
Relooted Is a Heist Game About Returning African Artifacts to Their Home Countries
One of last year's biggest games, Indiana Jones and the Great Circle, revived a hero from a bygone era -- known for retrieving precious artifacts and delivering them to Western museums. At Summer Game Fest, I got to try a game that flips this script. Relooted is all about a team of African specialists liberating artifacts from museums to bring them back to their home countries.
Relooted is a 2D puzzle-platformer which tasks players to pull off increasingly complex heists. There's a basic loop of planning -- entering a museum after hours to prepare an escape route and then picking up the artifact -- which triggers a mad dash to the exit (in my demo, a van waiting to spirit my character away).
"The vision was making a really fun heist game that is also an invitation to learn about African culture, history, ethnicities and countries, as well as learn about these real-life artifacts that exist in Western museums," said Ben Myres, creative director on Relooted and co-founder of Nyamakop, a game studio in Johannesburg, South Africa.
Returning art and artifacts back to their countries of origin has been a huge conversation in Africa for a long time, Myres noted. He first came up with the idea for Relooted during a family trip to London in late 2017, when his mother spent a day at the British Museum and was shocked to find the Nereid Monument -- a fourth-century BCE structure taken from modern-day Turkey in the 1800s. Furious, she told Myres to make a game out of returning something like the Nereid Monument -- and though extracting entire buildings proved difficult to adapt, Nyamakop dialed the scope down to repatriating artifacts and art pieces.
Relooted isn't exactly anti-Tomb Raider or anti-Indiana Jones, Myres clarified, since those heroes often take artifacts from long-lost cultures. In contrast, Relooted includes artifacts taken from living civilizations -- including ones with royal lineages that still exist today. Nyamakop uses real African artifacts, many of which are present in Western museums, in the game as a cool way for players to play out the fantasy of returning them.
"There are artifacts in this game that you can go see in the Met Museum in New York," Myres said -- including the Dahome silver buffalo.
Nyamakop
One artifact in the game highlights the injustice Myres and Nyamakop want players to help set right. The Pokomo people of Kenya once used a massive, sacred drum -- the Ngadji -- to gather the community and celebrate the enthronement of a new king. Believed to have been destroyed in 1910, the drum was actually taken years earlier by the British and now sits locked in a storeroom at the British Museum (presumably this item), according to Open Restitution Africa. The first Kenyan person to see it in a hundred years was the Pokomo prince in 2016, but there's no indication it will be returned to its people.
Relooted's rescues focus on artifacts that likewise are locked away in museums and private collections, which aren't even presented publicly for their people to visit.
Nyamakop is a diverse studio, and the Relooted team is entirely African -- with a dozen members from countries including Zambia, Zimbabwe, Nigeria, Ghana and others. Myres, who hails from South Africa, acknowledged the complexity of being a white man working on a game about rescuing African artifacts -- which itself reflects the rich historical complications that Relooted is designed to help players understand.
At Summer Game Fest, Nyamakop creative director Ben Myres demoed Relooted to attendees.
David Lumb/CNET
"In terms of being a white guy working on this, it wasn't Black people who stole artifacts at the end of the day. If you make it a Black person problem, you sort of wash your hands of essentially what Europe and the US and your ancestors did in terms of the repatriation of these artifacts," Myres said. "So these artifacts are cool and important and interesting, and I also think it's our shared responsibility to repatriate them to where they belong."
Myres presented the game solo at Summer Games Fest, after another Relooted team member was denied a visa over immigration concerns, as Aftermath reported.
Nyamakop
I'm putting a team together: Art heists in Relooted
The game's creators set out to create a team of specialists that each have a role in Relooted's heists. Every member is from a different country, region and ethnicity based on heist archetypes, Myres said, and players will acquire new members based on specific needs for the next job. But making a heist game was a challenge to design.
"There's not a lot of great gameplay reference for non-violent heist games in the vein of films like Ocean's 11," Myres said. "The really great heist films aren't always that violent. There's these plans that go off without a hitch, and so trying to figure out how to do that gameplay was really, really tricky."
Few games resembled what Nyamakop aimed to create, though the team drew inspiration from sources as far afield as the parkour movement in Mirror's Edge and the TV show Leverage -- one of the few heist stories that isn't just about stealing money. They found inspiration in Teardown, a 2022 physics-based destruction game where players have unlimited time to plan, but once the action begins, a countdown starts -- a gameplay loop they saw as a perfect fit for their own project.
