Starmer and Macron to meet at No 10 amid push for French help on small boats
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A Quebec tourism ad is making Americans emotional but not for the reason you think
Know anyone in the U.S. who needs a hug? An ad from the Eastern Townships tourism board offering hugs to Americans visiting Quebec has gone viral, even scoring a celebrity endorsement from an Academy Award winner. The Eastern Townships, just north of Vermont and a short drive from Boston and New York City, is one of our favourite getaways. The 'Come Hug It Out' ad campaign, which shows an American tourist approaching the front desk at a hotel. 'Sorry, I don't speak French. I'm just visiting,' he says, before leaning in and adding in a whisper: 'I'm American.' Without missing a beat, the clerk reaches under the desk and presses a red button — which swings open the counter, allowing her to step out and give him a warm hug. The lighthearted ad hints at the considerable political tension between Canada and the U.S., and arrives on the heels of a new US travel requirement in addition to the updated U.S. travel rules and safety advisories—plus a travel warning sharing risks and recommended precautions for U.S. citizens travelling to Canada. The post on Instagram shared the following message: 'What if this summer, we opened our arms wide to warmth, smiles, and genuine moments? In the Eastern Townships, hospitality isn't something we say — it's something you feel. Come hug it out in the Eastern Townships — Close to you. Far from ordinaire.' Online, viewers shared comments like: 'This American in Texas would like a Canadian hug, please.' Even actress Sharon Stone chimed in, leaving the message: "Thanks we need a hug." In a press release, Isabelle Charlebois, General Director of Tourism Eastern Townships, wrote: 'Our American guests are more than tourists, they're part of our story. This ad campaign is our way of saying: we appreciate you and we can't wait to welcome you again.'
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The 3 romantic comedies that Lena Dunham can't live without – that you can watch now
From Girls to a girl, Lena Dunham's new Netflix show is a salty, sharply observed romantic comedy about a dreamy New Yorker, Jess (Megan Stalter), who moves to London hoping to find love amid a Merchant Ivory fantasia of posh country estates and men in Georgian finery. Instead, she finds herself navigating Hackney estates, coked-fuelled west London parties, and media hipsterdom with chilled-yet-complex indie musician Felix (Will Sharpe). True love, it turns out, is a path littered with trustafarian eco-warriors and snooty French exes. Like its protagonist, Too Much is a show with a burning love for the genre, with frequent nods to romcoms from Pretty Woman to Richard Curtis. The door from Notting Hill even makes a cameo appearance. But what are the romantic comedies that make Too Much 's own writer-director weak at the knees? We asked Dunham to pick her three favourites. 3. Bye Bye Birdie (1963) 'It doesn't seem like a romantic comedy, but it is: a musical romantic comedy. I've watched it again and again – it was one of the first times I was just rooting for the love story. I'm sure someone will say it doesn't count, but I defy you not to cry at the love story with Janet Leigh. And I defy you not to cry at watching Kim and Hugo find their way to each other after Conrad Birdie messes the whole town up.' 2. My Best Friend's Wedding (1997) 'I love it because it's romantic, it's unexpected and it tells the age-old story of women and their gay best friends in a beautiful way. That, for me, is the true love story of that movie. I like that it's taking the genre and upending it a little bit. And the cast is to die for.' 1. Four Weddings and a Funeral (1994) 'Number one for me is a Working Title special. It's about when [a movie first] hits you and when I saw Four Weddings, I thought it doesn't get better than this. I wanted to be with these smart, funny, complicated people. I wanted to go to four weddings and one funeral. I wanted to do it all. Also, it's the OG of American girl/British man [relationship dynamic], which is what I'm going for [in my life].'
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Moulin Rouge's windmill sails turn again after restoration
Thirty two dancers decked out in red feathered costumes performed in front of the venue on Thursday evening to commemorate their restoration. The sails — a vibrant emblem of Paris's bohemian culture — collapsed on April 25 2024 after a show. The incident took place shortly before 2am after the last performance of the night had ended and the audience had left the historic cabaret venue, renowned for its dazzling shows and can-can dancers. Moulin Rouge's director Jean-Victor Clerico told French media at the time that a 'technical problem' led to the windmill's sails and part of the cabaret's illuminated sign crashing to the ground. Until their collapse more than a year ago, the Moulin Rouge's sails had been turning since 1889. They were put back in place in time for the Paris Olympics last July but had not turned until Thursday evening.
