logo
Cannes Winners, Serbian Miniseries ‘Absolute 100' Join KVIFF Lineup

Cannes Winners, Serbian Miniseries ‘Absolute 100' Join KVIFF Lineup

Yahoo13 hours ago
The 59th edition of the Karlovy Vary International Film Festival (KVIFF) will feature key Cannes Film Festival winners in its Horizons section and a selection of action and horror movies, both new and older, for its revamped Midnight Screenings program under the new name 'Afterhours.'
In a lineup update unveiled on Friday, KVIFF said it will this year screen more than 130 feature films in the picturesque Czech spa town of Karlovy Vary.
More from The Hollywood Reporter
Chris Brown Pleads Not Guilty to U.K. Assault Charge
Why Rachel Zegler Has London Raving - and Ranting - About Her 'Evita' Stage-to-Street Performance
Trump, and His Long Shadow, Draw References at Conecta in Spain Despite Focus on Business at Hand
The Horizons lineup, which traditionally features highlights from the festival circuit of the past year, includes the likes of Jay Duplass' The Baltimorons, Tom Shoval's A Letter to David, Michel Franco's Dreams, My Father's Shadow by Akinola Davies Jr., Mary Bronstein's If I Had Legs I'd Kick You, Ira Sachs' Peter Hujar's Day, Sergei Loznitsa's Two Prosecutors, Jafar Panahi's Cannes Palme d'Or winner It Was Just an Accident, and fellow Cannes award recipients Sound of Falling by Mascha Schilinski, Sirât by Oliver Laxe, Harris Dickinson's Urchin, and The Mysterious Gaze of the Flamingo by Diego Céspedes, which won the Un Certain Regard competition.
Meanwhile, KVIFF has added the world premiere of Serbian miniseries Absolute 100 to its Special Screenings section, marking a return of the miniseries format to that program after four years. Absolute 100 was created by filmmaker Srdan Golubović in collaboration with three other directors who are his former students. 'This dynamic thriller with political undertones follows 19-year-old Sonja, a junior champion in sport shooting, who takes justice into her own hands after her family is threatened,' said KVIFF, which will screen the miniseries in its entirety, with the creators in attendance.
Check out the full Horizons and Afterhours lineups for KVIFF 2025 below.
HorizonsAbout a HeroDirected by: Piotr Winiewicz
AprilDirected by: Dea Kulumbegashvili
ArielDirected by: Lois Patiño
The BaltimoronsDirected by: Jay Duplass
The Blue TrailDirected by: Gabriel Mascaro
DeafDirected by: Eva Libertad
DreamsDirected by: Michel Franco
DreamsDirected by: Dag Johan Haugerud
Feeling BetterDirected by: Valerio Mastandrea
The Forbidden CityDirected by: Gabriele Mainetti
Girls on WireDirected by: Vivian Qu
The Good DoctorDirected by: Gianluca Matarrese
ChristyDirected by: Brendan Canty
If I Had Legs I'd Kick YouDirected by: Mary Bronstein
It Was Just an AccidentDirected by: Jafar Panahi
KikaDirected by: Alexe Poukine
Kill the JockeyDirected by: Luis Ortega
Kontinental '25Directed by: Radu Jude
Lesbian Space PrincessDirected by: Emma Hough Hobbs, Leela Varghese
A Letter to DavidDirected by: Tom Shoval
Little Trouble GirlsDirected by: Urška Djukić
The Love That RemainsDirected by: Hlynur Pálmason
Mad Bills to Pay (or Destiny, dile que no soy malo)Directed by: Joel Alfonso Varga
MadlyDirected by: Paolo Genovese
MerckxDirected by: Boris Tilquin, Christophe Hermans
My Father's ShadowDirected by: Akinola Davies Jr.
The Mysterious Gaze of the FlamingoDirected by: Diego Céspedes
My Undesirable Friends: Part I – Last Air in MoscowDirected by: Julia Loktev
PerlaDirected by: Alexandra Makarová
Peter Hujar's DayDirected by: Ira Sachs
Promised SkyDirected by: Erige Sehiri
Put Your Soul on Your Hand and WalkDirected by: Sepideh Farsi
RenoirDirected by: Chie Hayakawa
SiblingsDirected by: Greta Scarano
SirâtDirected by: Oliver Laxe
Sorry, BabyDirected by: Eva Victor
Sound of FallingDirected by: Mascha Schilinski
Tales from the Magic GardenDirected by: David Súkup, Patrik Pašš, Leon Vidmar, Jean-Claude Rozec
The Things You KillDirected by: Alireza Khatami
The Thing With FeathersDirected by: Dylan Southern
TimestampDirected by: Kateryna Gornostai
TrainsDirected by: Maciej J. Drygas
Two ProsecutorsDirected by: Sergei Loznitsa
Two Times João LiberadaDirected by: Paula Tomás Marques
UrchinDirected by: Harris Dickinson
VermiglioDirected by: Maura Delpero
We Believe YouDirected by: Charlotte Devillers, Arnaud Dufeys
What Does That Nature Say to YouDirected by: Hong Sang-soo
YesDirected by: Nadav Lapid
2000 Metres to AndriivkaDirected by: Mstyslav Chernov
AfterhoursCadetDirected by: Adilkhan Yerzhanov
Dangerous AnimalsDirected by: Sean Byrne
Dead LoverDirected by: Grace Glowicki
FucktoysDirected by: Annapurna Sriram
HellraiserDirected by: Clive Barker
Mr. VampireDirected by: Ricky Lau
Straight Outta SpaceDirected by: Michael Middelkoop
Best of The Hollywood Reporter
13 of Tom Cruise's Most Jaw-Dropping Stunts
Hollywood Stars Who Are One Award Away From an EGOT
'The Goonies' Cast, Then and Now
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Jurors reach verdict on 4 counts at Sean ‘Diddy' Combs sex trafficking trial, remain deadlocked on 1
Jurors reach verdict on 4 counts at Sean ‘Diddy' Combs sex trafficking trial, remain deadlocked on 1

