
Monochrome Monday: The Mandarin Oriental (Celadon Green) Edition
There's a new shade on the grid, and it's come with credentials. Mandarin Oriental has teamed up with Pantone to develop its own colour - Celadon Green - rolled out as part of the hotel group's brand refresh. It now appears across everything from uniforms and stationery to signage and silkscreened walls.
According to Pantone, it's 'elevated, balanced, and calming' - but it's also versatile, modern, and precise enough to hold its own in fashion. Which is where this week's edit comes in. A palette that sits somewhere between mineral and mist, celadon green works best when the texture does the talking: beading, fishnet, metallic leather, and soft-edged resin. The pieces below share tone, but not mood - some are sculptural, some fluid, all tightly considered.
Think less matchy-matchy, more tonal choreography. Below, a sharp little wardrobe study in pale green, featuring everything from Elie Saab runway gowns to Sapfira rings and barely-there sunglasses by Karen Wazen. Celadon might have been made for a hotel brand - but it translates just fine off the clock. Elie Saab | Bead Embroidered Dress With Butterfly Sleeves
Crystalline embroidery catches in the light like seafoam on silk. Butterfly sleeves and a column shape ground the detail in ease. Bottega Veneta | Knot Clutch
Iconic shape, softened by tone. The celadon-mint leather gives this archival clutch a cooler temperature and a cleaner read. The Shore Thing | Aqua Marine Fishnet Dress
Fishnet reworked with calm intent. Celadon netting over bare skin or tonal slips reads both undone and editorial. Sapfira Jewelry | Sultry 01
Sculptural, irregular, and glassy. This ring moves like a mineral—quiet but hard to ignore. Lurline | Collection 7
Sheer paneling, sheer attitude. Lurline's layered knitwork keeps it coastal without tipping into cliché. Aquazzura | Summer Sun 85 Metallic Leather Sandals
Metallic celadon leather, shaped into a summer heel that balances structure with flash. Elevates linen. Disarms sequins. Eterna | Mariposa Top
Airy and asymmetrical. The Mariposa top folds and drapes with just enough drama to break a flat palette. Amouage | Existence
This scent wears like celadon looks: cool, barely floral, and lightly mineral. Notes sit close to the skin without fading. Karen Wazen | Ciara Green Tea Sunglasses
Semi-translucent and softly angular. These sunglasses tint the world celadon without going full retro.
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CairoScene
17-07-2025
- CairoScene
The Runway Moments That Shaped Arab Fashion's Global Rise
From the shimmering silks of Elie Saab to Zuhair Murad's dazzling beadwork, here are some of the most defining runway moments by Arab designers. In July 2025, Rami Al Ali became the first Syrian designer to officially present a collection at Paris Haute Couture Week. His show, Guardian of Light, featured long pleated dresses in pastel tones, finished with embroidery and embellishments that reflected both personal vision and national narrative. It was a debut shaped by precision, not theatrics — and a first that placed Syria on the official haute couture calendar. Earlier, in 2024, Elie Saab staged 1001 Seasons of Elie Saab in Riyadh, marking his 45th anniversary with over 300 looks styled by Carine Roitfeld. The show included live performances and a moment of fashion déjà vu: Halle Berry in the same Saab gown she wore to the 2002 Oscars. Gulf-based Ashi Studio, meanwhile, joined the official Paris Haute Couture calendar in 2023 — the first label from the region to do so. These runway moments span nearly two decades, each distinct in context and form. From Tony Ward's steel masks to Kaf by Kaf's robot model and Okhtein's alabaster-inspired bustier for Balmain, they register a varied timeline of appearances across global stages. What connects them is not a single aesthetic or movement, but their role in shaping how and where Arab designers are seen. Rami Al Ali | Paris Haute Couture Week, 2025 Syrian designer Rami Al Ali became the first from his country to officially present at Paris Haute Couture Week with his Fall/Winter 2025–2026 collection, Guardian of Light. The show blended delicate pleats, soft pastels, and intricate embroidery, drawing from themes of cultural continuity and cautious optimism. His debut reflected both technical mastery and a personal lens on Syria's evolving identity. Tony Ward | Paris Haute Couture Week, 2025 Tony Ward's Fall/Winter 2025–2026 show was anchored in concept: steel masks, masquerade references, and hours of embroidery that challenged conventional show formats. With pieces requiring up to 700 hours of handwork, the show emphasized the atelier's technical capacity while playing with theatrical form. Kaf