logo
Lucy Dacus answers your questions about life, love and the papal conclave

Lucy Dacus answers your questions about life, love and the papal conclave

You might know Lucy Dacus as one-third of Boygenius (alongside Julien Baker and Phoebe Bridgers) or the writer of one of the most devastating songs of 2018 (it's 'Night Shift', obviously). She's also a well-established artist in her own right, and dropped her fourth album in March.
To celebrate the release of Forever Is A Feeling and for a cheeky catch up, Lucy joined Abby and Tyrone on Drive and answered some of your burning questions.
Who was your niche childhood celebrity crush? - Annabelle
I've said this before – it's the poet dog from the Goofy Movie , but I feel like I should pick somebody else.
I said this recently but all the Bond girls. I would watch all the James Bond movies and, um, that was important.
I kinda had a crush on the goth chick from Sisterhood of the Travelling Pants . She was just so blasé. The way that kids pick their Disney princess, I feel like I had a friend group and we would pick who we were in that book or movie and I was definitely her.
What books or films inspired this album? - Ruby
There's a book called Written On The Body by Jeanette Winterson. It's narrated by someone whose gender is never disclosed, and they have this passionate, obsession type love for this person.
And the way that they write about how they think about the person and what it's like to be in the same room as them and to slip into love with them is... just electric. So I get some inspiration from that.
Garth Greenwell is a great writer, he actually wrote my bio for this [album]. He has a book called Cleanness and a book called What Belongs To You that are very sexy and kind of visceral and still really deep and emotional. Just about at what point do we reach into each others' hearts – if you're already physically engaged, at what do you become emotionally engaged?
What would your advice be for someone going through a lesbian break-up? - Z
I don't know if there's any blanket advice, every situation is so different. Because, I don't know, I could be like 'well, you're better off', or it could be like 'you know, things change'.
Here's maybe the piece of advice I give, and this is not just lesbian, this is just for people in general:
Ideally relationships are places where we can meet each other where we're at and show each other more of ourselves.
And at a certain point, maybe you outpace each other and you have to diverge. Ideally it can be done painlessly, but almost never is that the case.
So if you're feeling pain, you don't have to shy away from it. That's just a part of life.
I want to write music but it always feels like I'm performing or trying to put on someone I'm not. How do I be more authentic? - Amy
Well, the good thing is anything you make is authentic to you, whether it's a performance or not. No one is actually faking it.
Some people have an identity they assume. Some people really write from the heart. Some people you feel as disingenuous, other people you feel really genuine, whether or not it's a fictional character that they're within.
There's really no wrong entry point. So if you have an easier time writing from another perspective... secretly, you're still just in it.
I don't think you actually have to try that hard and I don't know if you're really off-base. I haven't heard your music, but that's what I would say.
Can you tour in like a year so I can get my finances together? - Adele
I literally wish I could speak to that. I'm very eager to get over there – and my whole band and crew – we have a real soft spot and excitement at the idea of going to Australia.
So know that my heart's in the right place.
Do you think you would have won if you were competing in the recent papal conclave? - @gorgeousfart
I'm not Catholic! Well, but I guess they're getting anybody in there now, it sounds like. So maybe I would have had more of a chance.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Pro fighter goes ballistic on a flight then gets escorted out on a stretcher
Pro fighter goes ballistic on a flight then gets escorted out on a stretcher

