Legendary Rock Band Rereleases Hit Song Like You've Never Heard Before
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience.
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience. Generate Key Takeaways
Even if you aren't an avid listener of classic rock, there's a good chance you've sung along to one of Foreigner's songs.
After all, the legendary band is responsible for hits like 'Feels Like the First Time,' 'Double Vision,' 'Juke Box Hero,' 'Cold As Ice,' 'Hot Blooded,' 'I Want to Know What Love Is,' and 'Urgent.'
On Friday, May 2, Foreigner actually released a reimagined version of 'Urgent' to honor their Latin American fans. That's right, you can listen to the beloved tune in Spanish!
The new Spanish-language version is performed by Foreigner's Luis Maldonado.
🎬SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox🎬
'We've been embraced by fans in Latin America for decades,' the guitarist and vocalist said in a press release. 'Recording these songs in Spanish is our way of saying thank you and sharing the music in a more intimate, personal way.'
Foreigner is currently rocking on their 2025 South American Tour, consisting of shows in Mexico, Colombia, Chile, Argentina, Brazil, and more.
Foreigner was formed in 1976 in New York City. The founders of the band were Mick Jones, Ian McDonald, and Lou Gramm.
Nowadays, Foreigner's lineup features Kelly Hansen on lead vocals, Jeff Pilson on bass, Bruce Watson and Luis Maldonado on guitars, Michael Bluestein on keyboards, and Chris Frazier on drums.
Related: Bruce Springsteen Keeps Touring—and the Paycheck Doesn't Hurt
Gramm, 75, has also joined the band onstage while touring South America. "I think we're gonna continue doing this type of thing for another year or so ... [After the Latin American tour] I'm doing Southeast Asia, I'm doing Europe and next year I'm doing the whole of the U.S,' he said in an interview with Brazil's 92.5 Kiss FM radio station, per Blabbermouth.net.
As for Maldonado singing some of Foreigner's biggest hits in Spanish, Gramm is all for it.
"We just talked about it within the last two weeks, and we decided that when we play areas of the world where Spanish is the dominant language, Luis, who has a wonderful voice, will sing some of the big hits in Spanish," he said. "I think that's fabulous ... He's worked on [translating all the lyrics into Spanish] and he's made it work. He's very excited about doing it."
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Miami Herald
38 minutes ago
- Miami Herald
An evening of Bomba, Plena and Caribbean hip-hop at the bandshell
The pairing of Puerto Rican 15-piece bomba and plena big band El Laberinto del Coco and Miami-born and raised rapper Marti at the Miami Beach Bandshell Saturday, July 19, at 8 p.m. is a meeting of evolving old and new traditions. Led by percussionist and composer Hector 'Coco' Barez, the 14-piece band El Laberinto del Coco updates the sound of Afro-Puerto Rican bomba and plena with elements of jazz, R&B, rock, hip hop, and global influences from the Americas. Mario Obregon, a.k.a. Rapper Marti, embodies Miami's multiculturalism, performing in both English and Spanish over a sound that seamlessly blends elements of rhythm and blues, NuSoul, and Caribbean grooves. The show is presented by The Rhythm Foundation and Live Arts Miami's MUNDO Series. 'The name El Laberinto del Coco (Coco's Maze) has to do with my entire career,' says Barez in a phone interview conducted in Spanish. 'I worked with William Cepeda (trombonist, bandleader and grandson of folklorist Rafael Cepeda 'The Patriarch of the Bomba and Plena'), I played with Bacilos, a group from Miami, with Calle 13, with (rapper and reggaeton performer) Don Omar, with the Areyto National Folkloric Ballet of Puerto Rico, and all these experiences gave me a certain vision. I kept asking, 'Why can't I hear my music played on the radio or in places where there's salsa, or merengue? This community music has been stigmatized,' he says. Looking for answers 'was like being in a maze.' Barez recorded his first album, 'El Laberinto del Coco,' in 2017, in part due to a grant from the Puerto Rican Cultural Institute. At the time, he had 'five unfinished songs and was playing with Bacilos. I had to go out and get musicians,' he says. 