
Lauryn Hill Visits Harvard To Talk Building Community Within Songwriting 'Purpose. Love. Passion. Connecting.'
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Fresh off her making her Met Gala debut, Lauryn Hill stuck around the East Coast to kick it with the youth.
The singer made her way to Harvard, where she spoke on a panel. With two rare public-facing events back to back, she expressed that she hadn't done an interview in a while and hopes her contribution to the conversation isn't 'underwhelming.'
Also rare is Hill releasing music, and she hasn't dropped an album since the highly regarded The Miseducation of Lauryn Hill in 1998. Still, so many years later, she offered the audience advice on her writing method and finding joy and inspiration in her surroundings.
'I find what I love, I find what I care about, and then I write about that. I have mind and motion and need. Combined. That's what I do, which I'm sure all of you are doing,' she said.
She even boils it down to a few core principles of 'Purpose. Love. Passion. Connecting.'
Beyond that, Hill says that before putting pen to paper, it is also essential to build a community around you that can help fuel your creative process and theirs.
'Curate a community, find a community. People who understand you. Who get you. Who can appreciate, who can reflect you. Who can resonate, so you're not in a vacuum. You can bounce ideas off of someone. They can also articulate appreciation. You can articulate appreciation back. I think these are very healthy and important things in the world.'
This isn't the first time Hill has visited the revered campus; she reportedly went there in 2023 to celebrate the 25th anniversary of her The Miseducation of Lauryn Hill .
At Monday night's Met Gala, Hill blurred gender formalwear norms with a Jude Dontoh-designed yellow suit with a train attached. She also worked with Ghanaian jewelry designer Emefa Cole to ensure she wore accessories that paid homage to Ghanaian royalty, staying true to the 'Superfine: Tailoring Black Style' theme.
Still, with all the flashing lights, she avoided interviews, only responding 'Everything' to one journalist who asked what Black style meant to her.
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Lauryn Hill Visits Harvard To Talk Building Community Within Songwriting 'Purpose. Love. Passion. Connecting.' was originally published on cassiuslife.com
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Chicago Tribune
3 hours ago
- Chicago Tribune
Leo High School choir headed to ‘America's Got Talent' quarterfinals in August
Imagine heading out to pick up your father's medicine at the neighborhood CVS one day, only to be stopped by four strangers who ask: 'Can I take a picture with you?' That's was what happened to Kriston Bell, 17. When approached, the Beverly resident asked if they knew him from somewhere. Their response: 'From 'America's Got Talent.'' The admirers took pictures to share with their kids. 'I'm just walking into Chick-fil-A, next thing I hear is someone say, 'Ain't that the people from 'America's Got Talent?'' said Dolton resident Stephen Jackson, 17. This is the new normal for members of Leo High School's choir after their performance on the 20th season of NBC's reality talent show aired June 10 — now that the melodic prowess of the 22 young men from the South Side Catholic school for boys has gone global. And while its choir has stepped to the forefront as of late, Leo High School has been known as a place where young Black and brown men are nurtured to succeed. And they do — from sports to academics . 'Since I have been at Leo, more than 90% of our graduates have gone on to college,' said Leo President Dan McGrath. On 'America's Got Talent,' the choir wowed all four judges and the audience with a resounding rendition of The Score's 'Born for This.' The team heads back to California in August to participate in the talent competition's quarterfinals. Choir members were rehearsing for hours at the school every Thursday in July. If they advance after this round, the group will be closer to winning the $1 million grand prize. The choir had a certain amount of notoriety locally prior to 'AGT' — from taking the stage at the Democratic National Convention last summer, to performing at Millennium Park's Holiday Sing-Along this past December, to singing for the city of Chicago during Black History Month — but the 'AGT' platform is its biggest yet. The young men caught the attention of the show's scouts when an Instagram video of their singing was posted by CBS Chicago in early 2024. The rest is history. By June of this year, the choir was performing at the Archdiocese of Chicago's celebration of Pope Leo XIV at Rate Field and at a Juneteenth event at Wrigley Field. 