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‘And Just Like That' Team Offers Up Explanation as to Why Character Was Seemingly Killed Off Twice

‘And Just Like That' Team Offers Up Explanation as to Why Character Was Seemingly Killed Off Twice

Yahoo10-07-2025
HBO's revival series And Just Like That has continued to hold on to a loyal fan base, mostly composed of die-hard Sex and the City fans.
The sequel show is currently airing its third season with original stars Sarah Jessica Parker, Cynthia Nixon and Kristin Davis returning as Carrie Bradshaw, Miranda Hobbes and Charlotte York-Goldenblatt, respectively, to the streets of New York. This time around, we see the women tackle life, love and friendship from the perspective of their 50s — though Kim Cattrall has declined to return as the iconic Samantha Jones.
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Without Cattrall, SATC boss Michael Patrick King made the decision to welcome some newcomers into the fold, with Seema Patel (Sarita Choudhury) and Lisa Todd Wexley (Nicole Ari Parker) introduced to fill the Samantha-shaped hole.
And while not as critically renowned as the original series, And Just Like That has effectively covered myriad mid-life complications for the women, including the death of Mr. Big (Chris Noth), a recent cancer diagnosis for Harry, rediscovering sexuality, and raising children while balancing a career in an increasingly digital world.
But in the latest episode that released on July 3, a plot point appeared to get recycled, and the AJLT team were later forced to offer up an explanation.
Fans of the show took to social media to discuss Lisa losing her father, whose funeral takes place in episode six, 'Silent Mode.' Audiences watch Ari Parker's character tearfully phone up Davis' to say her 90-year-old dad died suddenly after a stroke. His funeral is held in a local theater, where Lisa is tasked with delivering a eulogy.
However, eagle-eyed viewers noted that Lisa had previously, briefly spoken about losing her father in the first season of the show. She told Charlotte in relation to Big's death in the premiere: 'I was exactly the same when my father died last year.' But Lisa's father was later introduced in season two. In episode four — interestingly titled 'Alive!' — Star Wars hero Billy Dee Williams guest starred as Lawrence Todd at a dinner party hosted by his daughter.
AJLT viewers were quick to question the writers' decision to kill the character twice. 'Did ChatGPT write these episodes?' one scathing comment read. Susan Fales-Hill is listed as the main writer on the episode (while Darren Star is credited as creator, King is showrunner and runs the writers room).
On Monday evening, however, the production team on AJLT clarified to THR that the dead dad referenced in season one of the show was referencing LTW's stepfather.
The season three premiere of And Just Like That averaged 429,000 households during the live-plus-three-day viewership window, a 7 percent decline from the season two premiere (463,000 households).
This story first published July 7, 8:04 a.m. and has been updated with response from production.
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White House Slams ‘South Park' as 'Desperate' for Attention After Unflattering Depiction of Trump
White House Slams ‘South Park' as 'Desperate' for Attention After Unflattering Depiction of Trump

Yahoo

time35 minutes ago

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White House Slams ‘South Park' as 'Desperate' for Attention After Unflattering Depiction of Trump

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Box Office Grosses Won't Return to Pre-COVID Levels Even by 2029, New Report Forecasts
Box Office Grosses Won't Return to Pre-COVID Levels Even by 2029, New Report Forecasts

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time35 minutes ago

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Box Office Grosses Won't Return to Pre-COVID Levels Even by 2029, New Report Forecasts

U.S. and global box office and total cinema revenue will not reach pre-COVID-19 pandemic levels by 2029, according to accounting firm PwC's annual closely watched media and entertainment outlook report released late on July 23. In the U.S., pre-pandemic total cinema revenue is not forecast to be reached by 2029 despite a compound annual growth rate (CAGR) of 3.9 percent. PwC had recorded nearly $11.7 billion in U.S. total cinema revenue in the pre-pandemic year 2019 after $11.8 billion in 2018. The firm projects the figure to rise from $8.9 billion in 2024 and $9.6 billion in 2025 to $10.1 billion in 2026, $10.3 billion in 2027, $10.6 billion in 2028 and $10.8 billion in 2029. 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‘South Park' Lives: Paramount Inks New Deal With Creators, Library Moving to Paramount+
‘South Park' Lives: Paramount Inks New Deal With Creators, Library Moving to Paramount+

Yahoo

time36 minutes ago

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‘South Park' Lives: Paramount Inks New Deal With Creators, Library Moving to Paramount+