by Kaf | Riyadh Fashion Week, 2025 The Saudi label's Spring/Summer 2025 collection included a first-of-its-kind robot model on the runway. Conceptual and experimental, the collection questioned aesthetics and beauty standards in the context of evolving technology—blurring fashion and futurism. Elie Saab | '1001 Seasons of Elie Saab,' Riyadh, 2024 Held in a purpose-built venue in Riyadh, this anniversary show marked 45 years of Elie Saab's design career. Over 300 looks styled by Carine Roitfeld celebrated the designer's enduring impact. The event also revisited a defining pop culture moment: Halle Berry wore a recreation of the gown she debuted at the 2002 Oscars, the first time Saab's work appeared on that stage. Ashi Studio | Paris Haute Couture Week, 2023 With a background in architecture, Ashi Studio became the first Gulf-based label to present at Paris Haute Couture Week. The brand's sculptural approach offered a new aesthetic language within the couture space—rooted in the Gulf, but speaking to broader conversations about form and fashion. Okhtein x Balmain | Paris Fashion Week, 2022 While Okhtein hasn't yet staged a solo runway presentation, its collaboration with Balmain for SS23 marked a notable moment. The Egyptian brand's alabaster-inspired bustier, part of Olivier Rousteing's collection, offered a rare instance of Egyptian craft entering the high-fashion circuit through a global platform. Rami Kadi | Paris Haute Couture Week, 2019 Inspired by post-war Beirut, Kadi's Mosaic of Dreams reinterpreted themes of destruction and regrowth. The use of laser-cut fabrics and iridescent embroidery demonstrated a commitment to innovation, making it one of his most technically ambitious collections. Georges Hobeika | Paris Fashion Week, 2018 A collection inspired by ancient Greece, Hobeika's work featured soft metallics, classical drapery, and mythological references. His steady presence in Paris continued a legacy of Lebanese designers participating in global fashion weeks with an emphasis on storytelling through form. Temraza | London Fashion Week, 2013 Egyptian designer Farida Temraz's showing in London offered early international visibility for Egyptian couture. Her presence—and subsequent win at Paris Fashion Week in 2014—was among the first for Egyptian fashion on these platforms, helping establish pathways for designers from the region. Abed Mahfouz | Rome Haute Couture Week, 2012 This collection, featuring iridescent pastels and classic silhouettes, reinforced Mahfouz's place in the landscape of Lebanese couture. By participating consistently in European shows, he helped anchor Middle Eastern couture within the broader dialogue of international fashion. Rami Kashou | Mercedes-Benz Fashion Week, 2008 As a finalist on Project Runway Season 4, Palestinian-American designer Rami Kashou brought his work to New York Fashion Week. His collection, presented during the show's finale, introduced mainstream audiences to Arab design, expanding visibility in American fashion media.


See - Sada Elbalad
10-07-2025
- See - Sada Elbalad
Elie Saab Mixes 19th-Century Romance with Red carpet Precision in Fall Couture
Yara Sameh Lebanese couturier Elie Saab's gowns look as if they've floated in from a parallel universe, one where splendor reigns, opulence is a given, and women are ethereal goddesses draped in celestial couture. The designer's clients are women who flourish in the glow of life's grandest occasions: weddings, state banquets, black-tie galas, red-carpet premieres. It's a rarefied reality but a reality nonetheless—one that Elie Saab has been dressing in fabulosity ever since he opened his atelier in Beirut in the early 1980s. It's a formula that keeps Hollywood coming back. Angelina Jolie, Gwyneth Paltrow, Sarah Jessica Parker, Marion Cotillard, Penélope Cruz, Charlize Theron, Emmanuelle Béart, Sophie Marceau, Beyoncé, Maggie Cheung, and Diane Kruger have all stepped onto the world's biggest stages in Saab's gowns — a testament to a house where fantasy and glamour are always in season. He christened this season La Nouvelle Cour ('The New Court'), and from the first look, you feel the upward pull of a Giovanni Battista Tiepolo ceiling: pastel clouds, gilded scrollwork, and a sense that the floor might drop away at any moment. In Paris, fashion insiders gathered among marble columns as models descended a gilded stone staircase to the strains of harpsichord music, setting the tone for a collection steeped in historical romance. Phones rose as every guest strained to capture the sweep of a procession that sped from the Hall of Mirrors to a Belle-Époque ballroom and, finally, a 1950s Hollywood red-carpet dream. A sovereign colour story anchors the fantasy. Blush biscuit and icy blue—boudoir hues lifted from a