'National reality TV shows, multiple different news networks, sports games, I think I've ticked off the whole bucket list,' Jackson said about his involvement with the choir. Some Leo choir members juggle rehearsals with summer jobs. From restaurants like iHop (Jackson says his manager is 'very forgiving' with his choir commitments and scheduling) to retailers like Menards and Stein Learning Gardens at St. Sabina the young men are working hard on their futures — futures that gel well with not just the choir's success, but also with Leo's philosophy of working hard for success, according to choir director LaDonna Hill. 'Most people are average … getting up every day trying to figure it out, willing to try and not quit. Those are the things I like to build on. That's why I'm so proud of these 22 guys,' she said. Having performed publicly at 60 events last year, the men committed themselves to the work. 'To have these young men show up, be committed, not afraid to try something new, and legitimately give themselves to it 100% — it's inspiring,' Hill said. Leo Principal Shaka Rawls is not surprised the choir is getting the recognition it is. A Leo alumnus, Rawls has led the school since 2016 and said 'it was only a matter of time' the national spotlight found the choir, given the hard work that goes into supporting Leo students' mental health, educational growth and service to the community. All are part of Leo's mission of making good people and stewards of the community. 'I want to make the next generation of men better than the last generation — particularly Black and brown men,' Rawls said. Parents credit the choir's momentum to the synergy between Yolanda Sandifer-Horton, Leo High School's choir manager and coordinator of student engagement, and Hill. According to Hill, many members of the choir did not know how to sing or did not possess any musical background before they became part of the team. Hill — who is retiring from Leo after 25 years to pursue ministry — looks back at helping the choir grow through a lens of creativity, patience, hard work and fun. 'We push them to do their best, but at the same time, we try to know what's going on in their lives, so we can talk them through things. We want them to feel safe, respected, and looked after,' McGrath said. McGrath considers the choir members ambassadors for the institution, which will celebrate 100 years in 2026. A 1968 graduate of Leo, McGrath has seen firsthand the neighborhood's demographics change from predominantly white to Black and brown, with businesses and churches abandoning Auburn Gresham in the process. They stayed the course in the South Side community with their motto: 'Deeds not words.' 'Oftentimes, we say teachers inspire students … but they've inspired me,' Hill said. 'I teach them four golden rules: discipline, dedication, being responsible and being a team player. I build on that. You get to the end of the process — the results — and you can feel good about whatever the outcome is because you did your best.' While current Leo Lions are making plans for the 'AGT' prize money (college funds feature prominently) Sandifer-Horton said she would like the limelight to offer more exposure for the colleges recent Leo graduates attend. Nine choir members graduated last year. 'It's bringing exposure not only to Leo, but to nine other colleges and universities,' she said. 'Many people who don't win, get so much exposure and opportunities; a lot of people come out winners in other ways.' For twins Steven and Stephen Jackson, 17, their Leo choir experience has helped them with their public speaking skills and confidence. Bell is looking to use his voice more when working on his own melodic hip-hop music. Rios is looking forward to joining Clark Atlanta University's choir when he attends in the fall. 'Leo's choir has done what most professional musicians are still trying to do,' Rios said, looking back at the group's trajectory. 'We definitely did the best we could as far as us being teenagers.' After their first appearance on the show, an anonymous donor gave each choir member $5,000 to be used for their educational pursuits after high school. 'They are very humble,' said Chatham resident Latonya Smith, parent to 17-year-old choir member Xavier Smith. 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Now that the school choir is in high demand, McGrath said parents are coming into the school saying they'd like to see their son get into the choir. The search for the next choir director has already begun. But whoever takes up the mantle will have to have a family mindset, Hill said. She considers her arrival at Leo divine. It all started with a phone call from a friend after the loss of her child. She lost one soul to connect with many others. 'I gained all of these amazing young men — that's why I describe it as divine. Look at how far they've come. I just pray that whoever comes will be fascinated with that process,' she said. ''AGT' is great and I hope we win the whole thing, but my goal is the Vatican in March,' Rawls said. 'There's no reason why the Leo High School choir, with its newfound fame, should not perform for Pope Leo. That just makes sense to me.'


