
Italy's Milan hosts festival of Arabic Language and Culture
Held under the theme 'The migrating tongue: Arabic without borders,' the four-day event showcases the language's worldwide influence, uniting 30 scholars, authors, and intellectuals from 18 nations to celebrate its role as a cultural bridge and a medium fostering cross-border dialogue.
Organised by the Arabic Cultural Institute at the Catholic University of the Sacred Heart, in collaboration with the Arabic Language Research Center, the 2025 edition of the festival launched with key figures including Ahmed Bin Rakkad Al Ameri, CEO of the SBA; Professor Giovanni Gobber, Dean of Linguistic Sciences and Foreign Literatures; and Professor Wael Farouq, the Institute's Director and the event's academic coordinator.
Bringing together a distinguished group of literary and cultural figures from the Arab diaspora, the guests include Libyan author Ibrahim Al-Koni; Iraqi writers Sinan Antoon and Inaam Kachachi; Egyptian authors Ezzat El Kamhawi and May Telmissany; and Yemeni novelist Ali Al-Muqri.
It also features leading experts in Arabic linguistics and language education, including Dr Mohamed Safi Al Mosteghanemi, Secretary-General of the Arabic Language Academy in Sharjah; and Zeinab Taha, Professor and Chairperson of the Arabic Language and Linguistics at the American University in Cairo. Adding further depth to the programme are acclaimed theatre directors and playwrights, including Ahmed Fawzi Saleh and Saleh Zamanan, as well as prominent literary critics and academics, including Francesca Corrao, Professor of Arabic Culture and Language at Luiss University Rome, and renowned literary critic, Subhi Hadidi.
During his keynote speech, Al Ameri delivered greetings from His Highness Dr Sheikh Sultan Bin Mohammed Al Qasimi, Supreme Council Member and Ruler of Sharjah, to the attendees.
He noted that the festival's theme underscores Arabic's timeless journey as a language anchored in its origins yet fundamental in shaping global civilisation, channelling knowledge and scientific thought from East to West, and from the Arabian Peninsula across Europe.
'As we gather today, we are reminded of a journey that began more than a thousand years ago, when the physician Constantine the African travelled to Italy carrying Arabic medical texts. This marked the beginning of a new chapter, where Arabic became a gateway to previously unknown sciences. That legacy continues to this day, embodied in the vision of His Highness the Ruler of Sharjah, who consistently affirms that language is not just a means of communication, but a vessel of culture and a bridge to mutual understanding,' Al Ameri stated.
'His Highness's commitment to Arabic is a firmly held belief, reflected in ongoing cultural projects that promote both the language and global engagement. SBA's festival sponsorship continues that vision, which sees cultural exchange as essential to progress. In Sharjah, we believe that civilisation is not the product of one language or one place, but a collective human achievement, shaped and sustained by diverse peoples, languages, and ideas,' the SBA CEO noted.
For his part, Dr. Wael Farouq said: 'We are witnessing a new phase in the journey of the Arabic language as it moves beyond its traditional geographic and cultural boundaries. This development merits thoughtful examination, which is why the Institute of Arabic Culture has dedicated this year's conference to bringing together a distinguished group of Arab and Western intellectuals and academics to explore the phenomenon.'
