Bavarian fairy tale castles and French Carnac Megaliths among new UNESCO World Heritage sites
Among them were several European sites, including the famous fairytale castles of Bavaria's King Ludwig II, the megalithic Carnac stones in northwestern France and the Minoan Palatial centres on the Greek island of Crete.
At its meeting in Paris, the World Heritage Commission decided to elevate the German Neuschwanstein Castle, Herrenchiemsee, Linderhof and the royal house at Schachen to World Heritage status.
The magnificent castles in Upper Bavaria have been attracting numerous tourists for over 140 years. The buildings of King Ludwig II (1845-1886) attracted over 1.7 million visitors last year alone - including many international guests, particularly from the USA and Asian countries.
"The inclusion of the palaces on the World Heritage List is an outstanding honour for these impressive places," said the President of the German UNESCO Commission, Maria Böhmer. "They are all architectural masterpieces and bear witness to the artistic imagination, but also the eccentricity of the fairytale king."
Germany previously had 54 UNESCO World Heritage Sites - including the old towns of Stralsund and Wismar, Cologne Cathedral, the Wadden Sea and the Roman border fortifications of the Limes.
The French Carnac megaliths and the Greek Minoan Palatial centres are both structures from antiquity.
The Carnac Stones are a dense collection of megalithic sites near the South coast of Bretagne, dating from from 4500–3300 BC.
The Minoan Palatial centres, including Knossos, Phaistos, Malia, Zakros, Zominthos and Kydonia, were key hubs of the Bronze Age Minoan civilisation, which flourished between 2800 and 1100 BCE.
The World Heritage inscription recognises the sites' historical significance, architectural integrity and the existence of a comprehensive protection and management framework.
Although the World Heritage title does not bring any financial support, it does ensure further international attention and cultural prestige.
World Heritage status is also accompanied by UNESCO requirements that are intended to benefit the local population in particular, who are burdened by the influx of tourists. Among other things, the organisation requires a concept for effective visitor management in order to better control mass tourism.
The consequences of disregarding UNESCO guidelines were demonstrated in 2009 in Dresden's Elbe Valley, where a new bridge led to the withdrawal of World Heritage status. The construction of the so-called Waldschlösschenbrücke bridge was considered to be detrimental to the "outstanding universal value" of the cultural landscape. It was the first time that UNESCO had removed a European World Heritage site from the list.
Italy has 60 listed sites, the most of any country. Some notable examples include the historic centres of Rome, Florence, and Naples, the archaeological sites of Pompeii and Herculaneum, and the Amalfi Coast.
Other sites that were added to the World Heritage list this week include three locations used by Cambodia's brutal Khmer Rouge regime as torture and execution sites 50 years ago.
The inscription coincided with the 50th anniversary of the rise to power by the communist Khmer Rouge government, which caused the deaths of an estimated 1.7 million Cambodians through starvation, torture and mass executions during a four-year reign from 1975 to 1979.
UNESCO's World Heritage List lists sites considered important to humanity and includes the Great Wall of China, the Pyramids of Giza in Egypt, the Taj Mahal in India and Cambodia's Angkor archaeological complex.

