logo
Bake Off star reveals he's going to be a dad for the first time – as Alison Hammond rushes to congratulate him

Bake Off star reveals he's going to be a dad for the first time – as Alison Hammond rushes to congratulate him

The Suna day ago
GREAT British Bake Off 2023 winner Matty Edgell has announced he's expecting his first baby.
The 29-year-old revealed his wife Lara was pregnant with a sweet snap on Instagram – while also paying tribute to his beloved football team, West Ham United.
4
In the photograph, Matty shared a onesie next to an ultrasound scan and an elephant comforter holding a blanket that read 'Little WHU Fan'.
He captioned the picture: 'We can't wait to meet you' with a heart emoji.
Following the announcement, hundreds of fans, loved ones and fellow bakers flocked to the comments to share their well wishes for the expectant parents.
Show host Alison Hammond – who was seen becoming close pals with Matty while in the tent – was one of the first to send her love, writing: Congratulations 🙌🏾 how exciting'
Dana Conway, who competed alongside Matty on Bake Off, wrote:''Omg stopppppppp!!!! My heart congratulations darlings xx' while Nicky Laceby added: 'Oh my goodness, big big congratulations to you both. This is such wonderful happy news xxx'
Sandro Farmhouse, who appeared in Bake Off 2022, wrote: 'Awww Congratulations ❤️'.
Matty appeared on the 14th series of the cooking favourite, beating Dan Hunter and Josh Smalley in the final.
He celebrated his win airing by announcing he and Lara had got engaged, with Marry later saying he got down on one knee during a romantic getaway in Sorrento, Italy.
The couple married in May 2024, with Matty joking on Instagram: 'Signed, sealed and delivered, she can't turn back now!'
He then added. 'We had the best time celebrating our special day with the people we love the most. Thank you so much to everyone who came, you made our day what it was.
'Ps. How stunning does my wife look?!'
Matty also revealed it was Lara who had applied for the show on his behalf, with the then-teacher not wanting to do it himself.
He quit his position as a teacher last year in order to pursue baking full time, stating he wanted to seize the opportunity.
Matty has become a baking influencer since his win, posting tips and tricks on TikTok to help inspire others.
What happened to Bake Off winners?
Great British Bake Off has launched the careers of dozens of Bakers - here's how the winners have fared after their time in the tent.
Series One: Edd Kimber - Has released cookbooks and publishes recipes on his website.
Series Two: Joanne Wheatley - Opened her own cookery school after winning Bake Off and released two cookery books.
Series Three: John Whaite - is now a regular face on TV for cooking segments and appeared on Strictly in 2021.
Series Four: Frances Quinn - has had her recipes appear in Vogue and is a regular contributor to BBC Good Food.
Series Five: Nancy Birtwhistle - The grandmother keeps herself busy with multiple specialties including baking and gardening. Launching a series of books under the Green Living brand.
Series Six: Nadiya Hussein - was chosen to bake a birthday cake for Queen Elizabeth II, and has hosted multiple BBC baking shows.
Series Seven: Candice Brown - has made several appearances on Celebrity gameshows, features frequently on morning TV shows, and runs her own pub, The Green Man, with her brother.
Series Eight: Sophie Faldo - launched Sophie Faldo's Couture Cakes as a business offering bespoke bakes for weddings and major celebrations.
Series Nine: Rahul Mandal - After winning Great British Bake Off, Rahul opted to largely step back from the limelight and return to his normal job at the Nuclear Advanced Manufacturing Research Centre.
Series Ten: David Atherton - David launched a food fitness column for The Guardian, and also released a cookbook.
Series Eleven: Peter Sawkins - On top of the traditional cookbook release, Peter - the youngest winner of the show aged 20 - returned to University of Edinburgh to complete his finance and accounting degree.
Series Twelve: Giuseppe Dell'Anno - Giuseppe has released his own cookbook based around his Italian roots.
Series Thirteen: Syabira Yusoff - The research scientist has launched her own company and hosts events based around teaching others Malaysian cuisine.
Season Fourteen: Matty Edgell - Matty has become a baking influencer since his win, posting tips and tricks on TikToks, as well as recipes on Instagram. Matty has also appeared on This Morning to share his skills with the morning show audience.
4
4
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Jessie J says she ‘misses being active mum' as she recovers from cancer surgery
Jessie J says she ‘misses being active mum' as she recovers from cancer surgery

