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Repentance's raw power of

Repentance's raw power of

Observer28-07-2025
There was a time when I believed that the two most powerful sentences in the English language were 'I love you' and 'I'm sorry". I now know that those words can wound, deeply, when they're contradicted by our actions. 'I'm sorry' can even insult our intelligence if regret never leads to repentance.
I was reminded of this by an unlikely source, a television show — specifically, 'The Bear", FX's hit drama about a Chicago restaurant and the small community of cooks and servers who are trying to transform a family-owned sandwich shop into a Michelin-starred culinary showcase.
'The Bear' is one of those shows that launched a thousand essays. But for those who don't know it, the series is centred on a young, talented chef named Carmen Berzatto.
If you've spent any time in food service yourself, you've probably seen exactly what's depicted on 'The Bear". At the tables, the customers enjoy a wonderful meal and a good conversation. They bask in the hospitality. But in the kitchen, the pace is brutal, emotions are raw and even the best of friends will occasionally be nose-to-nose.
Mostly, the anger is quickly forgotten. Mostly, everyone is able to push through the stress, to retain their bonds of family and friendship. But not always. Sometimes people go too far. Sometimes the chaos is too great. And sometimes a boss crosses the line from pushing an employee to breaking one. Sometimes friends do more than test friendships. They fracture them.
That's what 'The Bear' is really about: How do we live together when someone always seems to be going too far?
It's hard to watch 'The Bear' without seeing ourselves, without seeing echoes of the primal anger that is ripping our families and nation apart.
In Season 3, we can clearly see the damage Carmy has done. He has made something great, but each person in the restaurant — each person in his family — is still under terrible strain.
This terrible tension and pain can make 'The Bear' difficult to watch. Relationships are splintering across America. It's hard enough to live in a community — we are all inherently flawed, after all. Normal human failings create persistent frictions, and unless we learn to deal with and ameliorate that friction, even the best of friendships can sometimes fade.
But we're living through something else, a furious anger in which it seems people actually want to end friendships, where they want to inflict pain with their words. It's one way to demonstrate your commitment, your great and high ideological, religious or political calling. The cause demands it, and you serve the cause.
We create relational rubble and find that it's hard to live in the ruins.
In Season 4, Carmy lives in those ruins, but he decides to rebuild. And he does so through the most powerful of human reactions to sin and loss: He repents.
Let's pause here for a moment and talk about the difference between regret and repentance. Regret is the sorrow we feel for the pain we cause or the consequences we experience. Repentance, by contrast, is active. It happens when we turn away from the behaviours that caused our regret.
Rarely has a television show more clearly demonstrated the difference than 'The Bear". Time and again, the words, 'I'm sorry' — the expression of regret — are met with scepticism, at best. Carmy says those words over and over again, and you can see his friends' faces barely change. They want more than an apology.
If you haven't watched Season 4, you might want to stop reading now, but there is a single moment in the show that demonstrates the difference between regret and repentance.
Carmy realises that he is the problem. Yes, other members of his family and other people at the restaurant have their own problems, but Carmy is at the epicentre of the chaos. And in a single, extended scene in the finale, he makes that clear not just by saying he's sorry, but by turning, by changing.
He gives the restaurant back to his family, to his most valued colleague and to his closest friend — to the people he has harmed the most. The star decides to fade so that other people can shine. For a time, he seems to say, I must diminish. I must become less so that you can become the more that you are supposed to be.
At first they can't see what Carmy is doing. The mistrust is so great and the pain so deep that they can see Carmy's actions only as another betrayal — this time abandoning them when the restaurant needs his talents the most. When Carmy tells his friend and co-worker, Richie, that he's leaving, Richie feels angry, abandoned and hurt.
As clarity dawns on everyone — as they understand what Carmy is doing — warmth and love start to spread across their faces like a slow-breaking dawn. 'I missed you,' Richie says to Carmy. And when Richie knows the new partnership is real, he nods, agrees to the deal and says — using words for emphasis that we can't print in a family newspaper — 'Yes. It is an honour.' I'm such a fallen person that when I saw that scene, I admit that my first thought was of the people who needed to repent to me. But thankfully that moment passed. Instead, I came to feel a profound sense of conviction. I asked myself, 'Who have I harmed?' and — more important — 'How can I change?' At a time of extraordinary fury, we all live in a degree of pain. We all live with regrets. But hope can come from unexpected places — and perhaps a show that features scallops, pastries and Chicago beef can also teach us that only repentance can heal our broken hearts. — The New York Times
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Repentance's raw power of
Repentance's raw power of