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Newsweek
36 minutes ago
- Newsweek
UNESCO Announces Changes to World Heritage List
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Germany's Neuschwanstein Castle, which famously served as Walt Disney's inspiration for Sleeping Beauty's palace, is one of several new additions to UNESCO's prestigious World Heritage List. The list, which was established to protect and preserve sites of unique beauty, cultural and historical importance for humanity, now includes 1,248 landmarks and areas across over 170 countries. Sites of cultural importance account for the majority of these landmarks, at 972. The rest is split between places of astounding natural beauty (235), and so-called mixed properties (41), which have both natural and cultural value. Mist surrounds the Neuschwanstein Castle on October 31, 2024, in Hohenschwangau, Germany. Mist surrounds the Neuschwanstein Castle on October 31, 2024, in Hohenschwangau, Germany.A Fairy-tale Castle, French Megaliths, And The Vestiges Of Long-Lost Mediterranean Civilizations A total of 26 new sites were added to the UNESCO World Heritage list this year, 21 of which are of cultural importance to humanity, 4 of which are of natural value, and one of which is of both cultural and natural value. These are all the new additions, which span across several continents: Australia: Murujuga Cultural Landscape Brazil: Cavernas do Peruaçu National Park Cambodia: Cambodian Memorial Sites: From centers of repression to places of peace and reflection Cameroon: Diy-Gid-Biy Cultural Landscape of the Mandara Mountains China: Xixia Imperial Tombs Democratic People's Republic of Korea: Mount Kumgang—Diamond Mountain from the Sea Denmark: Møns Klint France: Megaliths of Carnac and of the shores of Morbihan Germany: The Palaces of King Ludwig II of Bavaria: Neuschwanstein, Linderhof, Schachen and Herrenchiemsee Greece: Minoan Palatial Centres Guinea-Bissau: Coastal and Marine Ecosystems of the Bijagós Archipelago—Omatí Minhô India: Maratha Military Landscapes of India Iran (Islamic Republic of): The Prehistoric Sites of the Khorramabad Valley Italy: Funerary Tradition in the Prehistory of Sardinia — The domus de janas Jamaica: The Archaeological Ensemble of 17th Century Port Royal Malawi: Mount Mulanje Cultural Landscape Malaysia: Forest Research Institute Malaysia Forest Park Selangor Mexico: Wixárika Route through Sacred Sites to Wirikuta (Tatehuarí Huajuyé) Panama: The Colonial Transisthmian Route of Panamá Republic of Korea: Petroglyphs along the Bangucheon Stream Russian Federation: Rock Paintings of Shulgan-Tash Cave Sierra Leone: Gola-Tiwai Complex Tajikistan: Cultural Heritage Sites of Ancient Khuttal Turkey: Sardis and the Lydian Tumuli of Bin Tepe United Arab Emirates: Faya Palaeolandscape Viet Nam: Yen Tu-Vinh Nghiem-Con Son, Kiep Bac Complex of Monuments and Landscapes Wall paintings inside Knossos palatial centre, in Greece. Greece's Minoan Palatial Centers—six archaeological sites built in Crete between 1900 and 1100 BCE—were added to the World Heritage Sites list because they "represent the Minoan... Wall paintings inside Knossos palatial centre, in Greece. Greece's Minoan Palatial Centers—six archaeological sites built in Crete between 1900 and 1100 BCE—were added to the World Heritage Sites list because they "represent the Minoan civilization, a major prehistoric Mediterranean culture," UNESCO said. More Greece's Ministry of Culture France's megaliths of Carnac and of the shores of Morbihan, built during the Neolithic period (c. 5000—2300 BCE), were recognized for their role in illustrating "the cultural complexity of the societies that inhabited this part... France's megaliths of Carnac and of the shores of Morbihan, built during the Neolithic period (c. 5000—2300 BCE), were recognized for their role in illustrating "the cultural complexity of the societies that inhabited this part of the European Atlantic coast," UNESCO said. More Fanch Galivel Among these, King Ludwig II's Neuschwanstein Castle in Bavaria, Germany, is likely the site most people around the world are already most familiar with. Built in the 19th century as a tribute to the operas of German composer Richard Wagner, the castle's romantic architecture makes it the perfect scenario for a fairy tale. That is certainly what Disney thought when he decided to recreate it inside the very first Disneyland park, which opened in California in 1955. An animated version of the castle also appeared in Disney's 1959 Sleeping Beauty. Neuschwanstein Castle as seen from the Tegelberg. The castle, together with the other Bavaria's grand palace complexes designed for King Ludwig II, "reflect the romantic and eclectic spirit of the era" they were built, UNESCO... Neuschwanstein Castle as seen from the Tegelberg. The castle, together with the other Bavaria's grand palace complexes designed for King Ludwig II, "reflect the romantic and eclectic spirit of the era" they were built, UNESCO said. More J. Beck, © BSV, Beck The castle joined the UNESCO list together with three other magnificent royal residencies in the same southern Germany region, which altogether reached an overall 1.7 million visitors last year. "The inclusion of the palaces on the World Heritage List is an outstanding honour for these impressive places," said the President of the German UNESCO Commission, Maria Böhmer following the World Heritage Committee's meeting in Paris. "They are all architectural masterpieces and bear witness to the artistic imagination, but also the eccentricity of the fairy tale king." More Than Just A Title Being recognized as a UNESCO World Heritage site is more than a mere symbolic act—it turns a natural or cultural landmark into an immediate must-visit for both residents and foreign visitors. Entering the prestigious list immediately elevates a site's profile on the global stage, boosting tourism and thus generating more revenues which can then be reinvested in better protecting or restoring the landmark. But being added to the list also allows sites to become eligible for global funding programs in case any repairs or restoration work is needed, as once included in the list, the site's protection becomes a matter of interest for the entire world.