BreakingNews.ie

time20 minutes ago

  • BreakingNews.ie

Jessie J says she ‘misses being active mum' as she recovers from cancer surgery

Jessie J has said she is 'missing being an active mum' as she recovers from breast cancer surgery. The Price Tag singer announced in June that she had been diagnosed with early breast cancer and that she would be undergoing treatment. Advertisement The 37-year-old posted to her Instagram story on Tuesday, providing an update after her surgery. 'For those asking for a health update,' she wrote on her Instagram story, 'I am 11 days post surgery. I'm good. Missing being an active mum/human the most.' The artist, whose real name is Jessica Cornish, and her partner Chanan Safir Colman, had a son, Sky Safir Cornish Colman, in May 2023. Jessie added: 'But it's been nice to slow down and Sky is having a blast with Nanny and Grandad. Advertisement 'It's still uncomfortable / a little painful, but I can handle that. I'm doing my exercises and taking all the healthy things. I have been trying to eat super clean.' The singer also revealed she has stopped taking pain medication, saying it is 'just not my thing'. The story featured a picture of Jessie's wound drain, a tube which helps remove excess fluid or blood that can accumulate after surgery. She asked her followers: 'Anyone else who has had this, did you feel like you are walking around one of those dog / duck toys. I carry mine on the floor when I'm home so the gravity can help the drain. Hoping it's out by the end of the week.' Advertisement The artist has battled with ill health throughout her life, having been diagnosed with a heart condition aged eight, suffering a minor stroke aged 18 and having briefly gone deaf in 2020. The Domino singer said she is 'feeling positive and grateful', and asked fans not to worry if she 'seems a little out of it' in public. 'If you do see me out, sitting in a park or coming out of a doctor's appointment or eating or walking or anything, and I seem a little out of it. I am,' Jessie said. 'It's not personal. Advertisement 'I don't have what I usually have to give energy wise, understandably. I will get there. It's a slow road.'

What would British culture be like if Oasis had never existed?
What would British culture be like if Oasis had never existed?

The Guardian

time20 minutes ago

  • The Guardian

What would British culture be like if Oasis had never existed?

In the peculiar counterfactual 2019 romcom Yesterday, the Beatles suddenly and mysteriously vanish from history, remembered by just one man. In the interests of a cheap joke, writer Richard Curtis improbably suggests that every band in the world would still exist in the Beatles' absence, bar one: Oasis. But what about a world without Oasis? As the Gallaghers themselves would admit, they weren't innovators like the Beatles, whose every move changed the course of popular music. If Noel had never joined Liam's band at the end of 1991, Creation Records might well have gone bust, Manchester City would have had less pop cachet, and The Royle Family would have needed a different theme tune, but music wouldn't have sounded significantly different. Today, new bands are more likely to cite the spiky intelligence of Radiohead or the Smiths than Oasis's broad strokes, and very few younger than Arctic Monkeys expects to fill stadiums. What Tracey Emin beautifully described as the 'brightness of things happening' did not depend on Oasis – from club culture to the Young British Artists, Trainspotting to Kate Moss, New Labour to Euro 96, the era's colour was turned up with or without them. Nor did Britpop flow from Oasis. By the time Definitely Maybe came out in August 1994, Suede and Pulp were crashing the charts and Blur's Parklife was on its way to going four times platinum, their paths smoothed by Matthew Bannister's rejuvenation of Radio 1. The commercial bar for indie rock had already been raised, up to a point. Instead, as the mania around their reunion demonstrates, the Gallaghers' unique achievement was unprecedented scale. They made alternative culture mainstream, because nobody else craved success so unapologetically: daytime airplay, No 1s, stadiums, the whole shebang. For some of their peers, this breakneck acceleration and magnification produced new opportunities. Oasis's example made possible the second acts of Manic Street Preachers, the Verve and Robbie Williams, before inspiring the formation of younger bands such as Coldplay, the Killers, Arctic Monkeys and Kasabian. It wasn't the sound so much as the possibility: music for the masses. Oasis made dreaming big not just an option but a necessity. 'It wasn't: 'Who's good?'' the Boo Radleys' Martin Carr complained of the cash-burning A&R hunt for the next Oasis. 'It was: 'Who's going to be famous?'' Bands like his, accustomed to modest commercial goals, were suddenly deemed failures if their latest single missed the Top 20, and derailed by these impossible expectations. Even Damon Albarn and Jarvis Cocker soon overdosed on pop celebrity and sought stranger escape routes. Oasis alone sought and achieved true mass appeal by tapping into a communal, aspirational hedonism that suited the times. But in shrugging off indie's underdog mentality, they also devalued its eccentric outsider's point of view. The Britpop boom scrambled the music papers' bearings, turning them into cheerleaders for what was popular rather than champions of what was interesting. '[Oasis] shut down the argument, shut down experimentation,' the artist Jeremy Deller once complained. 'They took all the oxygen out of the scene and became the only band.' Nothing summed up the new sports-like obsession with victory more than Blur and Oasis's news-making battle for No 1 in August 1995, which also established a crude and artificial class dynamic. Contrary to the rich and varied history of British popular music, the discourse around Oasis defined the only 'authentic' working-class music as simple, direct, white, laddishly male and aggressively anti-intellectual. Noel insisted (sometimes disingenuously) that his songs meant next to nothing – they were 'just about a feeling'. Oasis were a vibe, an energy, and one that lent itself to gung-ho patriotism. Contrast Albarn's sharp ambivalence about British identity with the blunt hurrah of Noel's union jack guitar. Oasis can't be blamed for all these unintended consequences but they were the giant catalyst. Today, the Gallaghers are in every 90s nostalgia montage – Liam in bed on the cover of Vanity Fair's Cool Britannia issue and Noel shaking hands with Tony Blair at Number 10. They remain a magnetic force, bending our collective memory towards them. So let's again imagine that Oasis never came to pass. What's different? Most of 90s culture proceeds anyway, only its busy diversity is more apparent. Britpop remains, but in a less anthemically populist form, closer to journalist Stuart Maconie's original 1993 manifesto of 'glamour, wit and irony'. Alternative music still crosses over but its growth is more sustainable and commercial success does not become a do-or-die metric. Tabloid gossip columns rarely overlap with the NME. Flags and politicians are still regarded with suspicion. The lows aren't as low – but maybe the highs aren't as high.

