‘Don't want to do it': Jason King's commitment after daughter Jordan Liberty's suicide death
Jason King would give anything to have those difficult, awkward conversations with his daughter. Even the toughest talk is easier than facing the silence of her death.
Mr King lost his daughter Jordan Liberty to suicide and while he would prefer to keep his grief to himself, he knows talking about it can save others.
Within hours of posting on social media about his plan to make a documentary honouring Jordan, Mr King received a very special message.
'It was from a young person who saw my post just at the right time,' he told news.com.au.
'That person was about to go off social media, delete accounts, preparing for the end but seeing the post stopped it.
'Knowing it has already helped one person is motivating, as hard as it is for me. I really don't want to do it but the more we talk about it, the more we can make change.'
Mr King said there are so many things he wishes he could go back and say to 18-year-old Jordan.
'I would say I love you, I miss you every day. I'm doing this for you. I'm making this film because your life mattered,' he said.
'I want others to feel the love you couldn't always feel for yourself. You couldn't stay but your story can still help others.'
He wishes he could say 'tomorrow will be better' but he knows Jordan must have had many of those better tomorrows, just not enough to keep her alive.
The documentary will explore Jordan's journal notes, her friendships, her trials and triumphs.
'The doco is inspired by a desire to find out more about who she was, unpack what happened to her and really focus on how we can find joy and hope in the aftermath of something like this,' said her grieving dad who has learnt to be kind to himself.
'That has meant being sober for the last 18 months,' he said.
'Like so many Australians, especially blokes, I self-medicated in unhealthy ways to try to get through hard times. This increased as I grieved Jordan, and I realised that if I was going to honour her life, make it count, I needed to get real about howI was turning up in my own life.
'The difference has been profound. By being more present and having a better relationship with myself, it has improved all my other relationships, including with my two other children now aged 12 and 15, and the one I now have with Jordan's memory and how I deal with the ongoing grief. It's made the difficult talks I still have to have so much easier.'
New research by News Corp's Growth Distillery with Medibank found two thirds of 18- to 30-year-olds say they would find it hard to tell their parents or older close family members that they are struggling with mental wellbeing.
For that age group, parents are the number one relationship that they wish they could talk to more, with almost half saying so.
Half of all parents of 16- to 30-year-olds said they would find it hard to tell their children they were having challenges or struggling with mental wellbeing.
Mr King says for people living in regional Australia, the problems seem to be amplified.
'Being in a remote area or small town when we lose someone, particularly a young person, it can impact the whole community,' he said.
Mr King wants other parents and young people to know it's never too late.
He will make sure Jordan's death is not in vain.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

The Australian
2 hours ago
- The Australian
Angela Jones suspended after Eagle Farm treble which hurts her premiership hopes
Angela Jones' Eagle Farm treble saw her snatch the lead in the Brisbane jockeys' premiership, but her title hopes were dented by a suspension from the Group 1 Tatt's Tiara. Jones' tremendous trio of winners gave her a one-win lead over good friend and fellow jockey Emily Lang. But there was a sting in the tail late in the day with stewards grilling Jones over her ride on fifth-placed favourite Floozie in the Group 1. • PUNT LIKE A PRO: Become a Racenet iQ member and get expert tips – with fully transparent return on investment statistics – from Racenet's team of professional punters at our Pro Tips section. SUBSCRIBE NOW! Stewards also had winning jockey Tom Sherry in the room, in an inquiry into Jones shifting out on Floozie and Sherry shifting in on winner Tashi, going past the 200m mark. Runner-up Abounding and roughie Bubba's Bay were the meat in the sandwich in the incident. Jones pleaded not guilty, insisting to stewards that the shift from Sherry on Tashi had 'more than half'' the bearing on the interference. 'I don't think it's worthy of a charge,' Jones said. Stewards disagreed, charging Jones with careless riding and suspending her for 10 days to start after next Saturday's Winx Guineas meeting on the Sunshine Coast. Chief steward Josh Adams said the shift from Sherry had been taken into consideration when imposing Jones' penalty. The riding ban is the last thing Jones needed on the day she hit the lead in the Brisbane premiership race and she seems almost certain to appeal to the Queensland Racing Appeals Panel. Immediately after imposing Jones' suspension, stewards had Sherry back in the room. They found he was only 20 per cent culpable for the incident and issued the former Irishman with a severe reprimand. It somewhat soured a great day for Jones, who also surged past 100 winners for the Australian racing season.