Fragonard fête galante—spar with imperial black and antique bullion gold, echoing the gilded stuccos of 19-century state rooms. Fabrics are as opulent as the settings they conjure: moiré silk ripples like watered marble, brocade lamé gleams like salon upholstery, velvet pile drinks in light, and lurexed lace glitters under a net of beads and three-dimensional Sèvres-porcelain florals. Where cloth isn't already radiant, Saab overwrites it with paillettes or pearl-stitched vines, turning every surface into a moving fresco. Chokers, ribbon ties, and teardrop 'courtesan' pearls punctuate décolletés; wrist corsages and pocket blossoms nod to the nosegays ladies-in-waiting once carried at court. Saab leaned into his signature codes: sumptuous velvets, gowns gathered at the back, and pearl and jewel-adorned chokers. Floral appliqués — another hallmark — blossomed, anchoring the collection in the femininity that has defined the house for decades. Fifty-plus looks swept by with ballroom haste: screens aloft, necks craned, the hush punctured only by the click-click of eager cameras. Saab promised 'a sumptuous playground for the modern queen — one who plays by her own rules,' and delivered via ebony-velvet corsets that cinched before releasing brocade waterfalls, bead-built leopard spots prowling over blush tulle, and a mint-moire sheath sliced to reveal a decisive flash of thigh. Macaron hues — nude, rose pink, water blue, and mint — punctuated by imperial black and gold, set off bold blooms across brocade and print, infusing the collection with romantic vibrancy. Among the standout pieces were gowns with cascading trains and bejeweled details, encasing the body in a kind of luxurious cage. Among the standout pieces were gowns with cascading trains and bejeweled details, encasing the body in a kind of luxurious cage. Still, one extra heartbeat between looks might have let us savour pearl-latticed bows and cape linings quilted like sucre à la crème. Kinetic shimmer is Saab's secret sauce; letting it linger could have transformed admiration into awe. 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CairoScene
30-06-2025
- CairoScene
Monochrome Monday: The Mandarin Oriental (Celadon Green) Edition
Because one of the world's most luxurious hotels decided its Celadon Green season, we had to make sure everyone can dress for the occasion. Monochromatic of course. There's a new shade on the grid, and it's come with credentials. Mandarin Oriental has teamed up with Pantone to develop its own colour - Celadon Green - rolled out as part of the hotel group's brand refresh. It now appears across everything from uniforms and stationery to signage and silkscreened walls. According to Pantone, it's 'elevated, balanced, and calming' - but it's also versatile, modern, and precise enough to hold its own in fashion. Which is where this week's edit comes in. A palette that sits somewhere between mineral and mist, celadon green works best when the texture does the talking: beading, fishnet, metallic leather, and soft-edged resin. The pieces below share tone, but not mood - some are sculptural, some fluid, all tightly considered. Think less matchy-matchy, more tonal choreography. Below, a sharp little wardrobe study in pale green, featuring everything from Elie Saab runway gowns to Sapfira rings and barely-there sunglasses by Karen Wazen. Celadon might have been made for a hotel brand - but it translates just fine off the clock. Elie Saab | Bead Embroidered Dress With Butterfly Sleeves Crystalline embroidery catches in the light like seafoam on silk. Butterfly sleeves and a column shape ground the detail in ease. Bottega Veneta | Knot Clutch Iconic shape, softened by tone. The celadon-mint leather gives this archival clutch a cooler temperature and a cleaner read. The Shore Thing | Aqua Marine Fishnet Dress Fishnet reworked with calm intent. Celadon netting over bare skin or tonal slips reads both undone and editorial. Sapfira Jewelry | Sultry 01 Sculptural, irregular, and glassy. This ring moves like a mineral—quiet but hard to ignore. Lurline | Collection 7 Sheer paneling, sheer attitude. Lurline's layered knitwork keeps it coastal without tipping into cliché. Aquazzura | Summer Sun 85 Metallic Leather Sandals Metallic celadon leather, shaped into a summer heel that balances structure with flash. Elevates linen. Disarms sequins. Eterna | Mariposa Top Airy and asymmetrical. The Mariposa top folds and drapes with just enough drama to break a flat palette. Amouage | Existence This scent wears like celadon looks: cool, barely floral, and lightly mineral. Notes sit close to the skin without fading. Karen Wazen | Ciara Green Tea Sunglasses Semi-translucent and softly angular. These sunglasses tint the world celadon without going full retro.