Forbes
an hour ago
- Forbes
Artist Jean-Michel Othoniel Turns France's City Of Popes Into City Of Love
The Mariners' Portal by Jean-Michel Othoniel on Avignon Bridge is a gold and red glass arch that welcomes visitors to the city Photo OTresson / Avignon Tourisme French art star Jean-Michel Othoniel is having a career-defining moment. With 'Othoniel Cosmos or The Ghosts of Love', the largest and most ambitious exhibition of his life, he has metamorphosed the historic papal city of Avignon in Provence into a living constellation of art, emotion and memory. Running for six months until January 4, 2026, the solo show stretches across 10 emblematic sites – from the Gothic grandeur of the Palace of the Popes and the mythic Avignon Bridge to a secret chapel and atypical museums scattered throughout the city. Featuring 270 works, including 160 never before seen, this exhibition that was two years in the making invites audiences on a multi-sensory journey that mixes sculpture, painting, scent, light, sound, dance and poetry into a lyrical universe shaped by love and transformation. Jean-Michel Othoniel, Kokoro heart, red Murano glass, 300 x 500 cm, St. Claire chapel Photo Y-Jean Mun-Delsalle Famous for his glistening glass bead sculptures, large-scale architectural installations and recurring themes of spirituality, desire and cosmic wonder, Othoniel has long explored beauty as both a personal and universal language. But in Avignon, his work reaches a new level of intimacy and immersion. The exhibition is a love letter: to the city, to art and to all the ghosts of love that linger in the spaces we inhabit. From a giant red Murano glass heart hidden behind a golden gate to perfume-infused fountains and a new series of ethereal, halo‑shaped sculptures that scintillate like celestial rings of light to a once-in-a-lifetime dance performance on the Cour d'Honneur stage, Othoniel invites visitors on a poetic promenade throughout Avignon. I sit down with the artist to explore the scale and soul of this monumental undertaking. When the city of Avignon first approached you, what made you say yes to such a huge and fast-moving project? It's so unique. I think it's the first time in France – and maybe in the world – that a city gave all its museums and historic places to one artist. That was a fantastic opportunity. Also, most of the museums are free, which I loved. I believe in making culture accessible to everyone. Auréoles at Musée du Petit Palais – Louvre en Avignon, creation of new works in gold-painted glass by Jean-Michel Othoniel linked to the museum's collections Photo Y-Jean Mun-Delsalle This is your biggest exhibition to date. What does that mean to you personally? It's the right time in my life. I feel very grounded in my practice. I have energy, confidence and my own voice. I wanted to share that with a wide audience – including many people coming from abroad. You curated the entire exhibition yourself. Why was that important? Because it's deeply personal. You can't really ask someone else to shape your poetic vision of the world. I worked with the curators of each museum, of course, but I wanted to be the one creating the narrative. Tell me about the brand-new works. Some are site-specific, like those for Avignon Bridge or the Place du Palais. Others are ideas I've carried for years, just waiting for the right place and time. Jean-Michel Othoniel, Astrolabe mobile, gilded with gold leaf, 10 meters tall, St. Benoît Cloister at Palace of the Popes Photo Nicolas Delsalle Why the dual title: 'Othoniel Cosmos' and 'The Ghosts of Love'? 'Othoniel Cosmos' is about structure. The Palace of the Popes is like the sun, and the other venues are planets orbiting it in a constellation. 