Addison Rae is touring down under – here's what you need to know
Hot on the heels of her critically acclaimed debut album, TikTok star turned pop diva Addison Rae will bring her hyper-feminine it-girl hits to Australia in November.
The 24-year-old will perform in Melbourne, Brisbane and Sydney between November 11 and 17 as part of her first-ever world tour – The Addison Tour – which will also see her travel across North America and Europe before the end of the year.
The pop star will perform tracks from her debut album Addison, which was released earlier this month and landed at No.4 on the Billboard Top 200 and No.2 on the ARIA Albums Chart. Her music has been widely praised, with critics applauding her ability to nod to pop icons like Madonna and Kylie Minogue, yet still establish her own 'hazy, twilight, cosmopolitan cool' sound.
Rae's rapid ascent to pop stardom has been surprising to some given her origins on TikTok. Before releasing her album, she was largely known for posting cute choreographed dance routines on social media – videos that were so well-received, they earned her over 88.5 million TikTok followers. She was also known as Kourtney Kardashian's friend, and even featured in some episodes of Keeping Up With the Kardashians.
However, the tides began to turn once she released her EP AR in August 2023, which featured none other than Brat Summer queen Charli XCX. From there, she appeared on stage alongside Charli and Aussie pop prince Troye Sivan, and even featured on one of Charli's tracks (even if you're not a fan of dance-pop, you've still likely heard Rae's piercing scream at the beginning of Von Dutch Remix).
This catapulted Rae (who was born in Louisiana, just two hours away from the hometown of Britney Spears) from ring lights to stage lights, and led her to release a string of mega-successful singles like Diet Pepsi and Aquamarine, the former of which became her first song to hit the Billboard Hot 100.
Since releasing her album on June 6, Rae has been described as the 'new pop powerhouse' and 'pop music's newest it girl'.
No stranger to the camera, she has also performed several times on-screen, including in Netflix's He's All That and Eli Roth's horror film Thanksgiving, which also starred Patrick Dempsey (Grey's Anatomy). She was also recently cast in the R-rated live-action hybrid Animal Friends opposite A-list actors like Ryan Reynolds, Jason Momoa, Dan Levy and Aubrey Plaza.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

ABC News
20 hours ago
- ABC News
After three seasons of Squid Game, what have we learnt?
For more than a decade, South Korean director Hwang Dong-hyuk couldn't convince a studio to fund his film project about a brutal game show that preyed on society's most vulnerable. It wasn't until the late 2010s, after Hwang became a household name in South Korea, that Netflix took notice. They convinced the director to elongate his proposal, and he created an eight-episode miniseries that would become Squid Game. When he was writing Squid Game, he had one goal: to make the show rank "No 1 on the Netflix US chart for at least a day". The success of the show's first outing resulted in a second season, released while South Korea was in the middle of political unrest. Now, the third and final season has arrived. While the international interest in capitalism-critical dramas from Korea might seem to have come from nowhere, appetite has been steadily growing in the country for decades. To understand its rise, you must first understand the climate in which it has flourished, says Dr Sung-Ae Lee, an expert in Korean popular culture at Macquarie University. Over its short history, South Korea has experienced radical social change at an incredibly fast pace, Dr Lee says. The country went from military dictatorships of the mid-20th century to "capitalist industrialisation" to the "fragile and conservative version of democratisation" in the 1990s. "However, the country still manifests distinctly traditional characteristics of a feudal society. Power and wealth are concentrated in the hands of 1 per cent of the people, and social mobility is almost impossible," Dr Lee told ABC Entertainment. "Censorship had eased by the turn of the century but South Korean media are still liable to censor 'political' material. So criticism of capitalism really only dates from the 21st century." Soon after the turn of the millennium, anti-capitalist themes began popping up in South Korean films — such as Bong Joon Ho's The Host (2007), which "uses the monster genre to comment on the negative effects on the lower classes of South Korea of foreign economic manipulation, environmental pollution and military intervention". Bong's