New York Post
6 hours ago
- New York Post
Tom Lehrer, song satirist and mathematician, dies at 97
Tom Lehrer, the popular song satirist who lampooned marriage, politics, racism and the Cold War, then largely abandoned his music career to return to teaching math at Harvard and other universities, has died. He was 97. Longtime friend David Herder said Lehrer died Saturday at his home in Cambridge, Massachusetts. He did not specify a cause of death. Lehrer had remained on the math faculty of the University of California at Santa Cruz well into his late 70s. In 2020, he even turned away from his own copyright, granting the public permission to use his lyrics in any format without any fee in return. Advertisement A Harvard prodigy (he had earned a math degree from the institution at age 18), Lehrer soon turned his very sharp mind to old traditions and current events. His songs included 'Poisoning Pigeons in the Park,' 'The Old Dope Peddler' (set to a tune reminiscent of 'The Old Lamplighter'), 'Be Prepared' (in which he mocked the Boy Scouts) and 'The Vatican Rag,' in which Lehrer, an atheist, poked at the rites and ceremonies of the Roman Catholic Church. (Sample lyrics: 'Get down on your knees, fiddle with your rosaries. Bow your head with great respect, and genuflect, genuflect, genuflect.') Musician Tom Lehrer sits beside the piano in his house in Santa Cruz, Calif., on April 21, 2000. AP Accompanying himself on piano, he performed the songs in a colorful style reminiscent of such musical heroes as Gilbert and Sullivan and Stephen Sondheim, the latter a lifelong friend. Lehrer was often likened to such contemporaries as Allen Sherman and Stan Freberg for his comic riffs on culture and politics and he was cited by Randy Newman and 'Weird Al' Yankovic among others as an influence. He mocked the forms of music he didn't like (modern folk songs, rock 'n' roll and modern jazz), laughed at the threat of nuclear annihilation and denounced discrimination. Advertisement But he attacked in such an erudite, even polite, manner that almost no one objected. 'Tom Lehrer is the most brilliant song satirist ever recorded,' musicologist Barry Hansen once said. Hansen co-produced the 2000 boxed set of Lehrer's songs, 'The Remains of Tom Lehrer,' and had featured Lehrer's music for decades on his syndicated 'Dr. Demento' radio show. Lehrer's body of work was actually quite small, amounting to about three dozen songs. Advertisement 'When I got a funny idea for a song, I wrote it. And if I didn't, I didn't,' Lehrer told The Associated Press in 2000 during a rare interview. 'I wasn't like a real writer who would sit down and put a piece of paper in the typewriter. And when I quit writing, I just quit. … It wasn't like I had writer's block.' He'd gotten into performing accidentally when he began to compose songs in the early 1950s to amuse his friends. Soon he was performing them at coffeehouses around Cambridge, while he remained at Harvard to teach and obtain a master's degree in math. He cut his first record in 1953, 'Songs by Tom Lehrer,' which included 'I Wanna Go Back to Dixie,' lampooning the attitudes of the Old South, and the 'Fight Fiercely, Harvard,' suggesting how a prissy Harvard blueblood might sing a football fight song. After a two-year stint in the Army, Lehrer began to perform concerts of his material in venues around the world. In 1959, he released another LP called 'More of Tom Lehrer' and a live recording called 'An Evening Wasted with Tom Lehrer,' nominated for a Grammy for best comedy performance (musical) in 1960. Advertisement But around the same time, he largely quit touring and returned to teaching math, though he did some writing and performing on the side. Start your day with all you need to know Morning Report delivers the latest news, videos, photos and more. Thanks for signing up! Enter your email address Please provide a valid email address. By clicking above you agree to the Terms of Use and Privacy Policy. Never miss a story. Check out more newsletters Lehrer said he was never comfortable appearing in public. 'I enjoyed it up to a point,' he told The AP in 2000. 'But to me, going out and performing the concert every night when it was all available on record would be like a novelist going out and reading his novel every night.' He did produce a political satire song each week for the 1964 television show 'That Was the Week That Was,' a groundbreaking topical comedy show that anticipated 'Saturday Night Live' a decade later. He released the songs the following year in an album titled 'That Was the Year That Was.' The material included 'Who's Next?' that ponders which government will be the next to get the nuclear bomb … perhaps Alabama? (He didn't need to tell his listeners that it was a bastion of segregation at the time.) 'Pollution' takes a look at the then-new concept that perhaps rivers and lakes should be cleaned up. He also wrote songs for the 1970s educational children's show 'The Electric Company.' He told AP in 2000 that hearing from people who had benefited from them gave him far more satisfaction than praise for any of his satirical works. His songs were revived in the 1980 musical revue 'Tomfoolery' and he made a rare public appearance in London in 1998 at a celebration honoring that musical's producer, Cameron Mackintosh. Advertisement Lehrer was born in 1928, in New York City, the son of a successful necktie designer. He recalled an idyllic childhood on Manhattan's Upper West Side that included attending Broadway shows with his family and walking through Central Park day or night. After skipping two grades in school, he entered Harvard at 15 and, after receiving his master's degree, he spent several years unsuccessfully pursuing a doctorate. 'I spent many, many years satisfying all the requirements, as many years as possible, and I started on the thesis,' he once said. 'But I just wanted to be a grad student, it's a wonderful life. That's what I wanted to be, and unfortunately, you can't be a Ph.D. and a grad student at the same time.' Advertisement He began to teach part-time at Santa Cruz in the 1970s, mainly to escape the harsh New England winters. From time to time, he acknowledged, a student would enroll in one of his classes based on knowledge of his songs. 'But it's a real math class,' he said at the time. 'I don't do any funny theorems. So those people go away pretty quickly.'
