hopes, setting the movie up for a 2027 release. It will be a much-awaited appearance of a comedic giant as Brooks has talked for years about a new "Spaceballs."
We'll just call it before filming even starts: What this crazy world needs now is Mel Brooks and "Spaceballs 2."
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From albums to stadiums: K-pop companies look for higher revenue in live concerts
From albums to stadiums: K-pop companies look for higher revenue in live concerts

CNBC

time4 hours ago

  • CNBC

From albums to stadiums: K-pop companies look for higher revenue in live concerts

When Blackpink kicks off their "Deadline" world tour in Goyang, South Korea, this weekend, they'll be aiming to top the record-breaking run of their previous tour, which grossed over $330 million and was reportedly the highest-earning in history by a girl group. Projections from Daishin Securities show that the new tour by the four-member group is likely to rake in 600 billion South Korean won ($440 million), according to South Korean outlet e-daily. Blackpink's concerts are just one example of how K-pop companies are turning to concerts to shore up their balance sheets. Amid a decline in album sales that battered their revenue and tanked their share prices in 2024, these agencies lost a combined market cap of 35% from the second half of 2023 to the end of 2024, according to a June 3 note by Goldman Sachs. South Korea's "Big Four" K-pop agencies are all publicly listed. Hybe Corporation is the largest and is listed on the blue-chip Kospi, while SM Entertainment, JYP Entertainment and YG Entertainment are on the small-cap Kosdaq. Live concerts are one way the "Big Four" are addressing the slumping sales of albums, which traditionally form the bulk of the firms' revenue. Billboard's midyear Boxscore report revealed that boy group Seventeen, managed by Hybe subsidiary Pledis Entertainment, "essentially doubled its midyear gross for the second consecutive year," thanks to its Right Here world tour, which ran from October 12, 2024, to February 12 this year. Billboard's information covers all reported shows between Oct. 1, 2024, and March 31, 2025. The group was the third-highest grossing act in the period, pulling in $120.9 million and an attendance of 842,000 over 30 shows. Five K-pop acts are on Billboard's top-50 list, up from three in 2023 and 2024 and two in 2022. "K-pop acts on the midyear Top Tours chart brought in a collective $228 million and sold 1.6 million tickets from 78 shows. That marks a 79% increase over the genre's 2024 showing, which itself was a 93% jump from 2023," Billboard said. More notably, K-pop concerts defied the broader downtrend in global concert trends. Billboard noted that "this year's midyear charts are down significantly compared with 2024," with a 28% drop year over year in touring revenues, although Live Nation CEO Michael Rapino noted that more artists are waiting until the second and third quarters to launch their tours. Jiwoo Oh, a research analyst at investment firm CGS International, told CNBC that companies are now turning to concerts because the profit margins of live events are higher compared with album sales. By holding concerts, companies also have the opportunity to sell merchandise, which has an even higher profit margin than the concerts themselves. The profit margin for merchandise, she said, can reach as high as 50%. This shift to concerts as a revenue stream can be seen in the companies' first-quarter results. Out of the four major publicly listed K-pop companies, three saw huge increases in concert revenues. JYP Entertainment was the exception. Most notably, Kospi-listed Hybe Corporation, South Korea's largest K-pop company by market capitalization, saw its concert revenue surpass album and digital sales in the first quarter of 2025. Concerts accounted for 31% of total revenue in Hybe's first quarter, surpassing the 27.3% share from music sales. In the first quarter of 2024, music revenue made up over 40% of revenue, while concert revenue stood at 12%. YG Entertainment experienced the largest jump in concert revenue among the four companies, with concert revenue spiking over 270%, reportedly due to world tours from its boy band Treasure and newly debuted girl group Babymonster. The only exception to the trend was JYP Entertainment, which reported a drop in both concert revenue and profit. The company explained in its first-quarter earnings note that this was due to a lack of large-scale concerts by major artists during the period. In line with this surge of concert revenue, K-pop stocks — with the exception of JYP — rose between 60% and over 100% year to date, vastly outperforming the Kospi's 28% gain and the Kosdaq's 15.2% increase. CGS' Oh said that while Hybe and YG are poised to see the largest gains because of the resumption of activities from BTS and Blackpink, respectively, YG is likely to see a higher growth rate because of its smaller stable of artists. YG currently only has three groups in its stable, the smallest bench among all four companies. However, a June 26 note by Morgan Stanley said that they believe that expectations for Blackpink have been "over-reflected" in the share price of YG, adding that the agency's "high reliance on a single IP and its shallow slate of performers remains a concern." The dismal performance of JYP was due to investor concern over contract renewals, CGS' Oh added. Girl group Itzy's contracts are expected to expire in 2025, while members of boy band Stray Kids are facing the possibility of serving South Korea's military service. Morgan Stanley's note echoes this point on JYP, saying that "we believe the stock needs to see more artists contributing to top line growth, and new teams emerge to support longer term growth." While rising revenue from concerts is likely to lift all companies, some can capitalize on this trend better than others. Goldman Sachs said that investors should look out for companies that have "Mega IPs," which are groups that can gross an audience figure of over 1.5 million audience per tour. This figure implies the artist has been able to reach beyond K-pop's traditional target markets and into the Western music scene, it said. "We believe K-pop is still a growth sector where the leading companies have established a 'system' that can repeatedly produce such global Mega IPs and consequently continue to expand their global audience," Goldman added. Currently, only four groups meet this criterion. Goldman has singled out Hybe, saying two of its groups are "on the verge" of becoming Mega IPs. This should bring in fast scaling of concerts and merchandising revenue, and provide stronger evidence that Hybe can repeatedly produce Mega IPs. By contrast, Goldman is more pessimistic on SM Entertainment, citing its lack of "Mega IPs." The Wall Street bank also sees earnings turbulence in YG, due to its reliance on Blackpink's activities. A "successful ramp-up of Babymonster is key to seeing multi-year earnings growth," it added.