News.com.au

time30 minutes ago

  • News.com.au

Pro fighter goes ballistic on a flight then gets escorted out on a stretcher

Mixed martial arts fighter and Brazilian jiu-jitsu expert Aaron 'Tex' Johnson has gone viral after being hauled from a Southwest Airlines flight after getting into a verbal grappling match with passengers and crew. In the footage, Mr Johnson can be heard calling them 'losers' and 'pieces of s**t.' The clip of his expletive-laden outburst is currently amassing millions of views on TikTok, X and Instagram however it's yet unclear what kicked off the mile-high mayhem. The footage shows the heavily-tattooed Johnson, 39 — who is a black belt in Brazilian jiu-jitsu — getting into it with a flight attendant over an apparent bag issue shortly after boarding. 'I didn't do anything wrong,' Mr Johnson, who is seated, tells the crew member. 'My bags are in storage. If you call the cops, I'm gonna call the cops on you and hire a lawyer [and] you're f**ked. Don't touch me!' When a male passenger behind Johnson criticises his actions, the martial artist turns around and confronts him. 'Hit me, you lying-ass f**k,' he yells as his fellow flyers tell him to sit down. The increasingly agitated Johnson then proceeds to repeatedly call his neighbour a 'loser,' at one point even standing on his seat in his sandals so he can get in his critic's face. Things come to a head after a female flight attendant grabs him by the arms and pulls him away with the help of another crew member, prompting the grappler to accuse her of 'assault' and 'abuse.' 'Shut your mouth,' she yells at him. Eventually, she tells Johnson to depart the flight. 'Not on my flight,' the air hostess declares, before instructing him to 'get off my plane.' At long last, the incensed traveller grabs his bag from the overhead bin and walks off the plane with the blonde crew member right behind as passengers applaud and cheer 'bye.' Johnson makes it to the main door, but then turns around and continues to berate the flight attendant, accusing her of 'assault' and yelling at her not to touch him. Fed up with the tirade, a trio of flight attendants confront Johnson and yell at him to 'get off' the aircraft, but he continues to stand at the door. At one point, he labels another passenger a 'piece of f**king s**t.' The clip concludes with the crew members and Johnson continuing to go at it as another male passenger approaches the exit and asks if he can provide assistance. In a follow-up clip taken at the airport, Johnson can be seen in a stretcher getting escorted by police as he yells, 'This is bulls**t.' 'I'm getting treated like a black person right now,' the retired cage fighter declared. According to local media View From the Wing, Southwest Airlines has since banned Johnson from all its future flights. After footage of the incident blew up on social media, Johnson posted a somewhat cryptic message on his Instagram stories, writing, 'For anyone trying to drag me down, it doesn't matter to me, I have the best friends.' 'STOP WORRYING ABOUT WHAT MAY BE PERCEIVED AS RIGHT OR WRONG,' he added, per 'IF GOD WANTED US TO LIVE A CERTAIN WAY, HE WOULD HAVE GIVEN US BETTER INSTRUCTIONS. DO WHAT MAKES YOU HAPPY.' Johnson is an accomplished figure in the BJJ world. According to BJJ Heroes, he is an international Brazilian Jiu-jitsu Federation 3x Pan American No-Gi Champion, although his overall record stands at 87 wins, 70 losses and one draw. 'Johnson is known for his aggressive and submission-oriented style with which he submitted some of the sport's biggest stars, names such as Davi Ramos and Jackson Sousa,' BJJ Heroes writes. He is also a former mixed martial arts star who competed for various organisations, including Bellator, according to

Destiny's Child reunites for Beyoncé's final Cowboy Carter show
Destiny's Child reunites for Beyoncé's final Cowboy Carter show

ABC News

time2 hours ago

  • ABC News

Destiny's Child reunites for Beyoncé's final Cowboy Carter show

Destiny's Child has reunited for the first time in seven years during the final show of Beyoncé's Cowboy Carter tour. Queen B welcomed her former band mates Kelly Rowland and Michelle Williams on stage in Las Vegas to perform a medley of the group's biggest hits, including 2001 hit Bootylicious and 2004 anthem Hold My Breath. The two special guests — dripping in gold and introduced by Beyoncé as"Destiny's Child's, b---!" — also helped to sing the hit Energy from the artist's seventh studio album Renaissance (also referred to as Act II: Renaissance). The performance marked the first time in seven years the chart-topping group has shared the stage together. The last time they reunited was in 2018 during "Beychella", when Beyoncé' made history as the first black woman to headline Coachella. Fans were quick to flock to social media, dubbing the trio "the most legendary girl group of all time" and their performance "the perfect ending" to the tour. The Texas Hold 'Em singer kicked off her highly anticipated Cowboy Carter tour in late April, taking her Grammy-winning album across stadiums in Europe and the US before closing out the historic tour in Las Vegas after 32 shows. She also welcomed her famous husband Jay-Z on stage to perform their 2003 song Crazy In Love and Shaboozey to perform their hit Sweet Honey Buckin. Beyoncé's finale would not be been complete without a special mention to her 13-year-old daughter Blue Ivy, who danced alongside her mother for nearly every song across the tour — winning over fans along the way. Renaissance was Act I. Cowboy Carter was Act II. "What if Act 3 features EVERYONE she did music with?" one user wrote on Instagram, referring to the three-part musical project by Beyonce, dubbed the "Renaissance trilogy". It could happen. Beyoncé's last two albums, the house-inspired Renaissance and country-Americana Cowboy Carter, were the first and second in a planned trilogy of albums the artist made famous for challenging genre conventions. "The criticisms I faced when I first entered this genre forced me to propel past the limitations that were put on me," she wrote upon the release of Cowboy Carter. "Act II is a result of challenging myself, and taking my time to bend and blend genres together to create this body of work." Fans are convinced the third instalment will follow the same pattern in reclaiming a new genre — but are yet to know what that genre could be.