'The Ghosts of Love' speaks to the emotional core. It's inspired by Petrarch and his lifelong obsession with Laura. It's about being haunted by love – whether for a person, a city or even your first artistic emotion. The Fountain of Delights in Murano glass, stainless steel, gold leaf and cast aluminum by Jean-Michel Othoniel created for the existing fountain in the garden of the Palace of the Popes Photo Y-Jean Mun-Delsalle How should visitors approach the exhibition: start at one place or wander freely? They can start anywhere, but for me, the symbolic entrance is Avignon Bridge. I see it as a door open to others, a lighthouse with its two chapels. I'm building a new bridge, as it has a missing part. I'm rebuilding it metaphorically through new crosses inspired by a local tradition whereby boatmen on the Rhône River would decorate their boats with votive crosses. Historically, the river was a vital commercial route, and these ornate crosses – unique to this region – were linked to the navigators who traveled its waters. I wanted to pay tribute to those early voyagers, who were among the first to interact with the city, by reinterpreting their crosses in a poetic and contemporary way. It's a vision of hope and connection. In the Tower of Angels of the Palace of the Popes, the viewer is invited to walk through a forest of Murano glass Necklaces and Suspended Lover sculptures by Jean-Michel Othoniel Photo Nicolas Delsalle How did Avignon's religious history shape the show? Many of the venues are former chapels or sacred spaces, and that inspired a lot of the works. I'm not religious, but I explore the sacred: the sense of beauty, contemplation and connection. It's about spirituality in a broader sense. For the first time, works are suspended from the ceiling of the largest room of the Palace of the Popes, measuring 818 sqm and 19 meters high: four Astrolabe hanging mobiles, each five meters in diameter, and an expanse of blue bricks sculpted in the shape of whirlpools on the floor Photo Y-Jean Mun-Delsalle Tell me about the artworks in the Palace of the Popes. That's the heart of the show. There's a massive chapel that's 800 square meters in size and 19 meters high, where I've created five monumental pieces – one on the floor, four suspended. The enormous scale interacts with the architecture. It's operatic. And on another wall, I'll show 60 of my paintings for the first time in France. They're abstract, floral, emotional – people don't know this side of my work. On the walls of the feasting hall of the Palace of the Popes, Jean-Michel Othoniel presents 60 ink paintings on white gold leaf, variable dimensions, never before exhibited in France Photo ENoveJosserand / Avignon Tourisme One of the most talked-about pieces is a large red heart. What's the story behind it? It's a Murano glass heart hidden behind a golden gate in a ruined chapel. It's a tribute to that first feeling of falling in love – what we call ' coup de foudre '. You'll discover it while walking through the city. It's romantic and unexpected. Four-meter-tall Yardang sculpture in mirror-polished stainless steel bricks by Jean-Michel Othoniel in the Ancient Chamber of the Chamberlain of the Palace of the Popes Photo Y-Jean Mun-Delsalle There's also a multi-sensory component: fountains with perfume. Yes! In the newly opened Bains Pommer, I've installed real fountains with water and perfume. I worked discreetly with Dior's Francis Kurkdjian to develop the scents. It's a new experience – touching not just the eyes, but sound and smell. 