Pusha T Shares First Look at Clipse x adidas Samba Collaboration
Clipseandadidascould have a collaborativeSambamodel on the way.
Pusha Ttook to his Instagram Stories to share a first look at their upcoming iteration, writing a short caption with 'snow' emojis. The silhouette features an off-white leather base with soft gray leather overlays that offer a complementing hue.
The brand's iconic Three Stripes panel insignia arrives in white, while a stamped adidas x Clipse branding is visible on the ankle. Underneath the elongated striped tongue is a boxed logo bearing the word 'Thorn' — likely a nod to his andMalice's last name of Thornton. The sneaker rests on a white midsole and outsole, and tied together with white laces.
No additional details, including a possible release date, were revealed.
Check out the shoe above and stay tuned for more details. Clipse'sLet God Sort Em Out— their first studio effort in 16 years — drops July 11.
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Joan Baez began Live Aid in Philadelphia with, 'Children of the '80s, this is your Woodstock,' but Graham Nash, who also performed at both concerts, drew a stark contrast between them. 'There was a feeling at Woodstock that we weren't alone,' says Nash, who walked away with the day's dressing trailer assignment chart as a souvenir (and still has it). 'Yeah, we knew that Richard Nixon was crazy, that his administration was corrupt. But when we were at Woodstock we realized that here's almost a half a million kids that felt the same way we did. There was a certain amount of that in Philadelphia, but not as much as Woodstock. It was a different purpose.' Meeting Baez was a personal highlight for Rob Halford of Judas Priest, who had covered her 'Diamonds & Rust' in 1977. 'She was very cool,' remembers Halford, who watched part of the show with the rest of the crowd on the JFK field. 'I was sh-tting myself. I'd just got a Budweiser and a cigarette and I see this lady getting closer and closer — 'Omigod, that's Joan Baez!' My immediate thought was, oh, Christ, she's gonna go, 'You massacred my song' but she comes up and we had a hug and she said, 'I just want to tell you my son said, 'If you see anybody from Judas Priest, can you tell them I prefer their version of 'Diamonds & Rust?'' I just thought, how sweet she is, so beautiful and self-effacing. It was a great moment.' Sting's Live Aid performance came less than a month after the release of his first solo album, The Dream of the Blue Turtles, and found him trading off songs with Collins during a stripped-down set that also included Blue Turtles collaborator Branford Marsalis, who was part that project. 'It was pretty easy,' recalls Sting, who rehearsed with Collins via phone. 'We know our songs. I like the idea of the impromptu. It was completely the opposite of what Queen did, which was staggering and wonderful and crystal clear. But we were, in the spirit of the original Band Aid record, kind of amateurish and thrown together — genuine passion, but not particularly polished. It was good to get it over with and just enjoy the show.' Tom Petty and the Heartbreakers were among the Live Aid bands on tour at the time, fitting it in between Southern Accents Tour stops in Florida and New York. 'That was overwhelming. I felt very honored we were part of it,' says guitarist Mike Campbell. 'Backstage there was this tent with (Bob) Dylan and Keith Richards and Ronnie Wood, and this tent over here was Jimmy Page and his entourage. And then Madonna had a tent in another area and she came marching over and wanted to be in our camp but there was no room for her, so she had to go back to her area. But we had all cool people in our spot.' Nash also had a Madonna moment. While standing with emcee Jack Nicholson backstage when Madonna and then-husband Sean Penn were approaching, 'This roadie says, 'Look the other way, look the other way.' And me and Jack said, 'What?!' (laughs) Yeah, look the other way. Sure.' Simple Minds frontman Jim Kerr, who was married to Pretenders' Chrissie Hynde at the time, had a more pleasant encounter, however. 'We were in our dressing room/cabin or whatever,' he says, 'and we heard this voice from behind us, this Glasgow accent, and we turn around and it's Sean Penn! He had just studied a Glaswegian play and had been practicing the accent — which is a very hard thing to get — and had it down. We became friends that day and hung out and all that.' Kerr, whose band was riding high on the Billboard Hot 100-topping success of its The Breakfast Club hit 'Don't You (Forget About Me),' adds that while he and his mates 'knew it was a big deal' to be part of Live Aid, 'it didn't feel mind-blowing, as you think of it now. We turned up and played; that's what we do. We didn't think 40 years later we'd be looking on it like this. If we had thought about that I'm sure we would've been beside ourselves with nerves, but I don't recall that on the day.' For Geldof, meanwhile, playing early at Wembley with the Boomtown Rats — declaring 'I just realized today is the best day of my life' — 'was the only time of the day I felt relaxed. Walking on stage, I was perfectly at home, 'cause that was my job. This is what I do. But about halfway through our set I realize, 'No, no, this isn't a huge crowd — dude, this is everybody! F—k!' So that pulled me up short. That was the only time I felt, I suppose, what everybody felt.' (Geldof will play a dozen U.K. shows celebrating the Rats' 50th anniversary this October and November.) Four decades later the world is still feeling it. The Band Aid Charitable Trust is continuing its efforts (donations can be made to Twenty years after Live Aid, Geldof and company put on Live 8, a series of eight global concerts in front of the 2005 G8 Summit in Scotland that he feels 'were more important politically and economically.' And while Dylan rankled some with his concert-ending suggestion to send some of the money raised at Live Aid to American family farmers, it did spawn Farm Aid and its annual concerts. Yet the template remains Live Aid. In the CNN documentary, Bono notes that, 'Something went on at Live Aid that is still with us….It began a journey for all of us from what you might call charity to what you might call justice.' 'The world tilted that day,' Philadelphia promoter Magid adds. 'We can all say we changed the world. (Geldof) is the guy that led the way, but this was a main contribution of our lives, to be involved in such an incredible undertaking, not just for African famine relief but all of social consciousness…and what you can do to help. We were just happy to be part of it.' Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
