logo
Edward Keegan: Milwaukee is building contemporary timber towers. What about Chicago?

Edward Keegan: Milwaukee is building contemporary timber towers. What about Chicago?

Chicago Tribune9 hours ago
One of the more memorable displays of old-style Chicago politics and boosterism that I ever witnessed was at a Streeterville community meeting circa 2007 in which outgoing 42nd Ward Ald. Burt Natarus implored his constituents to support Santiago Calatrava's proposed Chicago Spire project. If Chicago didn't have a Calatrava, Natarus argued, we would fall behind Milwaukee — which had the Milwaukee Art Museum designed by the Spanish architect.
In the years since, our neighbor to the north has become a hotbed for the development of timber towers — tall buildings that use relatively new mass timber technologies that can replace the steel and concrete traditionally used to support such structures. Since 2022, Milwaukee has been home to the tallest timber tower in the world — the 25-story Ascent MKE at 284 feet in height. That's no Sears Tower, but when you consider that most wood-framed buildings are one to four stories tall, it's quite an achievement.
The residential tower was designed by the locally based Korb Architecture for a site just a few blocks from the lakefront at the corner of North Van Buren Street and East Kilbourn Avenue. Clad primarily in glass, Ascent is unnecessarily fussy in its articulation with a few too many nips and tucks in its plan. Recessed balconies are awkward accents on the east and west elevations. Its floor-to-ceiling glass is dark and foreboding and clashes with the lightness of the timber columns and ceilings that can be seen from the street. The building is a hybrid, with its timber tower built atop a concrete parking structure. The transition from concrete to wood structure is revealed, but it's done in a distinctly unartful manner — an unfortunate missed opportunity, given the building's remarkable structural narrative.
Ascent is just the beginning for Milwaukee's contemporary wood construction. Ground was recently broken on the 361-foot-tall Neutral Edison along the east bank of the Milwaukee River in downtown. When completed in 2027, the 31-story building will stand above all timber towers in the United States but is expected to be the second tallest such structure in the world, following a building in Australia that should be completed sooner.
The Neutral Edison will be the 11th tallest building in Milwaukee. But timber has the potential to shape the upper edges of the city's skyline. Its developer proposes to build a 55-story timber tower on the site next door that would be the city's — and Wisconsin's — tallest building. But the same-height building in Chicago wouldn't even make the top 50 here.
Not surprisingly, when there's a tall building to be discussed, there's a Chicago connection. The architects for the Neutral Edison are Chicago-based Hartshorne Plunkard Architecture. Hartshorne Plunkard isn't new to the timber game, having designed the mixed-use INTRO Cleveland project that was the largest mass timber project in the United States when it was completed in 2022. Its design for the Neutral Edison will be a conventional rectangular apartment block with a large grid pattern inscribed across each of its facades. Setbacks between the parking at its base and the rest of the tower will reveal building amenities as well as the structure's typical wood decking. It's simple, straightforward and elegant in a way that we expect in Chicago.
Abundant supplies of wood and its adaptability to most construction have made it a favorite throughout architectural history. But steel and concrete became predominant in larger buildings from the late 19th century onward when cities such as Chicago and Milwaukee came into their own.
The more recent use of wood in large-scale construction has been fueled by an awareness of a contemporary building's carbon footprint. Buildings — both through construction and operation — have typically contributed almost 40% of the carbon that drives global warming. In recent years, architects, engineers and developers have sought to lower these numbers substantially. Steel and concrete are carbon-intensive, but wood does not require large quantities of carbon to manufacture. Also, trees absorb carbon during their life and continue to sequester the element during their lifetimes as building materials. Thus, wood offers a significant benefit to offset carbon throughout a building's life.
For all the stunning achievements that Chicago architects and engineers have accomplished over the last century and a half, there's still a deeply conservative streak that runs through the city's building culture. Fire, through several key historical events, is at fault. The Great Chicago Fire (1871), the Iroquois Theater fire (1903) and the conflagration that leveled the original McCormick Place (1967) all have had impacts on Chicago, and the world's, approach to fire prevention and management. So, perhaps it's not surprising that we now lag many places in the development of new construction with mass timber.
Chicago was early to the sustainability movement, which Mayor Richard M. Daley initially embraced and which each of his predecessors continued to varying degrees. And Chicago's architects and engineers have helped lead in the sector as well. It's not that we don't have larger wood structures throughout the city. Late 19th century loft buildings, from River North to Fulton Market to the Near West Side, are generally made of mass timber. And the most recent changes to the city's building code, adopted in 2020, are open to the larger structures such as those in Milwaukee.
Burt Ald. Natarus was wrong. Chicago didn't need a building by Calatrava to secure its place in architectural history — although there's no reason we couldn't or wouldn't welcome a design by the talented architect. Nor do we need to best Milwaukee in any particular aspect.
But it does seem like a missed opportunity that there's no timber tower currently under construction here. Given that many of the technologies that have made tall buildings possible were either invented or perfected here, why hasn't Chicago embraced this more sustainable way to build tall buildings yet?
Full disclosure: A decade ago, I ran communications for the Skidmore, Owings & Merrill Chicago office while it developed the Timber Tower Research Project, an early proof of concept for wood in high-rise construction. And for the last 2 1/2 years, I have been a content creator for Think Wood, a website funded by the Softwood Lumber Board. The opinions in my column are solely my own.
Edward Keegan writes, broadcasts and teaches on architectural subjects. Keegan's biweekly architecture column is supported by a grant from former Tribune critic Blair Kamin, as administered by the not-for-profit Journalism Funding Partners. The Tribune maintains editorial control over assignments and content.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Lucas, 12, is confident, compassionate
Lucas, 12, is confident, compassionate