"Specifically we wanted to make it feel like you're in a heist montage for a movie of your own plan," Myres said.
Put simply, every level is made up of five to 15 simple puzzles that you have to pre-plan solutions for to escape. You're essentially removing resistance, Myres said. The game places as much importance on planning a route as it does executing it in a parkour-heavy rush to escape.
"Every level is like a broken Rube Goldberg machine that you have to solve so you can flow through it," Myres said.
Nyamakop
Some of those solutions involve gadgets from the near-future, and I asked if that would qualify the game as being Afrofuturist, a science fiction subgenre encompassing works from Sun Ra to Octavia Butler to Marvel's Black Panther. But as Myres pointed out, Afrofuturism is a collage of African cultural references in a made-up place or invented country (like Wakanda).
Instead, Relooted is African Futurism, which deals in real people, places and cultures set in the future. The between-missions hideout lies in a Johannesburg 80 years in the future, and other countries in Africa are realistically represented. In a twist on the Western habit of using monolithic stand-ins for Asia and Africa, in Relooted you can visit parodies of Europe and America, called the Old World and the Shiny Place, respectively.
"Often when Africa is represented, you see it either in the past as very tribal, or as three mud huts and someone that needs to be saved," Myres said. "Africans don't get to see themselves set in the future. They don't get to dream and imagine a utopia. So this is one of the few examples of real places in Africa imagined in the future."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
3 hours ago
- Yahoo
Setchu Spring 2026: Snaps and Crafts
After his first runway show at Pitti Uomo in January, Japanese designer Satoshi Kuwata was excited by the format and so he staged his Milan runway debut on Friday. His transformative, functional fashions — largely relying on tailoring and utilitarian pieces morphing shape and fit via a profuse use of zippers, snap buttons and buttons — was refreshed with crafty flourishes for the occasion. Some charming, some too gimmicky, sculpted bodices and skirts, as well as wide-brimmed hats and baskets, accessorized Kuwata's looks. More from WWD Naomi Campbell to Join Third Black Carpet Awards as Godmother in September Mitchells Hosts Top Italian CEOs for Celebratory Dinner in Milan Prada Goes Viral With Toe-ring Sandals Resembling India's Traditional Kolhapuri Chappals The wavy, palm-weaving technique that informed these pieces was a central theme, as it both expressed Kuwata's penchant for building bridges between cultures and nodded to the starting point of his creative process — a recent trip to Victoria Falls in Zimbabwe. An avid fisherman, the 2023 LVMH Prize for Young Designers winner might originally have planned his journey to chase tiger fish, but he ended up catching much more. Kuwata had the opportunity to collaborate with local tribes, discovering their craft and creating the woven pieces, also thanks to a little help from LVMH Métiers d'Art, which supports local craftsmanship through initiatives such as the Jafuta Foudation and Batoka Creatives. '[The technique] is based on how the weaver feels in that second, not an order you follow, so they make a unique organic shape,' said Kuwata, underscoring the affinity with a practice in his homeland, too. Overall, he said that observing Zimbabwe's natural landscape and local culture 'especially the way people instinctively mold and wrap clothing around the body, sparked new ideas about primal dressing. The pureness of intent and the timelessness of these gestures are what tie Africa and Japan together.' He channeled that instinctive approach in the lineup via tops and shirts with sleeves wrapped around the neckline to create a draped effect or way-too-oversize denim and cargo pants held only by a thin strap in hanging low on the hips. He addressed the colors and misty mood of the falls and nature with transparencies, lightweight dresses and flimsy little frocks, and these looks — mainly women's — were seen alongside his take on utility and sartorial constructions. A series of field jackets featuring handles in the collar and enabling wearers to carry them as totes was among the highlights of the collection. 'I like the idea of something timeless, yet you can enjoy every time you transform into something,' Kuwata said. 'I'm not famous, I think I can do whatever I want. Not many people know exactly what I am, so I'm just trying to be who I am.' Launch Gallery: Setchu Spring 2026 Ready-to-Wear Collection Best of WWD Windowsen RTW Spring 2022 Louis Shengtao Chen RTW Spring 2022 Vegan Fashion Week Returns to L.A. With Nous Etudions, Vegan Tiger on the Runway