‘No one would even look at me': What really happened on Shallow Hal set according to explosive Gwyneth Paltrow book
‘No one would even look at me': What really happened on Shallow Hal set according to explosive Gwyneth Paltrow book

News.com.au

time2 hours ago

  • News.com.au

‘No one would even look at me': What really happened on Shallow Hal set according to explosive Gwyneth Paltrow book

New details about Gwyneth Paltrow's controversial role wearing a fat suit for Shallow Hal and crew accounts of her behavior on set are revealed in a bombshell new book about the star. Below is an edited extract from the upcoming book Gwyneth by Amy Odell. EXTRACT: A macrobiotic diet and so-called clean eating were among the first health fads that seemed to stick to Gwyneth Paltrow and her evolving persona. 'That was the beginning of people thinking I was a crackpot. Like, What do you mean food can affect your health, you f***ing psycho?' she later said. By the time she was doing interviews to promote Shallow Hal, she was espousing the kinds of health theories that would define her next career. The media generally quoted her without any fact-checking: 'I used to drink vodka tonics all the time … but I found that my kidneys got really hard because of it, and I noticed that my liver wouldn't drop down in my yoga back bends.' ('I don't think you could say there's some physiological explanation for what she's talking about,' said infectious disease expert Dr. Amesh Adalja.) Gwyneth's Ashtanga yoga routine involved getting up at 4am six days a week for an hour and forty-five minutes of practice. 'I never skip it unless I'm ill,' she said. She'd bring two yoga instructors with her on location shoots. While all of this was going on, she was spending her working hours in a fat suit. By the time Gwyneth showed up on the set of the Farrelly brothers' Shallow Hal in 2000 with her strange diet requests and intensive workout schedule, she was ready to cultivate the irreverent side of her personality, the fun-loving mischief maker. But the people around her were still seeing elitist Gwyneth. Before filming began, 120-pound Gwyneth slipped into a rubbery, twenty-five-pound fat suit. It came in six pieces — one that zipped over her torso, one that slipped over her legs like shorts, two calf pieces, and two gloves — plus a face that was essentially glued to hers, and was meant to make her look like she weighed 350 pounds. She planned to walk around downtown Charlotte, North Carolina (where the movie was filming) without an entourage or full camera crew, to experience what her high school yearbook had called her 'worst fear' — obesity. None of the pedestrians knew that a major movie was in their midst. They mostly ignored her, or skirted around her body like an obstacle dropped in their path. Barry Teague, a line producer, had been instructed to stay close, but to keep enough of a distance so that she felt like she was alone. Teague, who weighed 325 pounds himself, felt pained as he watched the scene play out before him. She moved more slowly than everyone else and blocked most of the width of the sidewalk. Pedestrians couldn't step off the curb to pass by because cars were parked, so they had to squeeze around her single file on the other side. Teague watched two attractive, middle-aged men hurry around her like she was a trash can, without saying 'excuse me' or regarding her at all. A pair of teenage girls gawked as she passed, then giggled to each other as she walked away. She did the walk a few times. Teague watched her stop at a hot dog stand and noticed how impatient the crowd behind her got, seemingly for no other reason than her being fat. After twenty minutes of walking around town this time, she called it quits. The exercise seemed too distressing for her to finish. Teague said, 'It was difficult to watch.' Before Gwyneth got to Charlotte, she had done a test run in New York. The crew dressed her in the fat suit in a room at the Tribeca Grand hotel and sent her to the bar to see if anyone could recognize her. 'No one would even look at me,' she recalled. 'If I was walking by a table, you know how naturally you just glance up. 'But people would see that I was heavy in their peripheral vision and not look, because I think they assume that's the polite thing to do. It was incredibly isolating and really lonely and sad … I didn't expect it to feel so upsetting,' she said. 'I thought the whole thing would be funny, and then as soon as I put it on, I thought, well, you know, this isn't all funny.' Gwyneth had a sign made for her trailer that read 'Kate,' seemingly as a decoy, even though the only people coming near it were crew who knew she was inside. She wasn't chummy. She didn't rush to make conversation, and she let her attention drift if the topic did not interest her. She seemed out of her element. 