Yahoo

time9 hours ago

  • Yahoo

Jurors reach verdict on 4 counts at Sean ‘Diddy' Combs sex trafficking trial, remain deadlocked on 1

NEW YORK — Jurors weighing the sex trafficking and racketeering case against Sean 'Diddy' Combs on Tuesday told the court they had reached a verdict on all counts but one. In a note sent out after 4 p.m., the eight men and four women on the jury said they had decided on two counts of sex trafficking and two counts of transportation to engage in prostitution. The note did not indicate what their verdict was on those counts. The outstanding charge accuses Combs of racketeering conspiracy, which alleges he ran his Bad Boy Records empire like a criminal organization. Manhattan Federal Judge Arun Subramanian asked lawyers for the government and Combs' team to email him their proposals about what to do next. He said he could tell them to keep deliberating or accept a partial verdict. Combs appeared shell-shocked in court and was seen dabbing his eyes after his attorneys received the note. The development came as a thunderstorm broke out amid darkening skies above the courthouse. Earlier Tuesday, in a morning note, the jury asked to review the testimony of Combs' ex, Casandra 'Cassie' Ventura, regarding Combs brutally assaulting her in March 2016 at the Intercontinental Hotel in Los Angeles. Explosive footage of the assault shows Combs pummeling Ventura in a hallway, dragging her by the hair, kicking her while she curls up on the floor, and hurling a vase at her. Ventura on May 13 testified that the assault occurred after she tried to leave a 'freak-off' session after Combs punched her in the face. Jurors also wanted to look back over Ventura's testimony regarding her interactions with Daniel Phillips, a former male revue performer, whom she and Phillips testified was hired multiple times to sleep with Ventura for Combs' sexual gratification between 2012 and 2013. The panel also asked to review Phillips' testimony, during which he said he was once directed to urinate on Ventura, that she was once so heavily drugged he could not sleep with her, and that the only time he communicated with her alone, she appeared 'terrified.' Phillips said he stopped meeting the couple after witnessing Combs physically assault Ventura. The jury note also requested a review of accounts that Ventura shared about traveling with Combs to the Cannes Film Festival one year. In her testimony about the trip to the French film festival, Ventura said Combs had accused her of stealing his drugs and kicked her off his yacht without her shoes or her passport. After the tense trip, Ventura said she had swapped seats with someone on a commercial flight back to New York, but Combs switched them back. She said he spent the flight playing humiliating footage of her at freakoffs that she thought had been deleted, and then when they got back to the city, she felt she had no choice but to submit to another of the depraved events. Combs, 55, could be sentenced to life in prison if found guilty of sex trafficking and racketeering conspiracy. He's pleaded not guilty to all charges. The Manhattan U.S. attorney's office alleges Combs abused his notoriety and his wealth for two decades to sexually exploit women at weekly sex parties, directing them to perform sordid sex acts with a rotation of male escorts while high on his supply of drugs. Prosecutors say members of Combs' Bad Boy Records empire helped organize the vile sessions and resorted to crimes like kidnapping, arson, witness tampering and bribery to intimidate women into submission and terrorize anyone who threatened Combs' authority. Combs, a New York native who launched the careers of iconic hip hop artists like the Notorious B.I.G., maintains that he never pressured women into sexual performances against their will, that he paid escorts for their time, not sex, and that his employees were not hired to commit crimes. The trial continues Wednesday. _____