Daily Telegraph
4 hours ago
- Daily Telegraph
The Sell: Dina Broadhurst and Max Shepherd sell Darling Point apartment pre-auction
Don't miss out on the headlines from NSW. Followed categories will be added to My News. Given the couple's propensity for their Instagrammable lives to be also regularly snapped by the paparazzi, the recent on-again/off-again listing of the Darling Point apartment co-owned by nude artist Dina Broadhurst and her ex-partner, builder Max Shepherd, kept gossip column readers riveted for months until its recent sale. The price guidance for the Etham Ave garden apartment sat at $11.5m for its abandoned December auction, and by the time of its rescheduled June auction, had dropped to $8.4m. It apparently fetched $8m in its undisclosed pre-auction negotiations this month. Dina Broadhurst and Max Shepherd have sold their Darling Point apartment pre-auction. Picture: The duplex apartment has 280sq m of indoor-outdoor living space. Picture: There has been a continuing backdrop of intricate financing of their renovation project after kicking off with a standard NAB mortgage. The duplex apartment, with 280sq m of indoor-outdoor living space, had cost $5.2m unrenovated in 2022, which was followed by a 'Cinderella transformation' by emerging interior designer, Josh Knight from Glebe. 'No expense was spared to deliver a home of high-end luxury showcasing bespoke design by Studiojos,' its marketing advised. Though the couple had split by mid-2023 after 4½ years together, NSW Land Registry documents indicate that about April 2024, the duo secured second mortgage funding from Greg Reed's Benchmark Property Finance. Dina Broadhurst and ex Max Shepherd. Picture: AAP/Flavio Brancaleone The extra $500,000 finance was obtained at 24 per cent for nine months to a total 70 per cent loan to value ratio. By last September, it sat at $1.16m with the funding agreement specifying the apartment needed to be listed for sale within five months with a 'reputable agent'. By February this year, the loan expiry date had been extended to August. It has also emerged that veteran Sydney businessman Basil Sellers had separately lent Shepherd $260,000 in 2022, with the amount owing at $358,000 last month. Shepherd moved on and stepped out with his Vanderpump Rules star girlfriend Vail Bloom, while Broadhurst remains devoted to her 365,000-strong Instagram following and her risqué self-portraits. One of her artworks has just been installed in the conference room of Ray White Touma Taylor in Redfern. APARTMENT PLAYED ITS PART Actor Belinda McClory has sold her Potts Point investment apartment through local agent Nuri Shik. Set on the fifth level of the 1920s Wintergarden complex, the 73sq m apartment fetched $1.07 million shortly after being passed in at $1.01 million. It was bought by Panayota Theodore from Panayoyo Studio. Shik last sold the apartment in 2000 for $230,000, shortly after McClory had appeared in the first Matrix film in 1999. SWAN FLIES TO KEEP RARE AIR Former Sydney Swans chairman Peter Weinert has spent $14.8 million to protect his hillside Rose Bay harbour views. He has bought the stratum air rights above the neighbouring four-storey development of Ron Shulkin's RNB Property Group, which bought the New South Head Rd cottage site for $16.7 million in 2023. Under new zoning laws, six storeys are now possible, or even eight with affordable housing. SONG CHANGES WITH A NEW ERA The three-bedroom, two-bathroom Elizabeth Bay harbourfront home of the late EMI music executive Ken East and his widow Dolly, who died last August, has fetched $5.475 million. The 1929 Spanish Mission Beverley Hall complex had traded at $680,000 in 1987. On his 2007 death, singing legend Elton John described Ken as 'one of the greatest record men I have ever met'. Got a property news tip? Email

News.com.au
4 hours ago
- News.com.au
Jōhatsu: Inside the mysterious phenomenon of Japan's vanishing people
Ever wanted to disappear? Maybe you're drowning in debt. Or your toxic job is grinding you into the ground. That loveless marriage. There are many reasons why people can feel the urge to vanish. For good. But in Japan, these people all go by the same special name. 'Johatsu'. The evaporated. They choose to abandon everything – their lives, jobs, homes and families – for a chance to start again. It's a real-life vanishing act. Disconnected from their past, these lost souls can spend decades in the shadows of society. Without ever looking back. Since the mid-1990s, Japan has recorded around 80,000 Johatsu each year. It's a dark mirror on the invisible pressure these people face to conform. But where do they go? What happens to who they leave behind? And what can it teach us about missing people in Australia? Shame of failure Johatsu: Into Thin Air is a recent documentary charting this mysterious phenomenon. It took Berlin-based film makers Andreas Hartmann and Arata Mori over six years to complete the sensitive project. To protect the privacy of the Johatsu, the movie was released under strict conditions: it will never be publicly screened in Japan. It's screening in Melbourne next month. Mori, who was born in Japan, told the idea of Johatsu is universal – despite its unique cultural roots. 