14 glass fountains by Jean-Michel Othoniel hidden in the 19-century Bains Pommer - Museum of Hygiene's bathing cubicles bring movement, sound and freshness to this little-known museum in Avignon Photo Y-Jean Mun-Delsalle Your installation at the Lambert Collection feels especially personal. How does it fit into the larger narrative of the exhibition? The Lambert Collection is where I explore the theme of abstraction in a very focused way. I worked closely with the curator to select minimalist and conceptual works from the collection that resonate with mine, and created an installation that highlights the dialog between them. For me, it's about showing how minimal art can also be sensual and generous. That was my first love – the first ghost of love, really – when I saw abstract art as a child in St. Étienne Museum. It was a shock, but a joyful one. I'm also showing some of my oldest pieces there, like my first brick from the 1980s, to trace how these ideas have been with me from the beginning. Many of your works feel like they exist between fragility and monumentality. How do you balance those two extremes? That tension is what interests me most. Glass is delicate, but when you scale it up, it becomes powerful, almost architectural. I love that contradiction. You can't touch it, but it touches you. It reflects your image, your surroundings, your emotions. It's like holding up a mirror to the world, but in a poetic way. At the Lambert Collection, Jean-Michel Othoniel has gone back to his artistic roots by paying tribute to the minimalism and abstraction he was lucky enough to experience as a child at St. Etienne Museum Photo Y-Jean Mun-Delsalle A real highlight is your collaboration with choreographer Carolyn Carlson. Yes, it's incredibly moving. Carolyn gave her first performance in the Cour d'Honneur in the 1970s, and now at 82, she's dancing her final performance there, alongside Paris Opera Ballet stars Hugo Marchand and Caroline Osmont. She created a choreography that responds directly to my installation. It's a powerful moment – closing the circle. With so many venues, how did you handle the logistics? It was like a big movie production. We had 50 trucks leaving the studio to go to Avignon, almost 400 people working, and my team of 20 relocated to Avignon for a month and a half. Each piece was assembled on site. It was intense, but also beautiful. Amber bricks made in India form a Precious Stonewall by Jean-Michel Othoniel in the Lapidary Museum of archeology: a mammoth wailing wall adorned by glass beads or spiritual mastaba Photo Y-Jean Mun-Delsalle What was the most emotionally challenging part of the process? Choosing which works to show and which stories to tell. This exhibition is very intimate in some ways. It's about the loves I've lost, the places I've dreamed of, the people who have inspired me. Finding the right way to share those feelings with the public was not always easy. Do you view this exhibition as a kind of retrospective? Not really. It's not about looking back – it's more of a culmination. Yes, there are works from different periods of my career, but this is a new chapter. It's like I've created a new language with all the vocabulary I've built over the years. There's a sense of arrival, but also of starting something bigger. A Lotus sculpture in mirror-polished stainless steel by Jean-Michel Othoniel in the Calvet Museum interacts with the museum's collection of classical sculptures Photo Y-Jean Mun-Delsalle If there's one message you'd like visitors to take away, what would it be? That beauty matters. That love – whatever form it takes – is a force that moves us. I hope people leave feeling lighter, more open, more connected. If even one person is changed by this experience, then I've succeeded. What do you hope this exhibition leaves behind both for you and for Avignon, which is celebrating its 25th anniversary as European Capital of Culture and its 30th anniversary as a UNESCO World Heritage Site this year? We're living in difficult times. I hope this show brings joy, energy and hope to people. For Avignon, I hope it becomes a beautiful memory – just like the exhibition 'Beauty' did 25 years ago. I want the city to feel proud, to see itself anew through art.