Diddy trial: Jurors reach verdict on four of five counts, judge indicates they'll keep deliberating
Diddy trial: Jurors reach verdict on four of five counts, judge indicates they'll keep deliberating

The Hill

time9 hours ago

  • The Hill

Diddy trial: Jurors reach verdict on four of five counts, judge indicates they'll keep deliberating

(NewsNation) — A 12-member jury has reached a verdict on four of five counts in the criminal case against Sean 'Diddy' Combs. The jury said in a note to Judge Arun Subramanian received shortly after 4 p.m. ET on Tuesday that it was unable to reach a decision on the top charge, racketeering conspiracy. The note said the jury was unable to reach a unanimous verdict on the racketeering conspiracy charge because there were jurors with 'unpersuadable views' on both sides. The judge indicated that he would instruct the jury to continue weighing the charge, echoing the sentiments of prosecutors and Combs' defense team that just two days into deliberations was too soon to give up on reaching a verdict on all counts. On Monday, jurors deliberated for more than five hours, returning several notes to Subramanian with questions, concerns, and requests. On Tuesday, jurors requested transcripts from the testimonies of Casandra 'Cassie' Ventura, Comb's former girlfriend and Daniel Phillips, a male escort involved in a 'Freak Off' sexual event the music producer was involved in. Specifically, they asked for Ventura's testimony on the 2016 incident where Combs is seen brutally beating his former girlfriend at the InterContinental Hotel in Los Angeles. They also asked for her testimony regarding Combs' threat to release 'Freak Off' videos of her while they were on a flight home from the Cannes Film Festival. They also asked for Phillips' testimony about the 'Freak Offs' he had with Ventura. Phillip had testified that the music producer had paid him to have sex with Ventura while Combs watched. He also testified that he witnessed Combs assault Ventura in her apartment. 'I saw a liquor bottle fly across the room and hit the wall,' Phillip said. 'Then Mr. Combs grabbed Cassie by the hair and started dragging her. … Mr. Combs pulled her into the bedroom. It sounded like him slapping her.' Jurors also asked the judge to clarify the legal definition of drug distribution, specifically whether handing over controlled substances upon request constitutes distribution. 'Referring to page 37 of the jury charge: If a recipient wants, requests, or asks for controlled substances, and an individual hands over controlled substances to the requester, has the individual who hands over the controlled substances distributed?' the jury wrote. The jury hit a potential roadblock one hour into deliberations Monday. The foreperson sent a note to Judge Arun Subramanian, saying a juror might be having issues following instructions the judge had just read to them. Referring to Juror 25, the note said, 'We are concerned (the juror) cannot follow your honor's instructions,' the foreperson said in a note to the judge. Subramanian responded, instructing the panel to deliberate and to follow his instructions. The case was handed over to a jury of eight men and four women after Subramanian read instructions on the law and elements required to convict Combs. Jurors have been provided with a laptop loaded with all of the exhibits shown in court, including text messages, photographs and videos of the sexual encounters at the heart of the case. Combs has pleaded not guilty to one count of racketeering conspiracy, two counts of sex trafficking and two counts of transportation to engage in prostitution. The trial brought forth several former employees of Combs' Bad Boy Entertainment companies, but its most noteworthy witnesses were two of his former partners — singer Casandra 'Cassie' Ventura and 'Jane,' a social media influencer who testified under a pseudonym. The women said they felt pressured to engage in hundreds of sexual events, dubbed 'Freak Offs' or 'hotel nights,' with sex workers. These encounters were often filmed. In their closing statements, the government painted Combs' criminal enterprise as his 'kingdom.' While the prosecution presented a robust case, defense attorneys wrapped up theirs within hours, calling no witnesses. Much of their argument rested on the theory that the accusers were consenting adults and were not forced to participate in Combs' sexual events. They relied largely on text messages between Combs and his ex-partners to show the women were willing and even arranged for the sexual encounters at times. Defense attorneys used their closing statements to call Combs' prosecution overkill, saying that he was being put on trial for his sexual proclivities and lifestyle choices. The Associated Press contributed to this story.