Instagram under fire for hosting Bob Vylan ‘death to the IDF' video
Instagram under fire for hosting Bob Vylan ‘death to the IDF' video

Telegraph

time27 minutes ago

  • Telegraph

Instagram under fire for hosting Bob Vylan ‘death to the IDF' video

Instagram is under pressure to remove Bob Vylan's chant of 'death, death to the IDF' after the Glastonbury controversy attracted a surge in online interest in the group. A video of the group's Saturday afternoon performance, shared by the band's frontman on Instagram, has been viewed more than 5m times. The page for the duo's singer Pascal Robinson-Foster – known as Bobby Vylan – has seen its followers increase almost fourfold in the last week amid continuous controversy. The surge in online attention has also led to a spike in the band's Spotify listeners and viewers on YouTube. The BBC has not made footage of the punk/rap duo's Glastonbury set available on demand and has apologised for not cutting away from the live broadcast. During the performance, the group led the audience in chants of 'Death, death to the IDF!' and chanted 'Free! Free!' with the crowd responding 'Palestine!'. The footage has been viewed millions of times on Instagram, despite the social network banning incitements to violence. The app's ban extends to calling for the death of an army's soldiers, although Instagram's parent company Meta has made exceptions such as allowing Ukrainians to wish violence against Russian invaders. A spokesman for Campaign Against Antisemitism said: 'Bob Vylan's calls for death and destruction should have no place on streaming or social media platforms. We have long called for tougher regulations on social media sites and that social networks proactively search for and remove hate speech from their platforms. 'It is outrageous that footage that the BBC removed for its extremism is now being proudly shared on Instagram, driving up streams and followers. Platforms must not allow musicians or activists inciting violence to profit or gain influence by spreading this poison.' Footage of the performance was posted by the celebrities4palestine page and shared by Bobby Vylan. Meta has toughened its stance against antisemitic posts, including removing posts targeting 'Zionists', although its Oversight Board last year ruled that messages featuring the phrase 'from the river to the sea' do not glorify Hamas and should remain online. Bobby Vylan's Instagram followers have risen from 71,000 to 260,000, according to figures from analytics company Chartmetric. The band's Spotify followers have climbed by 16pc in the last week and YouTube subscribers have risen by 29pc, although many artists see a rise after Glastonbury.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store