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Malcolm Jamal-Warner Drowning Death: Second Swimmer Survived Ordeal

Malcolm Jamal-Warner Drowning Death: Second Swimmer Survived Ordeal

Yahoo5 hours ago
First responders in Costa Rica managed to revive a second swimmer in distress on Sunday using CPR, but were unable to save the life of The Cosby Show star Malcolm-Jamal Warner, The Hollywood Reporter has confirmed.
A statement from the Red Cross in the Latin American country says first responders received word on Sunday at 2:10 p.m. that two male swimmers required emergency treatment due to a 'water-related incident' at Playa Grande, Cahuita, Limon.
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Three ambulances immediately rushed to the oceanside beach and emergency personnel attended to two adult male patients. Paramedics using CPR managed to revive one of the swimmers, who was transported in 'critical condition' to a local clinic in Limon, according to the Red Cross.
But CPR performed on a second swimmer, who turned out to be Warner, did not succeed and 'he was unfortunately declared deceased at the scene,' the statement said.
The first responders then turned the scene over to Costa Rican police authorities 'for the appropriate legal procedures.' The late Emmy-nominated actor and director, who played Theo Huxtable on the long-running Bill Cosby comedy, has received a slew of tributes from the entertainment industry following news of his accidental drowning.
High-profile figures that have remembered Warner include Questlove, Tracee Ellis Ross, Magic Johnson, Jamie Foxx, Taraji P. Henson, Ben Crump, Atlanta Senator Raphael Warnock and musician Maxwell.
Costa Rican National Police earlier declared Warner died from asphyxia after getting caught by a strong ocean current just off a beach in Limon. His body was formally identified by the authorities.
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Malcolm Jamal-Warner Drowning Death: Second Swimmer Survived Ordeal
Malcolm Jamal-Warner Drowning Death: Second Swimmer Survived Ordeal

Yahoo

time5 hours ago

  • Yahoo

Malcolm Jamal-Warner Drowning Death: Second Swimmer Survived Ordeal

First responders in Costa Rica managed to revive a second swimmer in distress on Sunday using CPR, but were unable to save the life of The Cosby Show star Malcolm-Jamal Warner, The Hollywood Reporter has confirmed. A statement from the Red Cross in the Latin American country says first responders received word on Sunday at 2:10 p.m. that two male swimmers required emergency treatment due to a 'water-related incident' at Playa Grande, Cahuita, Limon. More from The Hollywood Reporter Paramount Execs Tell Staff That Africa Offices and Channels May Close Amid Strategy Review (Exclusive) Disability Advocate, AGC Studios Boss, 'Poor Things' Producer, Berlinale Boss Set for Locarno Pro TelevisaUnivision Quarterly U.S. Ad Revenue Drops 2 Percent, Streamer ViX Tops 10M Subscribers Three ambulances immediately rushed to the oceanside beach and emergency personnel attended to two adult male patients. Paramedics using CPR managed to revive one of the swimmers, who was transported in 'critical condition' to a local clinic in Limon, according to the Red Cross. But CPR performed on a second swimmer, who turned out to be Warner, did not succeed and 'he was unfortunately declared deceased at the scene,' the statement said. The first responders then turned the scene over to Costa Rican police authorities 'for the appropriate legal procedures.' The late Emmy-nominated actor and director, who played Theo Huxtable on the long-running Bill Cosby comedy, has received a slew of tributes from the entertainment industry following news of his accidental drowning. High-profile figures that have remembered Warner include Questlove, Tracee Ellis Ross, Magic Johnson, Jamie Foxx, Taraji P. Henson, Ben Crump, Atlanta Senator Raphael Warnock and musician Maxwell. Costa Rican National Police earlier declared Warner died from asphyxia after getting caught by a strong ocean current just off a beach in Limon. His body was formally identified by the authorities. Best of The Hollywood Reporter From 'Party in the U.S.A.' to 'Born in the U.S.A.': 20 of America's Most Patriotic (and Un-Patriotic) Musical Offerings Most Anticipated Concert Tours of 2025: Beyoncé, Billie Eilish, Kendrick Lamar & SZA, Sabrina Carpenter and More Hollywood's Most Notable Deaths of 2025

Granderson: Malcolm-Jamal Warner carried a heavy load for Black America
Granderson: Malcolm-Jamal Warner carried a heavy load for Black America