SCAD Takes Cannes: IndieWire's Future of Filmmaking
SCAD Takes Cannes: IndieWire's Future of Filmmaking

Yahoo

time10 hours ago

  • Yahoo

SCAD Takes Cannes: IndieWire's Future of Filmmaking

The Savannah College of Art and Design is the university launchpad for a career in film and television. The opportunities for actual professional experience SCAD offers are second to none. From film sets to casting offices to production and costume design facilities, this is where someone with film and TV dreams can get their career started even before they graduate. SCAD students have the unique opportunity to study abroad at the university's Lacoste location in Provence, France. Students enrolled in the Spring Quarter documentary film class get the once in a lifetime experience to travel to the coast to attend the Cannes Film Festival where they network with film industry professionals, see highly anticipated films, learn on the ground with their professors, and are inspired to create their own unique content. More from IndieWire 'The Eva Victor Grad Program': Inside the Year-and-a-Half the Director Spent Preparing to Make 'Sorry, Baby' 'The Cat in the Hat' Trailer: Bill Hader Gets Animated for Dr. Seuss Adaptation The festival experience allows them to picture themselves returning to the Croisette with their own films one day. Watch the video above and read more about each of their stories below. Matison LeBlanc, 2023 GraduateSumma Cum LaudeBFA in film and television, minor in dramatic writing Since I left school, my number one priority has been to develop my first feature film called 'Ada and the Doc.' It's based on the untold true story of the first woman executed by the state of Louisiana. I made the short proof of concept as my senior project while I was at SCAD, and I'm really proud to say that it is screening three times while I'm here in Cannes, twice in the Palais with Film USA and then once here [at the American Pavilion] with the Emerging Filmmakers Showcase. I actually went to SCAD as a painting major first. My background had only ever been in fine art, like David Lynch. He didn't know he ever wanted to be a filmmaker until he did it. It was the same for me. I had been drawing and painting my whole life and then I got to SCAD and I took Film 100 on a whim and said to myself, 'I'm never doing anything else ever again.' And so I took every film class. I had always been a writer, so I delved into the writing classes, learned how sets work, got on a set in any capacity from being a PA to being a special effects makeup artist. I got to work on 'Fear the Walking Dead' while I was in Savannah. I got to work in the zombie department. As far as the project itself ['Ada and the Doc'] goes, SCAD provided state of the art equipment. Not a lot of people can say they filmed their senior project on an Arri Alexa, so that was amazing. But probably the most invaluable thing from SCAD would have been the crew, the connections I made there because SCAD has a major for pretty much every art discipline around, so you have a built-in crew from costume designers to sound designers and more. It means everything to be at Cannes, especially considering my internship placement with Lionsgate. I've been learning so much information that has really demystified the entire sales ecosystem for me. My team of SCAD producers are flying in today for the screening, and they all bought Marche passes, with our development funds for the future and so we're going to go in there and try to sell this film! Tess Nelson, Class of 2026Third-year film and television major, with a minor in creative writing I knew I wanted to be in film since 4th grade. I'd always been very involved in the arts. My parents were both theater actors. We watched a lot of movies and then when I was in 4th grade, I did a research project on Charlie Chaplin, and I just loved it so much I thought, this is all I want to do. I think I loved the heart. I think that's very central in Charlie Chaplin films. I knew that I wanted to tell stories and I knew that I wanted to tell the stories that I was impacted by, and so for a long time that was through both writing and directing. Because you fall so in love with the stories that you write, it breaks your heart to hand it off. Besides, I love working with the actors too, so that's where I'm happiest. I would say one of the greatest things about SCAD is the people that I've met there. I've made fantastic friends: Really, really talented, driven people with a love for storytelling, not just for the glamour of Hollywood. I have so many fantastic people that have helped me create works that I'm really proud of. And then of course, the professors are a great thing: Chris Donahue, Frank Green, and Christopher Millis have really supported me and helped me grow. They're fantastic. Cannes is one of the greatest film festivals in the world. It's in a beautiful location. It's terribly exciting. Probably all of my favorite films have done really well in Cannes. 