Wrestling legend Hulk Hogan dead at 71 after ‘suffering cardiac arrest at home' following hospitalization just weeks ago
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Hulk Hogan attends Day 1 of the Chiller Theatre Expo at Sheraton Parsippany Hotel in October 2014 in Parsippany, New Jersey
First responders responded to the home after receiving a call about a "cardiac arrest," according to
Paramedics and police patrol were reportedly parked outside of Hogan's home on Thursday morning.
Hogan was wheeled out of his home on a stretcher and into an ambulance, TMZ reported.
The U.S. Sun has reached out to Clearwater Police for comment.
The wrestling icon's cause of death has not been disclosed.
More to follow... For the latest news on this story, keep checking back at The U.S. Sun, your go-to destination for the best celebrity news, sports news, real-life stories, jaw-dropping pictures, and must-see videos
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Extra.ie
a day ago
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Huge protests as Donald Trump tees off at Turnberry in Scotland
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Irish Independent
2 days ago
- Irish Independent
All Together Now festival in Waterford – your complete guide to routes, safety and top tips
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Sold out – warning There will be no day tickets for All Together Now 2025. Once again, organisers strongly urge all festival-goers to be cautious and avoid scams of counterfeit or unofficial tickets being sold online. Festival goers are strongly advised to avoid purchasing tickets or campervan passes from unauthorised sellers. Organisers have received a significant number of messages from people who have been scammed when trying to buy tickets through unofficial channels, particularly through a Facebook group claiming to resell tickets for our events. All tickets and campervan passes are completely sold out. Ticket info Mobile tickets are downloaded directly to your phone. No need to print or search through your emails - find them in your Ticketmaster account and on the app, or save them to your mobile wallet. What to pack Photo ID and tickets. Reusable water bottle. Tent, sleeping bag, toiletries, loo roll. Card for cashless payments as the festival does not accept cash as payment for anything. Layers, rain gear, sun cream and wellies – prepare for all weather. ADVERTISEMENT Learn more Organisers would suggest that if you don't need an item, don't bring it, especially any valuables. Professional photographic equipment is not permitted at the festival. Early entry – Thursday, July 31 Early entry is open to all ticket holders - no separate early access ticket required. Organisers encourage as many as possible to beat the rush by arriving on Thursday evening. Campervan, boutique and pre-pitched camping will all be ready and waiting for early arrivals. There will be live entertainment to get the celebrations started, with music on the bandstand and other surprises around the site. Festival opening times Thursday, July 31 - Car park opens at 2pm. Campsites open at 4pm. Last entry at 10pm Friday, 1 August – Sunday, 3 August. Car park and campsites: open from 9am daily. Last entry: 10pm Monday, 4 August. Site closes: 12pm noon. Please take everything with you. Leave not trace. Age policy All Together Now is strictly over 21s, except for children aged 12 and under, who may attend free with a family weekend camping ticket and a parent-guardian. Download your ticket to your phone before leaving the house - on-site signal may be limited. Alcohol policy – BYOB Each person with a general weekend camping ticket is permitted to bring one of the following: 24 cans or one litre of spirits or 1.5 litres of wine. These are allowed only on your initial entry. Alcohol may be brought into both the campsite and the main arena. No re-entry with alcohol once wrist-banded. No single-use plastic bottles. Please decant and use reusables. No glass: glass bottles are strictly prohibited. We suggest you decant to reusable plastic or stainless steel containers. Campervans and caravans Campervan - caravan field opens at 4pm on Thursday, July 31. Camping in tents is not permitted in this field. No gazebos allowed – to ensure everyone has adequate space. No generators, and no electrical hook-ups allowed. Awnings must be built-in, not free-standing. Sleeping in cars in the car park is strictly prohibited. Getting to the festival The car park will open at 2pm on Thursday, July 31 and the campsite will open at 4pm on Thursday, July 31, for all ticket holders. Travelling by road between 9am - 1pm is one of the quietest times to travel to the festival. For the latest traffic news, check: local radio (WLR 95.1FM and BEAT 