logo
Princess Kate serves in white look, sits next to Billie Jean King at Wimbledon

Princess Kate serves in white look, sits next to Billie Jean King at Wimbledon

USA Today6 hours ago
Princess Kate served during her royal return to Wimbledon.
In a chic white ensemble, Kate attended the Saturday, July 12, match of the ladies' singles final at the Wimbledon Championships at the All England Lawn Tennis and Croquet Club in London. The Princess of Wales was seated next to American tennis great Billie Jean King for the affair and received an emotional welcome from the crowd.
In an X video shared by the tennis tournament, tennis royalty met British royalty as Kate shook hands with King upon her arrival and appeared gleeful to watch the much-anticipated match while receiving a standing ovation.
Princess Kate dazzles in Dior alongside Prince William
"Centre Court rises to give a warm welcome to our Patron HRH The Princess of Wales," Wimbledon's post reads. In the clip, Kate turned heads in a white top with a belt and pockets paired with a cream pleated skirt, a nod to the princess's favored monochrome wardrobe.
'Great to be back at @Wimbledon!'
Her Wimbledon appearance comes after she said earlier this month that she put on a "brave face" throughout and following her cancer treatment last year, detailing the ordeal as a life-changing experience.
"You put on a sort of brave face, stoicism through treatment. Treatment's done, then it's like, 'I can crack on, get back to normal,' but actually the phase afterwards is really, really difficult," Kate said during a visit to Colchester Hospital in Essex, located in southeast England, on Wednesday, July 2.
Princess Kate says life after cancer is a 'roller coaster'
The 43-year-old wife of Prince William, first in line to the British throne, announced in March last year that she would undergo a course of chemotherapy, weeks after her father-in-law, King Charles III, announced his own cancer diagnosis. In January, she announced her cancer was in remission after an appearance at the hospital where she was treated.
While slowly reemerging into royal life, the Princess of Wales, 42, made a rare appearance last year during the men's singles final at Wimbledon, where she flashed a big smile as she arrived and waved to the crowd.
The princess wore a purple Safiyaa dress with a ruched bodice and carried a tan bag, accessorizing with gold jewelry. She also donned her signature purple-and-green striped bow, the official colors of the All England Club, of which she is a patron. The pit stop marked one of her only public appearances in 2024.
"Great to be back at @Wimbledon!" Kate shared on Instagram. "There's nothing quite like The Championships."
Contributing: Staff and wire reports, Brendan Morrow
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

At Aston Magna, Thomas Jefferson's favorite tunes and Baroque music by modern 30-somethings
At Aston Magna, Thomas Jefferson's favorite tunes and Baroque music by modern 30-somethings

Boston Globe

time20 minutes ago

  • Boston Globe

At Aston Magna, Thomas Jefferson's favorite tunes and Baroque music by modern 30-somethings