'Naked' by Mike Leigh did really well in Cannes. 'Elephant' by Gus Van Sant did really well in Cannes. 'Close' by Lucas Dhont did really well in Cannes. Every screening I go into could be the great thing that changes my life in some regard. Layla Doyley, Class of 2026Third year film and television major What really made me want to go into film and television is just the opportunity to tell stories. I love telling stories visually in any way, and so I think film is such a great medium to do that. SCAD definitely has the resources that I need to be able to do so. I first started telling stories through fashion. I started out as a fashion major at SCAD, and then transitioned into film once I realized how much I love to edit and be a director behind projects. Being able to use clothing to communicate different things to people, I saw how much I really love that aspect of fashion, and wanted to carry that into filmmaking. I think what excites me the most about filmmaking is definitely the story development process, starting out with an inkling of an idea, and then getting to develop that into something that I think is mature and is more polished. It's the brainstorming aspect, getting to collaborate with people, getting to talk through your idea and being able to start that project. The most exciting thing that I've learned at SCAD is how to develop and create polished scripts, how to edit, and how to take feedback and take it well. It's really valuable to be able to not be so defensive with your work, but actually take it back and edit it further and further and continue to get the feedback that you need. I absolutely love Ava DuVernay and her work. I love watching what Spike Lee does as well. But I also really love this documentary called 'Daughters.' I recently saw it at the SCAD Savannah Film Festival. It really inspired me to go into the documentary filmmaking arena. Cannes is such an opportunity. It's such a unique chance to be able to connect with different people and talk with different people, have discussions and learn from people. I see myself as a sponge, and so everywhere that I go, I take things in and learn. Ben Bostian, Class of 2026Third-year film and television major, minor in acting I grew up as a big 80s kid. I was a big lover of vintage things. I started just watching a ton, a ton of movies, and I fell in love with a local legend from where I'm from in New Jersey — Kevin Smith. He's an indie legend. He said, 'If you love movies so much, you should just make one.' I was in high school drifting about not knowing what to do, and I thought of that, and said to myself, 'Oh, why don't I just make a movie?' So that's how I got into film. I like how some directors are able to switch from genre to genre, like that, and, with each film, makes something very different while keeping their same style. My favorite of all time is Hal Ashby. Him and Robert Altman are my two '70s legends. The best part about SCAD is the connections and how the professors go ground level with you. They have a lot of knowledge and experience, but they treat you as professionals. They treat your sets seriously, and they encourage you to be on as many sets as you can. I'm an acting minor as well — I'm getting a lot of experience with casting offices (SCAD has the only professional in-house casting office in higher education). I have always loved acting. I love films. So I came to SCAD because they have great programs for both. Cannes is the greatest film festival in the world. But I also sleep outside to wait for tickets at the SCAD Savannah Film Festival. And the biggest thing with the SCAD Film Festival is everything that does well there, and all my favorites there, all start at Cannes. I'm really just excited to be here and experience it. I saw 'The Left-Handed Girl' this morning. Sean Baker is one of my favorites. He's my hero, and he produced and edited the film, and it's