South Park has been saved. Just hours before the Comedy Central show's season 27 premiere on July 23 (a premiere that had already been pushed back due to the uncertainty of a new deal), Paramount and Park County, the venture creators Matt Stone and Trey Parker run and which produces the show, have reached a new deal. More from The Hollywood Reporter Skydance Tells FCC It Will Create CBS News Ombudsman, Eliminate DEI at Paramount Trump's Side Deal With "New Owners" of Paramount May Hint at FCC Concessions Paramount Execs Tell Staff That Africa Offices and Channels May Close Amid Strategy Review (Exclusive) The agreement means that South Park's new season will debut as scheduled. The deal runs for five years and encompasses 50 new episodes of the show to debut on Comedy Central. In addition, the companies have inked an expansive new streaming partnership (via their joint venture South Park Digital Studios) that will bring South Park's library to Paramount+ in both the United States, where HBO Max has held the rights for years, and globally. New episodes will also stream on Paramount+ in the U.S. the day after they air on Comedy Central under the pact. A source pegged the value of the deal at about $1.5 billion. 'Trey and I and the whole South Park crew are grateful for this extension and this deal. We want to thank [Paramount co-CEO and president of Showtime/MTV Entertainment] Chris McCarthy and [COO] Keyes Hill-Edgar for years of great partnership and are looking forward to continuing to make South Park for the next five years,' said Stone. Added Parker, 'We are grateful for this opportunity and deeply honored by the trust placed in us. This is about more than a contract — it's about our commitment to this organization, our teammates, and our fans. We're focused on building something special and doing whatever it takes to bring championships to this city.' Streaming deals for the show expired on June 23, forcing an extension of a domestic deal with Warner Bros. Discovery to keep it on HBO Max for now. Earlier this month, Paramount+'s international license to stream episodes of the long-running animated series expired, which led to the streamer pulling the series from its global service. Park County has an unusual arrangement with Paramount, with the production company receiving about 50 percent of all streaming revenue, even as Paramount retains ownership of the show. 'Matt and Trey are singular, creative forces whose fearless humor and boundary pushing storytelling have made South Park one of the most beloved and enduring series ever — more popular today than at any point in its history, and one of the most valuable TV franchises in the world,' said McCarthy. 'They are exceptional talents and trusted partners. We're thrilled that Comedy Central and now Paramount+ globally will be the home to South Park for years to come and our thanks to the Skydance team for their vital partnership in making this happen.' The deal also comes after a heated but quiet behind-the-scenes legal dispute between Park County, Paramount Global, and Skydance, which is set to assume control of Paramount in the coming weeks. It was a dispute that had some sources concerned about the show's future. Parker and Stone were seeking an extension of their current first-look deal with the company, which a source pegged at being worth about $150 million per year during its six-year term. That agreement had a couple of years left, but the creators were seeking an early extension that could coincide with a streaming agreement. However, Skydance leadership, including CEO David Ellison and incoming president Jeff Shell, had approval rights on any deals that met a certain threshold, and the Park County deal fit that bill. Earlier this month, The Hollywood Reporter learned that Park County believed it had struck a basic framework with Paramount on a new 10-year, $3 billion deal, roughly three times the value of their last agreement. Skydance, however, was reluctant to sign off a deal that long, fearing how the streaming market could change by then. At $1.5 billion, the new deal would be worth about $300 million per year, albeit with the shorter time frame that Skydance had been pushing for. While $1.5 billion is an extraordinarily high number for what amounts to 50 episodes of TV, a source said that the overall deal also functioned as an advance on the streaming revenue, helping to explain the cost. When the talks were most heated, Parker and Stone brought on Bryan Freedman, a prominent lawyer and bulldog negotiator known for aggressive legal maneuvering, underscoring how the dispute had escalated. 'This merger is a shitshow and it's fucking up South Park. We are at the studio working on new episodes and we hope the fans get to see them somehow,'' Parker and Stone wrote in a social media post on July 2, after Comedy Central announced that the season 27 premiere had been pushed by a few weeks. In a precursor to the legal dispute, Park County threatened legal action against Shell for allegedly urging Netflix and Warner Bros. Discovery to modify certain terms of their offers for the show in a 'manner calculated to benefit Paramount at the expense' of the company. It pointed to Shell urging WBD to give Paramount+ an exclusive 12-month window for new episodes of the show and to shorten the term of the deal from 10 to five years, which could worsen the studio's bid for the series. Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise Solve the daily Crossword

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