Rembrandt Peale, "Thomas Jefferson," 1805. Oil on linen. New-York Historical Society In a phone interview, Stepner called Jefferson's music library 'quite remarkable for its breadth and depth.' He collected popular songs, piano-vocal scores for operas, musical method books, and 'quite a lot' of chamber music. His wife, Martha, was a 'serious amateur' keyboard player and they often played together. 'His wedding gift to her was going to be a harpsichord, and then he heard about this new-fangled thing called a fortepiano,' Stepner said with a chuckle. 'He canceled the harpsichord order and got her a fortepiano instead!' Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up The library itself is a microcosm of the wider musical world at the time, and there was a 'huge selection of pieces' to choose from in crafting the program with soprano Kristen Watson, said Stepner. 'There's Geminiani, there's popular music of the day. … There's Haydn, Purcell, Mozart.' Advertisement But two names on the program might be more familiar to American history buffs than musicians. There are two songs by Francis Hopkinson, a signer of the Declaration of Independence and lawyer who also considered himself 'the first serious American composer,' Stepner said. The program also features music by Italian-English painter and composer Maria Cosway, who may have had a brief romantic affair with Jefferson when he was serving as ambassador to France in the late 1780s and exchanged letters with him for the rest of his life. Stepner, who has been the festival's artistic director since 1991, also curated a program focusing on late Mozart, which he said was his personal favorite this year (July 17 and 19). 'Mozart is more and more satisfying to play as I get older,' he said. In addition, he mustered an intergenerational lineup of soloists for the season finale, 'Four Fiddlers' (July 31 and Aug. 3). Each violinist will carry the virtuosic solos in one of Vivaldi's 'Four Seasons,' with Stepner claiming 'Winter.' Stepner also tends to feature one guest director per festival; this year it's historical keyboard maven Peter Sykes, who crafted an all-Baroque program called 'From Castello to Canzano.' The plot twist: Nicola Canzano, whose music concludes the program, was born in 1991. So was Nathan Adam Mondry, who also has two pieces on the program. How do a pair of 30-somethings end up writing Baroque trio sonatas and sinfoniettas? Canzano, who studied composition as an undergraduate, credits a masterclass with composer Michael Gordon that he signed up for by accident. 'I showed him what I was working on, and he listened, and he said 'Hmm! It sounds like you really just want to write Baroque music,'' he said. Advertisement Historically informed music, or music composed according to Baroque-era principles, was in fact what Canzano wanted to write. However, since his colleagues and teachers were writing in decidedly more contemporary styles, he had drunk 'the Kool-Aid that it wasn't kosher for some reason.' Once he embraced his passion for it, Canzano honed his skills through performing on the harpsichord, which typically involves a good deal of improvisation. 'Now people actually pay me to write it, which is kind of crazy. My mother still doesn't really believe it.' However, given the past several decades' surge of interest in period instruments and historical performance practices, it doesn't feel like such a logical leap to Canzano that composers might want to explore those styles as well. 'People have been playing this stuff since it was invented, which is not true of every genre of music,' he said. 'Corelli's never been out of print.' Both Canzano and Mondry are 'really terrific keyboard players and improvisers, and they're serious about writing real Baroque music,' Stepner said. 'That means they have to become contrapuntalists, and be real familiar with styles — dance music in particular — and also forms.' And at the end of the day, if you listen to his music, Canzano joked, 'you wouldn't know that I wasn't dead.' ASTON MAGNA MUSIC FESTIVAL Starts July 10. Newton and Great Barrington. A.Z. Madonna can be reached at

He made Green-Wood Cemetery a destination for the living
He made Green-Wood Cemetery a destination for the living

Boston Globe

time4 hours ago

  • Boston Globe

He made Green-Wood Cemetery a destination for the living

Around the office were a half-dozen Smeck signature guitars that Moylan had collected for the cemetery, along with books, CDs and artwork associated with other people interred there. Advertisement 'We have Leonard Bernstein,' he said. Also F.A.O. Schwarz (toys), Eberhard Faber (pencils) and Samuel Morse (code). But of filmmaker Jonas Mekas, who was cremated at the cemetery in 2019, Moylan lamented, 'I don't think we have him.' Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up (It is a sore spot with Moylan that so many families choose to scatter their loved ones' remains rather than entomb at least some of them at Green-Wood, where future generations might gather to visit them.) Green-Wood, which sits on 478 rolling, tree-filled acres in a semi-industrial neighborhood that real estate agents call Greenwood Heights, occupies a distinctive place in New York City and in the development of American cemeteries. First opened in 1838, it was in the 19th century the second-most-popular attraction in the state, after Niagara Falls, and inspired the competition to design Central Park and Prospect Park. Advertisement Moylan, who started working at the cemetery during law school and never left, has the rare distinction of taking over an established institution and utterly transforming it, turning it into a National Historic Landmark with 450,000 annual visitors. On a garishly perfect June afternoon, the cemetery's towering neo-Gothic arch entryway, home to a group of noisy monk parakeets, welcomed a few dozen visitors to the grounds. (All proceeded on foot; the cemetery does not allow bicycles, scooters or roller skates.) A couple of trolleys, used for weekend guided tours, sat idle on one of the extensive, labyrinthine paths. Smoke from an earlier ceremony wafted from a large dish by a koi pond in an area known as the Tranquility Garden. The garden and smoke reflect the changing neighborhood around Green-Wood, which has become heavily Asian American. When Moylan took over Green-Wood in 1986, the cemetery was closed to tourists or people drawn to the open space. Visitors had to tell guards at the gate which grave they intended to visit. 'That was when people were breaking in and stealing stained-glass windows and stealing bronze bars and doors off mausoleums,' Moylan said. Even so, he allowed, the tight security was choking off the life of the institution. 'I mean, Ken Jackson from Columbia, he was turned away,' Moylan said, referring to the Bancroft Prize-winning historian and author of 'Silent Cities: The Evolution of the American Cemetery.' If people tried to take photos within the cemetery, guards would rip the film out of their cameras. Then, around 1999, Moylan was attending a cremation convention in Baltimore (as one does) and decided to visit a nearby cemetery where John Wilkes Booth is buried, among other historical figures. 'And on this Saturday afternoon, there was no one in the place -- no one,' Moylan said. 'And I thought: This can't happen in Brooklyn. We can't have 478 acres of land, and we're basically not allowing people to enjoy it.' Advertisement Moylan started to court visitors, in part for financial reasons -- as more people choose cremation over more remunerative burials, cemeteries have fallen on hard times. Opening the gates gives people more opportunities to consider spending eternity there. Current plot prices start around $22,000. Over the years, Moylan added green burials and was persuaded to allow the grass to grow wild in one area to attract pollinators, a practice that has upset some families whose relatives are buried there. The cemetery created an artist-in-residence program and commissioned new sculptures, including an obelisk by French conceptual artist Sophie Calle, with a slot into which visitors are invited to slip notes describing their secrets. Work is now finishing on a $34 million welcome center and gallery in a restored 1895 greenhouse across the street. Money came from the city and state, recognizing Green-Wood as a cultural institution, not just a place where people are buried. Moylan had hoped the welcome center would open before his retirement, but he has left it to his successor, Meera Joshi, a former deputy mayor who resigned earlier this year when the Trump administration moved to drop corruption charges against Mayor Eric Adams, in apparent exchange for his help with the president's deportation agenda. It makes sense for someone who has spent his life in a cemetery to develop a particular relationship with death. Moylan, who is divorced and has no children, does not have a will -- despite a quadruple-bypass operation in 2020 -- and does not much care whether he will be buried or cremated. 'I'm not a big believer in an afterlife, so I don't think it'll really matter very much,' he said. Advertisement He said he likes to visit the graves of his parents and writer Pete Hamill, who bought a plot near that of Boss Tweed, a 19th century Tammany Hall power broker and scofflaw. 'If you're going to spend an eternity,' Hamill once said, 'better with a rogue than with a saint who would drive you into slumber.' As for Moylan's next chapter, he hopes to travel to some of the world's great cemeteries that he has not visited, and to brush up on his guitar skills, which he had once hoped would lead him to Roy Smeckian glory. He kept one of the Smeck guitars, a Gibson he had bought himself; the remainder, along with all the art, is now Joshi's domain. Beyond that, there is a planned move to Staten Island, followed, eventually, by a return to Green-Wood, with or without the possibility of an afterlife. 'Ultimately,' he said, 'I will be with Mom and Dad.' This article originally appeared in