He continued by saying, 'Over the past two decades, rising migration from the Arab world to the West has reshaped the relationship between the two cultures. Arabic language and literature occupy a more central role, with millions of migrants becoming bilingual and many Arab writers in the diaspora producing works in European languages. This has given rise to a new wave of diaspora literature, reminiscent of the early 20th century. At the same time, we are seeing significant growth in teaching modern Arabic and studying its contemporary literature at universities across the West.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Gulf Today
a day ago
- Gulf Today
11th edition of Dubai Design Week takes stage on November 4-9 at d3
Dubai Design Week (DDW) will celebrate its 11th edition from November 4-9 under the patronage of Sheikha Latifa bint Mohammed bin Rashid Al Maktoum, Chairperson of Dubai Culture & Arts Authority (Dubai Culture) and member of Dubai Council. The region's leading design festival and an annual celebration of creativity and culture, DDW is held in strategic partnership with Dubai Design District (d3), a member of TECOM Group PJSC, and supported by Dubai Culture. DDW 2025 coincides with the UAE's 'Year of Community'; this year's programme therefore reflects the theme through a focus on social cohesion, participation and shared experiences. Design will be explored not only as a practice of innovation, but as a social connector and as a civic and cultural tool that can shape how we live together, communicate, and build caring systems. Since 2015, DDW has grown into a global platform with an emphasis on cross-cultural exchange and on amplifying voices from West and South Asia, as well as the wider Global South (encompassing countries in Africa, Latin America, most of Asia and Oceania). Through exhibitions, fairs, large-scale installations, talks and workshops, the festival engages with contemporary narratives, creating a space for dialogue, experimentation and progress, harnessing its position as a regional melting pot and creative hub. Welcoming designs at Dubai Design Week. Key venues are located across d3, the global creative ecosystem dedicated to design, fashion, architecture and art. This year's highlights include Urban Commissions, DDW's annual competition, open to proposals from global practices, giving international architects and designers an opportunity to shape public spaces through community-driven design. Under the theme 'Courtyard', Urban Commissions calls on practitioners to reflect on a shared spatial form and explore its multifaceted role as a gathering place and community-led urban infrastructure. Abwab, meaning 'doors' in Arabic, is a long-running feature at DDW. Newly expanded to welcome applicants from across West, South and East Asia, as well as the African continent which are often unrepresented or unrepresented on global platforms, this year's theme, 'In the Details', invites practitioners to create immersive spatial experiences, engaging with historic cultural forms. Exhibitions serve as a platform for cultural organisations, educational institutions, collectives and individual designers to express cultural, social and environmental perspectives, showcasing cutting-edge design solutions across disciplines. Linda Nieuwstad's floral installation. Outdoor installations from designers, architects, collectives, creative practitioners, and design-led brands, will explore design's potential to foster inclusive, community-focused environments through the use of sustainable and socially responsible methods and materials. The festival's programme of workshops will be held at Maker Space, offering visitors of all ages and skill levels the opportunity to engage and experiment with a diverse range of artistic mediums. Alongside, the activations programme will unveil innovative and immersive projects, cross-disciplinary collaborations, pop-ups, and special presentations. Marketplace offers a curated retail experience featuring high-quality and original products by the region's best artisans, entrepreneurs and small businesses, alongside food experiences, children's activities and live performances. Downtown Design, the Middle East's leading fair for high-quality and contemporary design, returns to the d3 Waterfront Terrace (November 5-9), showcasing the latest collections and design innovations from around the world. Returning exhibitors including Lasvit, Kartell, Poltrona Frau, Obegi Home, Venini, and Vitra will present new concepts alongside new participants Roche Bobois, Stellar Works, FRAMA, Porada and Desalto. Designer duo Draga & Aurel will present a solo exhibition for Collectional, and French designer Stephanie Coutas will showcase high-end interiors and collectible design pieces. The fair will feature experiential concepts and immersive installations including the Solaire Lounge by Veuve Clicquot and a pop-up collaboration between Buccellati and design studio david/Nicolas. The Forum returns with live talks and keynotes, headlined by Tom Dixon, who makes his Dubai debut. Installations at Dubai Design Week, 2024. At the heart of Downtown Design, the UAE Designer Exhibition, supported by Dubai Culture, returns with an evolved format after five editions, expanding mentorship for emerging creatives and international showcase opportunities. Following a successful debut in 2024, Editions, the region's first fair dedicated to limited-edition art and design, will take place November 6-9, with a preview on November 5, at the d3 Waterfront Terrace. It will showcase 50 local and international galleries, design studios and collectives across a diverse range of mediums including artist multiples, ceramics, photography, works on paper, prints, editions, and contemporary design. The 2025 d3 Architecture Exhibition, organised by d3 in partnership with Royal Institute of British Architects (RIBA) aligns with DDW's theme in response to the UAE's 'Year of Community' initiative and will take place in a dedicated space in the creative district. Rooted in the UAE's values of resilience, ambition and openness, the Year of Community is dedicated to fostering a united and empowered society, aiming to strengthen family and social ties and unlock potential for sustainable growth. A scene from Dubai Design Week 2024. Reflecting Dubai's position as the design capital of the Middle East, DDW's varied programmes which include installations, new commissions, exhibitions, talks, workshops, a marketplace, the leading fair for contemporary design, Downtown Design and the Middle East's first limited-edition art and design fair, Editions, will enhance Dubai's position as a global centre for culture, an incubator for creativity, and a thriving hub for talent. Dubai Design District (d3), a member of TECOM Group PJSC, is a global creative ecosystem dedicated to design, fashion, architecture and art, offering a variety of multi-brand boutiques, fashion brands, and art and design studios. Dubai Culture is committed to enriching Dubai's cultural ecology based on the UAE's heritage, and builds bridges of constructive dialogue between various cultures.