New York Times
4 hours ago
- New York Times
Richly Imagined New Historical Fiction
Sing to Me Ever since their exploits were recorded in Homeric Greek, the warriors of the 'Iliad' have been fixtures of our cultural heritage. But in his latest novel, Browner prefers to focus on the unknown lives that were lost on the fringes of the Trojan War, on the damage years of fighting left behind. SING TO ME (Little, Brown, 213 pp., $28) takes place in an apocalyptic landscape of scorched fields and abandoned villages. Its hero is an 11-year-old boy who finds himself alone on the family farm with only a donkey for company. Setting off in search of his father and 6-year-old sister, long overdue after a desperate trek to the markets of the nearby city, Hani heads for 'the road everyone takes before they don't come back.' What he finds at its end is a vast smoldering ruin, abandoned by both its defenders and its attackers — except for one severely wounded Greek. An innocent confronted with unspeakable destruction, Hani struggles to understand what the future holds and what his place in it might look like. 'Now,' he thinks to himself, 'the only combatants left are a dying soldier and a boy with a sling. Is this what people mean when they talk about peace? Maybe peace is just war taking a rest.' The Rarest Fruit The island of Réunion, a French territory off the east coast of Africa, is known for its vanilla. Less well known is the story of the illiterate enslaved boy who figured out how to hand-pollinate vanilla orchids, allowing the wider world to experience a flavor that had been lost since the 16th century, when the Aztec empire was destroyed by the Spanish. Edmond Albius made his discovery in 1841, when he was only 12 years old. It was, as Bélem notes in THE RAREST FRUIT (Europa, 189 pp., $24), just one act in the 'tragicomedy' of a Black child adopted, then exploited, abandoned and finally rescued in adulthood by the white planter whose horticultural knowledge he absorbed without benefit of formal schooling. Told he must be content with toiling as a gardener rather than studying to be a botanist, Edmond 'makes do with what he has and what people deign to give him.' Translated from the French by Hildegarde Serle, Bélem's fictional account of Edmond's experiences is also an ironic portrait of a society in which the official abolition of slavery does little to improve the lives of the formerly enslaved: 'They were running toward freedom as if plowing headlong into a wall, Edmond first among them.' Want all of The Times? Subscribe.


News24
5 hours ago
- News24
Multi-lingual and relatable: 10 memorable roles played by late Meme Ditshego
The death of veteran actor Meme Ditshego left the country in a sombre mood on Thursday as many, in tribute, spoke of her kind heart and her ability to bring relatable characters to life. The actor died on the evening of 25 June 2025, aged 60. Like many of the stars of her generation in the acting industry, Ditshego started her career in township theatre. Born in 1965, the actor paid her dues on theatre stages in plays such as Antigone in the 80's and participated in school theatre outreach programmes. Her TV debut arrived in 1997 through SABC 2's Afrikaans drama series Sterk Skemer, where she played the role of Elsie. The actor would go on to deliver performances that transcended language, race or culture. Though many may know Ditshego for her role as overbearing mother Josephine Ratau on SABC 2's Ga Re Dumele, the actor has also appeared in multiple popular productions that aired on SABC, Netflix, Showmax, DsTV, Etv, and many other platforms. Ditshego played Josephine for six years, earning her a Best Actress Golden Horn trophy at the South African Film and TV Awards (Saftas) in 2012 and a nomination for a Safta in the same category in 2014. The multilingual thespian is among the actors who were well-rounded in their skills because though Ditshego excelled in comedic roles, thanks to her great comedic timing and natural delivery of punchlines, she delivered in an equally believable manner when bringing more serious characters to life. The actor lived a relatively private life but never failed to bring her A-game regarding her craft. Even if Josephine, her super popular character, failed to grab your attention, you've probably seen Ditshego in her element as one or two of the roles below: Here are her top 10 roles played by Ditshego - in no particular order: Josephine in Ga Re Dumele Joyce Mlambo in The Coconuts Ma Thandi in Soul Buddyz Elsie in Sterk Skemer Gladys in Jozi-H Ausi Ntsoaki in Muvhango Patricia on Skeem Saam Evelina in 7de Laan Dr Machaka in Broken Vows Mam' Daphne in Love, Sex and 30 Candles.