102.0FM), the Festival App, or Twitter (X) @ATNFestival for the latest travel news as well as live updates. Driving Organisers have advised that festival goers should not follow Google Maps or Sat Nav, as it will not get you all the way to the festival site. Please use the directions at the bottom of this page, and follow the festival signage as soon as you see those. Do not travel to the festival via Carrick-on-Suir. Drop off - shuttle buses Friday drop off: designated drop off zone at Highfield Business Park, Portlaw, accessed from the N25 Kilmeaden Interchange. Free Shuttle Buses will bring ticket holders to the festival (operating Friday, 9am-9pm) and returning (Monday, 8am - 1pm only). Best option: use Waterford City Bus Terminus for Bus Éireann festival shuttle service, operating a regular service to the festival site. Taxis and drop offs The designated taxi pick-up and drop-off zone is located at the bus drop-off area right beside the main entrance to the festival. Ask your taxi driver to enter via Gate 4 for the smoothest access. Please do not arrange to be dropped off or picked up elsewhere near the estate as this can cause delays and disrupt traffic flow. Drop-off on the event site is prohibited on Friday and Monday. Ticketholders arriving to the festival on Friday by taxi or getting dropped off by private vehicles will be directed to the designated drop-off zone in Highfield Business Park, Portlaw - accessed from the N25 Kilmeaden Interchange. Ticketholders will then get the free shuttle bus to the festival (operating Friday 9am-9.30pm) and returning Monday (8am – 1pm only). To avoid festival traffic organisers advise the best drop off at the Waterford City bus Terminus where Bus Eireann festival shuttle will operate a regular service to the festival site. Bus and train Bus Éireann: Direct return services from Dublin, Cork and Waterford. Irish Rail: Routes from major cities to Waterford Plunkett Station, with onward travel options, see Cycling Bike racks are located next to Car Park 4 – follow staff directions once you enter the site. Driving by road From Dublin and north and east Drivers from Dublin and north and east via M9 and N25 west: travel the M9 to its end at Grannagh. Proceed towards the N25, west towards Cork, via the N25 Interchange. At the N25 Kilmeaden Interchange (Carrick Road Roundabout) motorists will be directed right at the roundabout towards the R680 through the town of Portlaw. In Portlaw, you will be directed out the Clonegam Road and enter via Gate 6 for access to the car park. From Waterford city Drivers from Waterford city via N25 west: travel the M9 to its end at Grannagh. Proceed towards the N25, west towards Cork, via the N25 Interchange. At the N25 Kilmeaden Interchange (Carrick Road Roundabout) motorists will be directed right at the roundabout towards the R680 through the town of Portlaw. In Portlaw, you will be directed out the Clonegam Road and enter via Gate 6 for access to the car park. From Cork and Southwest Drivers from Cork and Southwest via N25 east: motorists coming from the southwest will directed left off the N25 at Lemybrien. 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RTÉ News
2 days ago
- RTÉ News
Irish-produced drama Mix Tape and the musical love letter
BBC drama Mix Tape, a tale of star-crossed lovers who bond over music, is coming to RTÉ soon but can it reinvigorate the lost art of the mix tape as musical love letter? It was a teenage rite of passage and also what the kids now call a major flex. Making a mixtape was a labour of love, a musical way into the heart of the one you fancied and also a proud artefact of just how very good your taste in music really was. Carefully pressing the right buttons on your twin tape deck, choosing the tracks of your hopes and dreams and lovingly inscribing the song titles and artists on the inlay card became something of a minor artform back in what some people probably correctly call simpler times. Van Morrison called it the inarticulate speech of the heart and for millions of seventies, eighties and nineties kids, the mixtape was the musical equivalent of the love letter - the spark for countless nervous conversations and maybe even debates. God knows, I still have a box of them in my spare room. And no, they weren't all retuned, un-played and unloved. These days, of course, you will see wizened old Boomers and Gen Xers posting tiresome memes on wizened old Facebook (it's where the adults hang out, OK?) of cassette tapes accompanied by a pencil. If you know, you know. This, apparently, is the modern age's equivalent of uncovering ancient runes and explaining arcane rituals to digital nativists. In our era of instant gratification, even the noughties phenomenon of the CD burn has given way to soulless Spotify playlists and