The National
a day ago
- The National
Ziad Rahbani, 'voice of Lebanon's soul', dies at 69: Tributes pour in for beloved composer
Ziad Rahbani, a Lebanese composer, playwright and political commentator known for his influential role in Arabic theatre and music, has died aged 69. The cause of death has yet to be announced. The son of renowned singer Fairouz and late composer Assi Rahbani, Ziad Rahbani is widely regarded as one of the most distinctive creative voices to emerge from Lebanon in the past five decades. Toufic Maatouk, Lebanese composer and musicologist, told The National: 'Ziad Rahbani's music is a voice carved from Lebanon's soul. He called it 'oriental jazz,' but it was more – a fusion of Arabic melodies, funk, and jazz that sounded unmistakably Lebanese. Each note carried Beirut's chaos, warmth, and wit. Ziad's artistry wasn't imitation, it was invention, born from home.' Rahbani rose to prominence during the Lebanese Civil War through a series of acclaimed plays and musical works that combined colloquial Lebanese dialogue, jazz and classical Arabic music with political and social critique. He was born in Beirut in 1956 into one of the Arab world's most prominent musical families. He began his professional career at an early age, composing Saalouni El Nass in 1973, which Fairouz performed during a period when Assi Rahbani was recovering from a stroke. In the years that followed, Ziad Rahbani established himself as an important figure in Beirut's cultural scene. His early theatre productions including Nazl El-Sourour explored themes of civil conflict, sectarianism and everyday life in Lebanon with a satirical and often provocative tone. Rahbani was an outspoken political commentator, often expressing support for leftist movements and criticising the Lebanese political establishment. While his views were often polarising, he remained a leading voice in regional cultural and political discourse. In addition to his theatre work, Rahbani continued to compose music throughout his career, including a number of collaborations with his mother, in the 1980s. Albums such as Maarifti Feek and Wahdon introduced lyrical and musical directions for the celebrated musician, often reflecting more personal or socially conscious themes. Although he gave few interviews in his later years, Rahbani continued to perform live, frequently mixing music with political commentary during his concerts. His influence extends to several generations of Arab musicians, writers and performers. In recent years, the rise of the Habibi funk movement has won Rahbani fans around the world, with albums including Houdou Nisbi, Amrak Seedna & Abtal Wa Harameyah and Bennesbeh Labokra … Chou? reissued internationally on vinyl to great acclaim. Arab musicians pay tribute to Ziad Rahbani Lebanese musician Tania Saleh, considered one of the founding voices of the country's independent music culture, says that Rahbani is the true architect of the scene. 'Some people like to think the indie scene started with us. I don't think so. I believe it started with him, because he was already independent – from his family, from the Lebanese music scene, and even from the larger Arab world. His influences came from everywhere. He was the true first,' says Salah. Mayssa Karaa, singer and artistic director of Berklee Abu Dhabi, said that Rahbani's current influence extended far beyond his artistic output. 'Ziad Rahbani was more than just a musician; he was a voice, a mirror, and a pulse for Lebanon,' said Kara. 'He taught generations how to speak the truth through music, no matter how uncomfortable that truth was. His art was always based on his deep love for his country and its people, and this love shaped every lyric, melody, and story he told. 'People of all ages, classes, and faiths could relate to Ziad's music because it was so real. As a musician, he broke all the rules and didn't follow trends or fit into moulds, carving out a path that countless artists, including myself, have drawn inspiration from. He showed us that music could be both heartbreaking and full of humour,' Karaa says. 'Ziad, rest in music. Your music, your words, and your spirit will always live on in the hearts of the people of Lebanon. Without you, we might not even know what Lebanon means, but maybe that's the beauty of your legacy: you've become part of the country's very definition.' Emirati composer Ihab Darwish says: 'For us, this is a tragedy. It feels like we've lost one of the most iconic musicians in the Arab world. 