Observer

time28-07-2025

  • Observer

Repentance's raw power of

There was a time when I believed that the two most powerful sentences in the English language were 'I love you' and 'I'm sorry". I now know that those words can wound, deeply, when they're contradicted by our actions. 'I'm sorry' can even insult our intelligence if regret never leads to repentance. I was reminded of this by an unlikely source, a television show — specifically, 'The Bear", FX's hit drama about a Chicago restaurant and the small community of cooks and servers who are trying to transform a family-owned sandwich shop into a Michelin-starred culinary showcase. 'The Bear' is one of those shows that launched a thousand essays. But for those who don't know it, the series is centred on a young, talented chef named Carmen Berzatto. If you've spent any time in food service yourself, you've probably seen exactly what's depicted on 'The Bear". At the tables, the customers enjoy a wonderful meal and a good conversation. They bask in the hospitality. But in the kitchen, the pace is brutal, emotions are raw and even the best of friends will occasionally be nose-to-nose. Mostly, the anger is quickly forgotten. Mostly, everyone is able to push through the stress, to retain their bonds of family and friendship. But not always. Sometimes people go too far. Sometimes the chaos is too great. And sometimes a boss crosses the line from pushing an employee to breaking one. Sometimes friends do more than test friendships. They fracture them. That's what 'The Bear' is really about: How do we live together when someone always seems to be going too far? It's hard to watch 'The Bear' without seeing ourselves, without seeing echoes of the primal anger that is ripping our families and nation apart. In Season 3, we can clearly see the damage Carmy has done. He has made something great, but each person in the restaurant — each person in his family — is still under terrible strain. This terrible tension and pain can make 'The Bear' difficult to watch. Relationships are splintering across America. It's hard enough to live in a community — we are all inherently flawed, after all. Normal human failings create persistent frictions, and unless we learn to deal with and ameliorate that friction, even the best of friendships can sometimes fade. But we're living through something else, a furious anger in which it seems people actually want to end friendships, where they want to inflict pain with their words. It's one way to demonstrate your commitment, your great and high ideological, religious or political calling. The cause demands it, and you serve the cause. We create relational rubble and find that it's hard to live in the ruins. In Season 4, Carmy lives in those ruins, but he decides to rebuild. And he does so through the most powerful of human reactions to sin and loss: He repents. Let's pause here for a moment and talk about the difference between regret and repentance. Regret is the sorrow we feel for the pain we cause or the consequences we experience. Repentance, by contrast, is active. It happens when we turn away from the behaviours that caused our regret. Rarely has a television show more clearly demonstrated the difference than 'The Bear". Time and again, the words, 'I'm sorry' — the expression of regret — are met with scepticism, at best. Carmy says those words over and over again, and you can see his friends' faces barely change. They want more than an apology. If you haven't watched Season 4, you might want to stop reading now, but there is a single moment in the show that demonstrates the difference between regret and repentance. Carmy realises that he is the problem. Yes, other members of his family and other people at the restaurant have their own problems, but Carmy is at the epicentre of the chaos. And in a single, extended scene in the finale, he makes that clear not just by saying he's sorry, but by turning, by changing. He gives the restaurant back to his family, to his most valued colleague and to his closest friend — to the people he has harmed the most. The star decides to fade so that other people can shine. For a time, he seems to say, I must diminish. I must become less so that you can become the more that you are supposed to be. At first they can't see what Carmy is doing. The mistrust is so great and the pain so deep that they can see Carmy's actions only as another betrayal — this time abandoning them when the restaurant needs his talents the most. When Carmy tells his friend and co-worker, Richie, that he's leaving, Richie feels angry, abandoned and hurt. As clarity dawns on everyone — as they understand what Carmy is doing — warmth and love start to spread across their faces like a slow-breaking dawn. 'I missed you,' Richie says to Carmy. And when Richie knows the new partnership is real, he nods, agrees to the deal and says — using words for emphasis that we can't print in a family newspaper — 'Yes. It is an honour.' I'm such a fallen person that when I saw that scene, I admit that my first thought was of the people who needed to repent to me. But thankfully that moment passed. Instead, I came to feel a profound sense of conviction. I asked myself, 'Who have I harmed?' and — more important — 'How can I change?' At a time of extraordinary fury, we all live in a degree of pain. We all live with regrets. But hope can come from unexpected places — and perhaps a show that features scallops, pastries and Chicago beef can also teach us that only repentance can heal our broken hearts. — The New York Times

Oman ingredients power a unique Portuguese-Italian culinary collaboration
Oman ingredients power a unique Portuguese-Italian culinary collaboration