'Sometimes she felt like she was maybe more talented or more in-demand than other people, and you could see that,' said Teague. 'You could hear her eyes rolling sometimes.' When she finished a scene with an actor she didn't like who had a bit part in the film, she walked away poking a finger in her mouth, miming throwing up. During some scenes, Gwyneth wore a short skirt but chose not to wear anything underneath. One of the camera operators went over to her dresser, Cookie Lopez. 'Cookie, she's flashing us. You might want to tell her to sit differently.' Lopez looked at him and said, 'There's nothing I can do.' He said, 'You don't want to tell her so she can change what she's doing?' Lopez replied, 'If she likes doing that, I can't get her to stop.' Another day, the crew watched her riding around set on one of the electric scooters they used to get around, wearing only the bikini that was her costume for an upcoming scene. Though she never liked her legs, she struck one crew member as 'very, very comfortable in her own skin.' Compared to other Farrelly brothers film stars, Gwyneth was remote. ReneÌ�e Zellweger joined the Me, Myself & Irene cast and crew at a skating party. Jim Carrey, who starred in Me, Myself & Irene and Dumb and Dumber, threw the Irene crew a dance party on a boat. Gwyneth ordered an ice cream cart for the set and had her assistant push it around saying, 'It's from Gwyneth, it's from Gwyneth.' The crew was surprised — not that the gesture was comparatively small but that Gwyneth had done anything at all. When a technician died suddenly during filming, cast and crew contributed to a fund for his widow and children. The person in charge of collecting the money was telling colleagues one day how much they had amassed; Gwyneth overheard and asked them what they were talking about. One crew member signaled another not to tell her, sensing that Gwyneth wasn't someone who should be requested to donate. Later, someone overheard Luke Wilson, who had visited the set, tell her, 'The world doesn't revolve around you.' Even by the relatively permissive standards of 2002, Shallow Hal generated controversy for using fatness as a punch line. Gwyneth told friends and some of the crew that she felt like the film could bring attention to what would later be widely termed fat-shaming, which she experienced for the first time in her life in the fat suit. But that's not exactly where the discourse landed. 'If you're overweight and you see this movie, you're going to be disturbed. To be honest, I was uncomfortable throughout the whole movie,' singer and talk show host Carnie Wilson told USA Today. 'It made me feel like I was a big joke, and that crushes my heart.' Advocacy groups agreed. 'It's making horrible fun of fat people, and that is still acceptable in our culture,' said Miriam Berg, president of the nonprofit group Council on Size & Weight Discrimination. 'Would it be acceptable to make the same kind of joke about a person in a wheelchair or a person of colour? No.' Sandie Sabo, spokeswoman for the five-thousand-member National Association to Advance Fat Acceptance, told The New York Times, 'If Gwyneth Paltrow had decided to make a movie about the African American experience, and she portrayed herself in blackface makeup, and yet her quote-unquote inner beauty was perceived as white, I don't think people would put up with that … Maybe that will help people understand.' Despite the backlash, the film fared fairly well in reviews and opened third at the box office, with first-weekend ticket sales of US$23.3 million. It would go on to gross $141 million worldwide on a US$40 million budget. Gwyneth did her best to respond to the controversy, but her well-intentioned innocence sometimes floundered on the spot. Matt Lauer asked her on the US Today show if the film made fun of fat people. 'No. I wouldn't have done it if that was the intention. You know, and I, I was concerned, I thought, 'Well is this going to be — is this going to be making fun of, of heavier people?' 'But it really doesn't. I mean — and actually the film is really — it ends up being a love letter to, to people who are overweight. 'It's like finally a film for people who are overweight, and, and,and it's — it's really a love letter,'she said. In an interview with Entertainment Tonight, she said, 'I got a real sense of what it would be like to be that overweight, and every pretty girl should be forced to do that.' Gwyneth had never seen the movie as mocking fat people and was disappointed that it hadn't ended up being her Charlie's Angels, though it was commercially successful. (Angels earned around $120 million more on the same budget.) But the backlash didn't seem to bother her all that much. She simply moved on to her next project.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store