Yahoo

time10 hours ago

  • Yahoo

Granderson: Malcolm-Jamal Warner carried a heavy load for Black America

There were three television characters who really mattered to me as a kid: Michael, Leroy and Theo. In elementary school, 'Good Times' was the television show that most closely resembled my family. And seeing reruns of Ralph David Carter's portrayal of a precocious young boy learning what it means to be poor, gifted and Black is what moved his Michael from fiction to family for me. By middle school, I was no longer wearing cornrows like Gene Anthony Ray, but I tried everything else to be like his character Leroy from the television show 'Fame.' For some of my classmates, the performing arts were a fun way to express themselves, and the show was inspirational. For me, it was my way out of the hood, and Leroy was the blueprint. Through the Detroit-Windsor Dance Academy, I was able to take professional dance lessons for free and ultimately earned a dance scholarship for college. But it wasn't a linear journey. Despite being gifted, I struggled academically and required summer classes to graduate from high school. That's why I connected with Theo, whose challenges in the classroom were one of the running jokes on 'The Cosby Show.' The family never gave up on him, and more importantly, he didn't stop trying. Through the jokes about his intelligence, the coming-of-age miscues (and the dyslexia diagnosis), the storylines of Theo — like those of Leroy and Michael — often reflected struggles I foolishly thought no one else was experiencing when I was growing up. It is only through distance and time are we able to see moments like those more clearly. In retrospect, the three of them were like knots I held onto on a rope I had no idea I was climbing. This is why the Black community's response to the death of Malcolm-Jamal Warner this week isn't solely rooted in nostalgia but also in gratitude. We recognize the burden he's been carrying, so that others could climb. When 'The Cosby Show' debuted in 1984, there were no other examples of a successful two-parent Black family on air. We were on television but often trauma and struggle — not love and support — were at the center of the narratives. So even though Black women had been earning law degrees since the 1800s — beginning with Charlotte E. Ray in 1872 — and Black men were becoming doctors before that, the initial response from critics was that the show's premise of a doctor-and-lawyer Black couple was not authentically Black. That narrow-minded worldview continued to hang over Hollywood despite the show's success. In 1992, after nearly 10 years of 'The Cosby Show' being No. 1 — and after the success of 'Beverly Hills Cop II' and 'Coming to America' — the Eddie Murphy-led project 'Boomerang' was panned as unrealistic because the main characters were all Black and successful. The great Murphy took on the Los Angeles Times directly in a letter for its critique on what Black excellence should look like. However, Black characters like Michael, Leroy and Theo had been taking on the media since the racist film 'The Birth of a Nation' painted all of us as threats in 1915. It could not have been easy for Warner, being the face of so much for so many at an age when a person is trying to figure out who he is. And because he was able to do so with such grace, Warner's Theo defined Blackness simply by being what the world said we were not. This sentiment is embodied in his last interview, when he answered the question of his legacy by saying: 'I will be able to leave this Earth knowing and people knowing that I was a good person.' In the end, that is ultimately what made his character, along with Leroy and Michael, so important to the Black community. It wasn't the economic circumstances or family structure of the sitcoms that they all had in common. It was their refusal to allow the ugliness of this world to tear them down. To change their hearts or turn their light into darkness. They maintained their humanity and in the process gave so many of us a foothold to keep climbing higher. YouTube: @LZGrandersonShow If it's in the news right now, the L.A. Times' Opinion section covers it. Sign up for our weekly opinion newsletter. This story originally appeared in Los Angeles Times. Solve the daily Crossword

'80s icons like Hulk Hogan are dying. Why it's affecting us so much
'80s icons like Hulk Hogan are dying. Why it's affecting us so much

Yahoo

timea day ago

  • Yahoo

'80s icons like Hulk Hogan are dying. Why it's affecting us so much

It was supposed to be the decade that never ended. But with the back-to-back-to-back deaths of 1980s icons Malcolm-Jamal Warner, Ozzy Osbourne and Hulk Hogan, it feels like Generation X is bidding a final farewell to the Decade of Decadence. The losses are feeling particularly heavy for many people because these icons were products of 'the pop culture decade … a decade unlike any other,' said Chris Clews, keynote speaker, author and '80s pop culture expert. The decade was marked by experimentation, innovation and an openness that made it possible for legendary artists to create entertainment that continues to influence pop culture today, he said. The decade was a 'glitter bomb' of 'awesome insanity' and 'larger-than-life characters.' 'They were able to flourish in that decade because there was just this incredible creativity that was happening and people were being who they really wanted to be almost for the first time,' said Clews, who wrote 'Raised on the '80s: 30+ Unexpected Life Lessons from the Movies and Music That Defined Pop Culture's Most Excellent Decade).' Grief is different for everyone, and experts say mourning someone you didn't personally know − a phenomenon called collective or public grief − is a complicated, yet valid, experience. "Collective and public grief, as I call it, is always unique in how we attach," David Kessler, grief expert and founder of previously told USA TODAY. This form of grief can be further compounded when hearing unexpected news of the death of a beloved public figure. It can feel unexpected because we tend to remember people as they were in their prime and compartmentalize them that way in our minds, Clews said. To him, Hogan will always be 'hulking up' during "Saturday Night's Main Event," and Osbourne will always be performing alongside the late, great guitarist Randy Rhoads. 'We think they're never going to die because we don't recognize they're aging,' he said. 'They were in their 20s and 30s and we kind of get stuck with thinking they're always going to be that age.' Suzanne Somers: Why it's OK to grieve as a fan It's also how we tend to think about ourselves, Clews added. As he mourns for these pop culture icons, he also mourns his youth. 'With somebody like Hulk Hogan or Malcolm-Jamal Warner or Ozzy, I immediately go back to a moment in my youth where I remember seeing them or hearing them for the first time,' he said. 'And it suddenly makes me realize that was a long time ago.' The '80s are having a rough week, Clews said. But he encourages his fellow Gen Xers to take advantage of modern streaming services and revisit some of their favorite movies or music from the decade. 'Be thankful you were here to see them and appreciate the people that have the incredible talent to inspire you, to entertain you and to bring you joy at times when you really need it because all three of them (Warner, Osbourne and Hogan) have done just that,' he said. Adrianna Rodriguez is a Millennial (sadly) who can be reached at adrodriguez@ This article originally appeared on USA TODAY: Hulk Hogan, Ozzy Osbourne: Why saying goodbye to the '80s is so hard

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