'We've all thought about disappearing from our lives before,' said Mori. In Japan, this desire can be driven by infamously high social expectations. The shame of failing to meet them – through divorce, debt, job loss or failing an exam – can feel like a stain that will never be wiped clean. This includes a workplace culture where quitting is considered shameful. Despite demands to work hours so long they can be deadly. The pressure to conform to such norms is so powerful, evaporating feels like the only solution. Under cover of darkness Despite running away from everyone, the Johatsu don't go it alone. In fact, they turn to what's called a 'night mover'. It's the job of the night movers to spirit people to new, secret locations under cover of darkness. They're all about doing things discreetly. Night movers can make their job look like an abduction. Make homes look like they've been robbed. And make paper trails or financial transactions go away. It's a whole economy for those who want never to be found. And while the johatsu might be shrouded in mystery, the night movers are not hard to find. With easily accessed websites and offices, they operate in plain view. As for the people the Johatsu leave behind? There's a service for them, too. Just don't expect it from the boys in blue. Unless a crime occurred, police refuse to get involved. 'It can be very difficult to get assistance from the local police due to Japanese privacy laws,' says Hartmann. 'Many people seek assistance from private investigators to help find missing people. This is basically the opposite of a night mover.' 'Rather die' Japan has a rich cultural history of saving face. 'Japan has a long history of people killing themselves to preserve their honour,' says Mori. 'Even now, you still hear of it happening. These people would rather die than live in shame.' Disappearing is an attractive alternative. While it may put their families through the pain of uncertainty, at least it protects them from the crushing costs of suicide. In Japan, relatives become liable for a suicide's debt. They may also be hit with huge fees from the management of the building or train from where they meet their fate. 'While Johatsu can be seen as a form of suicide, they're in fact opposites,' says Mori. 'Johatsu is the act of choosing not to die but live.' Not the end of the story Indeed, the belief in a fresh start speaks to hope as much as despair. But it's not the end of the story. Into Thin Air paints a bleak picture of evaporated life. Some Johatsu live in tiny, squalid accommodation, and work dodgy, off-the-books jobs. Opening up this experience in itself can be cathartic. 'It was an opportunity for these people to finally share their story, which they have kept to themselves for a very long time,' says Hartmann. 'The filmmaking was a kind of therapy for them.' This therapy can be sorely needed. Because the feelings of sadness and regret haunt the Johatsu long after they leave their lives behind. 'Their second lives are of course not totally happy ones, but there is something positive about it,' says Mori. Ambiguous loss Some Johatsu long for what they lost, watching their families as if from behind a frosted glass door they can never open. It's no less painful than what their families endure themselves – a unique kind of grief known as 'ambiguous loss'. Without knowing where Johatsu go, they never get closure. And this dark cycle can repeat itself. 'We've also noticed that disappearances in families are repeated in cycles,' says Hartmann. 'Many relatives of the disappeared go on to disappear. Or the disappeared turn out to have a parent go missing growing up. One Johatsu in the film is under the hallucination she is being stalked. But for others, the threat– a stalker, gangster or knife-wielding ex – is very real. The documentary opens with a stense scene in which a man fleeing a possessive partner is bundled inside a night mover's van. 'These people are often fleeing debt, domestic violence, the mafia or family problems' Hartmann says. 'They simply want to start afresh in a new place where nobody knows them.' But often, Hartmann said the Johatsu were simply motivated by a consuming sense of alienation. 'Sometimes people just don't feel they belong.' Cautionary tale Japan is the perfect place to disappear. Unlike Australia, the country has no national database for missing people. It's also against the law for police to access ATM transactions or financial records without a warrant. 'The great value of privacy makes Japan an ideal place to lead an anonymous life,' says Hartmann. The idea of the Johatsu is not foreign to Western Cultures. In the US, Hartmann refers to a crisis management professional who helps celebrities disappear. He also says Japanese night movers are now helping people relocate overseas. With costs of living and working hours climbing in Australia, we're not immune to the danger of a disappearing trend. With costs of living and working hours climbing in Australia, we're not immune to the danger of a disappearing trend. That's where the most potent message of Into Thin Air – that it's never too late to reconcile – can bring hope. After almost four decades after disappearing, one Johatsu in the film is seen reconnecting with his family. 'This story showed us there's always hope for reconciliation,' says Hartmann. 'We would be very grateful if anyone watching this film got a new perspective on their problems,' Mori.