very much a Sean Baker film, but Taiwanese, and that was my favorite so far. I've already made some connections here at Cannes, which is one of the most important things. Hopefully I'll be back here someday with my own films. Charlie Luther, Class of 2026Film and television major, with focus on editing When I was growing up, I was interested in the directorial and writing side, and I found I was taking any video I could find and editing it together. That slowly became something that I was good at, something that I had a niche for. Then I went to SCAD and fell in love with editing. Now I've worked on a bunch of student projects, editing and post production, and I really like having a leadership role in that. The editor I admire is one that I just met at the SCAD Savannah Film Festival: Myron Kerstein, the editor of 'Wicked' and 'In the Heights' and all those musicals. Before I went to SCAD, I would say that the industry was very daunting to me and I wasn't sure what steps to take. By learning that those steps are actually possible, SCAD has helped give me more opportunities and connection. I have also learned how to talk to people, how to establish connections and keep them for a long time. That's probably the most valuable thing I've learned. For me, being in Cannes means meeting people, making connections, experiencing new things. Whether that's meeting a new connection or seeing a film that introduces a new idea I never thought of before, or realizing that my little niche group at SCAD is one part of a huge puzzle, and hopefully one day I can start putting that puzzle together myself. Colleen Ryan, 2024 GraduateBFA in film and television production, with minor in producing I had the opportunity to go to Cannes this year as a recent alum of SCAD. Being here, I'm hoping to develop a better understanding of the way the business side and market of the film industry works. I heard that there's a lot of really great opportunities to hear about that side of things, meet people in that world and develop a better understanding here at one of the biggest film markets. I'm hoping to direct and produce in the long run. Currently, I'm hoping to just get more experience working on projects that are more mission driven, about causes and things that I care about and believe in, in whatever capacity is possible at this level. Being a student at SCAD, I was able to gain a lot of real world, hands-on experience that I don't think I would have been able to get at any other university. It was very immersive in terms of learning through doing, rather than just in a classroom, and I think that was super valuable for someone like me that didn't really know what they were going to do going into school. And so to be able to jump in head first, with the guidance of so many professors that are also working industry professionals, was a super helpful way to really develop an understanding of the filmmaking process, practically as well as conceptually. I love Sean Baker, who won the Palme d'Or last year. Greta Gerwig as well, who I believe was on the board of deciding that last year. And one of my biggest inspirations is Emerald Fennell as well. I think just a really powerful female storyteller who branches outside of what the traditional female lens looks like. I produced my film out of the country in Panama for my SCAD senior thesis, which was super special, because I really felt like SCAD had equipped me with the proper facilities to be able to execute something like that at such a young age with a team of other students. My most recent project was directing for SCAD their premier backlot film called 'Take Two' that we are currently finishing up and hopefully about to enter into the festival circuit. But that film was the first film that SCAD sort of produced on their own through their new Hollywood style backlot. And it was a very exciting and cool opportunity to do a production on such a large scale as a student. We had stunts, professional actors. It's a period piece and a time travel movie. It was very cool to be able to do that at SCAD as sort of my last thing before of IndieWire The Best Lesbian Movies Ever Made, from 'D.E.B.S.' and 'Carol' to 'Bound' and 'Pariah' The Best Thrillers Streaming on Netflix in June, from 'Vertigo' and 'Rear Window' to 'Emily the Criminal' All 12 Wes Anderson Movies, Ranked, from 'Bottle Rocket' to 'The Phoenician Scheme'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store