Boston Globe

time8 hours ago

  • Boston Globe

Lucas, 12, is confident, compassionate

He loves reading, swimming, playing soccer, riding his bike, and spending time with others. Whether he's engaging in a favorite activity or chatting with someone new, Lucas brings energy and positivity wherever he goes. He is also incredibly proud of his cultural background and speaks English, Ukrainian, Russian, and Spanish. Lucas lights up when he gets the chance to speak Russian or Ukrainian and enjoys connecting with others about heritage and identity. Lucas is a strong self-advocate with a mature perspective. He prefers meaningful conversations — especially with adults — and often shares one of his favorite sayings: 'Your words must match your actions.' Advertisement With the right support, Lucas is sure to thrive and continue growing into the confident, compassionate person he's becoming. Can I adopt? If you're at least 18 years old, have a stable source of income, and room in your heart, you may be a perfect match to adopt a waiting child. Adoptive parents can be single, married, or partnered; experienced or not; renters or homeowners; LGBTQ+ singles and couples. As an adoptive parent, you won't have to pay any fees, adoption from foster care is completely free in Massachusetts. The process to adopt a child from foster care includes training, interviews, and home visits to determine if adoption is right for you. These steps will help match you with a child or sibling group that your family will fit well with. Advertisement Massachusetts Adoption Resource Exchange (MARE) can give you guidance and information on the adoption process. To learn more about adoption from foster care visit Reach out today to find out all the ways you can help children and teens in foster care.

Edward Keegan: Milwaukee is building contemporary timber towers. What about Chicago?
Edward Keegan: Milwaukee is building contemporary timber towers. What about Chicago?

Chicago Tribune

time9 hours ago

  • Chicago Tribune

Edward Keegan: Milwaukee is building contemporary timber towers. What about Chicago?