Yahoo
7 hours ago
- Yahoo
Iconic ‘60s Singer and Satirist Dies at 97
Iconic '60s Singer and Satirist Dies at 97 originally appeared on Parade. The year is 1967. The black-and-white TV screen reveals an impeccably dressed, bespectacled academic in his late 30s. His fingers fly over the ivory keys of a baby grand piano. The first words out of his mouth are 'when you attend a funeral.' What follows is a familiar narrative about loss making you think of your own relatives weeping for you at your funeral, sung with appropriate pomp and circumstance. Then… something shifts. 'Don't you worry,' the singer knowingly smiles at his audience. 'For if the bomb that drops on you/ gets your friends and neighbors too,/ there'll be nobody left behind to grieve.' The song, 'We Will All Go Together When We Go,' picks up as he merrily continues to sing of the likelihood of impending nuclear destruction. The audience is unabashed with their delight, for the man on the screen is not your average run-of-the-mill entertainer. He is, instead, the legendary satirist Tom Lehrer, 97, who passed away in his home in Cambridge, Massachusetts on Saturday, according to Variety. Born in Manhattan in 1928 to a Jewish family, math prodigy Lehrer started his higher education at Harvard when he was 15. Known for his razor-sharp wit and darkly funny, politically savvy songs, the Harvard-educated mathematics professor had a surprising entry into entertainment, and an even more unexpectedly short tenure there. In a 1997 interview with Elijah Wald, Lehrer described what led him to write satirical songs in the first place. He had no yearn for fame or even any real love of performance, despite his natural stage presence. Instead, 'I would listen to the radio and think, 'I can write a song as good as that,' and the problem is, they already have people who can write songs 'as good as that' so what do they need one more for? What is necessary is somebody that can write something different.'' Lehrer was certainly different from anyone who came before him, and his unique blend of musical wit would inspire generations of entertainers to come. In the wake of his death, his fans – including the famous ones – flocked to social media to pay their respects. 'My last living musical hero is still my hero but unfortunately no longer living,' Alfred 'Weird Al' Yankovic, 65, posted to Instagram. 'RIP to the great, great Mr. Tom Lehrer.' Fans filled the comments section with 'RIP's and condolences aplenty. 'I'll miss him forever,' wrote one distraught fan. In the early '50s, Lehrer self-released a few albums while still a professor by trade, with teaching posts including Harvard, the Massachusetts Institute of Technology (MIT) and the University of California, according to The BBC. 'I don't like people to get the idea that I have to do this for a living,' Lehrer deadpanned to one live audience in discussing his academic roots. 'I could be making, oh, $3,000 a year just teaching.' After the release of his first album, 'the word spread like herpes,' Lehrer quipped to Wald, describing how his self-released record went old school viral, selling a shocking 10,000 copies according to Variety. Before long Lehrer was performing in nightclubs, concert halls, and recording live concerts for television, his next record rising to number 18 on the American charts. In his songs, Lehrer explored socially taboo subjects with his signature light tunes and unabashedly frank lyrics. Along with exploring nuclear conflicts in the aforementioned 'We Will All Go Together When We Go,' Lehrer took on sexuality in 'The Masochism Tango' and 'Smut,' racism in 'National Brotherhood Week,' and addiction in 'The Old Dope Peddler.' He also made time for some lighter subjects, like mocking classic spring ballads in his own ode to the season, 'Poisoning Pigeons in the Park.' He was in the height of his career in the '60s and '70s when, abruptly, Lehrer left the entertainment industry, eschewing fame in favor of a quiet life as a math teacher one quarter of the year, and a 'cheerful layabout' for the rest of the time. "I learned 25 years ago that you didn't have to shovel snow,'' he told Wald in the 1997 interview. "You didn't even have to see snow, and that was a great revelation to me.'' After his retreat from the public eye, Lehrer's popular satire returned to the press in 1980 when they were put together in the musical revue 'Tomfoolery.' Now, despite his passing, Lehrer's songs and his signature wit will live on forever, if the overflowing comments section of Weird Al's Instagram post is any indication. One fan perfectly mimicked Lehrer's signature sense of humor with a reference to his song 'Poisoning Pigeons in the Park' in the comment, 'The pigeons are safe, BUT AT WHAT COST.' Another fan commented with a reference to Lehrer's aforementioned song about bereavement, 'We Will All Go Together When We Go.' 'I thought we'd all go together,' the fan wrote along with a crying emoji. Iconic '60s Singer and Satirist Dies at 97 first appeared on Parade on Jul 28, 2025 This story was originally reported by Parade on Jul 28, 2025, where it first appeared. Solve the daily Crossword