'While I never met him, I consider him one of my idols. He taught me a lot about blending different genres. He also clearly has a storytelling style that is very similar to mine – ensuring that music has a narrative and theme.' Lebanon's political figures mourn late Lebanese composer Lebanon's President Joseph Aoun expressed his sorrow over the death of Rahbani. "Ziad Rahbani was not just an artist; he was an integrated intellectual and cultural figure. Moreover, he was a living conscience, a rebellious voice against injustice, and an honest mirror for those who suffered and were marginalised. He wrote about people's pain and played on the strings of truth, without ambiguity," Mr Aoun said in a statement. "Through his purposeful theatre and his music, ignited with infinite creativity between classical, jazz, and oriental music, he presented a unique artistic vision and opened new windows of Lebanese cultural expression, reaching the international level and creating masterpieces." "Ziad was a natural extension of the Rahbani family, which has given Lebanon so much beauty and dignity. He is the son of the creative Assi Rahbani and Fairouz, our ambassador to the stars, to whom we extend our sincere condolences today. Our hearts are with her in this huge loss, sharing with her the pain of losing someone who was more than a support to her. We also offer our condolences to the esteemed Rahbani family on this great loss," Mr Aoun continued. "Ziad's many distinguished works will remain alive in the memory of the Lebanese and Arabs, inspiring future generations and reminding them that art can be an act of resistance, and that words can be a stance. May Ziad Rahbani rest in peace, and may his music and plays, vibrant with memory and life, remain a beacon of freedom and a call for human dignity." Ghassan Salame, Lebanon's Culture Minister, said in a statement: "We dreaded this day, as we knew his health was deteriorating and his desire for treatment was diminishing. Plans to treat him in Lebanon or abroad had become obsolete, as Ziad no longer had the capacity to imagine the necessary treatment and surgeries. May God have mercy on artist Rahbani. We will mourn him by singing his immortal songs." Lebanon's Parliament Speaker Nabih Berri said: "Lebanon without Ziad - the melody is sad, the words are broken, and the black curtain falls on an immortal Rahbani humanitarian, cultural, artistic, and patriotic chapter."


Middle East Eye
2 days ago
- Middle East Eye
Ziad Rahbani, icon of Lebanese music and theatre, dies at 69
Ziad Rahbani, one of Lebanon's most influential cultural figures and the son of Arab music legend Fairuz, has died at the age of 69. A playwright, composer, and political commentator, Rahbani shaped the landscape of Lebanese theatre and music with his biting wit, leftist and secular politics, and sharp portrayals of his country's fractured society. "On Saturday at 9:00 am [6am GMT], the heart of the great artist and creator Ziad Rahbani stopped beating," said a statement from the Beirut hospital where the artist, who has long suffered from health problems, was being treated. The son of Fairuz, who turned 90 last year, and the late composer Assi Rahbani, Ziad first rose to prominence in the 1970s. He broke away from the romanticism of his parents' work to create art rooted in social critique and everyday struggles. Tributes poured in for the enfant terrible of Lebanese music, whose theatre productions and songs left an enduring mark on generations of Lebanese - many of whom know his lyrics and playscripts by heart. New MEE newsletter: Jerusalem Dispatch Sign up to get the latest insights and analysis on Israel-Palestine, alongside Turkey Unpacked and other MEE newsletters Rahbani was a versatile composer and a pioneer of oriental jazz. He mixed traditional Arabic melodies with jazz, funk and classical influences, creating a unique and instantly recognisable sound. Rahbani composed for Fairuz in her later years, bringing political depth to her repertoire. Throughout Lebanon's civil war (1975-1990) and in the decades that followed, Rahbani's plays became spaces where Lebanese audiences confronted their harsh realities. He often highlighted the hardships of Lebanon's working class. His characters were disillusioned citizens, ex-revolutionaries or everyday people caught in the complexities of Lebanon's political and sectarian struggles. Lebanese diva Fairuz talks to her son, Ziad Rahbani, and Armenian conductor Karen Durgarian during rehearsals prior to their concert in Dubai on 23 January 2003 (AFP) One of his most influential plays, Nazl el-Sourour (Happiness Hotel), is a political satire set in a run-down hotel, where two laid-off workers take the guests hostage in a failed attempt at revolution. Through humour and absurdity, the play critiques class divisions and the hollowness of political slogans in pre-war Lebanon. Another one of his landmark works, the 1980 production Film Ameriki Tawil (A Long American Film), is a satirical portrayal of the civil war, set in an asylum where the patients represent different segments of society. Rahbani articulated a collective frustration and longing for change. For many in Lebanon and across the Arab world, his death marks the loss of a singular voice that never stopped asking uncomfortable questions.