Kate Middleton Caught Off Guard by Emotional Standing Ovation at Wimbledon — Watch Her Heartfelt Reaction
Kate Middleton Caught Off Guard by Emotional Standing Ovation at Wimbledon — Watch Her Heartfelt Reaction

Yahoo

time4 hours ago

  • Yahoo

Kate Middleton Caught Off Guard by Emotional Standing Ovation at Wimbledon — Watch Her Heartfelt Reaction

Kate Middleton received a standing ovation as she made her way to her seat in the Royal Box at Wimbledon while attending the ladies' singles final The Princess of Wales appeared emotional as she smiled and waved Princess Kate recently opened up about the "really difficult" stage after cancer treatment as she continues to balance her royal duties with recoveryKate Middleton is feeling the love at Wimbledon as she returns to the tennis tournament. On July 12, Princess Kate attended the ladies' singles final of the Wimbledon Championships at the All England Lawn Tennis and Croquet Club, which she backs as patron. The Princess of Wales, 43, appeared at the event with club chair Debbie Jevans and received an emotional welcome as she made her way to her seat at Centre Court. As seen in a video shared to X by Wimbledon, the crowd clapped and cheered on their feet as Princess Kate made her way to her seat in the front row of the Royal Box. "Centre Court rises to give a warm welcome to our Patron HRH The Princess of Wales," read the caption of the clip, with purple and green heart emojis (the club's official colors). Princess Kate was all smiles as she took her seat and shook hands with tennis legend Billie Jean King, who greeted the royal with a quick curtsy. The Princess waved to the crowd as people continued cheering and gave a small gulp, soaking in the passionate reaction. The Princess of Wales attended Wimbledon almost six months after she announced that she was in remission, after announcing in March 2024 that she was undergoing treatment for cancer. Can't get enough of PEOPLE's Royals coverage? to get the latest updates on Kate Middleton, Meghan Markle and more! Wimbledon was one of the few public events she attended in 2024, and the warm welcome she received on Saturday called back to a breakout moment when she appeared there last year. Princess Kate brought her daughter Princess Charlotte, 10, along to the men's singles final last summer, where Princess Charlotte proudly watched on as her mom found her seat as the crowd gave Kate a standing ovation. Read the original article on People

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store