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Travel + Leisure
2 hours ago
- Travel + Leisure
This 4-stop Journey Along the Mediterranean Has Beaches, Castles, and Archaeological Ruins All in One Trip
Some of the most rewarding journeys don't involve crossing continents; they unfold along coastlines. The neighboring countries of Greece and Albania present a prime example. A trip to beach towns on the Ionian Sea, bookended by the country's respective capitals, Athens and Tiranë, offers a simple, perfectly-paced experience packed with history, gastronomy, and seaside relaxation. During the spring and early fall, travelers can enjoy mild temperatures, calm seas, and fewer crowds. Through decades of planning Mediterranean trips, I've found that this four-stop itinerary is the ultimate blend of coastal charm and cultural discovery. Here's how to do it. The entrance to A77 Suites in Athens. Start your journey in Athens, where the famed, millennia-old Acropolis offers a window into ancient Greece. See the Parthenon, visit the Acropolis Museum, and enjoy sweeping city views. Then, head into Psyri, a buzzy, creative neighborhood known for bold street art, independent shops, and bohemian cafés. If you have extra time, visit the Museum of Cycladic Art for a glimpse into the ancient Cyclades, one of the oldest cultures of the Aegean Sea. Where to Stay: The Dolli, a luxurious neoclassical property, or A77 Suites, a boutique hotel tucked into the heart of Plaka, Athens' oldest neighborhood. Where to Eat: The Zillers Rooftop Gastronomy for a sunset meal with Acropolis views, or CTC Urban Gastronomy to enjoy a contemporary Greek tasting menu on the terrace. For classic flavors in a more traditional setting, try Psarras Tavern or Kuzina. The Venetian Well bistro. Next, fly to Corfu, a lush Greek island in the Ionian Sea, unique for its Venetian, British, and French influences. Explore the Old Town, an UNESCO World Heritage site, where pastel tones, quaint shops, and hidden gardens paint a storybook picture, and spend a day cruising along the coast to swim in coves only accessible by boat. For lovers of art, architecture, and history, don't miss the Achilleion, a palace-turned-museum that was once the private refuge of the beloved Empress Elisabeth of Austria. Where to Stay: Domes Miramare, a stylish resort hideaway by the sea featuring private pools and contemporary Greek fine dining. Where to Eat: The Venetian Well for a romantic dinner, or Klimataria for authentic Corfiot cooking in a relaxed courtyard setting. Downtown Gjirokaster, Albania. Take the hour-long ferry from Corfu to Sarandë, Albania, where clear Ionian waters meet rugged cliffs and hills dotted with olive groves. There, travelers can find the 16th-century Lëkurësi Castle; the Blue Eye, a striking 50-meter-deep natural spring; and, just outside the city, Butrint, an archaeological site layered with Green, Roman, and Byzantine history. For a magical day trip, visit Gjirokastër, nicknamed the "City of Stone" due to its distinct local architecture featuring stone roofs, and navigate picturesque cobblestone alleys to the historic Old Bazaar. Where to Stay : LaFe Boutique Hotel for stunning balcony views and a prime location just steps from the beach. Where to Eat : In Sarandë, enjoy fresh mussels, grilled seafood, and seaside seating at family-run Haxhi or cozy La Petite. In Gjirokastër, try Taverna Kuka for rich lamb stews, flaky byrek , and honeyed desserts. Tirana, the capital of Albanian. Wrap up in Tiranë, Albania's energetic capital. Spend an afternoon gallery hopping in the hip Blloku neighborhood, climb the Ottoman-era Clock Tower, and visit the National Historical Museum by the central Skanderbeg Square. To dive into Albanian history, head to Bunk'Art 1, a five-floor, Cold-War-era underground bunker that is now an art and history museum, and for sweeping views over the city, take the Dajti Ekspres cable car to the top of Dajti Mountain. As you wander the streets of Tiranë, keep an eye out for murals and public art installations—and make sure to try some classic Albanian street food, like crunchy byrek and sweet, syrupy Tulumba . Where to Stay: Xheko Imperial Luxury Hotel & Spa, an ornate, glamorous stay with a rooftop terrace and convenient proximity to the beautiful Grand Park. Where to Eat: Padam Boutique Hotel & Restaurant, where Italy-trained Chef Fundim Gjepali combines local ingredients with modern style, offering both à la carte options and a tasting menu. Mina Agnos is a member of Travel + Leisure's A-List and specializes in Greece and Eastern Mediterranean trips. You can create a tailor-made itinerary with Agnos at [email protected] .