Observer

time21-07-2025

  • Observer

Oman ingredients power a unique Portuguese-Italian culinary collaboration

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'Severance' vs 'The Pitt' -- it's Emmy nominations time
'Severance' vs 'The Pitt' -- it's Emmy nominations time

Observer

time14-07-2025

  • Observer

'Severance' vs 'The Pitt' -- it's Emmy nominations time

Dark sci-fi office drama "Severance," gritty hospital series "The Pitt" and buzzy teen murder saga "Adolescence" are expected to pile up nominations for this year's Emmys when the contenders for television's Oscars are revealed Tuesday. Nominees will be announced in a live-streamed ceremony starting at 8:30 am (1530 GMT), after which final-round voting begins for the 77th Emmy Awards, set for September 14. Here are five things to look out for: - Innie/Outie vs ER - After last year's record-breaking 18 Emmys for Japan-set historical epic "Shogun," this year's competition looks to be more nuanced. Apple TV+'s "Severance," in which employees of biotech company Lumon have their memories surgically separated between their "innie" work lives and their "outie" personal lives, looks to be atop most predictions. "It's a really great show that is going to get... a ton of nominations," Deadline awards expert Pete Hammond told AFP. "It'll be stronger than it was" in its first season, added Hammond, who sees star Adam Scott as a sure bet for a best drama actor nod. "The Pitt" -- HBO Max's take on the travails of a Pittsburgh emergency room team during one 15-hour shift, covered effectively in real time -- has won over critics and audiences alike. It stars "ER" veteran Noah Wyle. "It's ER on steroids!" Hammond quipped. But Wyle's chances to win for best actor are crimped by Scott and a shortlist of other performers including Oscar winner Gary Oldman in Apple's dysfunctional spy drama "Slow Horses" or Pedro Pascal in HBO's apocalyptic video game adaptation "The Last of Us." In the supporting acting categories, the many stars of "The White Lotus" are expected to earn nominations. - Comedy crapshoot - In the comedy categories, perennial favorites "Hacks" and "The Bear" are expected to do battle once again. HBO Max's "Hacks" -- starring Jean Smart as a stand-up comedian who locks horns with her dysfunctional millennial assistant -- won for best comedy and best actress in September last year. "The Bear," a dark satire set in the Chicago restaurant world, took the top prize at the previous ceremony (held in January 2024 due to Hollywood strikes), and star Jeremy Allen White has two trophies for best actor. "The Bear" is eligible this time for its lackluster third season, but the recent launch of its fourth season -- which has received excellent reviews -- could work in its favor, Hammond says. "That may be what Academy members will be looking at when they're actually voting for the season that wasn't well reviewed," he said. The comedy juggernauts are also facing a newcomer -- Apple's "The Studio," a satire that eviscerates the film industry starring Seth Rogen, who also wrote and produced the show. There is nothing Hollywood loves more than a show about... Hollywood. - Is 'Adolescence' unbeatable? - In the limited series categories, Netflix's "Adolescence" -- which follows the case of a 13-year-old British boy accused of murdering a female classmate -- is the wide favorite. "It's close to a sure thing in terms of getting nominations across the board," Hammond said, adding: "I don't see what's going to come up and beat it in the limited series category." Breakout young star Owen Cooper is widely expected to earn a nomination for limited series supporting actor, and series creator Stephen Graham is a shoo-in for best actor. The four-part series was lauded for its production values, with each episode shot in one take. Another Netflix contender in these categories is "Monsters: The Lyle and Erik Menendez Story," a true-crime saga about a pair of California brothers in prison for killing their parents, after what they say was years of sexual and physical abuse. Alfonso Cuaron's "Disclaimer," starring Cate Blanchett and Kevin Kline, and "The Penguin," with Colin Farrell as the comic book villain, are expected to win acting nominations. - Big day for Apple TV+? - In recent years, streaming services have led the charge for Emmy nominations, with traditional networks relegated to a handful of nods. With "Severance," "The Studio," "Disclaimer" and "Slow Horses," Apple TV+ could have its best year yet. "Normally we see HBO and Netflix leading the thing," Hammond said, but he predicted: "Apple is going to have the best year they've ever had in terms of nominations." - From nominations to gala - Harvey Guillen ("What We Do in the Shadows") and Brenda Song ("Running Point") will unveil the nominations on Tuesday. Voting members of the US-based Television Academy will then have a month to catch up on their viewing before final-round voting begins in mid-August. The September 14 gala will be hosted by comedian Nate Bargatze. —AFP

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