One of the more memorable displays of old-style Chicago politics and boosterism that I ever witnessed was at a Streeterville community meeting circa 2007 in which outgoing 42nd Ward Ald. Burt Natarus implored his constituents to support Santiago Calatrava's proposed Chicago Spire project. If Chicago didn't have a Calatrava, Natarus argued, we would fall behind Milwaukee — which had the Milwaukee Art Museum designed by the Spanish architect. In the years since, our neighbor to the north has become a hotbed for the development of timber towers — tall buildings that use relatively new mass timber technologies that can replace the steel and concrete traditionally used to support such structures. Since 2022, Milwaukee has been home to the tallest timber tower in the world — the 25-story Ascent MKE at 284 feet in height. That's no Sears Tower, but when you consider that most wood-framed buildings are one to four stories tall, it's quite an achievement. The residential tower was designed by the locally based Korb Architecture for a site just a few blocks from the lakefront at the corner of North Van Buren Street and East Kilbourn Avenue. Clad primarily in glass, Ascent is unnecessarily fussy in its articulation with a few too many nips and tucks in its plan. Recessed balconies are awkward accents on the east and west elevations. Its floor-to-ceiling glass is dark and foreboding and clashes with the lightness of the timber columns and ceilings that can be seen from the street. The building is a hybrid, with its timber tower built atop a concrete parking structure. The transition from concrete to wood structure is revealed, but it's done in a distinctly unartful manner — an unfortunate missed opportunity, given the building's remarkable structural narrative. Ascent is just the beginning for Milwaukee's contemporary wood construction. Ground was recently broken on the 361-foot-tall Neutral Edison along the east bank of the Milwaukee River in downtown. When completed in 2027, the 31-story building will stand above all timber towers in the United States but is expected to be the second tallest such structure in the world, following a building in Australia that should be completed sooner. The Neutral Edison will be the 11th tallest building in Milwaukee. But timber has the potential to shape the upper edges of the city's skyline. Its developer proposes to build a 55-story timber tower on the site next door that would be the city's — and Wisconsin's — tallest building. But the same-height building in Chicago wouldn't even make the top 50 here. Not surprisingly, when there's a tall building to be discussed, there's a Chicago connection. The architects for the Neutral Edison are Chicago-based Hartshorne Plunkard Architecture. Hartshorne Plunkard isn't new to the timber game, having designed the mixed-use INTRO Cleveland project that was the largest mass timber project in the United States when it was completed in 2022. Its design for the Neutral Edison will be a conventional rectangular apartment block with a large grid pattern inscribed across each of its facades. Setbacks between the parking at its base and the rest of the tower will reveal building amenities as well as the structure's typical wood decking. It's simple, straightforward and elegant in a way that we expect in Chicago. Abundant supplies of wood and its adaptability to most construction have made it a favorite throughout architectural history. But steel and concrete became predominant in larger buildings from the late 19th century onward when cities such as Chicago and Milwaukee came into their own. The more recent use of wood in large-scale construction has been fueled by an awareness of a contemporary building's carbon footprint. Buildings — both through construction and operation — have typically contributed almost 40% of the carbon that drives global warming. In recent years, architects, engineers and developers have sought to lower these numbers substantially. Steel and concrete are carbon-intensive, but wood does not require large quantities of carbon to manufacture. Also, trees absorb carbon during their life and continue to sequester the element during their lifetimes as building materials. Thus, wood offers a significant benefit to offset carbon throughout a building's life. For all the stunning achievements that Chicago architects and engineers have accomplished over the last century and a half, there's still a deeply conservative streak that runs through the city's building culture. Fire, through several key historical events, is at fault. The Great Chicago Fire (1871), the Iroquois Theater fire (1903) and the conflagration that leveled the original McCormick Place (1967) all have had impacts on Chicago, and the world's, approach to fire prevention and management. So, perhaps it's not surprising that we now lag many places in the development of new construction with mass timber. Chicago was early to the sustainability movement, which Mayor Richard M. Daley initially embraced and which each of his predecessors continued to varying degrees. And Chicago's architects and engineers have helped lead in the sector as well. It's not that we don't have larger wood structures throughout the city. Late 19th century loft buildings, from River North to Fulton Market to the Near West Side, are generally made of mass timber. And the most recent changes to the city's building code, adopted in 2020, are open to the larger structures such as those in Milwaukee. Burt Ald. Natarus was wrong. Chicago didn't need a building by Calatrava to secure its place in architectural history — although there's no reason we couldn't or wouldn't welcome a design by the talented architect. Nor do we need to best Milwaukee in any particular aspect. But it does seem like a missed opportunity that there's no timber tower currently under construction here. Given that many of the technologies that have made tall buildings possible were either invented or perfected here, why hasn't Chicago embraced this more sustainable way to build tall buildings yet? Full disclosure: A decade ago, I ran communications for the Skidmore, Owings & Merrill Chicago office while it developed the Timber Tower Research Project, an early proof of concept for wood in high-rise construction. And for the last 2 1/2 years, I have been a content creator for Think Wood, a website funded by the Softwood Lumber Board. The opinions in my column are solely my own. Edward Keegan writes, broadcasts and teaches on architectural subjects. Keegan's biweekly architecture column is supported by a grant from former Tribune critic Blair Kamin, as administered by the not-for-profit Journalism Funding Partners. The Tribune maintains editorial control over assignments and content.