Clint Eastwood accuses Austrian newspaper of fabricating interview
Clint Eastwood accuses Austrian newspaper of fabricating interview

San Francisco Chronicle​

time11 hours ago

  • San Francisco Chronicle​

Clint Eastwood accuses Austrian newspaper of fabricating interview

Clint Eastwood has denied making comments to an Austrian newspaper that quoted him as criticizing filmmakers for lacking originality. The viral interview was published just before the director's milestone birthday. 'A couple of items about me have recently shown up in the news,' the San Francisco-born actor said in a statement to Deadline published Monday, June 2. 'I thought I would set the record straight. I can confirm I've turned 95. I can also confirm that I never gave an interview to an Austrian publication called Kurier, or any other writer in recent weeks, and that the interview is entirely phony.' Kurier, a German language newspaper, falsely quoted Eastwood as slamming Hollywood for failing to generate original ideas in a story published Friday, May 30. The fabricated interview quoted the ' Dirty Harry ' star remarking that he believes one should 'do something new or stay at home' with regard to the modern state of the industry. While the Vienna-based publication has a circulation of about 100,000, these remarks were quickly picked up by American outlets. Kurier addressed the allegations on Tuesday, June 3, in German, explaining that it followed up with freelance writer Elisabeth Sereda, who wrote the article, following Eastwood's statement. 'Foreign journalists often conduct interviews with stars in groups, so everyone can then use the conversation as an interview for their own publication or even sell it to multiple media outlets,' explained journalist Martin Gebhart, who penned the statement. 'As she convincingly explained to the Kurier, Sereda spoke with Eastwood a total of 18 times at roundtables. Foreign journalists receive transcripts of these conversations, which are free to use.' The publication notes that Sereda wrote Friday's article 'based on these conversations,' and thus, 'no quote is fabricated, the interviews are documented, and the allegation of falsification can be refuted.' However, it admits that the piece was 'formatted as an interview, not a portrait' to uphold the illusion that it was a new interview, which wasn't the case. The outlet intends to sever ties from Sereda moving forward. Editor's note: The Chronicle referred to the interview Clint Eastwood ostensibly gave Kurier in an earlier story, which has since been corrected.

Amazon is shutting down its Freevee app in August
Amazon is shutting down its Freevee app in August

Yahoo

time11 hours ago

  • Yahoo

Amazon is shutting down its Freevee app in August

Amazon plans to shut down its stand-alone Freevee app in August, according to an in-app notice to users. The free, ad-supported streaming service is directing viewers to continue watching Freevee content on Prime Video. 'Prime Video is the new exclusive home for Freevee TV shows, movies and Live TV,' the notice to readers states. 'The Freevee app will be accessible until August 2025. Continue watching your favorite Free Originals and our library of hit movies, shows, and live TV on Prime Video for free, no subscription needed. Download Prime Video to get started and sign-in with your Amazon account.' The move doesn't come as a surprise, as Amazon confirmed back in November 2024 that it was sunsetting the service and integrating its content into Prime Video. Amazon said in a statement at the time that it had 'decided to phase out Freevee branding. There will be no change to the content available for Prime members, and a vast offering of free streaming content will still be accessible for non-Prime members, including select Originals from Amazon MGM Studios, a variety of licensed movies and series, and a broad library of FAST Channels — all available on Prime Video.' Amazon's decision to shut down the service likely reflects a strategic move to simplify its offerings and centralize content on a single platform. Instead of operating two separate services, the company is consolidating its streaming efforts around Prime Video. Launched in 2019, Freevee is available in the United States, United Kingdom, Germany, and Austria. The service was initially called 'IMDb TV' and later rebranded to Freevee in 2022. Popular original series on Freevee include Emmy-nominated reality comedy show 'Jury Duty,' crime show 'Bosch: Legacy,' soap opera 'Neighbours,' and more. These shows are accessible on Prime Video under the 'Watch for Free' section. The news comes a few weeks after a Nielsen report found that streaming services surpassed both cable and network television in total viewership among people in the U.S. for the first time in May, and that free streaming services have been a major driver of streaming's overall success. The report found that Pluto TV, Roku Channel, and Tubi accounted for a combined 5.7% of total TV viewing in May. Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data

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