'There was no band.' And yet, the result, firmly anchored on bomba and plena rhythms, is an astonishing mix of driving powerhouse drumming, daring horns and brass arrangements drawing from jazz and R&B, rock guitars, and strong vocals. There had been few attempts at exploring the possibilities of the genre with a large ensemble more ambitious or successful. A generation of Puerto Rican jazz artists including Cepeda, saxophonist and MacArthur fellow Miguel Zenon, and saxophonist David Sanchez have called attention, each in his style, to the riches in traditional Puerto Rican music. But Barez´s 'El Laberinto de Coco' evokes the sound and vision of percussionist and bandleader Rafael Cortijo's 1973 masterwork, 'Cortijo y Su Máquina del Tiempo' ('Cortijo and His Time Machine'). Historians date the African-rooted bomba to the 15th century. It emerged along the coastal region and sugar cane fields of Puerto Rico. It features a call-and-response between the lead singer and the group, and a musical conversation between the lead dancer and the lead drummer. The quintessential instruments are the barriles de bomba (the bomba barrels), built from rum storage barrels topped with a goatskin head. The lead drum, called primo or subidor, dialogues with the dancer; one or two buleador drums, which keep the steady pulse, and the cuá, a small, hollow wooden barrel open at both ends, played with wooden sticks, that plays complementary rhythms. Plena, another major Afro-Puerto Rican genre, originated in the early 20th century as work songs. It features prominently three tambourines, and because of the storytelling in its lyrics, it has been described as 'a sung newspaper.' But despite their power and depth, these Puerto Rican genres were long overshadowed in the popular music marketplace by Afro-Cuban music in its various manifestations, including salsa. 'The initial spark for me was not hearing Bomba on the radio,' says Barez. 'Why don't people dare to make a whole Bomba album? So, we did. We wanted to show this music's roots and its evolution, to what it can be.' While Barez is working his innovations within an old tradition, rapper Marti is giving hip hop a Miami accent. He calls his music Caribbean hip-hop. Born in Miami into a Cuban immigrant family, Obregon grew up 'listening to all sorts of music, but just gravitated to hip hop. I just fell in love with it.' He was especially moved by Tupac Shakur. 'I was young, I didn't know about the specific issues and things he was talking about, but I just felt something, and at that age, it's just about feelings.' He had heard his parents' and his grandfather's stories about Cuba, 'and Tupac's was a completely different story. Still, it was just a perfect blend of the hip-hop that I loved, plus stories of what was going on in his neighborhood, with his people, and bringing it to people like me who had no idea what they go through.' The leap to adapting the approach to the stories he knew was crucial as he started writing his songs. 'I learned that the majority of people are going through the same things,' he says. 'Even if it's not the exact same way, and they gravitate towards something real, not made-up stories.' He studied classical piano, then bass, and freestyling for fun with his friend Christian Martinez, an audio engineering student, led to creating a band. 'A drunk night led to an obsession that I can't get rid of,' he jokes with mock frustration. That group became Problem Kids, which was very active in the Miami live music scene and released two albums. Then COVID hit. 'It kind of forced us to do music on our own — and that's when my solo project started taking off.' Since then, the rapper has released the EPs 'Whispers From a Muse,' (2024) and 'Luck Is for Losers,' (2025), several singles, and created the successful 'Break Bread' music video series, featuring freestyle performances at local eateries such as Miami's Tropical Chinese, Versailles on Calle Ocho, and the upscale eatery in Coconut Grove, Ariete. 'My music was born from what I was raised on, and it just morphed into what it is today,' he says. 'It's Miami, with many different types of sounds and rhythms and the storytelling of hip hop.' If you go: WHAT: The Rhythm Foundation and Live Arts Miami's MUNDO Series Present El Laberinto del Coco and Marti WHERE: Miami Beach Bandshell, 7275 Collins Ave., Miami Beach WHEN: 8 p.m., Saturday, July 19 COST: $27 INFORMATION: (786) 453-2897 and is a nonprofit media source for the arts featuring fresh and original stories by writers dedicated to theater, dance, visual arts, film, music, and more. Don't miss a story at
Los Angeles Times
2 hours ago
- Los Angeles Times
How to feel good in L.A., according to a reformed workaholic