causal YouTube shares on mobile phones. As ever, something has been lost but with a new generation turning to vinyl and even the cassette format making its own comeback, can the actual physical mixtape become a tribune of love once again? Perhaps recent BBC drama Mix Tape (ta-dah!), which is due to air on RTÉ soon, will inspire a fresh flood of spooling polyester plastic film coated with magnetic material as musical missives. Perhaps not. In any case, the fabled mixtape is the jumping off point for the four-part series. It is the overwrought story of two music mad Sheffield kids, with the very Irish names of Daniel O'Toole and Alison Connor, who meet as teens at a house party in 1989. The young Daniel (who looks like a cross between Grian Chatten of Fontaines D.C. and a young Neil Morrissey) is a music obsessive and he wins bookish Alison's heart with his impressive knowledge of Cabaret Voltaire. Then again, we later learn that his favourite Bowie song is Modern Love. Their first dance is to Joy Division's immortal Love Will Tear Us Apart, their first kiss is to The Jesus & Mary Chain, and when their bedroom fumbling goes much further, they DO IT to the strains of In-Between Days by The Cure. Oh, the drama! Oh, the great basslines! There isn't enough of The Fall featured in Mix Tape for my liking but music is the spine of young Dan and Ali's romance and it plays out the beats and missed heart beats of puppy love (thankfully, no songs by Donny Osmond were used in the making of this programme). Daniel slips his mixtapes into Alison's school bag and she hands him lovingly curated TDKs on the bus to school. We hear The Jesus & Mary Chain, The Velvet Underground and The Stone Roses. All very good, indeed. But just as their teen crush turns to full-blown romance, Alison vanishes from Sheffield, leaving Daniel feeling like a Morrissey song. It's an intriguing premise and the drama plays out in a dual timelines and dual time zones, making it a lot like Sliding Doors meets Sleepless in Seattle - a Proustian rush of 'what ifs' and 'if onlys' played out longingly in verboten mobile phone texts and mutual cyber stalking and the songs of their lost youth. Normal People it is not. However, it is fraught stuff. We follow Daniel and Alison, who is now a successful novelist living in Syndey and married to a total eejit, and move between their teenage romance in 1989 Sheffield and the modern-day reality of their adult relationships living on opposite sides of the world. Daniel and his wife aren't exactly singing from the same hymn sheet back in Sheffield. He now works as a music journalist but never seems to do any actual work (so, that makes sense) and he is toying with writing a book about some great lost music figurehead, like Daniel Johnson or Nick Drake. Mix Tape is a very Irish affair. The four-part drama was originated and developed by Dublin-based production company Subotica, who have previously produced North Sea Connection and The Boy That Never Was, with help from Ireland's generous Section 481 Film and Television tax incentive and the support of Fís Éireann/Screen Ireland and Screen Australia among others. It was also filmed entirely on location in Dublin and Sydney. And so, the former steel town of Sheffield is played by Dublin's Liberties (I was tickled to see that some of it was shot on the very street where I live), while location filming was also completed in Australia. However, things get seriously meta when the young Alison actually moves to actual Dublin and young Daniel nearly has a whitey on the actual Ha'penny Bridge when he sees her with another bloke. Strangely, no U2 was used in the making of this programme. Based on the novel by Jane Sanderson and adapted for television by Irish writer Jo Spain, the show stars Teresa Palmer as the adult Alison and Jim Sturgess as the adult Daniel and Rory Walton-Smith as young Daniel and Florence Hunt as young Alison. And here's the thing, the actors who play the younger versions of our protagonists are so much better than the anguished grown-up versions, who spend most of the time moping about like extras in a Cure video. Of course, the whole thing reminded me of that minor noughties indie hit about an estranged couple haggling over their shared record collection in the same way rich people haggle over their condo in Bel Air or their D4 pied-à-terre. If you're looking for a good music-based romance, Stephen Frears' film of Nick Hornby's High Fidelity is still your best. Mix Tape is a mite too tortured and joyless but it does have two major flexes - those Dublin locations and the actual music. It also asks an eternal question posed by music obsessives in every time line and time zone - can the songs that sound-tracked our young lives and loves ever really sound the same again?