interest in capitalism-critical creations would lead him all the way to the Academy Awards, where his 2019 film, Parasite — a story about a lower-class family infiltrating a rich family — became the first non-English-language film to win Best Picture. Dr Lee says the social anxiety prevalent in modern South Korean cinema has spoken to disgruntled attitudes towards capitalism worldwide. "Squid Game articulates anxiety about neoliberal capitalism: precarious employment and disposable workers (they kill them!); huge income inequality; the callousness of the rich; and suggests that aspirations to wellbeing are futile," she says. "Unlike most TV dramas, it eschews a 'happy ending'." Squid Game is also not the first Hwang original to have a tangible impact outside of the screen. His 2011 film, Silenced, tackled a real sexual-assault scandal at Gwangju Inhwa School for the Deaf in the early 2000s. "The film attracted over 3 million viewers nationwide within two weeks of its release and became a box office sensation," Dr Lee says. "As a result of the events depicted in this film, the case was reopened and stronger legislation was established." Wi Ha-joon — who has played police officer Hwang Jun-ho since the show's inception — says he's seen the tangible impact Squid Game has had on the Korean film and TV industry. "[Squid Game] led to a lot of attention coming from abroad and that facilitated a lot of investment," he told ABC Entertainment through an interpreter. "This has made the production conditions for these Korean content better and also better in quality." And, for better or for worse, the Squid Game effect hit reality TV with a resounding boom. First there came Squid Game: The Challenge, a Netflix-branded British reality show that mimicked everything about its Korean inspiration (minus the killing). Then Amazon produced a rival show that capitalised on the popularity of YouTuber Mr Beast. While Beast Games also eliminated slaughter, it still caught-class action lawsuits for allegedly leaving contestants starving, injured and in need of therapy. But Squid Game's impact has reached further than television screens. In late 2021, dozens of Korean Confederation of Trade Unions members donned the distinct hot pink jumpsuits of the deadly guards in the show to protest about pay and conditions. Last year, as the Korean government was wading through political turmoil following South Korean president Yoon Suk Yeol's declaration of martial law, Hwang used the launch of Squid Game season two to address the similarities between the show and reality. "Season two draws a lot of parallels with what we are witnessing in the world right now," he said while urging Koreans to take to the streets over political unrest. "And with a heavy heart, I feel that watching … Squid Game is not going to be very different from watching the news — and that's how I want you to take it." Hwang has never been reticent about why he signed onto more seasons of Squid Game. "Money," he told BBC. "Even though the first series was such a huge global success, honestly, I didn't make much. So doing the second series will help compensate me for the success of the first one too." The ravenous desire for Squid Game reached further than demand for more episodes, and their dystopian spin-offs. Since the first season, the show about the very worst side of capitalism became a full-on brand. Fashion labels such as Crocs, Puma and Oodie clambered to announce collabs. The distinct green-and-pink Squid Game branding has been plastered on everything from whisky bottles to frozen dumplings, with Netflix bragging about more than 100 'partnerships' with the show. McDonalds Australia released an official Squid Game meal, complete with a dalgona dessert — a reference to the candy-based task in the show that saw characters shot if they didn't complete it in time. But for the show's long-time stars — Wi Ha-joon and Lee Byung-hun, who plays the morally corrupt leader of the games, The Front Man — it's never been about taking didactic lessons from a television show. "I don't think [Squid Game] is trying to force a message on the viewers," Lee told ABC Entertainment. "It is just an embodiment of all the social and political issues that are going on in the world, that everyone is feeling. "I think it's just trying to create room for us to have that conversation." Wi agrees, saying his time on the show made him ponder his own choices. "[Squid Game] is showing the world on a smaller scale the side-effects of capitalism," he says. "[Over the three seasons] I was also asking myself, 'Is there humanitarian love and humanity existing in this world still?'" Squid Game season three is streaming on Netflix now.