L.A.-based author and podcaster, Jennifer Romolini, is a reformed workaholic who spent more than 20 years in high-profile positions at women's magazines and lifestyle websites. Her 2024 memoir, 'Ambition Monster,' chronicles how, after a 'harrowing and violent childhood,' she used professional achievement — and the external validation that came with it — as a salve of sorts, a way to hide from her pain and from herself. She purged those demons — but wasn't done having conversations about them. Her new podcast, 'Extended Scenes,' is about 'redefining ambition and success in the second half of life.' It also delves into whatever is haunting Romolini, personally, be it parenting a teen, working on a new novel or her aging 52-year-old body. She still works hard, but her ambition is now driven by clarity and purpose. 'I'm not chasing anything anymore,' she says. 'This podcast, I'm making it for me. I'm so right with why I'm doing things.' Having a very intentional approach to self-care also helps keep Romolini, currently senior beauty editor at Yahoo, centered at a time when the world feels especially chaotic. In this interview, edited for clarity and length, Romolini shares her favorite Los Angeles escapes to find peace of mind, little-known beauty supply shops that rival Sephora and where to find a game-changing chocolate thunderbolt smoothie. What does wellness mean to you? Every time I think about wellness, I think about how it's been commodified, and how white it is, and how much it's about buying [stuff]. But in terms of what is real, personal success for me at this point, it's having the ability to know yourself well enough to stay regulated. Allowing yourself to be seen and seeing others. And loving and caring for yourself. One of the hardest things is fully allowing yourself to be seen. I think we spend a lot of time running from ourselves. We run from ourselves in ways where we're seeking success, where we're seeking money. But even in self-care, which has become almost competitive and performative, it's hard to find where it really fits into your life. So what does self-care look like for you in L.A.? As you get older, sleep is so important — your body becomes a science experiment, especially as your hormones are changing. So sleep, for sure; some kind of movement. But really, what I'm searching for, is emotional regulation. I've set up my life where I have spaces where I can feel emotionally safe and just stay calm and present — that is the ultimate wellness for me. Because let's be honest, being a human being is ridiculous right now, it's so overwhelming. So self-care is about protecting my peace. What are some of those spaces? I live in Silver Lake. And I feel like community is everything right now. I've been going to my community park, Bellevue Recreation Center. There's a little piece of woods there where you can sit and meditate. The Philosophical Research Society in Los Feliz — amazing vibes. The bookstore, the campus — I try to attend events there whenever I can. It's just the most peaceful place. There's also an amazing smoothie place in my neighborhood, which is not one of the trendy places. It's the old-timey Naturewell and has been around for decades — it just feels like the real, crunchy deal. They have a chocolate thunderbolt smoothie. Sometimes I'll pick one up if I need a break. Also, I started playing cards with friends. I'm trying to see people in person more often. So the back garden at Stories Books & Cafe. Just spending time — and space — with other people and not just being alone. And when all else fails, there's always dirty martinis and fries at Taix. What's your exercise routine? I lift weights at home. But I also go to the Everybody gym — I love it so much. It's the most chill and wonderful and welcoming gym I've ever been to. It's in Cypress Park. It's just a really inclusive and lovely and low-key gym. I get on the machines and I also take yoga classes there. Lifting weights, I'm just trying to keep this old husk limber and I wanna be able to have a healthy aging. I want to be physically able, if I can be. I want to be mentally able. That's my goal. You've already written a memoir about ambition and success. Why launch a podcast on the same topic? My book, 'Ambition Monster,' was all about coming to terms with what I chased for the first half of my life. The kind of professional success that's nonstop and compulsive, the external validation I was seeking. I wasn't finished having those conversations. I'm trying to