Despite rainy weather, Catholics in a Paraguayan town dress as birds to honor their patron saint
Despite rainy weather, Catholics in a Paraguayan town dress as birds to honor their patron saint

Hamilton Spectator

time2 days ago

  • Hamilton Spectator

Despite rainy weather, Catholics in a Paraguayan town dress as birds to honor their patron saint

EMBOSCADA, Paraguay (AP) — The rainy weather did not prevent Blanca Servín from dressing her 7-year-old son like a bird. They joined a procession honoring St. Francis Solanus, the patron saint of a town in Paraguay about 20 miles (32 kilometers) from the capital city of Asunción. Like her child, dozens of Catholics in Emboscada wear elaborate feathered garments each July 24. Dressing up is a ritual aimed at fulfilling promises made to the Spanish friar, who was a missionary in South America during the 16th century and is believed to grant miracles. 'I couldn't have children,' Servín said. 'I underwent several treatments and when I finally got pregnant and my child was born, the doctors said he would barely live for a few days.' She then prayed to St. Francis Solanus and made a promise many parishioners make: If you do this for me, I will honor you on your feast day for seven years. 'My son is almost 7, and I have kept my promise,' Servín said. 'But we will keep coming.' Dressing in feathers Participants dressing up in feather garments are known as 'promisers.' As part of the rituals, they cover their faces, imitate birds and distort their voices when speaking. Marcos Villalba said he spent three months crafting his costume. He worked on it every other day and said his father and brothers have also been long-time promisers. Sulma Villalba — not related to Marcos — devoted six months to the task. Rather than wearing a costume herself, she patiently glued hundreds feathers to her children's and husband's clothing. Like Servín, she has already fulfilled the promise she made to St. Francis to protect her family, but she said they still honor him because it has become a tradition they enjoy. A missionary to Indigenous people According to Ireneo López, a layperson in charge of recreational activities at the Emboscada parish, St. Francis is remembered as a missionary who evangelized the Indigenous people through music. The first church in his honor was erected in the 1930s. As parishioners increased, a new building was built later. López said that participants use up to 30 hens, guinea fowls and geese to craft their costumes. 'These garments represent what people used to wear in ancient times,' he added. 'Gala suits were made with what nature provided: birds.' Jessica López, who attended the festival with her two children and a niece, said she gathered feathers for months. Before crafting the costumes a week ago, her family enjoyed a banquet with a hen they specifically picked for the occasion. She, too, asked St. Francis for good health, but said parishioners request all sorts of miracles. About 2,500 area residents join the feast every year. Processions and dances honoring St. Francis start on July 22. The night before the feast day, a local family takes home a wooden figure depicting the friar in order to decorate it for the festivities. On July 24, promisers and parishioners attend Mass at the St. Francis chapel, then lead a procession and end up dancing in front of the church. A tale of land and dispute According to historian Ana Barreto, the ancient context of the feast is as fascinating as the feast itself. It is celebrated in a territory that was disputed by two Indigenous people — the Guaraní and the Chacoan — before the Spaniards came in the 16th century. The Europeans eventually subdued the Guaraní, but the Chacoan kept defending the land even after descendants of formerly enslaved people from Africa settled there. 'The Indigenous people sought to steal young women, take weapons and other valuable objects, and set the ranches on fire,' Barreto said. Not all current participants in the St. Francis feast are aware of this, but their costumes and celebrations are a remembrance of this historic episode. According to Barreto, the Guaraní name of the event, 'Guaykurú Ñemondé,' translates as 'dressing like a barbarian.' Thus Guaraní participants are dressing as their ancestral enemies. The reason might be hidden in an ancient Guaraní rite. After battling the Chacoan, the Guaraní people kept their prisoners alive. They provided them with food and energizing drinks, and encouraged them to have sex with their women. Afterwards, they killed the prisoners and cooked them, serving them as a meal at a community banquet. 'In this way, the enemy strengthened the Guaraní,' Barreto said. ____ Associated Press religion coverage receives support through the AP's collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content. Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? Sign up for more at our newsletter page .

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store