News.com.au
a day ago
- News.com.au
Aussie bloke baffled over barista's ‘creepy' coffee act to girlfriend
A Sydney man's dilemma over his girlfriend's special treatment at their local coffee shop has gone viral, prompting a flood of advice from thousands of viewers. Jake Craig explained in a TikTok that he moved in with his girlfriend, Beth, to a suburb that's new to him but not to her. Mr Craig, keen to establish a nice morning routine with his girlfriend, always offers to make her a coffee at home each day using a French press. But Beth, a self-confessed coffee enthusiast, prefers to get her caffeine fix from their local cafe, which she's been visiting for about three years. 'They know her, they know her order, the main guy knows her name, and everyone knows each other,' he explained. Most of the cafe staff have even begun to recognise Mr Craig and are 'friendly enough,' he says. However, things took a turn when Beth took a week-long break from her local haunt, and upon her return, was greeted with an extremely warm welcome. 'The main guy said, 'Oh Beth, it's been so long, we missed you.' He looked over his shoulder at one of the staff and said, 'Oh, he really missed you.'' Things heated up when her coffee cup that day arrived with love hearts drawn on it and the words, 'my love' – from the man who supposedly missed her. The next time she visited, her cup read 'my secret' and then the third, 'My secret love'. Each time, Beth returned home giggling about the situation, seemingly amused by the attention. Mr Craig, for his part, insists he isn't 'threatened' – but described the whole situation as 'crazy' and 'odd', before turning to the comments for advice. Many suggested practical solutions – like getting an espresso machine at home, or buying Beth a reusable coffee cup that can't be written on. Others simply praised the couple for being able to laugh about the situation. 'Can we just appreciate the healthy relationship, though? The fact you can all just laugh about it,' pointed out one. However, not everyone was laughing. Some thought the responsibility was on Beth to put an end to the barista's behaviour. 'Kinda curious why Beth isn't setting the record straight?' asked one person. Another said Beth needed to 'put in the boundaries'. Others called out the barista's behaviour. 'If someone flirts with me and knows I have a partner, I get very upset that they're so happy to blatantly disrespect my partner to my face,' one user said. However, one fellow barista argued that cafe staff often joke around with regulars like this and don't mean any harm by it.

The Age
a day ago
- The Age
These cheerleaders secured a 400% pay rise. But it's still not enough
So the fact that salary negotiations were a major plot line throughout season two was something that I very much welcomed. The veteran team members in particular were ready to rally and fight for not only what they deserved, but the future they wanted for the next generation of cheerleaders long after they were gone. Loading Now, apologies for the spoilers (though I find it impossible to believe that anyone watching the show didn't binge it over a couple of marathon sittings), the good news is that by the end of the season and following some pretty rough negotiations, the Dallas Cowboys Cheerleaders secured a 400 per cent pay rise for the next season and beyond. But before you get too excited and think, 'How great! That's a salary of more than $230,000 for a part-time job, what an iconic slay for the girls!' Sadly, that's not quite the case. While the pay increase means that a cheerleader's base salary for game days alone will now be around $77,000, everything else is still up for grabs. Last week, Megan McElaney, who is a fourth-year veteran and was crucial to the salary increase negotiations, talked about her pay bump on TikTok, saying that despite the improvement, she's still earning much less than you'd think. 'Many of the opportunities we get are optional and based on your schedule, so it depends on the girl,' McElaney said, before adding that despite four years of service to the team, her position as a senior dancer and mentor to first-year rookies, she is still 'hoping for one day to make 75K ($AU$114,000)!' Don't get me wrong, a salary of $77,000 for a part-time job is something many of us would dream of. But when you consider how physically demanding the job is, the number of dancers who require corrective surgeries almost as soon as they hang up their short shorts, the lack of health insurance coverage, and the fact that the company they work for is worth $15 billion, $77,000 feels like the absolute bare minimum. But more than that, America's Sweethearts: Dallas Cowboys Cheerleaders highlights a much more serious and darker reality of why financial independence is so important for women. In season one, dancer Kelcey Wetterberg talks about being stalked by a fan and having a tracking device placed on her car. Team management also tell viewers why they carry a football during photo ops with fans and cheerleaders (so that male fans have something to hold on to and don't inappropriately touch the dancers). In season two, Chandi Dayle opens up about being in an abusive relationship, and experiencing harassment and stalking after she left. While the Dallas Cowboys are in no way responsible for these events, if they are truly committed to keeping women safe, decades of research, reporting, statistics and data tell us that one of the best ways to do that is through financial freedom. That could be paying them enough so that they have the savings and necessary means to leave an unsafe environment. It could be having the money to hire a lawyer and ensure you receive the representation you deserve in matters pertaining to your safety. It could be earning enough that you can afford psychological support and care to process your experiences. Too often when we discuss salaries, requests for pay rises are seen as someone simply wanting to get ahead and make it to what they feel like is the next level. But the reality is that, aside from women deserving to be adequately remunerated for their expertise and value to a company, money is also a tool to keep women safe. If the Cowboys truly care about that, it's something Jerry and Charlotte Jones would do well to remember that next time negotiations come around.