figure out a way to reframe success and talk to people about how they feel about success at this moment in time, in a crumbling world, when everything kind of feels pointless, and when it's really hard to dream. And also in the second half of life when dreaming feels harder, when you're up against ageism, or getting in your own way. Those are conversations I'm not seeing had a lot. So with the podcast, plus a full-time job at Yahoo, a newsletter and a novel in progress — not to mention a teenage child — do you ever have downtime? And if so, how do you fill it? I consume a ton of culture — my husband is a culture critic — and I do have creative projects, whether rearranging a room or balcony gardening. But I have this loom! When I'm not doing anything I'm often just weaving. I map out these weavings, and then I spend a couple of weeks making them, and they often are ugly and I fail. But I think it's important to have something you're doing that you're an amateur at, that you're not trying to make money on. There's a great wool store on Vermont Avenue, the Little Knittery, that I like going into. I buy a bunch of wool in different colors and shapes and sizes; then I draw a diagram of what the weaving will look like. I don't know what I'm doing, this is all YouTube taught. The loom is fairly sizable: three feet by two feet. And I make these tapestries — we don't even put them up. I just enjoy doing it. It shuts me down because it's so tactile and so repetitive. It's just fun. You're the senior beauty editor at Yahoo, where you write about beauty and aging for women over 40. Any local, little-known haunts we should check out? I don't believe you need to spend a lot of money on skincare in any way. It's about looking for specific ingredients. There's a really good skincare store on Sunset, Credo Beauty, where I go to test a lot of things because they have such an array of brands, and they're mostly all clean brands. It's one of those things where it's like, I didn't even know this was here in this neighborhood! I think it rivals Sephora. And it's right next to Pizzana, the pizza place! Another one that has a ton of excellent makeup and fragrance brands is Le Pink & Co. on Sunset. I try to treat Los Angeles like New York — where I lived for a long time — so I walk around a lot and try not to get in my car unless I have to. Where does food fit into all of this for you — what kind of eater are you? Perimenopause changed the way I eat a lot. I have celiac disease, and I've had it since before being gluten-free was trendy. My mother has it, my sister has it. So I don't eat gluten. But I've noticed that the way my body processes food is different now — my digestion is slower than it used to be. I try to avoid sugar, it doesn't work for me. I eat sugar and my whole brain clouds up. It's real sad and real boring. You find yourself suddenly picking up a book called 'Nom Nom Paleo' and it's like well, here's where we're at. I love Botanica, a restaurant in Silver Lake. I shop at normal places. I go to Lassens a lot — I'm a Lassens over Erewhon person, though they both probably have terrible politics. What age do you feel inside? I feel 52 and I'm very proud of being 52. I announce it all the time. I write about it all the time. I just think we need to normalize it more. Normalize getting old and being cool. It's fine.
Yahoo
3 hours ago
- Yahoo
Jerry Garcia died almost 30 years ago. We want to hear your memories about the Grateful Dead icon.
Next month will mark the 30th anniversary of Jerry Garcia's death. The legendary Grateful Dead cofounder, guitarist and vocalist died on Aug. 9, 1995, in his room at a drug and alcohol rehabilitation facility outside of San Francisco. He was 53. Fans of the pioneering psychedelic rock band known as Deadheads — many of whom followed the band across the country from show to show, trading tapes of live recordings of their performances — knew this day would come. Garcia had struggled with drug addiction and diabetes for years, and was in bad shape weeks earlier on what would be his final tour. Still, news of his death was no less shocking. "I'm probably like a lot of people entering the first waves of numbness,' Tom Constanten, a former Grateful Dead keyboardist and a close friend of Garcia's, told San Francisco's KCBS radio that night. Yahoo is asking readers like you to share your memories of Garcia, including where you were when you heard he had died, what he and his music meant to you then and what it means to you today.
